Born Antônio José Santana Martins, October 11, 1936 in Irará, Bahia, Brazil… Read Full Bio ↴Born Antônio José Santana Martins, October 11, 1936 in Irará, Bahia, Brazil, Zé is a representative of Brazil's alternative sound, not only because of his use of objects as instruments, but also for his attitudes and for his eccentric, vivid style. Influential in the Tropicalia movement, Zé contributed -- along with Caetano Veloso, Gilberto Gil, Gal Costa, Os Mutantes, and Nara Leão -- to the watershed tropicalia album/manifesto Tropicália: ou Panis et Circenses. While the other major figures of tropicalia would go on to great commercial and critical success in later decades, Zé slipped into obscurity in the 1970s and 1980s.
Remaining true to the experimental and dada impulses of tropicalia, Zé has been noted for both his unorthodox approach to melody and instrumentation, employing unique instruments such as a typewriter. He has collaborated with many of the concrete poets of São Paulo, including Augusto de Campos, and employed concrete techniques in his lyrics. Musically, his work appropriates samba, bossa nova, Brazilian folk music, forró, and American rock and roll, among others. He has been praised by avant-garde composers for his use of dissonance, polytonality, and unusual time signatures.
In the early 1990s, Zé's work experienced a revival when American musician David Byrne discovered one of his albums, Estudando o Samba (1975), on a visit to Rio de Janeiro. Byrne went on to release a compilation of Zé's material as well as two full-length albums of new songs on his Luaka Bop label. A guitar riff from Zé's song Jimmy, Renda-se is sampled on R&B singer Amerie's song Take Control.
Quote: "I don't make art, I make spoken and sung journalism."
Remaining true to the experimental and dada impulses of tropicalia, Zé has been noted for both his unorthodox approach to melody and instrumentation, employing unique instruments such as a typewriter. He has collaborated with many of the concrete poets of São Paulo, including Augusto de Campos, and employed concrete techniques in his lyrics. Musically, his work appropriates samba, bossa nova, Brazilian folk music, forró, and American rock and roll, among others. He has been praised by avant-garde composers for his use of dissonance, polytonality, and unusual time signatures.
In the early 1990s, Zé's work experienced a revival when American musician David Byrne discovered one of his albums, Estudando o Samba (1975), on a visit to Rio de Janeiro. Byrne went on to release a compilation of Zé's material as well as two full-length albums of new songs on his Luaka Bop label. A guitar riff from Zé's song Jimmy, Renda-se is sampled on R&B singer Amerie's song Take Control.
Quote: "I don't make art, I make spoken and sung journalism."
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Anne Lisboa
Tom Zé é FODA !!!!! O cara é ímpar, inimitável... Saudações de Juazeiro BA para IRARA
QuimicoTeorico
Son hermosos estos ritmos impulsados por el bossanova, el jazz, el funk y el acid jazz. :)
Andrej Jovićević
The best song on the album imo
Feels like driving a car, and I'm about to crash into a wall at high speed
eric
Incrível
Güelfi
isso,meu amigo.. és genialidade tupi
Charlie Osler
Brilliant: David Byrne chose this track on BBC Desert Island Discs radio on Radio 4 & World Service
jandr1ch
It appeared to be a different version with power tools though. I wonder where that version is?
Charlie Osler
jandr1ch , yes , you can only just hear that ....
Fin O'Suilleabhain
+ Charlie Osler ... Live version - complete with vocal drumming - here: https://www.youtube.com/watch?v=-hbrXEF2Yq4
Juice DaWell
That's why I'm here.