Anthony Braxton (born June 4, 1945) is an American composer, saxophonist, c… Read Full Bio ↴Anthony Braxton (born June 4, 1945) is an American composer, saxophonist, clarinetist, flautist, pianist and philosopher. He has created a large body of highly complex work. Braxton is one of the most prolific American musicians/composers to date, having released well over 100 albums since the 1960s. Among the vast array of instruments he utilizes are the flute; the sopranino, soprano, C-Melody, F alto, E-flat alto, baritone, bass, and contrabass saxophones; and the E-flat, B-flat, and contrabass clarinets.
Braxton's music is difficult to categorize, and because of this, he likes to reference his works (and the works of his collaborators and students) as simply "creative music." He has claimed in numerous interviews that he is not a jazz musician, though many of his works have been jazz and improvisation oriented, and he has released many albums of jazz standards. In addition to these, Braxton has released an increasing number of works for large-scale orchestras, including two opera cycles.
Braxton's music is highly theoretical and mystically influenced, and he is the author of multiple volumes explaining his theories and pieces—such as the philosophical three-volume Triaxium Writings and the five-volume Composition Notes, both published by Frog Peak Music. While his compositions and improvisations can be characterized as avant-garde, many of his pieces have a swing feel and rhythmic angularity that are overtly indebted to Charlie Parker and the Bebop tradition.
Braxton is notorious for naming his pieces as diagrams, typically labeled with cryptic numbers and letters. Sometimes these diagrams have an obvious relation to the music — for instance, on the album For Trio the diagram-title indicates the physical positions of the performers — a variation on aleatory music that presaged his follower John Zorn's Xu Feng: John Zorn's Game Pieces, Volume I and Cobra: John Zorn's Game Pieces, Volume 2 — but in many cases the diagram-titles remain inscrutable. The titles can themselves be musical notation indicating to the performer how a piece is played. Sometimes the letters are identifiable as the initials of Braxton's friends and musical colleagues.
Braxton has pointedly refused to explain their significance, claiming that he himself is still discovering their meaning. Braxton eventually settled on a system of opus-numbers to make referring to these pieces simpler, and earlier pieces have had opus-numbers retrospectively added to them.
By the mid-to-late 1980s, Braxton's titles had become increasingly complex. They began to incorporate drawings and illustrations, such as in the title of his four act opera cycle, Composition No. 162 (Trillium R) [Act 1] Others began to include life-like images of inanimate objects, namely train cars. The latter was most notably seen after the advent of his Ghost Trance Music system.
Anthony Braxton, even in his 60s, still actively performs with ensembles of varying sizes, and has to date written well over 350 compositions. He has just recently finished the last batch of Ghost Trance Music compositions, and has now shown his interest in three other music systems: The Diamond Curtain Wall Trio, in which Braxton implements the aid of the powerful computer audio programming language, SuperCollider; Falling River Musics; and, most recently, Echo Echo Mirror House music, which is meant to hone in many different types of performance arts in addition to music.
Critic Chris Kelsey writes that "Although Braxton exhibited a genuine — if highly idiosyncratic — ability to play older forms (influenced especially by saxophonists Warne Marsh, John Coltrane, Paul Desmond, and Eric Dolphy), he was never really accepted by the jazz establishment, due to his manifest infatuation with the practices of such non-jazz artists as John Cage and Karlheinz Stockhausen [and though Kelsey doesn't mention it, Braxton has long been interested in Arnold Schoenberg's music]. Many of the mainstream's most popular musicians (Wynton Marsalis among them) insisted that Braxton's music was not jazz at all. Whatever one calls it, however, there is no questioning the originality of his vision; Anthony Braxton created music of enormous sophistication and passion that was unlike anything else that had come before it."
Early in his career, Braxton led a trio with violinist Leroy Jenkins and trumpeter Wadada Leo Smith and was involved with The Association for the Advancement of Creative Musicians, the "AACM", founded in Chicago, Illinois, Braxton's birthplace.
