Their debut album Pasto was recorded and released in 1992 and has guest appearances by Gustavo Cerati, Daniel Melero and members of other groups which, at the time, were also part of the New Argentinian Rock (or Sonic rock) movement, such as Martes Menta and Juana la Loca. The only single released from Pasto was "D-Generación", which was a minor radio hit at the time and made the upcoming band known to Argentinian listeners. The album has an eclectic style, with many of the tracks being short skits (such as "41" de Ocio", which consists of the band chatting between songs; or "Mutha Fucka", a track which seems to have been made by cutting and pasting together various audio samples taken from TV).
For their second album Trance Zomba, released in 1994, DJ Peggyn joined the band. As a a consequence of the band having now 6 members, this album has a mixture of Rap, Funk and Hardcore Punk, but at the same time even psychedelic rock influences. "Malón", "Montañas de Agua", "Patinador Sagrado" and "Koyote" were the singles released for this album.
In 1996 the band released the highly experimental Dopádromo. This album has all sorts of music from the highly psychedelic "Zumba" and "Su Majestad", hard rock tracks as "El Medium and "Su Ciervo", instrumentals and even a hasta un bossa nova: "Perfume Casino". Destacan también "¡Viva Satana!" and "El Médium" were the biggest hist from this record.
Their fourth album, Babasónica showcased a heavier edge than their previous three, being influenced by heavy metal with distorted riffs and guitar solos on many songs ("Egocripta", "Demonomanía", "El Adversario"). On the other hand, the album has a softer acoustic side, with the delicate ballads "Sharon Tate" and "Esther Narcótica". The band has declared that this was meant to balance out the roughness of the heavier songs. Some tracks even include both stylistic approaches at once making for interesting contrast, like "Parafinada" or "Convoy". Lyrically, the album deals with the concepts of satanism. The band has declared that this approach isn't meant to be taken at face value, but as homage to classic metal, and as an attack on common Western ways of thinking, such as religion.
On their fifth release Miami, DJ Peggyn participated as a member of the band for the last time, he was sacked as his contributions were no longer felt necessary for the band. In 2000 he went for a solo career, renaming himself Jimmy Dolor. The album cover was designed by Alejandro Ros. It is a map of Argentina turned 90 degrees clockwise, resembling a map of the east coast of the United States; the map places a fictional Miami in the Argentinian province of Misiones. After the release of the album, Cosme, their manager, left the band.
After the release of Jessico (2001), Babasónicos shifted into a more pop-influenced sound and reached massive mainstream success, becoming one of Latin America's top bands.
Their follow up records, Infame (2003), Anoche (2005) , Mucho (2008), A Propósito (2011), Romantisismico (2014) and Discutible (2018), further expended this sound and merged it with their early psychedelic and experimental influences.
In 1999 they collaborated with alternative rock artist Ian Brown on a track for his second studio album, Golden Greats, that bears their name.
In early 2008, the official site informed that after a long and painful struggle with Hodgkins lymphoma, bass player Gabriel "Gabo" Mannelli passed away on January the 12th. He was 38 years old.
Since then, Babasónicos teamed up with long-time-friend Carca to temporarily replace Gabo, until late 2011 when Tuta Torres (ex-bassist from Los Látigos) joined the group as their new official bass player, with Carca now serving as a multi-instrumentalist.
