1. Trio (sometimes writt… Read Full Bio ↴More than one artist exists with this name:
1. Trio (sometimes written TRIO) was a German minimalist new wave band. Active from 1980 to 1985, it consisted of Stephan Remmler, Gert "Kralle" Krawinkel, and Peter Behrens. The group is best known for international hit single "Da Da Da", which has been often covered.
2. TRIO (an acronym for The.Rhythm.Is.Odd), a Swedish psychedelic-influenced progressive rock band that was formed in 2006 by Bjorn Egelius, Leif Fredriksson, and Tobbe Johanson.
3. A Maldivian band.
4.A French trio, all of whom played synthesizers and two of whom played violin and cello on some works.
5. A collaboration between Emmylou Harris, Dolly Parton, and Linda Rondstadt that released 2 country albums, one in 1987 and another in 1999.
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1. Trio was a minimalist new wave band that was formed in 1979 in the small town of Großenkneten, Germany. The group is best known for the 1982 worldwide hit single "Da Da Da I Don't Love You You Don't Love Me Aha Aha Aha" (often also known as just "Da Da Da"). The band consisted of Stephan Remmler (vocals), Gert "Kralle" Krawinkel (guitar), and Peter Behrens (drums).
The band was produced by former Beatles associate Klaus Voormann, who also played bass on some songs. Considered part of the "Neue Deutsche Welle" (often abbreviated as "NDW") movement, the band reportedly preferred the name "Neue Deutsche Fröhlichkeit", which means "New German Cheerfulness", to describe their music. Although achieving a significant burst of international fame, various pressures proved too much for the musicians, and the band broke up in 1985.
2. TRIO (short for "The.Rhythm.Is.Odd", which the group is often known as) is a progressive rock band with an experimental, often psychedelia-based sound that was formed in Stockholm, Sweden September in 2006. The project was devised by famous Swedish drummer Leif Fredriksson together with bassist Bjorn Egelius and musician Tobbe Johanson, the latter of which handles both guitar and vocals. Their debut album, titled From Nowhere To Eternity, came out in October 2008.
* Album Website
3. A Maldivian band which is really popular in Maldives for the song 'Chaaley'.
4. A French trio, all of whom played synthesizers and two of whom played violin and cello on some works. Their work is rare but can be found free download at www.avantgardeproject.org.
The Avant Garde Project is a series of 20th-century classical-experimental-electroacoustic torrents digitized from LPs whose music has in most cases never been released on CD, and so is effectively inaccessible to the vast majority of music listeners today. This is wild stuff, so check it out if you've never heard this sort of music before. The analog rig used to extract the sound from the grooves is near state-of-the-art, producing almost none of the tracking distortion or surface noise normally associated with LPs.
AGP1-43 are now available for direct download in the archive at www.avantgardeproject.org
AGP44-47 are available at http://thepiratebay.org/user/loudav
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AGP48 features the work of a French trio, all of whom play synthesizers and two of whom play violin and cello on some works. They play works by trio members as well as Philippe Mion and Bernard Parmegiani, as well as collaborative compositions. The six tracks of this installment comprise all but one of the tracks on a 2LP set on INA-GRM records. The last track, by Bernard Parmegiani, will be included in AGP49.
My personal favorite track is 05, by Philippe Mion. His sense of rhythm is reminiscent of L'Image …conduite (AGP5), as is the fugal structure he achieves through the overlapping of reiterated sound elements with gradual development in the course of the composition. The timbres are more limited in this work, but still enjoyable.
The recording and pressing of this installment is basically flawless. The torrent includes a text file with the English language notes from the set.
Equipment used for A/D conversion: Lyra Helikon phono cartridge, Linn LP12/Lingo turntable, Linn Ittok tonearm, Audioquest LeoPard tonearm cable, PS Audio PS2 preamplifier, Kimber PBJ interconnect, M-Audio Audiophile USB A/D converter. .
Sabine Sabine Sabine
Trio Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(I love you, I love you)
Hallo? Sabine?
(Sabine, Sabine, Sabine, Sabine, Sabine)
Äh, wie geht's, na?
Pass ma' auf (Sabine, Sabine, Sabine, Sabine)
Ja
Und äh, die hatten diese Musik im Radio
Und äh, da musst' ich natürlich an dich denken (Sabine, Sabine, Sabine)
Weil du ja auch letzt' Mal gesagt hattest, ehm
Ich soll ruhig wieder anrufen, ne?
