In the nineties, Vienna became famous for its electronic music scene and Bernhard Fleischmann found its unique place in it. A laptop, sound loops, rhythm patterns. A gig at the legendary picknick@rhiz festival. Indulging melodies, but never sugary, surrounded by tricky rhythm structures. Songs, not just tracks, arranged on an impressing record – “pop loops for breakfast” found the love story between Bernhard Fleischmann and the young label Morr Music in autumn 1998. The “Sidonie EP” followed in 1999. Bernhard Fleischmann became a busy live artist, touring through Austria, Germany, Europe, the USA and nearly the rest of the world. The album “Choir of Empty Beds” was released on Fuzzy Box (2000). Besides, tracks for compilations on Morr Music (“Putting the Morr back into Morrissey“) and other labels – Christof Kurzmann’s Vienna based label Charizma, for instance. Bernhard Fleischmann’s “Nico”-7inch was the opener for the Morr Music-series “a number of small things” (2001).
Later came “Welcome Tourist” (autumn 2001) featuring Christof Kurzmann.
Together with Herbert Weixelbaum Bernhard Fleischmann formed Duo 505, delicate pulsing electronica. Their album “late” was released in autumn 2005 on Morr Music.
Together with Christof Kurzmann, Burkhard Stangl, Martin Siewert and Werner Dafeldecker – those who already have played one song together on “Welcome Tourist” – he founded The Year of, a country-esque chamber orchestra with slide guitars, clarinets, interferences, echo chambers. Songs in cinemascope, electro-acoustic experiences. Their debut “Slow Days” was released in spring 2006 also on Morr Music.
And there is „The Humbucking Coil“ Bernhard Fleischmann’s third solo record released in February 2006 – euphoric pop in slow motion, rustling rhythm patterns, songs that linger and indulge. Vibraphone, piano, electric guitars in a still electronic working process. Pop songs of course.
Bernhard Fleischmann is also the composer for different film scores: Bady Mincks “Am Anfang war der Blick“ (shown in Cannes 2003); Jörg Kalts “Crash Test Dummies” (shown at the berlinale 2005); and Marc Bauders and Dörte Frankes “Jeder schweigt von etwas anderem” (shown at the Berlinale 2006).
www.bfleischmann.com
www.morrmusic.com
Tomorrow
B. Fleischmann Lyrics
Jump to: Overall Meaning ↴
秘密の夢なの
秘密の夢 目を閉じて見えた世界に
キミがいて
笑いあって じゃれあって
けんかして 仲直りして
どの光景もYou Don't Know
だって言えないよ
そっと願っているからSomeday
おそろいのストラップ
ポケットからはみ出してる
肩並べて歩いた
街はいつも煌めいてたね
約束までの距離 遠い未来ばかり
だって何年経っても
変わらず傍にいたいから!
10年先もキミがいる未来を見てる
秘密の夢なの
叶えたいほど口にはだせなくて
でもね...いつも願ってるよ
ずっと二人!!
出会った年から3度目の夏
海・花火・淡い恋の記憶
季節は変わり...
思い出の数は降り積もる雪みたく
ここにいると記憶蘇る
あの日から今日までを振り返る
そしてまた歩き出す
一歩ずつ先の未来へ
出会ったとき一番に
好きになったキミの笑顔
最近よく言われる
「笑う顔が二人似てるね。」
友達からの距離そこから今日まで
手をつないで歩いた
毎日が楽しかったよ!
10年先もキミがいる未来を見てた
秘密教えるよ
もし夢の中 めぐり逢えたら
想いは一つと気付くの
キミと二人!!
明日また必ず会えずはず!!
手を振る前に交わした約束
見慣れたほほ笑みで
「またね。」って言って
いつものように
根拠のない夢や未来
なんだか急に切ない
神様お願い!これから先も
キミといさせて
ずっと一緒にいられるのかな
ホントは夢に近すぎる願いだから
10年先もキミがいる未来を見てた
秘密教えるよ
もし夢の中 めぐり逢えたら
想いは一つと気付くの ずっと二人
The lyrics of B. Fleischmann's song "Tomorrow" paint a vivid picture of a future where the singer envisions themselves with their partner, engaging in various everyday activities that symbolize their deep connection and shared experiences. The singer expresses a desire to continue this bond into the future, despite the uncertainties that lie ahead. This future is described as a secret dream, a world where they can be together, laugh, play, argue, make up, and go through various moments that remain undisclosed to others, emphasizing the intimacy and exclusivity of their relationship.
The imagery of walking shoulder to shoulder, with matching straps peeking out of their pockets, creates a sense of unity and companionship as they navigate through a city that always seems to shimmer. The distance to their promises may seem far in the vast expanse of time, but the singer emphasizes the constant desire to stay by their partner's side. The repetition of wanting their partner to be there unchanged, year after year, underscores the deep-rooted commitment and love that transcends time.
As the lyrics progress, the singer reflects on the memories shared with their partner, from the third summer since they met to various seasonal experiences like the sea, fireworks, and fleeting romance. The accumulation of these memories is likened to snow piling up, symbolizing the weight and significance of their shared past. Through nostalgia and retrospection, the singer acknowledges the enduring presence of their partner in their life and their journey towards an unknown but hopeful future.
The recurring theme of laughter and shared moments further reinforces the bond between the singer and their partner. The lyrics highlight the similarity in their smiles, suggesting a deep connection that goes beyond words. The uncertainty about the future and the poignant plea to a higher power to allow them to continue their togetherness reveal the vulnerability and longing for a lasting companionship. Ultimately, the song culminates in a declaration of the singer's revelation that their feelings and dreams are united with their partner, emphasizing the enduring bond between them in a future that remains hidden yet hopeful.
Lyrics © O/B/O APRA AMCOS
Written by: AILA
Lyrics Licensed & Provided by LyricFind