By the end of the year, ACO was back in the studio recording her second album, NUDE, which was released exactly a year after her debut. The album picked up where her debut left off, continuing with the jazz-pop style she was known for. The best-known single from this era was DROP, which combined hip-hop elements with ACO's leisurely vocals. By 1998, ACO had begun moving away from the predominately upbeat sound that launched her career, introducing some darker and more dramatic elements into the mix for her third album, Lady Soul. The album spawned the singles CATWALK and Yawarakai Hada (やわらかい肌), which did little to reflect this creeping style change.
In the winter of 1999, ACO released Absolute Ego, her fourth album and the work that many see as the turning point in her career. No longer singing the songs of a teenage pop idol, ACO introduced trip-hop and electronica elements into her style and began experimenting with her vocals as well. Critical response to the album was overwhelmingly positive. Absolute Ego produced four singles, among them SPLEEN and Yorokobi Ni Saku Hana (悦びに咲く花). A remix album, titled The Other Side Of Absolute Ego, followed in early 2000. It featured collaborations with the likes of DJ Krush (whom ACO collaborated with on his own Tragicomic), Tricky, and Yoshinori Sunahara. A live DVD called Absolute Live was also released.
In 2001, ACO presented her fifth studio album, Material. This album moved even further into her new electronica style, and contains some of her darkest music to date. Singles released included Hoshi No Kuzu (星ノクズ), which featured an Alice In Wonderland-styled PV, and 4gatsu No Hero (4月のヒーロー). The album also included a haunting cover of This Woman's Work by Kate Bush.
ACO's sixth album, irony, followed in 2003. Collaborating with Icelandic electronica band múm and avant-garde artists portable[k]ommunity, the album explored minimalist electronica through the use of layered vocals and delicate microbeats. The album drew comparisons to Vespertine by Björk and produced one solitary single, titled Machi (町).
A new mini-album, Mask, was released in early 2006. It explores a neo-electroclash sound, including a brash recut of Fuan Nano to mark the song's tenth anniversary. During this time, she collaborated with Taeji Sawai and his band Golden Pink Arrow. The songs, which are available through Sawai's website (www.taeji.org), have not yet seen a commercial release. In 2007, she released her first greatest hits album, ACO BEST ~Girl's Diary~, a two-disc compilation featuring all her singles from 1995-2006.
In 2010, ACO returned with Devil's Hands, her first new release since ending her short hiatus. In yet another genre shift, it departs from the electropop of Mask to focus on pop-rock and soft ballads. The moody and piano-driven LUCK followed in 2012, followed by a live album and a collection of self-covers in a new "unplugged" style, TRAD.
Valentine was released in 2015 and marked another sea change in ACO's style, giving her a fuzzy alt-rock sound with raspy vocals. A covers EP in this mode, Sing Sing Sing, followed in 2019.
ヌード
ACO Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
小さな心も声を出す
低い声がそっと 歌で誘いながら
こぼれた心をゆっくりなでる
名前を呼んで 疲れたこの耳に
夢をそそいで 乾いたからだへ
水に生まれた星座の下で
私が歌う 誰より先に
私が歌う ちっちゃな足で
いつもの感情の カギを閉めて
ほどけないように
くちびるから喉に流れた
あなたの言葉を体中にひろげて
気づかれないように重なり合って
あなたの方法で 大人になる
くちびるから喉に流れた
あなたの言葉を体中にひろげて
気づかれないように重なり合って
あなたの方法で 大人になる
くちびるから喉に流れた
あなたの言葉を体中にひろげて
気づかれないように重なり合って
くちびるから喉に流れた
あなたの言葉を体中にひろげて
気づかれないように重なり合って
La La La
The lyrics to ACO's song ヌード, or "Nude" in English, portray a sense of vulnerability, surrender, and intimacy between two people. The singer describes being played with and touched by the other person's body while her small heart and voice also make themselves present. Through her low voice, the singer gently seduces and strokes the other person's spilled heart. She calls out the other person's name to soothe her tired ears and to bring dreams to her dry body. Under the constellation born of water, the singer sings before anyone else to find something far away as she walks with her small feet. She closes the key to her usual emotion so that it will not come untied. The lyrics further describe the experience of having the other person's words flow through her lips, down to her throat, and spread throughout her body. Unnoticed, these words overlap and intertwine with each other as the person grows up in the other person's way.
Line by Line Meaning
あなたの体に遊ばれながら
While being played by your body
小さな心も声を出す
My small heart also speaks up
低い声がそっと 歌で誘いながら
While the quiet voice gently invites with song
こぼれた心をゆっくりなでる
Slowly caressing the spilled heart
名前を呼んで 疲れたこの耳に
Calling my name to these tired ears
夢をそそいで 乾いたからだへ
Pouring dreams into my dry body
水に生まれた星座の下で
Under the constellation born from water
私が歌う 誰より先に
I sing before anyone else
遠くに何かを 見つけだすために
In order to find something far away
私が歌う ちっちゃな足で
I sing with my small feet
いつもの感情の カギを閉めて
Locking away my usual emotions
ほどけないように
So they won't come undone
くちびるから喉に流れた
Flowing from lips to throat
あなたの言葉を体中にひろげて
Spreading your words throughout my body
気づかれないように重なり合って
Overlapping so as not to be noticed
あなたの方法で 大人になる
Becoming an adult in your way
くちびるから喉に流れた
Flowing from lips to throat
あなたの言葉を体中にひろげて
Spreading your words throughout my body
気づかれないように重なり合って
Overlapping so as not to be noticed
くちびるから喉に流れた
Flowing from lips to throat
あなたの言葉を体中にひろげて
Spreading your words throughout my body
気づかれないように重なり合って
Overlapping so as not to be noticed
La La La
La La La
Lyrics © O/B/O APRA AMCOS
Written by: ACO
Lyrics Licensed & Provided by LyricFind
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ただただ浸潤していく感じがなんとも言えない。