Back To The Future Overture
Alan Anthony Silvestri (born March 26, 1950) is an American composer and co… Read Full Bio ↴Alan Anthony Silvestri (born March 26, 1950) is an American composer and conductor who works primarily in film and television. He is best known for his frequent collaboration with director Robert Zemeckis, including composing major hit films such as the Back to the Future trilogy and Forrest Gump, as well as the superhero films Captain America: The First Avenger and Marvel's The Avengers.
Silvestri grew up in Teaneck, New Jersey and attended Teaneck High School. He went to Berklee College of Music for 2 years and is of Italian descent.
Silvestri started his film/television composing career in 1972 at age 21, composing the score for the low-budget action film The Doberman Gang.
From 1977 to 1983, Silvestri served as the main composer for the TV show CHiPs, writing music for 109 of the show's 139 episodes.
Silvestri met director Robert Zemeckis when the two worked together on Zemeckis's 1984 film Romancing the Stone. Since then, Silvestri has composed the music for all of Zemeckis's movies, including the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004), Beowulf (2007), A Christmas Carol (2009), and Flight (2012).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/science fiction film scores. Since 2001, Silvestri has also collaborated regularly with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004, and G.I. Joe: The Rise of Cobra in 2009. His most recent work includes Captain America: The First Avenger in 2011, The Avengers in 2012 and The Croods in 2013.
Silvestri has also composed music for television shows, including T.J. Hooker (one episode), Starsky & Hutch (three episodes), Tales From The Crypt (seven episodes) and Manimal (five episodes).
In 2013, the Carolina Crown Drum and Bugle Corps used portions of the theme from The Abyss as the ballad in their 2013 Drum Corps International World Championship-winning show "E=MC2".
On 31 January 2014, it was announced that a stage musical adaptation of Back to the Future was in production. The show, which is being co-written by original writers Robert Zemeckis and Bob Gale, is expected to be performed in 2015, on the 30th anniversary year of the film. Silvestri will team up with Glen Ballard to compose a new score, with the addition of original songs from the film, including "The Power of Love", "Johnny B. Goode", "Earth Angel" and "Mr. Sandman".
Silvestri owns a vineyard, Silvestri Vineyards, located in Carmel Valley, California.
Silvestri has received two Academy Award nominations, one for Best Original Score for Forrest Gump (1994) and one for Best Original Song for "Believe" on The Polar Express soundtrack. He also received two Golden Globe nominations: Best Score for Forrest Gump and Best Song for The Polar Express.
He has also received four Grammy Award nominations, winning two awards – Best Song Written for a Motion Picture, Television or Other Visual Media, for "Believe" from The Polar Express in 2004 and Best Instrumental Composition, for "Cast Away End Credits" from Cast Away in 2002. His other nomination was for Best Soundtrack Album, for Back to the Future. During the 2005 Grammys, Josh Groban performed "Believe."
He has won the Saturn Award for Best Music three times, for his scores for Predator (1987), Back to the Future Part III (1989/90) and Van Helsing (2004).
On September 23, 2011, he was awarded with the Max Steiner Film Music Achievement Award by the City of Vienna at the yearly film music gala concert Hollywood in Vienna.
Silvestri grew up in Teaneck, New Jersey and attended Teaneck High School. He went to Berklee College of Music for 2 years and is of Italian descent.
Silvestri started his film/television composing career in 1972 at age 21, composing the score for the low-budget action film The Doberman Gang.
From 1977 to 1983, Silvestri served as the main composer for the TV show CHiPs, writing music for 109 of the show's 139 episodes.
Silvestri met director Robert Zemeckis when the two worked together on Zemeckis's 1984 film Romancing the Stone. Since then, Silvestri has composed the music for all of Zemeckis's movies, including the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004), Beowulf (2007), A Christmas Carol (2009), and Flight (2012).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/science fiction film scores. Since 2001, Silvestri has also collaborated regularly with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004, and G.I. Joe: The Rise of Cobra in 2009. His most recent work includes Captain America: The First Avenger in 2011, The Avengers in 2012 and The Croods in 2013.
