Miami Horror
Miami Horror are an Australian indie-electronic band from Melbourne, Australia (with the name referring to producer, Benjamin Plant, and to the four-piece live incarnation). Beginning in 2007 under the moniker Miami Horror, Plant started with a series of remixes. The debut release came in 2008 with a five-track EP, Bravado, on Virgin Records. The live show has Plant augmented by Josh Moriarty (Peacocks, ex-Young & Restless) (guitars), DJ/producer Aaron Shanahan (drums), and Daniel Whitechurch (bass, keyboards, and guitars). Read Full BioMiami Horror are an Australian indie-electronic band from Melbourne, Australia (with the name referring to producer, Benjamin Plant, and to the four-piece live incarnation). Beginning in 2007 under the moniker Miami Horror, Plant started with a series of remixes. The debut release came in 2008 with a five-track EP, Bravado, on Virgin Records. The live show has Plant augmented by Josh Moriarty (Peacocks, ex-Young & Restless) (guitars), DJ/producer Aaron Shanahan (drums), and Daniel Whitechurch (bass, keyboards, and guitars).
After years in the making here at last is Illumination, the fully realised debut album from Melbourne's favourite psychedelic indie-electronic adventurers Miami Horror. With Illumination, Miami Horror has delivered on two years of teeth-cutting live shows and an ever escalating wave of buzz that’s made the group bonafide blog darlings the world over. But what’s most amazing about the grand arrival of Illumination is that the roots of the record stretch back countless moons to when Miami Horror began as just one synthesizer-obsessed producer in 2007 huddled over a laptop in a bedroom-come-studio and the album itself just a spark waiting to be lit.
The afore mentioned synth tragic was, and let’s face it still is, electronic young gun Ben Plant, who kick started Miami Horror out of a love of Roland keyboards and French house, landing himself on Pitchfork’s hot-list overnight and copping a barrage of high profile remix requests from the likes of Datarock, PNAU and The Presets.
Yet it was while Ben was punching out 2008’s epochal Bravado EP that Miami Horror took off in a completely new and different direction. Characteristically wanting to flex his creative muscle and avoid the limitations of being stereotyped as simply a dance or electro act, Ben rewired Miami Horror’s genetic makeup, deputising the talents of Josh Moriarty, Aaron Shanahan and Daniel Whitechurch to form a new live band persona of Miami Horror, a whole new beast immeasurably more exciting than before.
“It started out that I didn’t want to have any guitar on the album besides a little funk guitar or disco bass,” Ben grins while explaining the turning point for Miami Horror’s evolution. “But then Josh came in and started playing all these other parts that sounded amazing. Paired with what I was working on, nobody was doing anything like it, so I knew we had to turn those sounds into a live thing and just go wild.”
It worked. Since the switch, Miami Horror has launched into dizzying new stratospheres, their well-polished chops as a group making for some unmissable sets at Australia’s biggest festivals, and that’s not to mention some A-list support slot call ups for everyone from Phoenix, Friendly Fires and La Roux to a hand-picked hook up from Lily Allen.
www.miamihorror.com
After years in the making here at last is Illumination, the fully realised debut album from Melbourne's favourite psychedelic indie-electronic adventurers Miami Horror. With Illumination, Miami Horror has delivered on two years of teeth-cutting live shows and an ever escalating wave of buzz that’s made the group bonafide blog darlings the world over. But what’s most amazing about the grand arrival of Illumination is that the roots of the record stretch back countless moons to when Miami Horror began as just one synthesizer-obsessed producer in 2007 huddled over a laptop in a bedroom-come-studio and the album itself just a spark waiting to be lit.
The afore mentioned synth tragic was, and let’s face it still is, electronic young gun Ben Plant, who kick started Miami Horror out of a love of Roland keyboards and French house, landing himself on Pitchfork’s hot-list overnight and copping a barrage of high profile remix requests from the likes of Datarock, PNAU and The Presets.
Yet it was while Ben was punching out 2008’s epochal Bravado EP that Miami Horror took off in a completely new and different direction. Characteristically wanting to flex his creative muscle and avoid the limitations of being stereotyped as simply a dance or electro act, Ben rewired Miami Horror’s genetic makeup, deputising the talents of Josh Moriarty, Aaron Shanahan and Daniel Whitechurch to form a new live band persona of Miami Horror, a whole new beast immeasurably more exciting than before.
“It started out that I didn’t want to have any guitar on the album besides a little funk guitar or disco bass,” Ben grins while explaining the turning point for Miami Horror’s evolution. “But then Josh came in and started playing all these other parts that sounded amazing. Paired with what I was working on, nobody was doing anything like it, so I knew we had to turn those sounds into a live thing and just go wild.”
