Zeb and Haniya was conceived circa 2000-2003, the girls’ college days in the United States. Chup, their first song, came to life in sessions at an abandoned café in the basement of Zeb's dorm. After a tremendous response from the college community, Zeb and Haniya recorded a rough version of Chup and another song titled Yaad with Mekaal Hasan (of Mekaal Hasan Band). Once again, the response was remarkable. The songs were a hit. They spread on the internet and soon found their way onto Pakistan’s City FM 89 radio waves.
Zeb has been singing since age eight and has been training as a vocalist since 1998 with acclaimed Ustad Mubarak Ali Khan. Her fellow musician and first cousin, Haniya, is a guitarist, vocalist and a songwriter. 9 of their debut album’s 10 songs are original compositions. Produced by Mekaal Hasan, at Digital Fidelity Studios, the accompanying musicians on the album read like a ‘best of’ list in the national music scene: former Noori drummer, Louis 'Gumby' Pinto on percussion, Shallum Xavier of Fuzon on lead guitar, bass by Kamran 'Mannoo' Zafar, Mauj’s Omran Shafique plays a blues solo on their debut single Aitebaar, and Co-Ven’s Hamza Jafri (guitars), Sikander Mufti (drums) and Sameer Ahmed (bass) are featured on the final track of the album. Finally, the accomplished Norwegian jazz trumpeter, Hildegen Øiseth, makes an unforgettable appearance in some tracks.
The album was snapped up by Fire Records, one of the biggest labels in Pakistan, and is due for release in June 2008. In addition, Zeb and Haniya shot their first video in March 2008 with renowned director Saqib Malik, (of Khamaj Fame) The video is slated for release in June 2008.
After the success of Chup and Yaad, Zeb and Haniya’s climb up the music industry ladder began with live performances. The first was commissioned by the American Consulate in Islamabad (2005). This was followed by the first full-length Zeb and Haniya concert in Lahore (2006). Sponsored by Levi’s, the gig established the duo as a solid live act delivering a first class performance of originals and covers in both English and Urdu. Zeb and Haniya were selected as part of the finale line-up for the Rock Your Shenakht Festival in Karachi held on the 60th anniversary of the nation’s independence. Each time the duo has received rave reviews from the press and the audiences alike.
Zeb and Haniya have matured from the underground to the national scene, where their ascent continues today, on the eve of the release of their debut album. Their songs bring a spectrum of style, instrumentation and influence. Some tracks ring with the cheeriness of pop while others capture the evocative richness of Pashto and Farsi folk traditions. Their sound is not confined to one genre, and has been described as Alternative, Art Folk, Ethnic Blues and World Music. Their influences are many, including pioneering pop and folk from Pakistan, 60s and 70s folk guitar-based music from the US and UK, classical South Asian music, classic Jazz, delta Blues. The artists skim across decades, genres and borders to produce a truly innovative sound. Their songs seamlessly mix blues grooves and jazzy rhythms into complex melodies grounded in local traditions. Finally, we have a sound that touches the brilliant kaleidoscope of language, history and culture that is Pakistan .
Paimana Bitte
Zeb & Haniya Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Paimana bideh, ki khumaar astam
Man aashique e jashne maste yar astam
Man aashique e jashne maste yar astam
Bideh bideh ki khumaar astam
Paimana bideh, ki khumaar astam
Dilgeer garzama labela taana;
Khabar me waakhla, raasha jaanana,
Tarso ba garzay te bela mana?
Tarso ba garzay te bela mana?
Man aashique e jashne maste yar astam
Man aashique e jashne maste yar astam
Bideh bideh ki khumaar astam
Paimana bideh, ki khumaar astam
The lyrics of Zeb and Haniya's "Paimana Bitte" express the intoxication and joy of love. The singer describes the effect that a wine glass (paimana) has on them, bringing about a feeling of drunkenness and making them feel like a lover celebrating with their beloved. The repetition of the line "Paimana bideh, ki khumaar astam" (give me the wine, for I am intoxicated) emphasizes the desire for this feeling to continue.
The second verse introduces the idea of a lover's quarrel, with the singer questioning whether their beloved is upset with them. The line "Dilgeer garzama labela taana" (my heart is distressed, is there some problem?) reveals the vulnerability and insecurity of a lover in a relationship. The lyrics suggest that the singer is willing to do whatever it takes to resolve the conflict and maintain the intoxicating feeling of love.
Overall, "Paimana Bitte" is a love song that celebrates the highs and lows of romantic relationships. The powerful imagery of the wine glass and the vulnerability expressed in the second verse create a compelling expression of the joys and challenges of being in love.
Line by Line Meaning
Paimana bideh, ki khumaar astam
Give me the cup, for I am intoxicated
Man aashique e jashne maste yar astam
I am a lover in the celebration of my beloved
Bideh bideh ki khumaar astam
Pour, pour the cup for I am intoxicated
Dilgeer garzama labela taana;
My restless heart is asking for a song;
Khabar me waakhla, raasha jaanana,
Do you want to hear it, O familiar soul?
Tarso ba garzay te bela mana?
Why hesitate? Sing with me and let's dance together
Contributed by Carson L. Suggest a correction in the comments below.