In 1968, Braxton recorded the double LP For Alto. There had been occasional unaccompanied saxophone recordings previously (notably Coleman Hawkins' "Picasso"), but For Alto was the first full-length album for unaccompanied saxophone. The album's songs were dedicated to Cecil Taylor and John Cage, among others. The album influenced other artists like Steve Lacy (soprano sax) and George Lewis (trombone), who would go on to record their own acclaimed solo albums.
Braxton joined pianist Chick Corea's existing trio with Dave Holland (double bass) and Barry Altschul (drums) to form the short-lived avant garde quartet Circle, around 1970. When Corea broke up the group, forming Return to Forever to pursue a fusion based style of composition and recording, Holland and Altschul remained with Braxton for much of the 1970s as part of a quartet, with the rotating brass chair variously filled by trumpeter Kenny Wheeler, or trombonists George Lewis or Ray Anderson. This group recorded on Arista Records. The core trio plus saxophonist Sam Rivers recorded Holland's Conference of the Birds, on ECM. In the 1970s he also recorded duets with Lewis and with synthesizer player Richard Teitelbaum.
In 1975, he released an album on Muse Records titled Muhal with Creative Construction Company, a group consisting of Richard Davis (Bass), Muhal Richard Abrams (Cello/Piano), Steve McCall (drums), Wadada Leo Smith (trumpet) and Leroy Jenkins (violin).
In the late 1970s he recorded two large ensemble recordings, "Creative Orchestra Music 1976," inspired by American jazz and marching band traditions, and "For Four Orchestras." Both of these records were released on Arista.
Braxton's regular group in the 1980s and early 1990s was a quartet with Marilyn Crispell (piano), Mark Dresser (double bass) and Gerry Hemingway (drums). It has been called "his finest and longest standing band".
Braxton has also recorded and collaborated with European free improvisers such as Derek Bailey, Evan Parker, and the Globe Unity Orchestra, or with giants from the 'regular' jazz world, such as Max Roach. Throughout the years Braxton has played with a wide variety of people, such as Mal Waldron, Dave Douglas, Ornette Coleman, Dave Brubeck, Lee Konitz, Peter Brötzmann, Willem Breuker, Muhal Richard Abrams, Steve Lacy, Roscoe Mitchell, Pat Metheny, Andrew Cyrille, Wolf Eyes, Misha Mengelberg, Chris Dahlgren, Lauren Newton, and countless others.
In 1994, he was granted a MacArthur Fellowship. From 1995 to 2006, Braxton's output as a composer concentrated almost exclusively on what he calls "Ghost Trance Music", which introduces a steady pulse to his music and also allows the simultaneous performance of any piece by the performers. Many of the earliest Ghost Trance recordings were released on his own Braxton House label (now defunct). His final Ghost Trance compositions were performed with a "12+1tet" at New York's Iridium club in 2006; the complete four-night residency was recorded and released in 2007 by the Firehouse 12 label as 9 Compositions (Iridium) 2006
In addition, during the 1990s and early 2000s Braxton created a prodigiously large body of "standards" recordings, often featuring him as a pianist rather than saxophonist. He had frequently performed such material in the 1970s and 1980s, but only recorded it occasionally; now he began to release multi-disc sets of such material, climaxing in two quadruple-CD sets for Leo Records recorded on tour in 2003.
More recently he has created new series of compositions, such as the Falling River Musics that are documented on 2+2 Compositions (482 Music, 2005).
Braxton studied philosophy at Roosevelt University. He has taught at Mills College and now is Professor of Music at Wesleyan University in Middletown, Connecticut, teaching music composition, music history, and improvisation.
Moreover, Braxton is the father of Tyondai Braxton, who was a member of Battles.