It worked. Since the switch, Miami Horror has launched into dizzying new stratospheres, their well-polished chops as a group making for some unmissable sets at Australia’s biggest festivals, and that’s not to mention some A-list support slot call ups for everyone from Phoenix, Friendly Fires and La Roux to a hand-picked hook up from Lily Allen.
www.miamihorror.com
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Sometimes
Miami Horror Lyrics
With eyes wide shut we lay stagnant awake
Safe for now in this wonderous state
Lost at a crossroad that's missing a sign
How do we know if they made it alive
There's something lurking in the distance ahead
Fragments of light shine away from the dead
They fantasize fury, no time left to stop
Its darkness approaching now we're at a loss
Sometimes, when all that's lost remains
Drink from the fountain of youth and never age again
Sometimes we jump across to every cloud
Fly away get lost and never be found
Sometimes, when all that's lost remains
Drink from the fountain of youth and never age again
Sometimes we jump across to every cloud
Fly away get lost and never be found
There's something lurking from the shadows within
Stealing the colour and life from my skin
They fantasize fury at no extra cost
Darkness approaches now we're at a loss
Ah
Ah
Sometimes, when all that's lost remains
Drink from the fountain of youth and never age again
Sometimes we jump across to every cloud
Fly away get lost and never be found
Sometimes, when all that's lost remains
Drink from the fountain of youth and never age again
Sometimes we jump across to every cloud
Fly away get lost and never be found
Never be found,
Never be found (Ah)
Never be found (Ah)
Never be found (Ah)
Ah
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: TERRI BJERRE, RAUL RINCON
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Ivan Barbosa
With eyes wide shut we lay stagnant awake
Safe for now in this wonderous state
Lost at a crossroad that's missing a sign
How do we know if they made it alive
There's something lurking in the distance ahead
Fragments of light shine away from the dead
They fantasize fury, no time left to stop
Its darkness approaching now we're at a loss
Sometimes, when all that's lost remains
Drink from the fountain of youth and never age again
Sometimes we jump across to every cloud
Fly away get lost and never be found
[x2]
There's something lurking from the shadows within
Stealing the colour and life from my skin
They fantasize fury at no extra cost
Darkness approaches now we're at a loss
Sometimes, when all that's lost remains
Drink from the fountain of youth and never age again
Sometimes we jump across to every cloud
Fly away get lost and never be found
[x2]
Never be found, never be found...
Mattito GmnZ
A Veces
Con los ojos bien cerrados quedamos estancados despiertos
A salvo por ahora en este maravilloso estado
Perdidos en una intersección a la que le faltan señales
¿Cómo sabemos si lo hicieron con vida?
Hay algo acechando adelante en la distancia
Fragmentos de luz brillan lejos de los muertos
Fantasean furia, sin tiempo para parar
Oscuridad acercandose, ahora estamos en una calamidad
A veces, cuando todo lo que queda son desperdicios
Beber de la fuente de la juventud y no envejecer, otra vez
A veces saltamos a través de cada nube
Volar lejos, perdernos y jamás ser encotrados
A veces, cuando todo lo que queda son desperdicios
Beber de la fuente de la juventud y no envejecer, otra vez
A veces saltamos a través de cada nube
Volar lejos, perdernos y jamás ser encotrados
Hay algo acechando dentro de las sombras
Robando el color y la vida a nuestra piel
Fantasean furia sin ninguna consecuencia,
La oscuridad se aproxima ahora estamos en una calamidad
A veces, cuando todo lo que queda son desperdicios
Beber de la fuente de la juventud y no envejecer, otra vez
A veces saltamos a través de cada nube
Volar lejos, perdernos y jamás ser encotrados
A veces, cuando todo lo que queda son desperdicios
Beber de la fuente de la juventud y no envejecer, otra vez
A veces saltamos a través de cada nube
Volar lejos, perdernos y jamás ser encotrados
y jamás ser encontrados
y jamás ser encontrados
y jamás ser encotrados
Ryan Lugo
GTA has introduced me to a load of dope songs since 2013
北極狐Arcticfox
same
فتاه - cutekey
yes
John Honest
Hope someone remembers
Prügelkatze0815
Most of the Time i knew the Songs before i heard them in gta
Rian Aulianza
Since San Andreas to be honest :)
AZQVX
Listening to this while driving on the highway during the sunset in GTA 😎
John Honest
Hope someone remembers
Lil Takoos
@Chris Hansen GTA forever in our hearts❤️
Chris Hansen
@AZQVX so I’m not the only one who came here because of gta