Wale was born to Nigerian immigrant parents in Washington, DC. He grew up on Peabody Street in Northwest DC and moved to Largo, Maryland as a teenager. He attended seven different high schools in Washington, D.C. and Maryland, finally graduating from Quince Orchard High School in 2001. He went to Robert Morris College and Virginia State University on football scholarships, and then Bowie State University but dropped out in 2004 to pursue music full-time. Before music started paying the bills, Wale worked day jobs at Sprint, Up Against The Wall and Downtown Locker Room.
Wale emerged onto the local DC hip hop scene with the help of WKYS-FM's DJ Alizay. Wale began getting radio play in 2004 with a single called "Rhyme of the Century" which got Wale in the June 2005 "Unsigned Hype" section of Source magazine and his buzz started growing.
In November 2006, a feature ran on AllHipHop.com's Breeding Ground about Wale. The day before Thanksgiving, Wale took the stage between Lil Wayne and T.I. during the Southern Invasion tour at the Verizon Center.
In early December 2006, Wale won the award for "D.C. Metro Breakthrough Artist of the Year" at WKYS' Go-Go Awards. On December 15, The Fader magazine associate editor Nick "Catchdubs" Barat visited Wale for an interview and photo shoot which appeared in the March 2007 issue of The Fader.
Wale has an upcoming promotional campaign with Remy Martin and XXL Magazine. He has also been linked to boutique streetwear brands The Hundreds, 10 Deep and Good Bully, as well as lifestyle brands Stussy and LRG.
In January 2007, Wale released a new single to radio called "Good Girls." Daniel Weisman gave the song to Mark Ronson and on February 23, 2007, Ronson began playing the song on his East Village Radio show. A week later, at Ronson's studio, Wale recorded a freestyle for Ronson and in exchange, Ronson put Wale on an unreleased remix of Lily Allen's "Smile" which appeared on a number of music blogs around the world on March 13th, 2007. In April of 2007, Ronson asked Wale to join him on a UK tour to promote the release of his newest album. In June of 2007, Wale signed to a production deal with Ronson's Allido Records.
On June 24, 2007, Wale's "Ice Cream Girl" with TCB, was featured on the show Entourage, on HBO.
Wale performed "W.A.L.E.D.A.N.C.E.", from his 100 Miles mixtape, at the 2007 MTV Video Music Awards in Las Vegas, NV.
Wale was also featured in the October 2007 issues of XXL and Rolling Stone. The Washington Post profiled Wale on the front page of the Sunday Style section in the October 21st, 2007 edition. Wale is featured on the cover of URB Magazine's 150th issue along with French electro group, Justice.
iTunes released "Nike Boots" as a free download on November 13th, 2007 as its "Single of the Week." On Christmas Day 2007, Wale debuted the "Nike Boots Remix" featuring Lil Wayne and Green Lantern on his myspace page. Wale and Lil Wayne played a Nike Boots event called DC Stand Up at Ibiza Nightclub in DC on January 15, 2008 which was sponsored by Nike and Footaction.
In the November 30th, 2007 issue of Entertainment Weekly, Wale is featured as one of 8 people to watch in 2008 along with actors Simon Pegg and Rachel McAdams.
On March 12, 2008, Wale announced on 93.9 WKYS that he had signed with Interscope.
On April 29, 2008, the new Roots album entitled Rising Down was released, featuring Wale on the final track. Wale's relationship with the Roots began when Black Thought heard a song recorded as a tribute to himself on Wale's 2007 mixtape 100 Miles & Running and contacted Wale.
In the June issue of the German Hip-Hop magazine JUICE Wale announced that his upcoming debut-album will feature production credits from Mark Ronson, Kanye West, Just Blaze, 9th Wonder and the French electronic music duo Justice.
