Manfred Mann was a British beat, rhythm and blues and pop band (with a stro… Read Full Bio ↴Manfred Mann was a British beat, rhythm and blues and pop band (with a strong jazz foundation) of the 1960s, named after their South African keyboardist, Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. Manfred Mann were chart regulars in the 1960s, and the first south-of-England-based group to top the US Billboard Hot 100 during the 'British invasion' of the US music scene.
Beginnings 1962—1963
The Mann-Hugg Blues Brothers (as the band were originally called) were formed in London in December 1962 by keyboard player Manfred Mann and drummer/vibes player Mike Hugg. Born out of the British blues boom then sweeping London's clubs (which also spawned such luminaries as The Rolling Stones and The Yardbirds), the band were completed by Mike Vickers on lead guitar, Dave Richmond on bass, and Paul Jones fronting as lead vocalist and harmonica player. Gigging constantly throughout late 1962 and early 1963, the band soon attracted attention for their distinctive sound propelled by Mann's keyboards, Jones' soulful vocals and an occasional horn section.
Manfred Mann's Cock-A-Hoop (1964)
The group signed to HMV Records in March 1963 after a change of name to Manfred Mann (at the suggestion of their label's producer), and debuted in July of that year with the jazzy instrumental single "Why Should We Not?", which failed to chart, as did the follow up (with vocals this time), "Cock-A-Hoop"
Early success 1964—1965
Groovin' with Manfred Mann EP (1964)
In 1964 the group were asked to provide a new theme tune for the ITV pop music TV series Ready Steady Go!. They responded with the energetic "5-4-3-2-1" which, with the help of weekly TV exposure, rose to No.5 in the UK charts. It was shortly after "5-4-3-2-1" was recorded that Richmond left the band, being replaced by Tom McGuinness - the first of many line-up changes. After a further self-penned hit ("Hubble Bubble (Toil And Trouble)") the band struck gold with "Do Wah Diddy Diddy", a cover of a minor hit earlier that year by The Exciters. The track, which showcased Jones' powerful singing, reached the top of both the UK and US charts (The Exciters version had only charted #78 in the US).
During 1965 the group continued to have hits with both self-penned and cover material, their sound increasingly moving away from the blues-based music of their early years to a highly successful pop-soul hybrid. Notably the group began to have success with interpretations of Bob Dylan songs, including "With God On Our Side" as a track on a best-selling EP.
The One In the Middle EP (1965)
They also reached No.2 in the UK with the controversial "If You Gotta Go, Go Now", which was banned or edited by a number of TV and radio stations. Prior to this latter release, Paul Jones announced his intention to quit the band for a solo career once a replacement could be found.
The Mike d'Abo years 1966—1969
Jones stayed with the band for one more year, during which time Mike Vickers was replaced by Jack Bruce of John Mayall's Bluesbreakers (long enough to play bass on the band's second UK No.1 single "Pretty Flamingo"). Jones was eventually replaced by Mike d'Abo - among those on the shortlist was Rod Stewart - and this was one of the few occasions when a band has successfully swapped lead singers and remained at the top. Jack Bruce left to form Cream and was replaced by Klaus Voorman (a longtime Beatles associate), with McGuinness moving to guitar. To complete the changes, the group switched labels to Fontana Records.
With d'Abo as vocalist, the group pursued a softer acoustic pop sound, with a tinge of Dylanesque social comment and surrealism in the lyrics. Their first Fontana Records single was in fact a Dylan cover, "Just Like A Woman", and the group went on to score their biggest hit for two years with a cover of his "Mighty Quinn".
Frustrated with the limitations and image of being seen purely as a hit singles band (their last two albums failed to chart), the group split in 1969.
1970s and on— Manfred Mann's Earth Band
Mann went on to write advertising jingles after the group's demise, but still continued to work in the group format. Initially he formed Manfred Mann Chapter Three (with Mike Hugg), an experimental jazz rock band, described by Mann as an over reaction to the hit factory of the Manfred Mann group. This was, however, short lived and by 1971 they had disbanded and Mann had formed a new group, Manfred Mann's Earth Band.
For further details, see Manfred Mann's Earth Band.
5-4-3-2-1 The Manfreds (1998)
1990s and on—The Manfreds
In the 1990s, most of the original 1960s line-up reformed as The Manfreds, minus Manfred Mann himself (hence the name), playing most of the old 1960s hits and a few jazz instrumentals, sometimes with both Paul Jones and Mike d'Abo fronting the line-up.
At the same time Jones and Tom McGuinness (McGuinness formed McGuinness Flint in 1970, but they disbanded in 1975) have been mainstays of The Blues Band (which they helped form in 1978).
Beginnings 1962—1963
The Mann-Hugg Blues Brothers (as the band were originally called) were formed in London in December 1962 by keyboard player Manfred Mann and drummer/vibes player Mike Hugg. Born out of the British blues boom then sweeping London's clubs (which also spawned such luminaries as The Rolling Stones and The Yardbirds), the band were completed by Mike Vickers on lead guitar, Dave Richmond on bass, and Paul Jones fronting as lead vocalist and harmonica player. Gigging constantly throughout late 1962 and early 1963, the band soon attracted attention for their distinctive sound propelled by Mann's keyboards, Jones' soulful vocals and an occasional horn section.
