Kohei Tanaka (田中公平, Tanaka Kohei) is a Japanese classical composer who has … Read Full Bio ↴Kohei Tanaka (田中公平, Tanaka Kohei) is a Japanese classical composer who has created numerous musical scores for famous anime series. Tanaka was born in Osaka, Osaka Prefecture in February 14, 1954. He is world-renowned for his hit soundtrack to the One Piece anime.
He has created sweeping orchestral works for a range of formats, from anime audio CDs to Japanese game soundtracks to classical concert music. He is recognized for his very particular style mixing elements of impressionist music with jazz, rock and 20th century harmonic techniques. Notable elements of his style are the use of Messiaen's limited transposition modes (in particular mode 2), polytonality, and the doubling of orchestral basses by an amplified guitar or electric bass, recorded at the same time as the other orchestral instruments.
He entered into Tokyo National University of Fine Arts and Music (Music faculty-Composition department) and studied under Tomojirô Ikenouchi and other professors. Tanaka worked for three years at Victor Music Industries after he had graduated. He went to study to Berklee College of Music for two years after he had left Victor. After had returned to Japan, Tanaka started the activity as composer.
Though he had playing at the hotel at first, he was requested to compose an inserted song of "Arcadia of My Youth: Endless Orbit SSX", a 1982 TV anime , and it became his first work as a composer. Afterwards, he handled some compositions of the inserted songs for the Super Sentai series and did the compositions of the background music for the first time for a TV anime Konpora Kid (コンポラキッド, Konpora Kiddo?) in 1985.
Notably, the Gunbuster's BGM made his name and talent very famous among anime fans and is recognized one of the his most important works. He also handled the composition of Diebuster, a sequel series of Gunbuster, and showed a peculiar symphonic arrangement to his own work 17 years ago.
His composition is especially known by the Hot strings of that. Another his most important work is often enumerated The King of Braves GaoGaiGar, a 1997 TV anime, and GaoGaiGar Final, 2000 OVA.
In 2002, he won the first Tokyo Anime Award for Best Music by the music of Overman King Gainer.
He has created sweeping orchestral works for a range of formats, from anime audio CDs to Japanese game soundtracks to classical concert music. He is recognized for his very particular style mixing elements of impressionist music with jazz, rock and 20th century harmonic techniques. Notable elements of his style are the use of Messiaen's limited transposition modes (in particular mode 2), polytonality, and the doubling of orchestral basses by an amplified guitar or electric bass, recorded at the same time as the other orchestral instruments.
He entered into Tokyo National University of Fine Arts and Music (Music faculty-Composition department) and studied under Tomojirô Ikenouchi and other professors. Tanaka worked for three years at Victor Music Industries after he had graduated. He went to study to Berklee College of Music for two years after he had left Victor. After had returned to Japan, Tanaka started the activity as composer.
Though he had playing at the hotel at first, he was requested to compose an inserted song of "Arcadia of My Youth: Endless Orbit SSX", a 1982 TV anime , and it became his first work as a composer. Afterwards, he handled some compositions of the inserted songs for the Super Sentai series and did the compositions of the background music for the first time for a TV anime Konpora Kid (コンポラキッド, Konpora Kiddo?) in 1985.
Notably, the Gunbuster's BGM made his name and talent very famous among anime fans and is recognized one of the his most important works. He also handled the composition of Diebuster, a sequel series of Gunbuster, and showed a peculiar symphonic arrangement to his own work 17 years ago.
His composition is especially known by the Hot strings of that. Another his most important work is often enumerated The King of Braves GaoGaiGar, a 1997 TV anime, and GaoGaiGar Final, 2000 OVA.
In 2002, he won the first Tokyo Anime Award for Best Music by the music of Overman King Gainer.
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逃っげろー!
田中公平 Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@user-oi4oe7kp2u
ネズミが出るので猫を飼っていたら猫を外に出すなと言い出した。
おかげでネズミの数が増え、次々と家に入ってくる。
毒もまいた。
ネズミ捕りも仕掛けた。
とりあえず今一番効果が高いのが粘着トラップだ。
ネズミの通り道に大量に仕掛けることができるので効果が高い。
鳴き声で気が付くこともあるが、静かに死んでいて、腐り始めた臭いで気が付くことも多い。
ネズミ被害にあったことがないのだろうが、勝手なことばかり声高に叫ぶのは止めたまえ。
@petaasia_japan
罠にかかった動物は、死ぬまでの間、大変な苦しみを味わいます。
逃げようとする動物の身体から皮膚や体毛が剥がれ落ち、多くの動物が自分の手足を噛み切って逃げようとします。疲労、怪我、ショック、脱水、窒息、出血などで死ぬまでに数日かかることもあり、顔が接着して窒息死することもあります。
@beretta8919
それは大変ですね！！
不潔なドブネズミとの共存頑張ってください！！
@mikanmikan3886
確かに、長時間苦しませるのはよくありませんね！針や電流等で一瞬で楽にする罠を推奨するための動画を発信して頂きありがとうございます。
@Tan-tan1110
うーむ🤔
このコメントに関しては特にいけない点はなかった気がするが…
@hazimekuroki6049
ダメな理由あるのかなと思って見てたら感情論だった
@user-mz5uv3wm4m
それなww
@POPOPO163
即死させれば問題ないよ
@user-xq9qm8vw6l
ネズミを殺さなければ人間社会に疫病を撒き散らされて人間が苦しむだけなのにねえ
@user-zm5ru3km6w
ネズミ一匹で人は何万人も死ぬこと知っていますか
@user-lc1nj1ji1b
えっ。ハムスター飼ってる人からしたら
怖。