Silvestri has also composed music for television shows, including T.J. Hooker (one episode), Starsky & Hutch (three episodes), Tales From The Crypt (seven episodes) and Manimal (five episodes).
In 2013, the Carolina Crown Drum and Bugle Corps used portions of the theme from The Abyss as the ballad in their 2013 Drum Corps International World Championship-winning show "E=MC2".
On 31 January 2014, it was announced that a stage musical adaptation of Back to the Future was in production. The show, which is being co-written by original writers Robert Zemeckis and Bob Gale, is expected to be performed in 2015, on the 30th anniversary year of the film. Silvestri will team up with Glen Ballard to compose a new score, with the addition of original songs from the film, including "The Power of Love", "Johnny B. Goode", "Earth Angel" and "Mr. Sandman".
Silvestri owns a vineyard, Silvestri Vineyards, located in Carmel Valley, California.
Silvestri has received two Academy Award nominations, one for Best Original Score for Forrest Gump (1994) and one for Best Original Song for "Believe" on The Polar Express soundtrack. He also received two Golden Globe nominations: Best Score for Forrest Gump and Best Song for The Polar Express.
He has also received four Grammy Award nominations, winning two awards – Best Song Written for a Motion Picture, Television or Other Visual Media, for "Believe" from The Polar Express in 2004 and Best Instrumental Composition, for "Cast Away End Credits" from Cast Away in 2002. His other nomination was for Best Soundtrack Album, for Back to the Future. During the 2005 Grammys, Josh Groban performed "Believe."
He has won the Saturn Award for Best Music three times, for his scores for Predator (1987), Back to the Future Part III (1989/90) and Van Helsing (2004).
On September 23, 2011, he was awarded with the Max Steiner Film Music Achievement Award by the City of Vienna at the yearly film music gala concert Hollywood in Vienna.
Back To The Future Overture
Alan Silvestri Lyrics
Instrumental
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@GC0077
@3:08
"See you in about 30 years...
"I hope so."
"DON'T WORRY! As long as you hit that wire, with the connecting hook at precisely 88 miles an hour, the instant the lightning strikes the tower... everything will be fine."
Alan Silvestri made this scene beautiful!!
@GC0077
@3:08
"See you in about 30 years...
"I hope so."
"DON'T WORRY! As long as you hit that wire, with the connecting hook at precisely 88 miles an hour, the instant the lightning strikes the tower... everything will be fine."
Alan Silvestri made this scene beautiful!!
@soapybread
This just sounds like my childhood. Used to watch back to the future whenever I could, still do
@tompakfu1
This really brings me back, back to the early 90s childhood days
@ThePenitentMan1
Anyone else ever notice this overture tracks the entire journey of Marty's letter to Doc?
@bryazz
Yep.
@hevnztrash7256
Because that’s what an “overture” is- all the themes of the movie in one song. Immediately after is the Marty and Lorraine theme. The The Storm, so on and so.
@ThePenitentMan1
@@hevnztrash7256 Er... No.
An Overture is a piece that is written to prepare the audience for the start of the program. Star Trek TMP had an overture based on Ilia's theme; no other thematic material from the film is used in this overture except a small reference to the main theme towards the end. The Black Hole's overture was based solely on the upbeat fanfare used in its score cues "Laser" and "Kate's OK"; none of the film's darker material can be heard in this overture at all.
But Back To The Future's "Overture" isn't a properly written and recorded overture; it's just an edit of three cues from the score. (The only part of the film's score, aside from the end credits, to actually be present on the '85 OST) The cues used in this edited overture are 9m1 - The Letter, 12m0 - The Clocktower, Pt.1 and the last half of 13m1 - Lone Pine Mall.
What I was noticing in my three-year-old original comment was that all three of these cues involve the letter that Marty wrote in the cafe, that '55 Doc tore up, and that was later patched up by '85 Doc.
@williamhaggard451
Evening Doctor Brown what’s with the wiring
@JollyRogerVF84
Makes me wanna go back to 2015 visiting the filming locations again. Goosebumps
@jaystewbulls
What state?