Und, doch, doch! Hast du gesagt, doch (I love you, I love you)
Doch bestimmt, bestimmt
Und dann diese Musik, weißt du?
Ja, und dann dacht' ich, ruf doch mal an, und
Was? Hallo? Hallo? Sabine?
Nee nee, nee nee, ich dachte nur
(Sabine, Sabine, Sabine, Sabine, Sabine) dass du dann mal 'rum kommst
Ja, wie? Wie, wie? Öh, nee, och
Na, weißt du doch! (Sabine, Sabine, Sabine, Sabine)
Ja, nee, nee, nee, nee, nee
Nee, das, das, das seh' ich nich' so
Nee, das, das muss ja auch nich' sein (Sabine, Sabine, Sabine)
Nee, weißt du doch, das ist doch jetzt
Du und ich und und, weißt du doch
Wie letzt' Mal, ja? (I love you, I love you)
Wieso? Das versteh ich nich'
Letzt' Ma hast du ganz anders, also
Was?
Ja, genau, genau!
Und da hast du gesagt, das wär alles dufte
Und das ginge ruhig so und äh (Sabine, Sabine, Sabine, Sabine, Sabine)
Was? Ach hör doch, is' ja gar nich' wahr!
Ach, Mensch, nee, nee und und überhaupt, das is' (Sabine, Sabine, Sabine, Sabine)
Nee, wenn das so is', dann, dann, dann passt mir das auch nich'
Was? Nee, nee nee, nee nee
Klar wär' das dufte und, öh, würd mich auch (Sabine, Sabine, Sabine)
Ja, oder doch, wa?
Nee, weil, weil
Ich mein', das ist doch alles nich' so wichtig
Mensch, Hauptsache du und ich
Und zusammen und wohlfühlen, oder?
Coochie? Na? Nix mit coochie?
Hat sich ausgecoochiet? (I love you, I love you)
Na denn, ab dafür!
Okay, ja, ja, alles klar, alles klar
Eh, muss ja auch nich' (I love you, I love you)
Ja, is' klar
Du rufst dann wieder an, oder?
Nee, nee, das is' schon in Ordnung
Nee, is' schon in Ordnung (I love you, I love you)
OK
Okay, mhm, tschüss
Tschüss, tschüss
The lyrics to Trio's song Sabine Sabine Sabine are a conversation between two individuals, with one person making a phone call to Sabine. The lyrics are not structured in a traditional verse-chorus-bridge format, but rather, it's an almost stream-of-consciousness conversation, with repetitions of Sabine's name and "I love you." The singer talks about hearing a music piece on the radio and thinking of Sabine because she had previously told him to call her again. He asks if she will come over, but the conversation takes a turn when Sabine expresses hesitation. He reassures her that they don't need to worry about trivial things and that being together is what's important.
The song's meaning is ambiguous, with the conversation consisting of small talk, digressions, and misunderstandings. However, the repetitive use of Sabine's name and "I love you" suggest a longing for another person's affection and companionship. The conversation's meandering nature also mirrors the anxiety and uncertainty that often come with romantic relationships.
Line by Line Meaning
I love you, I love you
The singer is expressing their love for Sabine.
Hallo? Sabine?
The singer is calling Sabine on the phone.
(Sabine, Sabine, Sabine, Sabine, Sabine)
The singer is repeating Sabine's name, perhaps to get her attention or emphasize his feelings for her.
Äh, wie geht's, na?
The artist is asking Sabine how she's doing.
Pass ma' auf (Sabine, Sabine, Sabine, Sabine)
The artist is telling Sabine to listen.
Ja
Sabine responds in the affirmative.
Ja, ich, is', is' im Radio
The singer is telling Sabine that he heard a song on the radio.
Und äh, die hatten diese Musik im Radio
The artist is describing the music he heard on the radio.
Und äh, da musst' ich natürlich an dich denken (Sabine, Sabine, Sabine)
The artist thought of Sabine when he heard the music and is repeating her name.
Weil du ja auch letzt' Mal gesagt hattest, ehm
The artist is referring to something Sabine said during their last conversation.
Ich soll ruhig wieder anrufen, ne?
Sabine told the singer to call her again sometime.
Und, doch, doch! Hast du gesagt, doch (I love you, I love you)
Sabine gave the artist permission to call her again and he's repeating his love for her.
Doch bestimmt, bestimmt
Sabine seems to affirm her previous statement.
Und dann diese Musik, weißt du?
The singer is telling Sabine he was reminded of her by the music he heard.
