During the war she toured Egypt, India, and Burma (Myanmar) as part of ENSA, giving outdoor concerts for the troops. The songs most associated with her are "We'll Meet Again", "The White Cliffs of Dover", "A Nightingale Sang in Berkeley Square" and "There'll Always Be an England".
She remained popular after the war, appearing on radio and television in the UK and the US and recording such hits as "Auf Wiederseh'n Sweetheart" and her UK Number one single "My Son, My Son". Her last single, "I Love This Land", was released to mark the end of the Falklands War. In 2009, at age 92, she became the oldest living artist to top the UK Albums Chart.
She has devoted much time and energy to charity work connected with ex-servicemen, disabled children, and breast cancer. She is held in great affection by veterans of the Second World War to this day and in 2000 was named the Briton who best exemplified the spirit of the 20th century.
On 20th March, 2017 Dame Vera celebrated her 100th birthday.
Vera Margaret Welch was born in East Ham, London. She began performing publicly at the age of seven and adopted her maternal grandmother's maiden name, Margaret Lynn, as her stage name when she was eleven. Her first radio broadcast, with the Joe Loss Orchestra, was in 1935. At this point she was being featured on records released by dance bands including those of Loss and of Charlie Kunz.
Vera Lynn made her solo recording debut with the song "The General's Fast Asleep" on the 3rd October 1935, accompanied by the Rhythm Rascals (A pseudonym for Jay Wilbur's orchestra). The 9" 78 rpm single was issued on the Crown Records label, which went on to release a total of 8 singles recorded by Vera Lynn and Charles Smart on organ. Early recordings include "I'm in the Mood for Love" and "Red Sails in the Sunset".
In 1938 the Decca label took over control of the British Crown label and the UK based Rex label, they had also issued early singles from Lynn in 1937, including "Harbour Lights". In late September 1939 Vera Lynn first recorded a song that continues to be associated with her: "We'll Meet Again" was originally recorded with Arthur Young on the Novachord.
In 1940 she began her own radio series, "Sincerely Yours", sending messages to British troops stationed abroad. In this radio show she and a quartet performed the songs most requested to her by soldiers stationed abroad. She also went into hospitals to interview new mothers and send messages to their husbands overseas. She toured Burma and gave outdoor concerts for soldiers.
In 1941 Vera Lynn married Harry Lewis, clarinettist, saxophonist and fellow member of Bert Ambrose's orchestra.
In 1942 she recorded the Ross Parker/Hughie Charles song "We'll Meet Again" while making the film of the same name. The nostalgic lyrics ("We'll meet again, don't know where, don't know when, but I know we'll meet again some sunny day") had a great appeal to the many people separated from loved ones during the war, and it became one of the emblematic songs of the wartime period.
After the war, her "Auf Wiederseh'n Sweetheart" became the first record by a British artist to top the US charts, doing so for nine weeks, and she appeared regularly on Tallulah Bankhead's US radio programme "The Big Show". "Auf Wiederseh'n Sweetheart", along with "The Homing Waltz" and "Forget-Me-Not" gave Lynn a remarkable three entries on the first UK Singles Chart, a top 12 (which contained 15 songs owing to tied positions).
Lynn's career flourished in the 1950s, peaking with "My Son, My Son", a number-one hit in 1954. It was co-written by Eddie Calvert.
Throughout the 1940s and 1950s the Decca label issued all of Lynn's records, including several recorded with Mantovani and His Orchestra in 1942 and with Robert Farnon, from the late 1940s. Firstly they were only available as 78 rpm singles, which only feature two songs an A and a B-side. In the mid-1950s Decca issued several EP singles, which featured between two and four recordings per side, such as Vera Lynn's Party Sing Song from 1954 and singles were issued on two formats the known 78 rpm 10" and the recently introduced 45 rpm 7" single. In the late 1950s Lynn recorded four albums at Decca, the first; Vera Lynn Concert remains her only live recording ever to be issued on vinyl.
In 1960, after more than 20 years at Decca Records, Lynn signed to the US based MGM Records. In the UK her recordings were distributed by the His Masters Voice label, later EMI Records. Several albums and stand-alone singles were recorded with Geoff Love & His Orchestra. Norman Newell also took over as Lynn's producer in this period and remained with her until her 1976 album Christmas with Vera Lynn. Recording at EMI Records up until 1977, Lynn released thirteen albums with material as diverse as traditional Hymns, pop and country songs, as well as re-recording many of her known songs from the 1940s for the albums Hits of the Blitz (1962), More Hits of the Blitz and Vera Lynn Remembers – The World at War (1974). In the 1980s two albums of contemporary pop songs were recorded at the Pye Records label, both including covers of songs previously recorded by artists such as ABBA and Barry Manilow.
In 1982 Lynn released the stand-alone single "I Love This Land", written by André Previn, to mark the end of the Falklands War. Lynn's last recordings before her retirement were issued on the 1984 album Vera Lynn Remembers, produced by her husband, Harry. The album featured 17 re-recordings of songs known and associated with Lynn over her career.
