Tim Rose was born in Washington, D.C. Rose learned to play the banjo and guitar, and won the top music award in high school. His first band was The Singing Strings, which included Scott McKenzie, who later joined with John Phillips in a local group called The Abstracts, who became The Smoothies as well as The Journeymen.
In 1962, following a stint as a navigator in the US Air Force, Rose teamed up with ex-Smoothie Michael Boran as "Michael and Timothy". Jake Holmes, Rich Husson and Tim formed a group called Tim Rose and the Thorns that was previously called The Feldmans. Later, Rose met singer Cass Elliot at a party in Georgetown, DC, and formed a folk trio with James Hendricks called The Big Three, changing their name from The Triumvirate. They soon landed a job at the Bitter End, a well-known folk club in New York’s Greenwich Village, along with Cafe Wha?, The Night Owl, the Gaslight, along with many musicians who lived at the Albert Hotel.
Their success grew, with appearances on national TV shows, and they recorded two albums: The Big 3 (1963) and The Big 3 Live at the Recording Studio (1964). Songs included the standard "Grandfather’s Clock" and an anti-war dirge "Come Away Melinda". Rose and Elliot had musical differences - both were inclined to want things done their way - and the band fell apart after Elliot and Hendricks secretly married. They had appeared on 26 national television shows, including Hootenanny ('63), The Danny Kaye Show ('63), and The Tonight Show Starring Johnny Carson ('62).
Known for his gruff voice, Rose was often compared to Ray Charles, Rod Stewart and Joe Cocker. The classic Beatles cover "I get by with a little help from my friends" was meant for Rose to record but went to Cocker instead. At one time George Harrison of the Beatles, was to produce an album for Rose.
After the Big Three, Rose went solo, and by 1966, his prospects had improved. In November of that year he played two gigs at the famous Fillmore Auditorium in San Francisco; headlining were the Grateful Dead and Jefferson Airplane. CBS signed Tim to a multi-album record deal; the first album, Tim Rose, came out in 1967. It featured a new version of "Come Away Melinda" and "Long Time Man" (a version of the traditional "It makes a long time man feel bad") as well as two songs that would become standards: Billy Roberts' "Hey Joe" and Bonnie Dobson's "Morning Dew". Both were released as singles, and covered from many artist from The Grateful Dead to Clannad. Backed up by a trio, that included William Lewis Wexler on keyboards and flute, he played Basin Street West in San Francisco and L'Hibou in Ottawa, Canada. He also played on numerous recording sessions including backing up Eric Weissberg.
The album was moderately successful but there was no big breakthrough for Rose, who later claimed that the mix of blues, folk and rock made it impossible for the record company to market it.
In 1966, he was getting a lot of airplay with his single of "Hey Joe". The origins of the song are disputed, yet it was copyrighted in 1962 by singer Billy Roberts: Tim claimed he heard it sung as a child in Florida, and as of 2007 Rose's website still claims the song is "traditional". Prior to Rose's recording The Leaves, The Surfaris, Love and The Byrds had all recorded fast-paced versions of the song. Tim’s version (crediting himself as author), unlike the others, was a slow, angry ballad, which received US radio airplay and became a regional hit in the San Francisco area in 1966. Jimi Hendrix had seen Rose performing at the Cafe Wha? in New York City, and released a similarly slow version in 1967 which became a huge hit, first in the UK, then worldwide. Tim always regarded the Hendrix version as a copy of his, and regretted not having been cut in on the royalties of the song, which would have been substantial if he were the actual composer. Simon Dee, a pirate disc jockey, broke the story in England.
Rose re-recorded "Hey Joe" in the 1990s, re-titling it "Blue Steel .44" and again claiming authorship.
"Morning Dew" was to go on to become a rock standard. Tim heard Fred Neil singing a version of the song penned by Canadian folk singer Bonnie Dobson, arranged it with a harder, rock feel and added his name to the writing credit. This time he managed to legally get a royalty, due to a loophole in US copyright law. Although Dobson consistently questioned his right to a credit, it is unlikely that without Rose's version the song would have become the classic it did, covered by the Grateful Dead, The Jeff Beck Group, Robert Plant and many others.
Another CBS album, Through Rose Colored Glasses, followed in 1969. It met with critical disappointment and did not sell well. Love: A Kind of Hate Story was recorded at Island Studios in London and released in 1970. In addition to his musical career, by now Rose had moved to London and would spend much of his life there. Other albums followed in the decade: Tim Rose (1974), The Musician (1975), Unfinished Song (1976).
