They were among the second wave of groups to emerge from The Elephant 6 Recording Company and the group has a style that is typical of many Elephant 6 bands due to their interest in combining musical experimentation with the basic tenets of pop i.e. catchy melodies and sing-along choruses. The band’s style has been influenced by conventional indie pop, psychedelic music, vaudeville and music hall on their earlier releases and by afrobeat, funk, krautrock and reggae on their recent releases.
The band’s style has been known to change between albums. At first, the band embraced a more simple, quirky, lo-fi indie pop sound, which occasionally bordered on twee pop. The band was created by Kevin Barnes and named after a failed romance with a woman from Montreal, though the story changes in various interviews. Barnes was the only member of the “group” prior to his relocation to Athens, Georgia. There, he met Derek Almstead, later of Circulatory System, M Coast, Elf Power etc., and Bryan Poole, who also performs as The Late B.P. Helium.
Together, they recorded their first album, Cherry Peel, as well as The Bird Who Continues to Eat the Rabbit’s Flower and The Bedside Drama: A Petite Tragedy.
A number of singles and a re-release of The Bird Who Continues to Eat the Rabbit’s Flower occurred before the release of the band’s third album, The Gay Parade in 1999. With contributions from several members of the Elephant Six collective at the time, it also featured artwork from Kevin’s brother David Barnes, who would continue to do artwork for future albums.
This album marked that the band had moved to a fuller sound, which is also found on its follow-up, Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse. These two albums contain more narrative lyrics, as opposed to the rather personal lyrical matter of those preceding it, and often imitating the style of old 1950s radio plays.
After production on The Gay Parade began in 1998, Poole left the band to focus on his duties with Elf Power, another Elephant Six band from Athens. Barnes also recruited Jamey Huggins and Dottie Alexander, who had been performing together as Lightning Bug vs. Firefly, to play various instruments. Derek moved from drums to bass. The band was joined soon after by Marshmallow Coast’s Andy Gonzales.
Following the release of The Gay Parade, the band signed with Kindercore Records, who would release a number of singles and compilations. It wasn’t until 2001 that Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse would be released as a new album with original material. The album again featured contributions from across the Elephant 6 spectrum.
In 2002, Aldhils Arboretum was released, with a slightly different sound than its predecessors, as the songs were more directly structured. This album marks the beginning of the change in of Montreal’s sound, with more danceable rhythms than ever before, especially on the album’s closer, “Death Dance Of The Omipapas and Sons For You”. A successful tour ensued, including of Montreal’s first trip to the UK, along with a tour-only EP.
Kindercore Records would fold shortly after the release of Arboretum, and of Montreal’s status was also threatened. Kevin got married, and Andy and Derek left the band. Barnes, being uncomfortable with the unrest, as well as some divisions within the band, took to writing and performing their 2004 album Satanic Panic in the Attic mostly by himself. Released by Polyvinyl Records, it became one of their more successful efforts to that point. The 2004 tour saw The Late B.P. Helium (Bryan Poole) rejoin the band, with some bass played by Kevin’s partner Nina Barnes. The album marked a shift to something more electronic with traditional structures, to be further advanced in later albums and new songs. In their most recent releases and concerts, the band has fully embraced a sort of techno-pop glam image, with little of their previous incarnations surfacing. This style is featured in singles such as Disconnect the Dots. The style would continue to evolve into 2005’s The Sunlandic Twins, which was even more a Barnes solo effort. Recorded in Athens, with the exception of one track recorded in Norway, it was a much more pronounced electronic album. The album became a success, mostly due to the singles “So Begins Our Alabee” and the MTV clip for “Wraith Pinned to the Mist (and Other Games)”.
The band released several collections of singles in early 2006. Barnes recorded most of the band’s 2007 release, Hissing Fauna, Are You The Destroyer?, by himself while living in Norway and Athens, Georgia. The switch to autobiographical themes of suicide, depression and isolation of the album was a direct product of his troubled personal life during that period.
of Montreal released Skeletal Lamping on October 21, 2008 followed by False Priest on September 14, 2010, Paralytic Stalks on February 7, 2012, and Lousy with Sylvianbriar on October 8, 2013. Aureate Gloom is scheduled for release by Polyvinyl Records on March 3, 2015.