Lynn was awarded the British War Medal 1939–1945 and the Burma Star.
She was appointed Officer of the Order of the British Empire (OBE) in the 1969 New Year Honours "for services to the Royal Air Forces Association and other charities", and was advanced to Dame Commander of the Order of the British Empire (DBE) in the 1975 Birthday Honours for charitable services.
In 1976 she received an honorary doctorate from the Memorial University of Newfoundland. In 1977 She was made an honorary citizen of Nashville, Tennessee. She received the Freedom of the City of London in 1978.
She was made a Commander of the Order of Orange-Nassau in 1985. She was made an Officer of the Order of Saint John (OStJ) in 1998 and, in 2000, Lynn received a special "Spirit of the 20th Century" Award.
A street named in her honour, Vera Lynn Close, is situated in Forest Gate, London.
She was appointed Member of the Order of the Companions of Honour (CH) in the 2016 Birthday Honours for services to entertainment and charity.
A preserved example of the WD Austerity 2-10-0 class of steam locomotives at the North Yorkshire Moors Railway is named Dame Vera Lynn.
London Pride
Vera Lynn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
London Pride is a flower that's free.
London Pride means our own dear town to us,
And our pride it for ever will be.
Woa, Liza,
See the coster barrows,
Vegetable marrows
And the fruit piled high.
Little London sparrows,
Covent Garden Market where the costers cry.
Cockney feet
Mark the beat of history.
Every street
Pins a memory down.
Nothing ever can quite replace
The grace of London Town.
There's a little city flower every spring unfailing
Growing in the crevices by some London railing,
Though it has a Latin name, in town and country-side
We in England call it London Pride.
London Pride has been handed down to us.
London Pride is a flower that's free.
London Pride means our own dear town to us,
And our pride it for ever will be.
Hey, lady,
When the day is dawning
See the policeman yawning
On his lonely beat.
Gay lady,
Mayfair in the morning,
Hear the footsteps echo in the empty street.
Early rain
And the pavement's glistening.
All Park Lane
In a shimmering gown.
Nothing ever could break or harm
The charm of London Town.
The lyrics to Vera Lynn's song "London Pride" celebrate the beauty and history of London, England. The singer talks about how London Pride, a flower, symbolizes the love and pride that Londoners have for their city. The song invokes images of the city's bustling markets, like Covent Garden, where costers cry out their wares, and the sound of cockney feet marking the beat of history. The lyrics also mention the quiet of Mayfair in the morning and the sound of footsteps echoing in the empty streets.
The song emphasizes the beauty of London, even during the rain, when everything on the pavement glistens. The charm of London town can never be broken or harmed. As the song says, London Pride has been handed down to the people of London, and it will always be a symbol of the love and pride that they have for their city.
Overall, "London Pride" is a beautiful tribute to the city of London and reflects the deep connection that its residents have to their home.
Line by Line Meaning
London Pride has been handed down to us.
London Pride is a symbol that has been passed down to us and signifies the pride we have towards our dear town of London.
London Pride is a flower that's free.
London Pride is a type of flower that grows freely in the city, representing the freedom of the city and its people.
London Pride means our own dear town to us,
London Pride is a representation of our deep love and connection to our own town of London.
And our pride it for ever will be.
Our pride for our town of London will always be present and will never fade away.
Woa, Liza, See the coster barrows, Vegetable marrows And the fruit piled high.
Hey, Liza, take a look at the coster barrows, displaying heaps of vegetable marrows and fruits.
Woa, Liza, Little London sparrows, Covent Garden Market where the costers cry.
Hey, Liza, observe the London sparrows and the Covent Garden Market where the costermongers sing their cries.
Cockney feet Mark the beat of history.
The footsteps of Cockneys mark the rhythm of the city's history.
Every street Pins a memory down.
Every street represents a unique memory of the city.
Nothing ever can quite replace The grace of London Town.
The graceful charm of London Town is irreplaceable and cannot be matched.
There's a little city flower every spring unfailing Growing in the crevices by some London railing, Though it has a Latin name, in town and country-side We in England call it London Pride.
Every spring, a city flower grows in the crevices along some railing in London, and though it may have a Latin name, we in England call it London Pride.
Hey, lady, When the day is dawning See the policeman yawning On his lonely beat.
Hey, lady, witness the policeman's yawn as the day breaks, while he patrols his lonely beat.
Gay lady, Mayfair in the morning, Hear the footsteps echo in the empty street.
Happy lady, listen to the echoing footsteps in the empty morning streets of Mayfair.
Early rain And the pavement's glistening. All Park Lane In a shimmering gown.
The early rain glistens on the pavement, and Park Lane adorns a shimmering gown.
Nothing ever could break or harm The charm of London Town.
The charm of London Town cannot be broken or harmed by anything.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind