Alan Anthony Silvestri (born March 26, 1950) is an American composer and co… Read Full Bio ↴Alan Anthony Silvestri (born March 26, 1950) is an American composer and conductor who works primarily in film and television. He is best known for his frequent collaboration with director Robert Zemeckis, including composing major hit films such as the Back to the Future trilogy and Forrest Gump, as well as the superhero films Captain America: The First Avenger and Marvel's The Avengers.
Silvestri grew up in Teaneck, New Jersey and attended Teaneck High School. He went to Berklee College of Music for 2 years and is of Italian descent.
Silvestri started his film/television composing career in 1972 at age 21, composing the score for the low-budget action film The Doberman Gang.
From 1977 to 1983, Silvestri served as the main composer for the TV show CHiPs, writing music for 109 of the show's 139 episodes.
Silvestri met director Robert Zemeckis when the two worked together on Zemeckis's 1984 film Romancing the Stone. Since then, Silvestri has composed the music for all of Zemeckis's movies, including the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004), Beowulf (2007), A Christmas Carol (2009), and Flight (2012).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/science fiction film scores. Since 2001, Silvestri has also collaborated regularly with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004, and G.I. Joe: The Rise of Cobra in 2009. His most recent work includes Captain America: The First Avenger in 2011, The Avengers in 2012 and The Croods in 2013.
Silvestri has also composed music for television shows, including T.J. Hooker (one episode), Starsky & Hutch (three episodes), Tales From The Crypt (seven episodes) and Manimal (five episodes).
In 2013, the Carolina Crown Drum and Bugle Corps used portions of the theme from The Abyss as the ballad in their 2013 Drum Corps International World Championship-winning show "E=MC2".
On 31 January 2014, it was announced that a stage musical adaptation of Back to the Future was in production. The show, which is being co-written by original writers Robert Zemeckis and Bob Gale, is expected to be performed in 2015, on the 30th anniversary year of the film. Silvestri will team up with Glen Ballard to compose a new score, with the addition of original songs from the film, including "The Power of Love", "Johnny B. Goode", "Earth Angel" and "Mr. Sandman".
Silvestri owns a vineyard, Silvestri Vineyards, located in Carmel Valley, California.
Silvestri has received two Academy Award nominations, one for Best Original Score for Forrest Gump (1994) and one for Best Original Song for "Believe" on The Polar Express soundtrack. He also received two Golden Globe nominations: Best Score for Forrest Gump and Best Song for The Polar Express.
He has also received four Grammy Award nominations, winning two awards – Best Song Written for a Motion Picture, Television or Other Visual Media, for "Believe" from The Polar Express in 2004 and Best Instrumental Composition, for "Cast Away End Credits" from Cast Away in 2002. His other nomination was for Best Soundtrack Album, for Back to the Future. During the 2005 Grammys, Josh Groban performed "Believe."
He has won the Saturn Award for Best Music three times, for his scores for Predator (1987), Back to the Future Part III (1989/90) and Van Helsing (2004).
On September 23, 2011, he was awarded with the Max Steiner Film Music Achievement Award by the City of Vienna at the yearly film music gala concert Hollywood in Vienna.
Silvestri grew up in Teaneck, New Jersey and attended Teaneck High School. He went to Berklee College of Music for 2 years and is of Italian descent.
Silvestri started his film/television composing career in 1972 at age 21, composing the score for the low-budget action film The Doberman Gang.
From 1977 to 1983, Silvestri served as the main composer for the TV show CHiPs, writing music for 109 of the show's 139 episodes.
Silvestri met director Robert Zemeckis when the two worked together on Zemeckis's 1984 film Romancing the Stone. Since then, Silvestri has composed the music for all of Zemeckis's movies, including the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004), Beowulf (2007), A Christmas Carol (2009), and Flight (2012).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/science fiction film scores. Since 2001, Silvestri has also collaborated regularly with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004, and G.I. Joe: The Rise of Cobra in 2009. His most recent work includes Captain America: The First Avenger in 2011, The Avengers in 2012 and The Croods in 2013.
Silvestri has also composed music for television shows, including T.J. Hooker (one episode), Starsky & Hutch (three episodes), Tales From The Crypt (seven episodes) and Manimal (five episodes).
In 2013, the Carolina Crown Drum and Bugle Corps used portions of the theme from The Abyss as the ballad in their 2013 Drum Corps International World Championship-winning show "E=MC2".
On 31 January 2014, it was announced that a stage musical adaptation of Back to the Future was in production. The show, which is being co-written by original writers Robert Zemeckis and Bob Gale, is expected to be performed in 2015, on the 30th anniversary year of the film. Silvestri will team up with Glen Ballard to compose a new score, with the addition of original songs from the film, including "The Power of Love", "Johnny B. Goode", "Earth Angel" and "Mr. Sandman".
Silvestri owns a vineyard, Silvestri Vineyards, located in Carmel Valley, California.
Silvestri has received two Academy Award nominations, one for Best Original Score for Forrest Gump (1994) and one for Best Original Song for "Believe" on The Polar Express soundtrack. He also received two Golden Globe nominations: Best Score for Forrest Gump and Best Song for The Polar Express.
He has also received four Grammy Award nominations, winning two awards – Best Song Written for a Motion Picture, Television or Other Visual Media, for "Believe" from The Polar Express in 2004 and Best Instrumental Composition, for "Cast Away End Credits" from Cast Away in 2002. His other nomination was for Best Soundtrack Album, for Back to the Future. During the 2005 Grammys, Josh Groban performed "Believe."
He has won the Saturn Award for Best Music three times, for his scores for Predator (1987), Back to the Future Part III (1989/90) and Van Helsing (2004).
On September 23, 2011, he was awarded with the Max Steiner Film Music Achievement Award by the City of Vienna at the yearly film music gala concert Hollywood in Vienna.
Back to the Future
Alan Silvestri Lyrics
Instrumental
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@DarthHater100
This is what is missing from today's movies. In the 80s and 90s, every movie worth its salt had a great musical theme that totally made the movies. So many great examples... these movies became 10x better because of their score:
Basil Poledouris: Robocop, Connan and Starship Troopers
John Williams: Star Wars, Indiana Jones, Superman, Jurassic Park
David Arnold: Stargate and Independence Day
Jerry Goldsmith: Star Trek, Total Recall
Alan Silvestri: Predator and Back to the Future
With the exception of the Lord of the Rings and Pirates of the Caribbean films, I am struggling to think of ANY good examples from the 2000s. Help me out somebody.
@ashjose7973
To the people who disliked this,
I guess you aren't ready for this yet but your kids are gonna love it
@alilindsay4304
Nice 👌
@drawwithdan5821
TOP comment
@LukeSkywalkerAA23
master
@ashjose7973
@@drawwithdan5821 hey thanks
@fdl88
"your parents" 🤣
@Q45t
The 80's had the best music movie scores that ever existed in my opinion.
@atamagashock
I feel like in the 80s the scores were such a huge part of the film, not so much today. The 80s will always be a treasure and I’m so lucky to have grown up in that decade. Back To The Future is one of my favorite movies ever
@gabrielsosa3280
@Hermann Wilhelm Göring the trilogy is very good
@Magst3r1
Erhm The good, The bad and The ugly