Braxton's music is difficult to categorize, and because of this, he likes to reference his works (and the works of his collaborators and students) as simply "creative music." He has claimed in numerous interviews that he is not a jazz musician, though many of his works have been jazz and improvisation oriented, and he has released many albums of jazz standards. In addition to these, Braxton has released an increasing number of works for large-scale orchestras, including two opera cycles.
Braxton's music is highly theoretical and mystically influenced, and he is the author of multiple volumes explaining his theories and pieces—such as the philosophical three-volume Triaxium Writings and the five-volume Composition Notes, both published by Frog Peak Music. While his compositions and improvisations can be characterized as avant-garde, many of his pieces have a swing feel and rhythmic angularity that are overtly indebted to Charlie Parker and the Bebop tradition.
Braxton is notorious for naming his pieces as diagrams, typically labeled with cryptic numbers and letters. Sometimes these diagrams have an obvious relation to the music — for instance, on the album For Trio the diagram-title indicates the physical positions of the performers — a variation on aleatory music that presaged his follower John Zorn's Xu Feng: John Zorn's Game Pieces, Volume I and Cobra: John Zorn's Game Pieces, Volume 2 — but in many cases the diagram-titles remain inscrutable. The titles can themselves be musical notation indicating to the performer how a piece is played. Sometimes the letters are identifiable as the initials of Braxton's friends and musical colleagues.
Braxton has pointedly refused to explain their significance, claiming that he himself is still discovering their meaning. Braxton eventually settled on a system of opus-numbers to make referring to these pieces simpler, and earlier pieces have had opus-numbers retrospectively added to them.
By the mid-to-late 1980s, Braxton's titles had become increasingly complex. They began to incorporate drawings and illustrations, such as in the title of his four act opera cycle, Composition No. 162 (Trillium R) [Act 1] Others began to include life-like images of inanimate objects, namely train cars. The latter was most notably seen after the advent of his Ghost Trance Music system.
Anthony Braxton, even in his 60s, still actively performs with ensembles of varying sizes, and has to date written well over 350 compositions. He has just recently finished the last batch of Ghost Trance Music compositions, and has now shown his interest in three other music systems: The Diamond Curtain Wall Trio, in which Braxton implements the aid of the powerful computer audio programming language, SuperCollider; Falling River Musics; and, most recently, Echo Echo Mirror House music, which is meant to hone in many different types of performance arts in addition to music.
Critic Chris Kelsey writes that "Although Braxton exhibited a genuine — if highly idiosyncratic — ability to play older forms (influenced especially by saxophonists Warne Marsh, John Coltrane, Paul Desmond, and Eric Dolphy), he was never really accepted by the jazz establishment, due to his manifest infatuation with the practices of such non-jazz artists as John Cage and Karlheinz Stockhausen [and though Kelsey doesn't mention it, Braxton has long been interested in Arnold Schoenberg's music]. Many of the mainstream's most popular musicians (Wynton Marsalis among them) insisted that Braxton's music was not jazz at all. Whatever one calls it, however, there is no questioning the originality of his vision; Anthony Braxton created music of enormous sophistication and passion that was unlike anything else that had come before it."
Early in his career, Braxton led a trio with violinist Leroy Jenkins and trumpeter Wadada Leo Smith and was involved with The Association for the Advancement of Creative Musicians, the "AACM", founded in Chicago, Illinois, Braxton's birthplace.
In 1968, Braxton recorded the double LP For Alto. There had been occasional unaccompanied saxophone recordings previously (notably Coleman Hawkins' "Picasso"), but For Alto was the first full-length album for unaccompanied saxophone. The album's songs were dedicated to Cecil Taylor and John Cage, among others. The album influenced other artists like Steve Lacy (soprano sax) and George Lewis (trombone), who would go on to record their own acclaimed solo albums.
Braxton joined pianist Chick Corea's existing trio with Dave Holland (double bass) and Barry Altschul (drums) to form the short-lived avant garde quartet Circle, around 1970. When Corea broke up the group, forming Return to Forever to pursue a fusion based style of composition and recording, Holland and Altschul remained with Braxton for much of the 1970s as part of a quartet, with the rotating brass chair variously filled by trumpeter Kenny Wheeler, or trombonists George Lewis or Ray Anderson. This group recorded on Arista Records. The core trio plus saxophonist Sam Rivers recorded Holland's Conference of the Birds, on ECM. In the 1970s he also recorded duets with Lewis and with synthesizer player Richard Teitelbaum.
In 1975, he released an album on Muse Records titled Muhal with Creative Construction Company, a group consisting of Richard Davis (Bass), Muhal Richard Abrams (Cello/Piano), Steve McCall (drums), Wadada Leo Smith (trumpet) and Leroy Jenkins (violin).
In the late 1970s he recorded two large ensemble recordings, "Creative Orchestra Music 1976," inspired by American jazz and marching band traditions, and "For Four Orchestras." Both of these records were released on Arista.
Braxton's regular group in the 1980s and early 1990s was a quartet with Marilyn Crispell (piano), Mark Dresser (double bass) and Gerry Hemingway (drums). It has been called "his finest and longest standing band".
Braxton has also recorded and collaborated with European free improvisers such as Derek Bailey, Evan Parker, and the Globe Unity Orchestra, or with giants from the 'regular' jazz world, such as Max Roach. Throughout the years Braxton has played with a wide variety of people, such as Mal Waldron, Dave Douglas, Ornette Coleman, Dave Brubeck, Lee Konitz, Peter Brötzmann, Willem Breuker, Muhal Richard Abrams, Steve Lacy, Roscoe Mitchell, Pat Metheny, Andrew Cyrille, Wolf Eyes, Misha Mengelberg, Chris Dahlgren, Lauren Newton, and countless others.
In 1994, he was granted a MacArthur Fellowship. From 1995 to 2006, Braxton's output as a composer concentrated almost exclusively on what he calls "Ghost Trance Music", which introduces a steady pulse to his music and also allows the simultaneous performance of any piece by the performers. Many of the earliest Ghost Trance recordings were released on his own Braxton House label (now defunct). His final Ghost Trance compositions were performed with a "12+1tet" at New York's Iridium club in 2006; the complete four-night residency was recorded and released in 2007 by the Firehouse 12 label as 9 Compositions (Iridium) 2006
In addition, during the 1990s and early 2000s Braxton created a prodigiously large body of "standards" recordings, often featuring him as a pianist rather than saxophonist. He had frequently performed such material in the 1970s and 1980s, but only recorded it occasionally; now he began to release multi-disc sets of such material, climaxing in two quadruple-CD sets for Leo Records recorded on tour in 2003.
More recently he has created new series of compositions, such as the Falling River Musics that are documented on 2+2 Compositions (482 Music, 2005).
Braxton studied philosophy at Roosevelt University. He has taught at Mills College and now is Professor of Music at Wesleyan University in Middletown, Connecticut, teaching music composition, music history, and improvisation.
Moreover, Braxton is the father of Tyondai Braxton, who was a member of Battles.