http://www.myspace.com/wale202
Bricks
Wale Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
As a kid need a goal, the powder's made of gold (Oh, Oh, Oh)
Getting blowed
Thinkin' I'm so glad that I can rap cause I can't move no dope
But I do know, a few niggas that did and a few niggas that still
And a few niggas that's through, are the few niggas that's dead
Cop a brick and supply cause nobody offerin' jobs
Bricks build, buildings build, houses build neighborhoods
Better ripped than turned into a baller or a Davis shirt
Understated to say it hurts, I was optimistic
Tryna see my gang and whippin' made me wish that I was flippin'
This college went out of his dollar pension
Cause after 4 or 5 you don't have nothing but college tickets
But them niggas tryna hold my head and work this out (tryna work this out)
Countin' numbers up in my head tryna build this house (tryna build this house)
Mama told me if I made my bed then I gotta lay down
But I never seem to keep these words all up out my mouth
Bricks bricks it's all them niggas talkin' bout
Bricks bricks it's all them niggas talkin' bout
Bricks bricks it's all them niggas thinkin' bout
Little niggas on the scene, ain't gotta dream it now
Studio getting blowed
Thinkin' I'm so glad that I can rap cause I can't move no dope
But I do know, a few niggas that did and a few niggas that still
And a few niggas that's through, are the few niggas that's dead
Look, little niggas will shoot you, they got nothing to say
Cause local celebrities only bout a brick away
If you still whip em he getting those from whippin' yay
And you got no paper, you been so patient, come get some weight
Sneaker boxes, you can see your progress
And you weekend shoppin', show people no people problem
I can see the problem, you nigga don't have no conscience
Can't shoot, can't dribble, can't rap
Young nigga don't have no options
From a brick, to a stone, tryna feed for my homie
From the powder, turn to power, and the power turn to dough
Turning head with yo whip, Is it worth what you did?
If a brick is a brick from a brick you can build
From a brick to a stone, got a feign for a homie
Turn 2 into 4, turn reef to a home
Turn the powder, into power, and the power turn to hoes
If a brick is a brick, to a brick you can throw
Bricks
(It's only one way out)
Nine years old, feds lookin' for my moms
10 or 11, held my first gun
First time I heard bricks, I was thinking construction
Until my 'migo plug from Mexicรณ gave me my introduction (now)
16, gettin' them bricks for the 16
Course I'm rappin' bitch but now I'm wrappin' bricks for 16
I was 17 ridin in that Lexus on 20's
18 and 19 payin nothing over 20
And a thousand 8 grams divided by 4 is 2-52
If you know what that mean you noticed it now
And if you don't, learn how to divide nigga
I'm talkin' bricks, no jump shots
I'm talkin' work, no punch clocks!
But them niggas tryna hold my head and work this out
Countin' numbers up in my head tryna build this house
Mama told me if I made my bed then I gotta lay down
But I never seem to keep these words all up out my mouth
Bricks bricks it's all them niggas talkin bout
Bricks bricks it's all them niggas talkin bout
Bricks bricks it's all them niggas thinkin bout
Little niggas on the scene, ain't gotta dream it now
The lyrics of โBricksโ by Wale Feat. Yo Gotti and Lyfe Jennings, talks about the drug trade and its effects. The song captures the transition from a drug user, into a dealer and the struggles that come with the lifestyle. The opening lines, โFrom a brick to a stone, does a feign have a soul?โ questions the morality of selling drugs to those addicted to them. It also suggests that the ones supplying the drugs also lose their soul as they fuel addiction.
The song further talks about the struggles of youth in America and the lack of opportunity leads them to the drug trade. The lyrics, โSo f*** a 9 to 5, they clockin' and tryna survive, Cop a brick and supply cause nobodyโs offering jobsโ highlights the reality that drug dealing is often more lucrative than a nine-to-five job for many in the ghetto.
The importance of financial security is also emphasized on the song, โBricks build, buildings build, houses build neighborhoods, Better ripped than turned into a baller or a Davis shirtโ. The artists suggest that the only way to break the cycle of poverty is through entrepreneurship even if it involves drug dealing.
Overall, the song is a reflection of the socio-economic conditions in America and the struggles of individuals trying to make ends meet.
Line by Line Meaning
From a brick to a stone, does a feign have a soul? (Oh, Oh)
Does a drug addict still have a soul as he goes from using one drug to another?
As a kid need a goal, the powder's made of gold (Oh, Oh, Oh)
As a kid, you need a goal to stay away from drugs like cocaine, which is referred to as 'gold' here.
Getting blowed
Thinkin' I'm so glad that I can rap cause I can't move no dope
But I do know, a few niggas that did and a few niggas that still
And a few niggas that's through, are the few niggas that's dead
The artist is happy that he can rap and earn a living without dealing drugs. However, he knows people who used to sell drugs and some who still do, and some who have died from it.
So fuck a 9 to 5, they clockin' and tryna to survive
Cop a brick and supply cause nobody offerin' jobs
Bricks build, buildings build, houses build neighborhoods
Better ripped than turned into a baller or a Davis shirt
Understated to say it hurts, I was optimistic
Tryna see my gang and whippin' made me wish that I was flippin'
This college went out of his dollar pension
Cause after 4 or 5 you don't have nothing but college tickets
With no job opportunities available, the artist chooses to sell drugs instead of working a 9 to 5. He believes that drug money can help build communities through construction projects. He prefers to take the risk of selling drugs than working a low-wage job, even though he knows it takes a toll on himself and his community. He regrets not completing college, which was his only other option.