Lyrically, their style has changed dramatically throughout the years. In the beginning, many songs were narratives of personal or humorous situations, such as “Tim, I Wish You Were Born A Girl”, from Cherry Peel. This style, however, changed with The Gay Parade, where many songs involve small narratives surrounding invented characters (in songs such as “Jacques Lamure”, “The Autobiographical Grandpa”, “Mimi Merlot” and “Rose Robert”). Others act as extracts from fictional conversations (“Advice From a Divorced Gentleman to His Bachelor Friend Considering Marriage” and “Good Morning Mr. Edminton” as examples). With Aldhils Arboretum came a slight return to the previous writing style, except following more poppy, classical lyrical structures (such as the use of choruses, which are generally absent in the Gay Parade/Coquelicot years). This style continued throughout Satanic Panic and The Sunlandic Twins to some extent. On the album Hissing Fauna: Are You The Destroyer? the lyrics are much more personal than previously used, with songs detailing emotions within the speaker.
Another unique quality of the band is the fusion of ostensibly gloomy lyrics with bouncy, upbeat melodies and hooks. On Aldhils Arboretum, for example, the lyrics for tracks like “Doing Nothing” and “Old People in the Cemetery” focus on apathy, loneliness or death while being contrasted with cheerful instrumentation. Another example of this tendency is shown in their choice of covers; for example, Yoko Ono’s “I Felt Like Smashing my Head Through a Clear Glass Window” from The Bird Who Continues to Eat the Rabbit’s Flower.
True to the style of most Elephant 6 recording artists, of Montreal’s members have been in a variety of side projects and other bands:
The band itself has performed as the backing band for Marshmallow Coast on record and on tour.
My First Keyboard was the pseudonym used by Dottie Alexander to release the song “The You I Created” on the Kindercore singles club. of Montreal acted as her backing band.
The Autobiographical Grandpa
of Montreal Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I don't worry 'bout
The years that pass
My wife is dead I live alone
In my little country home
I have my memories
And dogs for friends
I make sure to pull out all the weeds
And to help myself along
I like to whistle this funny little song
I sang in my army days when I was young
A hot air balloon I will float away
At times I'm holding you
My kids and grand kids come
To stay with me once a year
And on New Years I drive down to be with them
Though I'm happy often I feel lonely
But when I speak I hear my wife speak
Don't feel alone because you're not really alone
Sweetheart no don't think you're alone
I feed the cat I sweep the floor
I don't fear dying anymore
I like to fish with Ed and Will
In the pond by the old paper mill
I am resigned to finish off my days this way
The Autobiographical Grandpa by of Montreal is a touching and nostalgic song that takes the listener on a journey through the daily life of an elderly man who is content with his solitude despite the loss of his wife. The song is reflective in nature as the singer takes a walk, mows the grass and tends to the ferns, planting seeds and pulling out weeds. He remembers his youth and army days, and whistles a funny little song to help himself along.
The man's family visit him once a year and he drives down to be with them on New Year's. Although he is happy, he still feels lonely. However, he hears his wife speak whenever he speaks and doesn't feel alone. He feeds the cat, sweeps the floor, and enjoys fishing with his friends Ed and Will in the pond by the old paper mill. The man seems to have accepted his life and is resigned to finishing off his days this way.
The Autobiographical Grandpa is a poignant song that explores the beauty of simplicity in old age, the importance of solitude, and the influence of past memories that shape our lives. It's a reminder that one can find contentment in the simple things in life even when life seems to have passed us by.
Line by Line Meaning
I take a walk I mow the grass
I keep myself busy with simple tasks to pass the time.
I don't worry 'bout
The years that pass
I've come to terms with the fact that time is passing me by.
My wife is dead I live alone
In my little country home
My wife has passed away and I'm now living on my own in our small country home.
I have my memories
And dogs for friends
I cherish memories of the past and find companionship in my loyal dogs.
I water the ferns I plant some seeds
I make sure to pull out all the weeds
And to help myself along
I like to whistle this funny little song
I sang in my army days when I was young
I keep my garden tidy and like to whistle a tune I learned in the army to keep me company.
A hot air balloon I will float away
At times I'm holding you
Sometimes I daydream about leaving and being reunited with my wife.
My kids and grand kids come
To stay with me once a year
And on New Years I drive down to be with them
My family visits me annually and I make a point to be with them on New Year's day.
Though I'm happy often I feel lonely
But when I speak I hear my wife speak
Despite finding some happiness, I still feel lonely, but I can hear my wife's voice when I speak.
Don't feel alone because you're not really alone
Sweetheart no don't think you're alone
I try to reassure myself that I'm not truly alone and my wife is still with me in spirit.
I feed the cat I sweep the floor
I don't fear dying anymore
I like to fish with Ed and Will
In the pond by the old paper mill
I am resigned to finish off my days this way
I take care of my chores and enjoy fishing with my friends, but I have accepted that this is how I will spend the rest of my days.
Lyrics © O/B/O APRA AMCOS
Written by: KEVIN BARNES
Lyrics Licensed & Provided by LyricFind