In the early '60s Columbia records chose between Rose and Dylan to promote, despite the fact that Tim virtually ruled the singer/songwriter period in Greenwich Village, Dylan received the deal. At one point Tim was offered to record Dylan's "Don't Think Twice It's Alright", but turned it down.
In 1968 Tim was considered while replacements were being selected for Brian Jones place in The Rolling Stones. Rose's song "Roanoke" was getting some airplay in the UK and he chose to pursue a solo career.
Tim worked in the late '60s and '70s with sidemen Bob Bowers, Felix Pappalardi, Alan Seidler, Tina Charles, Pierre Tubbs, BJ Coles, Michael Winn, Colin Winston-Fletcher, Micky Wynne, John Bonham, Aynsley Dunbar, Alex Damovsky, John McVie, Andy Summers, Eric Weissberg, Russ Kunkel, Randall Elliot, Pete Seers, and appeared on bills with Traffic, Stevie Wonder, Simon and Garfunkel, The Doors, Uriah Heep, Johnny Mathis, Frank Zappa, Jimi Hendrix, Jeff Beck, Rod Stewart, Procol Harum, The Grateful Dead, Jimmy Page, Robert Plant, The Band of Joy, Tim Hardin, William Lewis Wexler, and many more.
By the late 1970s, his career was going nowhere. He recorded The Gambler in 1977, with a group that included guitarist Andy Summers, only to find that the record company refused to release it. He returned to New York for a number of years, living in Hell's Kitchen on Restaurant Row, and then much later Lincoln Square near Central Park. Having lost his contacts in the music industry, he was forced to work as a laborer until an opportunity arose to sing jingles for TV commercials in early 1980. Rose sang on many jingles, including Big Red Gum, Wrangler Jeans, and voiced ads for The Big Apple Circus, these funded his much delayed college education, he was 40 years old. Rose graduated in 1984 from Fordham University at Lincoln Center in Manhattan, with a degree in History. He became a Wall Street stockbroker, a teacher, got married and divorced. After the 1987 stockmarket crash, he got out of the business. He continued writing and performing at select venues, such as The Bitter End. He battled with alcoholism and these years were often not happy ones.
By the late 1980s, Rose had reached the lowest point in his career. After his marriage broke up, he gave up drinking. In 1986, Nick Cave included "Long Time Man", a version very close to Rose’s, on the album Your Funeral, My Trial. According to Rose, Cave was under the impression that Rose had died years before. However, he went on to assist Rose in recovering his career.
By the 1990s, things were beginning to look up. In 1991, The Gambler finally got a release. In 1996, encouraged by Cave and Dutch film makers, Suzan Ijermanns and Jacques Laureys, he returned to Europe and played a small but well regarded gig at the Half Moon, Putney. Tim performed at the Guildford Festival, and the Glastonbury Festival, as well. He went on to perform at the Royal Albert Hall with Nick Cave and the Queen Elizabeth Hall in London. A new album, Haunted, was released with recordings from these performances. He also appeared on the BBC show Later with Jools Holland. He performed with Robert Plant's band The Priory of Brion.
The new century began hopefully for Tim. He began an extensive tour of small venues in the British Isles, and sometimes further afield. In April 2001, the Tim Rose Band was the opening act at the Bergen Blues and Jazz Festival in Norway. Jacques Laurey’s film about Tim, Where Was I?, was premiered at the Rotterdam Film Festival in the same year. His final album, American Son, was released in February 2002 to some acclaim, but as usual, not very many sales. It contained some good songs, including the valedictory "Once He Was A Hero".
The CD Not goin’ anywhere by Norwegian band Headwaiter, featuring four songs with lyrics by Tim Rose and a duet with the lead singer Per Jorgenson, was launched in Norway in September 2002.
In 2002, Rose had completed a successful tour of Ireland and had a number of gigs planned around the UK. He died of a massive heart attack only hours after an operation for colon cancer in September 2002. He is buried in Brompton Cemetery, London.
He had no children. A number of recordings featuring Tim were released after his death.
http://www.tim-rose.co.uk/
Morning Dew
Tim Rose Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Walk me out in the morning dew today.
I can't walk you out in the morning dew my honey,
I can't walk you out in the morning dew at all.
I thought I heard a young girl crying, momma,
I thought I heard a young girl cry today.
You didn't hear no young girl crying, momma,
Walk me out in the morning dew, my honey,
Walk me out in the morning dew today.
I can't walk you out in the morning dew my baby,
I can't walk you out in the morning dew at all.
