Toad the Wet Sprocket was formed in 1986 at San Marcos High School just outside of Santa Barbara, California, when singer-songwriter Glen Phillips was just a 14-year-old freshman, and the other members were 17-year-old juniors. The band drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's Contractual Obligation Album from 1980. Their first public appearance was at an open-microphone talent contest in September 1986 (which they lost).
Toad the Wet Sprocket's first album came out in 1989. Named Bread and Circus, it was their first effort for Columbia Records, who had signed them out of high school. The album spawned the singles "Way Away" and "One Little Girl," which made the Billboard Modern Rock Tracks chart, but did not receive much attention.
The follow-up, Pale, was released in 1990 and saw their sound mature. Featuring the singles "Jam" and the Modern Rock Chart hit "Come Back Down," the album was still not a massive success.
The band finally achieved fame with their third album, Fear (released in 1991), which became the band's first RIAA certified platinum album. Also, the singles "All I Want" and "Walk on the Ocean" reached the top twenty on the Billboard Hot 100.
In 1994, after years of heavy touring, the band released their follow-up to Fear, Dulcinea. This album spawned the hit singles "Fall Down", which reached #1 on the US Modern Rock charts as well as #5 on the Mainstream Rock chart, as well as "Something's Always Wrong", which also charted. This album was also certified platinum by the RIAA.
A compilation album of b-sides and rarities, In Light Syrup, was released in 1995; it included the single "Good Intentions", which was featured on the soundtrack for the television show Friends. Largely due to the strength of the single, this compilation was certified as a gold album in 2001.
The release of Coil in 1997 acted much like a follow up to 1994's Dulcinea. Featuring a more electric, rock sound, it contained the Modern Rock and Mainstream Rock hit "Come Down", as well as the radio hit "Crazy Life" (which did not chart). The album, despite the success of "Come Down" as a single, failed to reach any sales benchmarks.
Toad the Wet Sprocket formally broke up in July 1998, citing creative differences. Since breaking up, the band performed together in 2002 at a Rape Crisis Center benefit and opened up for Counting Crows. In 2006 they began touring the United States as a band in small-venue, short-run tours each summer.
In 2009, bassist Dean Dinning said Toad the Wet Sprocket was now something each member considered an active project, and though they had not released a new studio album since 1997 and only did small summer tours, they no longer considered themselves "broken up". In May 2010, the band gathered at a California studio to begin re-recording some of their older hits for licensing reasons. Columbia Records owns the masters to the band's albums. Therefore, the band makes little money from them, so to be able to make a living off their own talent again, they made these re-recordings with the goal of having them used in film and TV.
On December 7, 2010, Toad the Wet Sprocket released their first new studio track in 11 years. The holiday track "It Doesn't Feel Like Christmas", a cover of a Sam Phillips original, was posted on their official site, available via Bandcamp, for free download just in time for the holidays, along with a new message on their site: "We're that band that did 'Walk on the Ocean', 'All I Want', 'Something's Always Wrong', and "Fall Down'. The one with the weird name. We're back from a long slumber and look forward to saying hello some time. Keep in touch…" The band had recently signed a deal with Primary Wave to handle their back catalog and any future releases, and on December 11, 2010, the band mentioned, both on stage and in an offstage YouTube interview, that they are currently writing songs for their first new studio album since 1997's Coil. In addition, they began playing two new songs, "Friendly Fire" and "The Moment", which were being worked on for the new album.
On April 12, 2011, Toad the Wet Sprocket released a new greatest hits album titled All You Want in digital and disc form via their official website. The 11-track CD includes brand new studio versions of their hits. The band does not have access to some of the versions they did for Columbia Records in the '90s. However, they did regain full control of the songs from their first two albums, and they planned to re-release them in remastered form on their own label, Abe's Records, following the release of their upcoming studio album.
On March 22, 2013, it was announced via Toad the Wet Sprocket's Facebook page that recording of the new album had been completed. The album was produced and mixed by Mikal Blue at Revolver Studios in Thousand Oaks, California. On June 5, 2013, the band announced the first new single in 16 years on Rolling Stone's website titled "New Constellation". An album of the same name was released on the band's own Abe's Records on October 15, 2013. The band marketed the new album via the crowdsourcing website Kickstarter. The band initially set a fundraising goal of $50,000, expecting it to take about two months to raise that amount. Instead, fans contributed more than $50,000 in less than 20 hours. When the Kickstarter campaign finally came to a close, they had raised a total of $264,762.
In 2014, Toad the Wet Sprocket resumed touring and opened a number of shows for Counting Crows. They showcased some of the new material from New Constellation, the Kickstarter-funded album, including "California Wasted" and the album's title track while playing a number of their earlier hits. During summer 2015, the band went on tour with fellow '90s acts Smash Mouth and Tonic. The band released an EP called Architect of the Ruin on June 16, 2015.
In 2018, Toad the Wet Sprocket announced that they had reissued their albums fear and Dulcinea on a deluxe remastered vinyl LP available through their online store. The same year, they also released a limited deluxe 5-LP box set of colored vinyl for their albums fear, Dulcinea and Acoustic Dance Party.
