At fifteen David's first steps as a DJ began and it wasn't long before he gained his first residencies. A year later he made his first forays into production and in 2009 he made his first impact on the scene by releasing his 'Praha EP' on Stil vor Talent. This was soon followed by the October release of 'Trumpet's Victory'.
Now David readies himself to take his next step. Having recently earned the residency at Diynamic ́s Club EGO, he prepares to drop his first productions with the Hamburg label. A wonderful four track selection, showcasing the exciting talents of the young producer.
Not many people can say for themselves that they have played alongside Carl Craig. When DAVID AUGUST was just 17 years old, he could already claim that he had not only played with Carl Craig, but DJed alongside big names such as Format B, Troy Pierce or Oliver Koletzki, to name a few.
In 2005, he begins to DJ at friends parties before getting a residency at Hamburg’s BKI club. It is only two years later that he starts to produce his first electronic tracks, releasing his first track one year later in 2008 on Dimmer Records.
DAVID AUGUST’s productions reflect his true love for good music and his knowledge of the structures of music. They are full of harmonies, melodies and – soul. First he produces a few tracks together with Falk Bachert as August & Bachert. After having seen Oliver Koletzki DJ in Hamburg a couple of times, DAVID AUGUST decides to sent the tracks of the “Praha EP” to him with the subject: “Attention, this is not a demo”. His direct and cheeky approach is successful and the track is released on Stil vor Talent Digital in April 2009.
As a DJ, DAVID AUGUST is a very charismatic and enchanting figure. His knowledge in music production and his passion for soulful music gets him to combine old electronic classic with the freshest releases in tech-house, house and techno creating a soulful symbiosis that always focuses on the dancefloor. His mixing has already led him to play clubs such as Romy S Stuttgart, Rote Sonne Munich, Speicher Rostock, Berlins new hot spot Horst Kreuzberg or the prestigious Watergate.
You Got to Love Me
David August Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You Got to Love Me
You, You
You Got to Love Me
You
To Love Me
To Love Me
You
To Love Me
You Got to Love Me
You, You
You Got to Love Me
You
To Love Me
You, You
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
Oh baby
You Got to Love Me
Oh baby
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You Got to Love Me
You
You Got to Love Me
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You Got to Love Me
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You
You, You...
The lyrics of David August's song "You Got to Love Me" repeat the phrase "To Love Me, You Got to Love Me," followed by the repetition of the word "You" several times. The song plays with the idea that the subject of the song must be loved by the other person in order for their love to be reciprocated. The repetition of the phrase also suggests a plea from the subject of the song, who is asking for love and attention from their partner.
The lyrics of the song may touch on themes of self-worth, validation, and the power dynamics that can exist in a romantic relationship. The subject of the song is essentially setting a boundary and requiring their partner to show love and interest in order to continue the relationship. The repetition of the "You" at the end of every line may also suggest an urgency or desperation, as the subject is pleading with their partner to love them.
Overall, the lyrics of "You Got to Love Me" express a need for love and affection that is conditional on the other person reciprocating those feelings. It is a simple yet evocative expression of the power that love and validation can hold in a relationship.
Line by Line Meaning
To Love Me
If you want to truly love me
You Got to Love Me
You must love me
You, You
You specifically
To Love Me
If you want to truly love me
You Got to Love Me
You must love me
You
You, the person I am talking to
To Love Me
If you want to truly love me
You, You
Both of you
You Got to Love Me
You both must love me
You
You, the person I am talking to
To Love Me
If you want to truly love me
You, You
Both of you
You Got to Love Me
You both must love me
You
You, the person I am talking to
You Got to Love Me
You must love me
You Got to Love Me
You must love me
You
You, the person I am talking to
You Got to Love Me
You must love me
You Got to Love Me
You must love me
You Got to Love Me
You must love me
You Got to Love Me
You must love me
You Got to Love Me
You must love me
You Got to Love Me
You must love me
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You
You, the person I am talking to
You Got to Love Me
You must love me
Oh baby
An expression of endearment
You Got to Love Me
You must love me
You, You
Both of you
You Got to Love Me
You both must love me
You
You, the person I am talking to
You, You
Both of you
You Got to Love Me
You both must love me
You
You, the person I am talking to
You, You
Both of you
You Got to Love Me
You both must love me
You
You, the person I am talking to
Contributed by Oliver K. Suggest a correction in the comments below.
B.C.
on Until We Shine
you play with me and pray for me