Thought I heard a young man crying, momma,
Thought I heard a young man cry today.
You didn't hear no young man crying, momma,
You didn't hear no young man cry at all.
Now there's no more morning dew
Now there's no more morning dew
What they've been saying all these years is true
'Cause there's no more morning dew
Oh, now there's no more morning dew
Oh, now there's no more morning dew
What they've been saying all these years was true
'Cause there's no more morning dew
Oh, now there's no more morning dew, now, now, now
Oh, now there's no more morning dew
What they've been saying all these years is so true
They have chased away all our morning dew
Oh, now there's no more morning dew
The song "Morning Dew" by Tim Rose is a powerful ballad with deep metaphorical lyrics. The chorus, "Walk me out in the morning dew, my honey" can be interpreted as an invitation for a last walk or journey. The dew at dawn is often seen as a symbol of new beginnings, purity, and freshness, therefore, asking to be taken out in the morning dew could suggest a want for a fresh start, a chance to begin anew. However, the reply, "I can't walk you out in the morning dew my honey, I can't walk you out in the morning dew at all," implies that the opportunity for a fresh start has been taken away or has already passed.
The verse "I thought I heard a young girl crying, momma," creates an image of agony and sadness. However, again, in response, "You didn't hear no young girl crying, momma, You didn't hear no young girl cry at all," suggests that the agony and sadness might not be present in the physical world, but rather the sorrows of the past that linger and torment in the present. Similarly, "Thought I heard a young man crying, momma... You didn't hear no young man crying, momma" suggests the same idea, that the sorrows of yesteryears still haunt and affect the present. The final verse, "Now there's no more morning dew, What they've been saying all these years is true, 'Cause there's no more morning dew," implies that there is no more hope for a fresh start, that the sorrows of the past have destroyed any chance for a new beginning.
Overall, Tim Rose's "Morning Dew" is rich in metaphors and can be interpreted in multiple ways. Whether interpreted as a song of love, loss, and new beginnings or a song of remorse, regret, and the death of hope, "Morning Dew" leaves a lasting impression.
Line by Line Meaning
Walk me out in the morning dew, my honey,
Take me for a walk outside when everything is covered in morning dew, my love.
Walk me out in the morning dew today.
Take me out for that walk in the morning dew today, please.
I can't walk you out in the morning dew my honey,
I can't go for a walk with you in the morning dew, my love.
I can't walk you out in the morning dew at all.
I'm sorry, I can't take you out for a walk in the morning dew at all.
I thought I heard a young girl crying, momma,
I believed I heard a young girl crying loudly, mom.
I thought I heard a young girl cry today.
I believed I heard a young girl cry today.
You didn't hear no young girl crying, momma,
I'm telling you, there wasn't a young girl crying, mother.
You didn't hear no young girl cry at all.
There was no young girl crying, I assure you.
Thought I heard a young man crying, momma,
I believed I heard a young man crying loudly, mom.
Thought I heard a young man cry today.
I believed I heard a young man cry today.
Now there's no more morning dew
The morning dew is all gone now.
What they've been saying all these years is true
The things people have been saying about the morning dew are right.
'Cause there's no more morning dew
That's because the morning dew doesn't exist anymore.
Oh, now there's no more morning dew
Unfortunately, we can't see morning dew anymore.
They have chased away all our morning dew
The morning dew is all gone now, and they are the reason why.
Writer(s): Bonnie Dobson, Tim Rose Copyright: Warner-tamerlane Publishing Corp.
Contributed by Emily A. Suggest a correction in the comments below.
Terry davidson
What a wonderful rendition
Just found out my dad used to sing this in his band
RIP dad and Tim
Ken Collins
psalms16 verse10
Tracey Coombs
♥️
Terry davidson
Old Crow he was the singer but dabbled with acoustic guitar
Stella von Thun
Wonderful memories of being a young teenager! Tim’s voice is heart wrenching!
jon smith
Great song by Bonnie Dobson, in the 60's I used to try to sing this in a band too like Tim Rose ,nah nowhere near......Tims voice is very soulful powerful.....mine aint...I hope the message doesn't come true......
padsta5479
Im 42 in Ireland and just heard this for the 1st time........ Goose bumps when his voice let rip! 👌👍✌️🎧🎶🎧
SUsyCar FISCHER stellmach
. ä .❤️
Stella von Thun
I remember this as a child and it is as awesome today!
Angela Severn
That powerful, rugged voice! Love this guy ♥️