Suturno
Babasónicos Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Quiero revolcarme con vos (quiero quiero quiero quiero)
Quiero revolcarme con vos (quiero revolcarme con vos)
Quiero revolcarme con vos (quiero quiero quiero quiero)
Culo duro
Piernas largas
Tetas rojas
Nalgas rosas
Pelos rubia
Boca roja
Sexo popular
Quiero revolcarme con vos (quiero revolcarme con vos)
Quiero revolcarme con vos (quiero quiero quiero quiero)
Quiero revolcarme con vos (quiero revolcarme con vos)
Quiero revolcarme con vos (quiero quiero quiero quiero)
Culo duro
Piernas largas
Tetas rojas
Labios popular
Nalgas rosas
Pelos rubia
Boca roja
Sexo popular
Quiero revolcarme con vos (quiero revolcarme con vos)
Quiero revolcarme con vos (quiero quiero quiero quiero)
Quiero revolcarme con vos (quiero revolcarme con vos)
Quiero revolcarme con vos (quiero quiero quiero quiero)
Quiero quiero quiero quiero
Quiero quiero quiero quiero
Quiero ir con vos
Llévame lejos
Quiero ir con vos (para estar con vos)
Llévame lejos
Quiero ir con vos
Llévame lejos
Quiero ir con vos
Llévame lejos
Nunca había besado tan fogosamente
Nunca había escapado a la pasión
Mientras me derrito como mantequilla
Toco y acaricio el esplendor
Nunca había besado tan fogosamente
Nunca había escapado a la pasión
Mientras me derrito como mantequilla
Toco y acaricio el esplendor
The lyrics of Babasónicos’ “Suturno” are highly sexual and full of provocative imagery. The repetition of “Quiero revolcarme con vos,” which translates to “I want to roll around with you,” creates a sense of urgency and longing in the listener. The following lines describe various physical attributes of the object of desire, including a “hard ass,” “long legs,” “red tits,” and “pink buttocks.” The lyrics then move onto physical attributes of the singer, describing their blonde hair and red mouth.
The chorus repeats the desire to roll around with the object of the singer’s desire, followed by a repetition of the physical attributes. The song then shifts to a more personal desire, with the singer wanting to be taken away by the object of desire. The final verse describes the intensity of the physical act of being with this person, using the metaphor of melting butter and exploring their “splendor.”
Overall, the song is highly sexual and provocative, with the lyrics creating a vivid picture of physical desire and lust.
Line by Line Meaning
Quiero revolcarme con vos (quiero revolcarme con vos)
I want to be intimate with you (I want to be intimate with you)
Quiero revolcarme con vos (quiero quiero quiero quiero)
I really want to be intimate with you (I really really really want to be intimate with you)
Culo duro
Your firm buttocks
Piernas largas
Your long legs
Tetas rojas
Your red breasts
Su Ciervo
Your deer
Nalgas rosas
Your pink buttocks
Pelos rubia
Your blonde hair
Boca roja
Your red mouth
Sexo popular
Your popular sex appeal
Tetas rojas
Your red breasts
Labios popular
Your popular lips
Quiero quiero quiero quiero
I really really really want
Quiero ir con vos
I want to go with you
Llévame lejos
Take me far away
Quiero ir con vos (para estar con vos)
I want to go with you (to be with you)
Nunca había besado tan fogosamente
I had never kissed so passionately before
Nunca había escapado a la pasión
I had never succumbed to passion before
Mientras me derrito como mantequilla
While I melt like butter
Toco y acaricio el esplendor
I touch and caress the splendor
Nunca había besado tan fogosamente
I had never kissed so passionately before
Nunca había escapado a la pasión
I had never succumbed to passion before
Mientras me derrito como mantequilla
While I melt like butter
Toco y acaricio el esplendor
I touch and caress the splendor
Lyrics © Warner Chappell Music, Inc.
Written by: ADRIAN HUGO RODRIGUEZ, DIEGO FAVIO TUNON, DIEGO LEANDRO RODRIGUEZ, GABRIEL MANNELLI
Lyrics Licensed & Provided by LyricFind
@fernandomezaparco4788
A mi me fascina la frase final ...nunca habia besado tan fogosamente nunca habia palpado la pasion...
@noeeastorga5712
Totalmente coincido, es la mejor parte
@mrmeeseeks2755
me encanta lo daft punk que suena esto, espectacular, ese sonido funky a tope es lo mas
@loquendomulti
Creo que quiere jugar a las luchas
@emanuelgermangomez2357
Es en ell minuto 2:25 que empieza a asomar la mejor parte de la canción. Ya en el minuto 3:01 todo es alegría, un viaje mirando mujeres bellas en la naturaleza, luego caricaturas de asterix y ovelix totalmente felices, caricaturas de pájaros conejos y gente bailando... y esto nunca habría sido posible sin la primera parte de la canción que es más dura, directa, tiene más beat, más canchera ... la vidad misma, conocemos por contrastes también.
@canondelevadura6670
deja el acido compa kjjjjj
@matiasalvarez8491
No termino de cazar la indirecta Adrián
@mvdefeo
Siempre que me enamoro lo escucho
@silviaperez9680
Adrián siempre tan sutil...
@valen_okumatsu4660
AJAJAJAJAJA SII