April in Paris
Anthony Braxton Lyrics
We have lyrics for 'April in Paris' by these artists:
Alexander von Schlippenbach / Sven-Åke Johansson Ich suchte nach dem Eifelturm und fand zuerst Michelle. Sie …
Allison Adams Tucker Tracy died soon after a long fought civil war Just after…
Alvino Rey & His Orchestra I never knew the charm of spring I never met it…
André Kostelanetz We don't exist We are nothing but shadow and mist In the…
Andre Previn April in Paris Chestnuts in blossoms Holiday tables Under th…
Andy Williams April in Paris, chestnuts in blossom Holiday tables under th…
Armstrong Ella Fitzgerald Louis Armstrong I never knew the charm of spring I never met it…
Armstrong Louis Armstrong Ella Fitzgerald April in Paris, chestnuts in blossom Holiday tables under th…
Armstrong/Ella Fitzgerald/Louis Armstrong I never knew the charm of spring I never met it…
Artie Shaw & Artie Shaw & His Orchestra I never knew the charm of spring I never met it…
Axel Stordahl & His Orchestra/Frank Sinatra I never knew the charm of spring Never met it face…
Axel Stordahl & His Orchestra; Frank Sinatra I never knew the charm of spring Never met it face…
Basie I never knew the charm of spring I never met it…
Basie Count I never knew the charm of spring I never met it…
Benny Goodman I never knew the charm of spring I never met it…
Bigband Orchestra I never knew the charm of spring I never met it…
Billie Holiday April in Paris Chestnuts in blossom Holiday tables under the…
Billie Holiday (1915-1959) I never knew the charm of spring I never met it…
Billie Holiday and Her Orchestra April in Paris Chestnuts in blossom Holiday tables under the…
Billie Holliday with Bob Haggart and His Orchestra I never knew the charm of spring I never met it…
Billy Eckstine April in Paris, chestnuts in blossom Holiday tables under th…
Billy Holiday I never knew the charm of spring I never met it…
Billy May and his Orchestra & Frank Sinatra I never knew the charm of spring Never met it face…
Bing Crosby April in Paris, chestnuts in blossom Holiday tables under th…
Blossom Dearie I never knew the charm of spring I never met it…
Bob Hope I never knew the charm of spring I never met it…
Carmen Cavallaro Writers: harburgduke I never knew the charm of spring I neve…
Charlie Parker & Bird I wanted to hold you and keep you with me…
Charlie Parker Quartet with Jimmy Carroll & His Orchestra I never knew the charm of spring I never met it…
Cleo Laine I never knew the charm of spring I never met…
Clifford Brown Darn that dream I dream each night You say you love me…
Clifford Brown and Sarah Vaughan I never knew the charm of spring I never met it…
Clifford Brown Sextet I never knew the charm of spring I never met it…
Clifford Brown; Sarah Vaughan I never knew the charm of spring I never met it…
Count Basie & Count Basie and His Orchestra I never knew the charm of spring I never met it…
Count Basie & His Orchestra I never knew the charm of spring I never met it…
Count Basie & Sammy Davis Jr I never knew the charm of spring I never met it…
Count Basie & The Mills Brothers I never knew the charm of spring I never met it…
Count Basie and His Orches... I never knew the charm of spring I never met it…
Count Basie and His Orchestra I never knew the charm of spring I never met it…
Count Basie and Tony Bennett I never knew the charm of spring I never met it…
Count Basie Orchestra I never knew the charm of spring I never met it…
Count Basie/Sammy Davis Jr I never knew the charm of spring I never met it…
Count Bassie Featuring Tony Bennett I never knew the charm of spring I never met it…
Dean Martin April in Paris Who can I run to What have you done…
Dean Martin Sammy Davis Jr. Frank Sinatra I never knew the charm of spring Never met it face…
Dearie Blossom-m I never knew the charm of spring I never met it…
Denver and the Mile High Orchestra A country girl in Paris, Moonlight on the Seine Memories of…
Dinah Shore April in Paris Chestnuts in blossoms Holiday tables Under th…
Dinah Shore and André Previn April in Paris Chestnuts in blossoms Holiday tables Under…
Doris Day April in Paris Chestnuts in blossoms Holiday tables Under th…
Doris Day & The Norman Luboff Choir April in Paris Chestnuts in blossoms Holiday tables Under…
Doris Day The Norman Luboff Choir April in Paris Chestnuts in blossoms Holiday tables Under th…
Doris Day with Paul Weston & His Orchestra I never knew the charm of spring I never met it…
Doris Day with Percy Faith & His Orchestra and The Norman Luboff Choir April in Paris Chestnuts in blossoms Holiday tables Under th…
Doris Day With Percy Faith And His Orchestra And The Norman Luboff Choir April in Paris Chestnuts in blossoms Holiday tables Under…
Doris Day [feat. Percy Faith And His Orchestra] April in Paris Chestnuts in blossoms Holiday tables Under th…
Dr. Nick Moore Dr.Bass Productions Dam-di-dam-di-dam Dam-di-dam-di-dam Dam…
E. Y. Harburg I never knew the charm of spring I never met it…
E.Y. "Yip" Harburg Tracy died soon after a long fought civil war, Just…
E.Y. Harburg April in Paris Chestnuts in blossoms Holiday tables Under th…
Ella April in Paris, chestnuts in blossom Holiday tables under th…
Ella & Billie I never knew the charm of spring I never met it…
Ella & Louis April in Paris, chestnuts in blossom Holiday tables under th…
Ella Fitzgerald & Billie Holiday April in Paris Chestnuts in blossom Holiday tables under the…
Ella Fitzgerald & Count Basie and His Orchestra I never knew the charm of spring I never met it…
Ella Fitzgerald & Frank Sinatra April in Paris, chestnuts in blossom Holiday tables under th…
Ella Fitzgerald & Oscar Peterson April in Paris, chestnuts in blossom Holiday tables under t…
Ella Fitzgerald & Луи Армстронг April in Paris, chestnuts in blossom Holiday tables under th…
Ella Fitzgerald an d Louis Armstrong I never knew the charm of spring I never met it…
Ella Fitzgerald feat. Louis Armstrong April in Paris, chestnuts in blossom Holiday tables under th…
Ella Fitzgerald The Roy Eldridge Sextet I never knew the charm of spring I never met it…
Ella Fitzgerald/Louis Armstron I never knew the charm of spring I never met it…
Ella Fitzgerald/Louis Armstrong/Ella Fitzgerald e Louis Armstrong April in Paris, chestnuts in blossom Holiday tables under th…
Elling Kurt April in Paris, chestnuts in blossom Holiday tables under t…
Elliot Lawrence & His Orchestra I never knew the charm of spring I never met it…
Fitzgerald & Peterson I never knew the charm of spring I never met it…
Frank Cordell & His Orchestra I never knew the charm of spring I never met it…
Frank Sinatra I never knew the charm of spring Never met it face…
Frank Sinatra with Axel Stordahl & His Orchestra I never knew the charm of spring I never met it…
Freddy Martin April in Paris, Chestnuts in blossom, Holiday tables, Under …
Gene Krupa I never knew the charm of spring I never met it…
Glenn Miller I never knew the charm of spring I never met it…
Gloria Lynne I never knew the charm of spring I never met it…
Hoagy Carmichael There's snowflakes in the sky And geese are flying high But …
J.A.Q. I really want to win your heart For a chance to…
Jack Parnell & His Orchestra I never knew the charm of spring I never met it…
Jonathan and Darlene Edwards It feels unreal but I get the appeal, if we're…
Josephine Baker I never knew the charm of spring I never met it…
Julie London April in Paris, chestnuts in blossom Holiday tables under th…
K. Sparks Who can I blame At least you got your way Who said…
Keely Smith I never knew the charm of spring I never met it…
Kurt Elling April in Paris, chestnuts in blossom Holiday tables under t…
Leo Reisman & His Orchestra I never knew the charm of spring I never met it…
Les & Larry Elgart I found my April dream in Portugal with you When we…
Lew Davies & His Orchestra I never knew the charm of spring I never met it…
Little Dead Bertha I go on the street And all is everyday Grey walls and…
Lolo.1 Who can I blame At least you got your way Who said…
Louis & Ella April in Paris, chestnuts in blossom Holiday tables under th…
Mario Lanza I never knew the charm of spring I never met it…
Miller Bigband Orchestra I never knew the charm of spring I never met it…