But them niggas tryna hold my head and work this out (tryna work this out)
Countin' numbers up in my head tryna build this house (tryna build this house)
Mama told me if I made my bed then I gotta lay down
But I never seem to keep these words all up out my mouth
The artist's friends are trying to help him find a way out of drug dealing. He is trying to make enough money to build a life for himself. His mother taught him to take responsibility for his actions, but he struggles to follow her advice.
Look, little niggas will shoot you, they got nothing to say
Cause local celebrities only bout a brick away
If you still whip em he getting those from whippin' yay
And you got no paper, you been so patient, come get some weight
Sneaker boxes, you can see your progress
And you weekend shoppin', show people no people problem
I can see the problem, you nigga don't have no conscience
Can't shoot, can't dribble, can't rap
Young nigga don't have no options
The artist warns that young people who lack direction will resort to violence. Local celebrities who sell drugs can easily become the target of violence. Those who still sell drugs are putting themselves in danger since they are being supplied by someone higher up. Those who sell drugs have no conscience and care only about money. The artist believes that young people who have no skills or opportunities will turn to drugs and violence.
From a brick, to a stone, tryna feed for my homie
From the powder, turn to power, and the power turn to dough
Turning head with yo whip, Is it worth what you did?
If a brick is a brick from a brick you can build
From a brick to a stone, got a feign for a homie
Turn 2 into 4, turn reef to a home
Turn the powder, into power, and the power turn to hoes
If a brick is a brick, to a brick you can throw
Bricks
(It's only one way out)
The artist is trying to make money by selling drugs to help his friend. He started with cocaine and is now at a point where he has power and money. He is questioning if it was worth doing what he did to make it. He believes that if you start with just one brick, you can build your way up to something greater. However, this way of life only leads to one path, and that is prison or death.
Nine years old, feds lookin' for my moms
10 or 11, held my first gun
First time I heard bricks, I was thinking construction
Until my 'migo plug from Mexicรณ gave me my introduction (now)
16, gettin' them bricks for the 16
Course I'm rappin' bitch but now I'm wrappin' bricks for 16
I was 17 ridin in that Lexus on 20's
18 and 19 payin nothing over 20
And a thousand 8 grams divided by 4 is 2-52
If you know what that mean you noticed it now
And if you don't, learn how to divide nigga
I'm talkin' bricks, no jump shots
I'm talkin' work, no punch clocks!
The artist's life of dealing drugs began at a very young age, and he had to carry a gun for protection. He initially thought bricks were a construction material until he met his Mexican 'migo' who introduced him to drug dealing. He has been dealing drugs since he was 16 and is making more money than he is from rapping. He is proud of how he has progressed through the drug game, shown by his knowledge of how to divide large amounts into smaller ones. He is not talking about basketball (jump shots) or working a normal job (punch clocks), but rather dealing drugs (bricks).
Bricks bricks it's all them niggas talkin' bout
Bricks bricks it's all them niggas talkin' bout
Bricks bricks it's all them niggas thinkin' bout
Little niggas on the scene, ain't gotta dream it now
Studio getting blowed
Thinkin' I'm so glad that I can rap cause I can't move no dope
But I do know, a few niggas that did and a few niggas that still
And a few niggas that's through, are the few niggas that's dead
The song's hook repeats how drug dealing is all anyone is talking about. Young people do not have to dream about drug dealing anymore since it is everywhere around them. The artist is relieved that he is making a living from rapping instead of selling drugs. However, he knows of people who used to sell drugs and still do, and some who have died from the drug game.
Lyrics ยฉ Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc., Universal Music Publishing Group, BMG Rights Management
Written by: OLUBOWALE AKINTIMEHIN, LYFE JENNINGS, KEVIN BION SPENCER, MARIO SENTELL GIDEN, CARL MCCORMICK, SAMUEL DEW
Lyrics Licensed & Provided by LyricFind
@mlotshwamlotshwa1744
2021 and still listening to this album๐ฅ
@Luthealxhemist
Still listening 2023
@hunterbrawner2470
He raps from the heart this is real rap music
@johnbrown-wj3ql
One of the best song on the album
@ahjrome
Lyfe Jennings on the hook was perfect, great track
@TraeSonYbc24
He didn't spare the hook at all๐ฅ
@lukeybyrd5833
Yo Gotti killed it!!
@sclark615
Underrated lyric genius, mass appeal with substance. The makings of greatness.
@jackmichhoffnickkerr2745
Wale killed this track and gotti murders it aswell and lyfe Jennings went along with it perfectly
@rashadramaileh6700
cant believe this song is 10 years old now... classic