Lyrically, clipping.’s music attempts to reshuffle and repeat accepted rap scenarios, while eliminating a traditional single-point perspective. Diggs’s writing is heavily citational, like a rough-edged collage, gluing together half-glimpsed images and misremembered references, many of which might feel familiar, and some of which assuredly do not. But even while he consumes and regurgitates established styles, his self-erasure is incomplete; Diggs’s dense, often motormouthed flow remains wholly his own.
Individually, the members are known outside of the group for their extra-curricular artistic projects. Diggs is a stage actor, while Snipes composes music for film, and Hutson is an established noise music artist. Snipes and Hutson have collaborated on many projects, including the score to the documentary Room 237, which was released by IFC in 2013.
In February 2013, clipping. released their debut album, Midcity, on their website. The project was created entirely in-house, with the trio writing, producing, engineering, mixing and mastering all of the material themselves. There was no budget, no outside promotion, no hype-machine, no blog or label interest. In fact, clipping. had no expectation that anyone would bother listening to the album, let alone enjoy it. Nevertheless, reactions were largely positive— despite the uncompromising nature of the production, and its obfuscatory lyrical content— and within five month’s of Midcity’s release, clipping. signed a deal with Sub Pop Records.
CLPPNG, the band’s label debut, was written and recorded between February and October of 2013. Highly well-received, CLPPNG is an album that demonstrates the variety of sounds available when the ‘rules’ of a genre are willfully questioned.
http://www.itsclippingbitch.com
Interlude 03
clipping. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeah, here we go
What if everything was at the wrong time?
Lying, the wrong space, and songs rhyme
To meter out the distance back to the stream
With kings and queens and every hiccup in between
Was dreams and all the blood and death would mean something
With another eye open and fists raised
A meeting of retired militants, the war-torn regions
Only known for killing only beautiful black
Sit in the pyramids, me and Imhotep are homies
Sense of loneliness the price of paying for a new beginning
I got a pocket full of stars
Flyin' up to Mars
You inhibit a world where hue is not a death sentence
So drop the message, already open for suggestion, whatever
Get at me, my brothers, my sisters, get at me
I love you
The lyrics of the song "Interlude 03" by clipping. explore themes of time, space, and the power of language and communication. The opening lines, "What if everything was at the wrong time? / Lying, the wrong space, and songs rhyme," suggest a reflection on the dissonance and misalignment that exists in the world. The lyrics then delve into the idea of seeking connection and understanding amidst this chaos.
The line "To meter out the distance back to the stream" hints at the desire to find a way back to a more harmonious state, a return to a genuine and meaningful existence. The reference to "kings and queens and every hiccup in between" implies the vast range of individuals affected by this disconnection, from those in positions of power to the most vulnerable.
The lyricist paints a picture of a world affected by conflict and violence but also highlights the potential for change. The line "Only known for killing only beautiful black" suggests a recognition of the injustice faced by black communities and the need for solidarity and understanding. The mention of sitting in the pyramids with Imhotep, the ancient Egyptian architect and physician, may symbolize the power of history and cultural heritage in fueling a new beginning.
The lyrics then shift to a more personal message of love and unity. The line "You inhibit a world where hue is not a death sentence" calls for a society where the color of one's skin does not determine their fate. The artist implores his audience to speak up and engage in dialogue, showing a desire to connect with others and build a better future together.
Overall, the lyrics of "Interlude 03" touch upon themes of disconnection, reflection, social justice, and the power of love and communication in bringing about change.
Line by Line Meaning
Yeah yeah, yeah yeah yeah
Expressing excitement and anticipation
Yeah, here we go
Starting a new journey or exploration
What if everything was at the wrong time?
Imagining a scenario where timing is off for everything
Lying, the wrong space, and songs rhyme
Exploring how lies and mismatched environments can still create harmony
To meter out the distance back to the stream
Finding a way to measure the distance to a familiar place
With kings and queens and every hiccup in between
Including all kinds of people and imperfections in the journey
Was dreams and all the blood and death would mean something
Dreams and sacrifices hold meaningful significance
With another eye open and fists raised
Remaining vigilant and ready for action
Just a greeting or phrase
A simple interaction or expression
A meeting of retired militants, the war-torn regions
Uniting former fighters from conflict-ridden areas
Only known for killing only beautiful black
Recognizing the tragedy of violence against people of color
Sit in the pyramids, me and Imhotep are homies
Finding companionship or solace in ancient history
Sense of loneliness the price of paying for a new beginning
Acknowledging the emotional toll of starting anew
I got a pocket full of stars
Having a multitude of aspirations and dreams
Flyin' up to Mars
Escaping to a new and distant place
You inhibit a world where hue is not a death sentence
Desiring a world where one's skin color doesn't determine their fate
So drop the message, already open for suggestion, whatever
Encouraging open dialogue and ideas
Get at me, my brothers, my sisters, get at me
Inviting connection and communication
I love you
Expressing love and affection
Lyrics © Fintage House Publishing
Written by: DAVEED DIGGS, WILLIAM MORAN HUTSON, JONATHAN RALEIGH SNIPES, CYRUS REX
Lyrics Licensed & Provided by LyricFind
Michael Angelo
could that tapping be morse code?
Zassafras
There is morse code in True Believer, but not this one.
BIGGTAI
This ain't Morse code, playa dis ASCII.... Jk... I dunno
VinhXo2k6
Yeah yeah, yeah yeah yeah
Yeah, here we go
What if everything was at the wrong time?
Lying, the wrong space, and songs rhyme
To meter out the distance back to the stream
With kings and queens and every hiccup in between
Was dreams and all the blood and death would mean something
With another eye open and fists raised
Just a greeting or phrase
A meeting of retired militants, the war-torn regions
Only known for killing only beautiful black
Sit in the pyramids, me and Imhotep are homies
Sense of loneliness the price of paying for a new beginning
I got a pocket full of stars
Flyin' up to Mars
You inhibit a world where hue is not a death sentence
So drop the message, already open for suggestion, whatever
Get at me, my brothers, my sisters, get at me
Where are you