N/A One week in Paris Älä huoli must liikaa Baby mu silmät kii S…
Nat King Cole I never knew the charm of spring I never met it…
Nicola Arigliano April in Paris, chestnuts in blossom Holiday tables under t…
No A Denial A Denial A Denial Ohhh… Feel the sunshine Mmm, yea…
Norman Luboff April in Paris Chestnuts in blossoms Holiday tables Under th…
Paul Mauriat We don't exist We are nothing but shadow and mist In the…
Paul Mauriat And His Orchestra I never knew the charm of spring I never met it…
Ray Conniff We don't exist We are nothing but shadow and mist In the…
Ray Conniff & His Orchestra I never knew the charm of spring I never met it…
Rosemary Clooney April in Paris, Chestnuts in blossom, Holiday tables, Under …
Sammy Davis I never knew the charm of spring I never met it…
Sammy Davis & Count Basie I never knew the charm of spring I never met it…
Sammy Davis / Count Basie I never knew the charm of spring I never met it…
Sammy Davis Jr I never knew the charm of spring I never met it…
Sammy Davis Jr. & Count Basie I never knew the charm of spring I never met it…
Sammy Davis Jr. and Count Basie I never knew the charm of spring I never met it…
Sammy Davis/Count Basie I never knew the charm of spring I never met it…
Sarah Vaughan I never knew the charm of spring I never met it…
Sarah Vaughan & Clifford Brown I never knew the charm of spring I never met it…
Sarah Vaughan & Clifford Brown Sextet I never knew the charm of spring I never met it…
Sarah Vaughan [feat. Clifford Brown] Darn that dream I dream each night You say you love me…
Shirley Bassey I never knew the charm of spring I never met it…
SMITH Keely I never knew the charm of spring I never met it…
stan Kenton (and his orchestra) I never knew the charm of spring I never met it…
Supersax & L.A. Voices Looking at the window And I know I'm not home Feeling…
Tatiana Eva-Marie La da, da da, da da La da, da da,…
Ted Heath & His Orchestra I never knew the charm of spring I never met it…
Teddy Wilson There's snowflakes in the sky And geese are flying high But …
The Billy May & His Orchestra I never knew the charm of spring I never met it…
The Count Basie Orchestra I never knew the charm of spring I never met it…
The Melachrino Strings and Orchestra I never knew the charm of spring I never met it…
Thelonious Monk Coba tanya hatimu sekali lagi Sebelum engkau benar-benar per…
Tito Puente & His Orchestra I never knew the charm of spring I never met it…
Tommy and Jimmy Dorsey Nothing could be finer than to be in Carolina in…
Tommy Dorsey & His Orchestra I never knew the charm of spring I never met it…
Vaughan Sarah & Clifford Brown I never knew the charm of spring I never met it…
Victor Young & His Orchestra I never knew the charm of spring I never met it…
Луи Армстронг & Ella Fitzgerald April in Paris, chestnuts in blossom Holiday tables under th…
サラ・ヴォーン & Clifford Brown Darn that dream I dream each night You say you love me…
Billie Holiday April in Paris Chestnuts in blossom Holiday tables under the…
We have lyrics for these tracks by Anthony Braxton:
After You've Gone Now won't you listen honey, while I say, How could…
Body and Soul My heart is sad and lonely For you I sigh, for…
Embraceable You Embrace me, my sweet embraceable you! Embrace me, you irrepl…
Green Dolphin Street It seems like a dream, yet I know it happened A…
how deep is the ocean How much do I love you? I'll tell you no lie How…
I Love You How did I know that the warmth of the glow…
I Remember You How did I know that the warmth of the glow…
No Greater Love There is no greater love Than what I feel for you No…
On Green Dolphin Street It seems like a dream, yet I know it happened A…
The Song Is You I hear music when I look at you, A beautiful theme…
What's New Do you know what it means to miss New Orleans And…
You Go To My Head You go to my head And you linger like a haunting…
You Got To My Head You go to my head And you linger like a haunting…
You Stepped Out of a Dream War, war, war, war, war, war, war On a silent shore I…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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