Manfred Mann's Cock-A-Hoop (1964)
The group signed to HMV Records in March 1963 after a change of name to Manfred Mann (at the suggestion of their label's producer), and debuted in July of that year with the jazzy instrumental single "Why Should We Not?", which failed to chart, as did the follow up (with vocals this time), "Cock-A-Hoop"
Early success 1964—1965
Groovin' with Manfred Mann EP (1964)
In 1964 the group were asked to provide a new theme tune for the ITV pop music TV series Ready Steady Go!. They responded with the energetic "5-4-3-2-1" which, with the help of weekly TV exposure, rose to No.5 in the UK charts. It was shortly after "5-4-3-2-1" was recorded that Richmond left the band, being replaced by Tom McGuinness - the first of many line-up changes. After a further self-penned hit ("Hubble Bubble (Toil And Trouble)") the band struck gold with "Do Wah Diddy Diddy", a cover of a minor hit earlier that year by The Exciters. The track, which showcased Jones' powerful singing, reached the top of both the UK and US charts (The Exciters version had only charted #78 in the US).
During 1965 the group continued to have hits with both self-penned and cover material, their sound increasingly moving away from the blues-based music of their early years to a highly successful pop-soul hybrid. Notably the group began to have success with interpretations of Bob Dylan songs, including "With God On Our Side" as a track on a best-selling EP.
The One In the Middle EP (1965)
They also reached No.2 in the UK with the controversial "If You Gotta Go, Go Now", which was banned or edited by a number of TV and radio stations. Prior to this latter release, Paul Jones announced his intention to quit the band for a solo career once a replacement could be found.
The Mike d'Abo years 1966—1969
Jones stayed with the band for one more year, during which time Mike Vickers was replaced by Jack Bruce of John Mayall's Bluesbreakers (long enough to play bass on the band's second UK No.1 single "Pretty Flamingo"). Jones was eventually replaced by Mike d'Abo - among those on the shortlist was Rod Stewart - and this was one of the few occasions when a band has successfully swapped lead singers and remained at the top. Jack Bruce left to form Cream and was replaced by Klaus Voorman (a longtime Beatles associate), with McGuinness moving to guitar. To complete the changes, the group switched labels to Fontana Records.
With d'Abo as vocalist, the group pursued a softer acoustic pop sound, with a tinge of Dylanesque social comment and surrealism in the lyrics. Their first Fontana Records single was in fact a Dylan cover, "Just Like A Woman", and the group went on to score their biggest hit for two years with a cover of his "Mighty Quinn".
Frustrated with the limitations and image of being seen purely as a hit singles band (their last two albums failed to chart), the group split in 1969.
1970s and on— Manfred Mann's Earth Band
Mann went on to write advertising jingles after the group's demise, but still continued to work in the group format. Initially he formed Manfred Mann Chapter Three (with Mike Hugg), an experimental jazz rock band, described by Mann as an over reaction to the hit factory of the Manfred Mann group. This was, however, short lived and by 1971 they had disbanded and Mann had formed a new group, Manfred Mann's Earth Band.
For further details, see Manfred Mann's Earth Band.
5-4-3-2-1 The Manfreds (1998)
1990s and on—The Manfreds
In the 1990s, most of the original 1960s line-up reformed as The Manfreds, minus Manfred Mann himself (hence the name), playing most of the old 1960s hits and a few jazz instrumentals, sometimes with both Paul Jones and Mike d'Abo fronting the line-up.
At the same time Jones and Tom McGuinness (McGuinness formed McGuinness Flint in 1970, but they disbanded in 1975) have been mainstays of The Blues Band (which they helped form in 1978).
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The Ascent Of Mann
Manfred Mann Lyrics
Another Kind Of Music He shakes his head and sings the blues And everybody loves…
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
Big Betty (Ba ba ba bambalamaba) Bama lama, Big Betty had a baby Bama…
Box Office Draw D’Abo He's got to be sure that he's a box office…
Country Dancing Down through the ages man has loved to hear the…
Cubist Town The world was just the world of pollen air I wandered…
Dealer Dealer Yesterday I lost all my money Everything I had Now I'm pla…
Each And Every Day Oh, daytime Night time Anything I say Any time of day and sh…
Each Other's Company It's not that she's special It's just that she's mine We don…
Everyday Another Hair Turns Grey In her house, happy she seems But she's living on memories…
Fox On The Run She walked through the corn leading down to the river, her…
Funniest Gig Surely, strawberries cannot be alive And bananas can't belie…
Harry The One-Man-Band Harry the one man band living best he can Poor old…
I Love You Baby, it's been hard for me since you've been gone But…
I Think It's Gonna Rain Today Darling, I've been to see the preacher man Darling, I've sta…
I Wanna Be Rich Mama, I wanna be rich right now now they sorry karma comes…
It's So Easy Falling It's so easy falling in love with you Can't help it,…
Last Train To Clarksville Take the last train to Clarksville And I'll meet you at…
Morning After The Party The mornin' after the party I lay upon my bed starin'…
One Way Give me a window with one way glass Just look out…
Ragamuffin Man Born and raised as a rich man's son You were always…
So Long Dad My God, it's great to be back home again The streets…
Sweet Pea (Instrumental)…
The Vicar's Daughter When I was ten I kissed the vicar's daughter At fourteen…
Too Many People Too many people live in my world Too many boys and…
Trouble And Tea I come home from work at night Sure enough she'll start…
Wild Thing Wild thing, you make my heart sing You make everything groov…
Adrian
on The Runner
Canadian Sinver / Songwriter Ian Thomas wrofe this song. He lives in Stoney Creek, Canada.
Dennis the Menace
on Do Wah Diddy Diddy
I live in Davenport,was still in the army when the band was stranded herein Davenport.