Ja, und dann dacht' ich, ruf doch mal an, und
The singer decided to call Sabine because of the music he heard.
Was? Hallo? Hallo? Sabine?
The artist is trying to get Sabine's attention on the phone.
Nee nee, nee nee, ich dachte nur
The artist didn't actually expect Sabine to come over, it was just a thought.
(Sabine, Sabine, Sabine, Sabine, Sabine) dass du dann mal 'rum kommst
The singer is again repeating Sabine's name in relation to the thought of her coming over.
Ja, wie? Wie, wie? Öh, nee, och
Sabine asks how the singer expects her to come over and seems hesitant.
Na, weißt du doch! (Sabine, Sabine, Sabine, Sabine)
The artist is telling Sabine that she knows what he's talking about and repeats her name again.
Ja, nee, nee, nee, nee, nee
Sabine is saying 'no' several times, indicating she's not interested in coming over.
Nee, das, das, das seh' ich nich' so
Sabine is indicating that she doesn't agree with what the artist is suggesting.
(Sabine, Sabine, Sabine)
The singer repeats Sabine's name again.
Nee, weißt du doch, das ist doch jetzt
The artist is trying to convince Sabine that this is the right situation for them to be together.
Du und ich und und, weißt du doch
The singer is emphasizing that it's just him and Sabine and nobody else.
Wie letzt' Mal, ja? (I love you, I love you)
The singer is reminding Sabine of how things were in their previous encounter and repeating his love for her.
Wieso? Das versteh ich nich'
Sabine seems confused and doesn't understand what the singer is trying to say.
Letzt' Ma hast du ganz anders, also
The artist is referring to Sabine's behavior in their last encounter.
Was?
Sabine is asking what the artist means.
Ja, genau, genau!
The singer is insisting that Sabine acted differently last time.
Und da hast du gesagt, das wär alles dufte
The singer is quoting Sabine and indicating that she said everything was 'dufte' (German slang for cool/great).
Und das ginge ruhig so und äh (Sabine, Sabine, Sabine, Sabine, Sabine)
Sabine apparently said things were fine the way they were and the artist continues to repeat her name.
Was? Ach hör doch, is' ja gar nich' wahr!
Sabine is saying what the artist is saying isn't true and is asking him to stop.
Ach, Mensch, nee, nee und und überhaupt, das is' (Sabine, Sabine, Sabine, Sabine)
The artist is continuing to repeat Sabine's name, perhaps as an attempt to persuade her or show his feelings for her.
Nee, wenn das so is', dann, dann, dann passt mir das auch nich'
The singer is telling Sabine that if that's how she feels, it's not going to work out.
Was? Nee, nee nee, nee nee
Sabine is disagreeing with the artist.
Klar wär' das dufte und, öh, würd mich auch (Sabine, Sabine, Sabine)
Sabine is saying that everything would be cool and that she would be interested in it.
Ja, oder doch, wa?
The singer is expressing some skepticism about Sabine's change of heart.
Nee, weil, weil
Sabine is trying to explain her reasoning.
Ich mein', das ist doch alles nich' so wichtig
Sabine is saying that this isn't really that important in the grand scheme of things.
Mensch, Hauptsache du und ich
Sabine is saying that what really matters is the two of them being together.
Und zusammen und wohlfühlen, oder?
Sabine is asking if being together and feeling good is what really matters.
Coochie? Na? Nix mit coochie?
The singer seems to be trying to initiate something sexual and Sabine doesn't seem receptive.
Hat sich ausgecoochiet? (I love you, I love you)
The artist seems disappointed that Sabine isn't interested and repeats his love for her.
Na denn, ab dafür!
The artist seems resigned to the situation and is perhaps wishing Sabine well and is ready to move on.
Okay, ja, ja, alles klar
The artist is accepting Sabine's decision.
Eh, muss ja auch nich' (I love you, I love you)
The singer is saying it's okay and repeats his love for Sabine.
Ja, is' klar
Sabine seems to be agreeing or understanding the artist.
Du rufst dann wieder an, oder?
Sabine is asking the singer to call her again sometime.
Nee, nee, das is' schon in Ordnung
The singer is telling Sabine he doesn't need to call again.
OK
Sabine seems to accept the situation and is okay with it.
Tschüss
The artist is saying goodbye to Sabine.
Tschüss, tschüss
Both the artist and Sabine are saying goodbye to each other multiple times.
Lyrics © O/B/O APRA AMCOS
Written by: Kralle Kralle, Stephan Remmler
Lyrics Licensed & Provided by LyricFind