By the end of the year, ACO was back in the studio recording her second album, NUDE, which was released exactly a year after her debut. The album picked up where her debut left off, continuing with the jazz-pop style she was known for. The best-known single from this era was DROP, which combined hip-hop elements with ACO's leisurely vocals. By 1998, ACO had begun moving away from the predominately upbeat sound that launched her career, introducing some darker and more dramatic elements into the mix for her third album, Lady Soul. The album spawned the singles CATWALK and Yawarakai Hada (やわらかい肌), which did little to reflect this creeping style change.
In the winter of 1999, ACO released Absolute Ego, her fourth album and the work that many see as the turning point in her career. No longer singing the songs of a teenage pop idol, ACO introduced trip-hop and electronica elements into her style and began experimenting with her vocals as well. Critical response to the album was overwhelmingly positive. Absolute Ego produced four singles, among them SPLEEN and Yorokobi Ni Saku Hana (悦びに咲く花). A remix album, titled The Other Side Of Absolute Ego, followed in early 2000. It featured collaborations with the likes of DJ Krush (whom ACO collaborated with on his own Tragicomic), Tricky, and Yoshinori Sunahara. A live DVD called Absolute Live was also released.
In 2001, ACO presented her fifth studio album, Material. This album moved even further into her new electronica style, and contains some of her darkest music to date. Singles released included Hoshi No Kuzu (星ノクズ), which featured an Alice In Wonderland-styled PV, and 4gatsu No Hero (4月のヒーロー). The album also included a haunting cover of This Woman's Work by Kate Bush.
ACO's sixth album, irony, followed in 2003. Collaborating with Icelandic electronica band múm and avant-garde artists portable[k]ommunity, the album explored minimalist electronica through the use of layered vocals and delicate microbeats. The album drew comparisons to Vespertine by Björk and produced one solitary single, titled Machi (町).
A new mini-album, Mask, was released in early 2006. It explores a neo-electroclash sound, including a brash recut of Fuan Nano to mark the song's tenth anniversary. During this time, she collaborated with Taeji Sawai and his band Golden Pink Arrow. The songs, which are available through Sawai's website (www.taeji.org), have not yet seen a commercial release. In 2007, she released her first greatest hits album, ACO BEST ~Girl's Diary~, a two-disc compilation featuring all her singles from 1995-2006.
In 2010, ACO returned with Devil's Hands, her first new release since ending her short hiatus. In yet another genre shift, it departs from the electropop of Mask to focus on pop-rock and soft ballads. The moody and piano-driven LUCK followed in 2012, followed by a live album and a collection of self-covers in a new "unplugged" style, TRAD.
Valentine was released in 2015 and marked another sea change in ACO's style, giving her a fuzzy alt-rock sound with raspy vocals. A covers EP in this mode, Sing Sing Sing, followed in 2019.
あいたいわ
ACO Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
あふれだす あなた浮かべて
うっかりしたら
もうあんなトコまで
大きく... 手を振ってるよ
昨日はあんなに傷ついて
今はもうこんなに欲しがって
月が走るわ 窓の上
あいたいわ... あえないわ... AH
あなたの声が耳の向こうで
誰よりゆがんだら
小さなてのひら ずっとむこうへ
届くまで あなたの肌に...
指からあなたに続いてる
細く優しいこのウタも
月が走るわ 窓の上
遠くのあなたへ向かって
あいたいわ... あえないわ... AH
踊る夢 踊る声 ほどけてゆく
そっとづつ 少しづつ
見えないまま
ぬくもりも カラッポのココロへと
ふくらんでゆく...
あいたいわ... あえないわ... AH
In ACO's song "あいたいわ" (aitai wa), the lyrics depict a longing and yearning for someone who is not physically present. The heart, metaphorically described as stained red, overflows with thoughts of the person, causing a strong desire to reach out to them. The singer reflects on the emotional journey they have experienced, from being deeply hurt in the past to now desiring the presence and connection with their loved one. They acknowledge the distance between them, with the moon symbolizing time passing as they look out the window towards the person they long for. The lyrics express the sentiment of wanting to be with someone, but being unable to do so at the moment.
Line by Line Meaning
赤く染まった心にネェ
In my deeply emotional heart
あふれだす あなた浮かべて
Thoughts of you start overflowing
うっかりしたら
If I'm careless
もうあんなトコまで
I'll end up going that far
大きく... 手を振ってるよ
Waving my hand energetically
昨日はあんなに傷ついて
Yesterday, I was so hurt
今はもうこんなに欲しがって
But now, I desire you so much
月が走るわ 窓の上
The moon is running across the window
遠くのあなたへ向かって...
Heading towards you in the distance...
あいたいわ... あえないわ... AH
I miss you... Can't meet you... AH
あなたの声が耳の向こうで
Your voice is on the other side of my ears
誰よりゆがんだら
Distorted more than anyone else
小さなてのひら ずっとむこうへ
My small palm reaches far away
届くまで あなたの肌に...
Until it touches your skin...
指からあなたに続いてる
Extending from my fingers to you
細く優しいこのウタも
Even this delicate and gentle song
月が走るわ 窓の上
The moon is running across the window
遠くのあなたへ向かって
Heading towards you in the distance
あいたいわ... あえないわ... AH
I miss you... Can't meet you... AH
踊る夢 踊る声 ほどけてゆく
Dancing dreams, dancing voices unravel
そっとづつ 少しづつ
Quietly, little by little
見えないまま
While remaining unseen
ぬくもりも カラッポのココロへと
Warmth, flowing into an empty heart
ふくらんでゆく...
Expanding...
あいたいわ... あえないわ... AH
I miss you... Can't meet you... AH
Lyrics © O/B/O APRA AMCOS
Written by: ACO
Lyrics Licensed & Provided by LyricFind
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