By the end of the year, ACO was back in the studio recording her second album, NUDE, which was released exactly a year after her debut. The album picked up where her debut left off, continuing with the jazz-pop style she was known for. The best-known single from this era was DROP, which combined hip-hop elements with ACO's leisurely vocals. By 1998, ACO had begun moving away from the predominately upbeat sound that launched her career, introducing some darker and more dramatic elements into the mix for her third album, Lady Soul. The album spawned the singles CATWALK and Yawarakai Hada (やわらかい肌), which did little to reflect this creeping style change.
In the winter of 1999, ACO released Absolute Ego, her fourth album and the work that many see as the turning point in her career. No longer singing the songs of a teenage pop idol, ACO introduced trip-hop and electronica elements into her style and began experimenting with her vocals as well. Critical response to the album was overwhelmingly positive. Absolute Ego produced four singles, among them SPLEEN and Yorokobi Ni Saku Hana (悦びに咲く花). A remix album, titled The Other Side Of Absolute Ego, followed in early 2000. It featured collaborations with the likes of DJ Krush (whom ACO collaborated with on his own Tragicomic), Tricky, and Yoshinori Sunahara. A live DVD called Absolute Live was also released.
In 2001, ACO presented her fifth studio album, Material. This album moved even further into her new electronica style, and contains some of her darkest music to date. Singles released included Hoshi No Kuzu (星ノクズ), which featured an Alice In Wonderland-styled PV, and 4gatsu No Hero (4月のヒーロー). The album also included a haunting cover of This Woman's Work by Kate Bush.
ACO's sixth album, irony, followed in 2003. Collaborating with Icelandic electronica band múm and avant-garde artists portable[k]ommunity, the album explored minimalist electronica through the use of layered vocals and delicate microbeats. The album drew comparisons to Vespertine by Björk and produced one solitary single, titled Machi (町).
A new mini-album, Mask, was released in early 2006. It explores a neo-electroclash sound, including a brash recut of Fuan Nano to mark the song's tenth anniversary. During this time, she collaborated with Taeji Sawai and his band Golden Pink Arrow. The songs, which are available through Sawai's website (www.taeji.org), have not yet seen a commercial release. In 2007, she released her first greatest hits album, ACO BEST ~Girl's Diary~, a two-disc compilation featuring all her singles from 1995-2006.
In 2010, ACO returned with Devil's Hands, her first new release since ending her short hiatus. In yet another genre shift, it departs from the electropop of Mask to focus on pop-rock and soft ballads. The moody and piano-driven LUCK followed in 2012, followed by a live album and a collection of self-covers in a new "unplugged" style, TRAD.
Valentine was released in 2015 and marked another sea change in ACO's style, giving her a fuzzy alt-rock sound with raspy vocals. A covers EP in this mode, Sing Sing Sing, followed in 2019.
恋路
ACO Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
忘れてしまってたの
あなたへの道は
前に前に進んでゆくばかりで
細いうでに抱かれながら 私が歌う
足跡は遠く遠い所まで続いてる
立ち止まったり 走ってみたり
うずくまってみたり
あなたの好きなコト
もっとずっとしていたり
あなたの好きなコト
もっとずっとしていたり
口笛を吹いて重たい服を
全部脱ぎ捨ててネ
道草をしても のんびり ゆっくり
手を引いていてネ
立ち止まったり 走ってみたり
うずくまってみたり
スキップしたり
あなたの好きなコト
もっとずっとしていたり
あなたの好きなコト
もっとずっとしていたり
あなたの好きなコト
もっとずっとしていたり
恋路は続く...
あなたへと続く...
愛がみえるまで...
指きりしてね 投げださないこと
あなたならできるわ
The lyrics of ACO's song 恋路 (Koi Michi) convey a sense of longing and determination to continue on a path towards love. The singer pleads to not be left alone on the way back, indicating a fear of being forgotten or abandoned. However, the pathway to her beloved is one of constant progress, always moving forward. As she is embraced in fragile arms, she continues to sing, implying that her love and determination remain strong despite any hardships she may face.
The footprints she leaves behind stretch far into the distance, symbolizing the journey she has taken and the lasting impact it has had. Throughout the song, there is a mix of different actions and emotions - stopping, running, crouching, skipping - reflecting the ups and downs of love and the various ways in which one may experience it. The lyrics also express a desire to do more of the things her beloved likes, to engage in the activities that bring them joy and strengthen their connection.
The overall message of the song seems to emphasize the importance of perseverance, openness, and mutual understanding in a relationship. It suggests that the journey of love can be challenging and unpredictable, but as long as both parties are willing to commit and support each other, the path will continue and love will eventually be visible.
Line by Line Meaning
1人にしないで 帰り道を
Please don't leave me alone on the way back
忘れてしまってたの
I had forgotten
あなたへの道は 前に前に進んでゆくばかりで
The path to you only keeps moving forward
細いうでに抱かれながら 私が歌う
While being held in your slender arms, I sing
足跡は遠く遠い所まで続いてる
Footprints continue to a faraway place
立ち止まったり 走ってみたり
Stopping and trying to run
うずくまってみたり スキップしたり~AH
Trying to crouch down or skip
あなたの好きなコト もっとずっとしていたり
Doing more and more of the things you like
口笛を吹いて重たい服を 全部脱ぎ捨ててネ
Whistling and throwing off all the heavy clothes
道草をしても のんびり ゆっくり 手を引いていてネ
Even if we take detours, let's calmly hold hands and go slowly
あなたの好きなコト もっとずっとしていたり
Doing more and more of the things you like
あなたの好きなコト もっとずっとしていたり
Doing more and more of the things you like
あなたの好きなコト もっとずっとしていたり
Doing more and more of the things you like
恋路は続く...
The path of love continues...
あなたへと続く...
Continues towards you...
愛がみえるまで...
Until love can be seen...
指きりしてね 投げださないこと
Promise with pinky finger to never give up
あなたならできるわ
You can do it
Lyrics © O/B/O APRA AMCOS
Written by: ACO
Lyrics Licensed & Provided by LyricFind