In a January 2020 interview with ChicagoNow, Glen Phillips stated that "Toad has started recording again." In addition, he confirmed the band's first official lineup change, and that drummer Guss had left the band on good terms. Previous occasional touring member Josh Daubin replaced Guss.
On September 25, 2020, they released a new song entitled “Starting Now”, followed by another new song "Old Habits Die Hard" on October 23rd, from their upcoming album, set to be released in 2021.
There's another band with the same name:
2. Toad The Wet Sprocket was an NWOBHM (New Wave of British Heavy Metal) band active from the mid-70s to 1982. They released two singles, "Pete's Punk Song" and "Reaching the Sky", before their breakup. Their song, "Blues in A", was included on Metal for Muthas compilation (1980).
Windmills
Toad The Wet Sprocket Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Raiding windmills
We go side by side
Laughing til it's right
There's something that you won't show
Waiting where the light goes
Break it open
Water to repair
What we have broken
There's something that you won't show
Waiting where the light goes
Maybe anywhere the wind blows
It's all worth waiting for
Pull on the borders to lighten the load
Tell all the passengers we're going home
I spend too much time
Seeking shelter
World without end
Couldn't hold her
There's something that you won't show
Waiting where the light goes
Maybe anywhere the wind blows
It's all worth waiting for
Anywhere the wind blows
Toad the Wet Sprocket's song "Windmills" is a poignant and deeply introspective piece about the complexity of human relationships and the emotional baggage that we carry with us. At its core, the song speaks to the idea that sometimes we get caught up in our own minds and obsess over things that we can't control, ultimately leading us astray from what truly matters.
The song's chorus, "I spend too much time raiding windmills," is a metaphor for this concept, referring to the futility of chasing something that is ultimately unattainable. The singer seeks comfort and solace with their partner, but they are unable to fully connect due to some personal issue that is left ambiguous. The lyrics "there's something that you won't show, waiting where the light goes," indicate a sense of hidden pain or trauma that is lurking just beneath the surface.
The verse "take the darkest hour, break it open, water to repair what we have broken," furthers the idea of fixing what has been damaged. But despite all of the difficulties, the chorus concludes that "it's all worth waiting for, anywhere the wind blows."
Overall, "Windmills" is a song that speaks to the universal human experience of struggling with one's inner demons, and the hope that comes from the possibility of repairing what has been broken.
Line by Line Meaning
I spend too much time
I waste my time
Raiding windmills
Pursuing unrealistic goals
We go side by side
We are together
Laughing til it's right
We keep trying until we succeed
There's something that you won't show
You are hiding something
Waiting where the light goes
It will be revealed over time
Take the darkest hour
Find hope in despair
Break it open
Overcome challenges
Water to repair
Make things better
What we have broken
The damage we have caused
Maybe anywhere the wind blows
Possibly anywhere it may go
It's all worth waiting for
It will be worth it in the end
Pull on the borders to lighten the load
Reduce burdens by adjusting expectations
Tell all the passengers we're going home
Share the good news of success
Seeking shelter
Looking for comfort
World without end
Forever
Couldn't hold her
Unable to keep her
Anywhere the wind blows
In any direction
Lyrics © O/B/O APRA AMCOS
Written by: DINNING, GUSS, NICHOLS, PHILLIPS
Lyrics Licensed & Provided by LyricFind
Coleah Music
I spend too much time raiding windmills
We go side by side
Laughing until it's right
There's something that you won't show
Waiting where the light goes
Take the darkest hour-break it open
Water to repair what we have broken
There's something that you won't show
Waiting where the light goes
And anyway the wind blows
It's all worth waiting for
Pull on the borders to lighten the load
Tell all the passengers we're going home
I spend too much time seeking shelter
World without end couldn't hold her
There's something that you won't show
Waiting where the light goes
And anyway the wind blows
It's all worth waiting for
Anyway the wind blows
Kathirae Perry
The older I get, the deeper these songs carve their essence in to my soul. So many incredible TTWS songs but Windmills grips my heart and tightly grasps from the beautiful first note til the haunting last. Absolute perfection.
m m
one of the most under rated and most TALENTED bands of the 90's! LOVE you, TOAD!!!!
piratessa85
I've know this song just a couple of years ago but with its melody and atmosphere it makes me image about my childhood, about a time that is gone and it gives me many nostalgic feelings. it was so beautiful to grow in the 90's
Manuel Páucar González
I read HG Wells's "The Time Machine" whilst listening to this song on loop in 1995. Until now, I just can't shake those images of a broken utopia off of this track. It's beautiful, yet haunting.
Anon Gentry
I did this with Golden Age when New Constellation came out. I will never not see the prison from Walking Dead to that song.
Nerdishgeek
One of the best songs written hands down.... Amazing!
AnnMarie Tornabene
this song has a very special place in my heart.
Macker
Just found this song a couple of hours ago by pure accident and fucking love it, can't believe this guys are more known around the world, they're brilliant!
Jase AG
I never grow tired of this song.
Vinyl LP Care
Every song ... yes every song by this band is just great! One of the very best and hugely underrated.