Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
3 Pieces Op. 49: Etude Op. 49 No. 1
Alexander Scriabin Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Scriabinist
The story goes that Scriabin during this period published increasingly shorter pieces (See Op.47, Op.48 and Op.51) to test Belaieff's publishing firm on the payment price. Since Belaieeff himself was dead by this time, the board of directors were far less generous with paying Scriabin, whose music was too short and abstract for their taste. After a heated argument, Scriabin broke off with the firm that published his music for over a decade.
Charles- Valentin Alkan
This pieces are awesome. Btw, this was the shortest etude I ve ever seen.
confuoco52
The etude from his op. 56 set is half the length of this one (20 sec)!
Alexander Bayramov
That reverie definitely has jazzy flavour
Dihelson Mendonca
This Reverie is amazing, as ALL Scriabin pieces. I´m the biggest Scriabin fan.
na -kun
No I am the biggest Scriabin fan
Asriel Kujo
No me
na -kun
@Asriel Kujo no me
Asriel Kujo
@na -kun no me uwu
na -kun
@Asriel Kujo no me