Meteorite
Banks Lyrics


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Eh-eh, eh-eh, eh-eh, eh-eh
Eh-eh, eh-eh, eh-eh, ahh

Eh-eh, eh-eh, eh-eh, eh-eh (hey-yeah, hey-yeah, hey-yeah, ahh)
Eh-eh, eh-eh, eh-eh (hey-yeah, hey-yeah, hey-yeah)

hey-yeah, hey-yeah, hey-yeah, hey-yeah
hey-yeah, hey-yeah

We're already in bed, you may as well lie
Do you wanna sleep here or leave?
We can tell them you got two hands tied
If you wanna call this a secret
I'll keep it locked up
I know how to swim far and you
Like it deep, so we may as well jump
Caught up in no good, so good
Like when we do something real bad
Sweet that it's so bitter
Sweet that it's so bitter

If you want to beat the sunlight
I'ma leave my inhibitions at the door
Like a meteorite
Let's go to space, then to the floor
I like the way you talk, and the way
You're licking your lips, I know you don't bite
Or maybe you do, I can do it too
Maybe we can make a move
Maybe we can make a move
Maybe we can make a move
Baby, we can make a move, ahh

Tell me there'll be no harm, we'll do it just once
Maybe you and me make a deal
We'll meet up when we're lonely or drunk
If you want to catch me or keep me
I'll give you two tries
Maybe we can mix up our sugar and heat
And we can caramelize

Caught up in no good, so good
Like when we do something real bad
Sweet that it's so bitter
Sweet that it's so bitter
If you want to beat the sunlight
I'ma leave my inhibitions at the door
Like a meteorite
Let's go to space, then to the floor
I like the way you talk, and the way
You're licking your lips, I know you don't bite
Or maybe you do, I can do it too
Maybe we can make a move
Maybe we can make a move
Maybe we can make a move
Baby, we can make a move, ooh

Eh-eh, eh-eh, eh-eh, eh-eh
Eh-eh, eh-eh, eh-eh, ahh

Eh-eh, eh-eh, eh-eh, eh-eh
Eh-eh, eh-eh, eh

Eh-eh, eh-eh, eh-eh, eh-eh (hey-yeah, hey-yeah, hey-yeah, ahh)
Eh-eh, eh-eh, eh-eh, ahh (hey-yeah, hey-yeah, hey-yeah)





Eh-eh, eh-eh, eh-eh, eh-eh (hey-yeah, hey-yeah, hey-yeah, ahh)
Eh-eh, eh-eh, eh-eh, ahh (hey-yeah, hey-yeah, hey-yeah)

Overall Meaning

The lyrics to BANKS's song "Meteorite" touch upon themes of secrecy, desire, and the thrill of engaging in forbidden relationships. The repetition of "eh-eh" and "hey-yeah" throughout the song creates a sense of anticipation and excitement, mirroring the feelings experienced when engaging in something exhilarating and clandestine.


The opening lines suggest that the characters in the song are already in bed, implying a physical intimacy between them. The question of whether to sleep or leave suggests a choice between continuing the encounter or ending it. The mention of "two hands tied" alludes to a possible involvement with someone who is attached to another person or situation. This secrecy adds to the allure and excitement of their connection, as they revel in the thrill of their shared secret.


The chorus brings forth the idea of wanting to escape the confines of reality and embark on a journey of exploration. The lyrics describe this desire as wanting to "beat the sunlight" and leaving inhibitions at the door, indicating a willingness to break free from societal constraints and inhibitions. The metaphorical comparison to a meteorite emphasizes the sense of explosiveness and impact, suggesting a desire for a passionate and intense connection.


The verses further explore the complexities of their relationship. The lyrics highlight the allure of doing something "no good, so good" and the juxtaposition of sweetness and bitterness. This contradiction reflects the addictive nature of forbidden encounters, where pleasure and guilt coexist. The mention of mixing up "sugar and heat" and caramelizing it implies a blending of passion and desire, adding layers of sensuality to their connection.


Overall, "Meteorite" delves into the excitement, thrill, and consequences of engaging in a clandestine relationship. It explores the tension between wanting to keep the connection a secret and the longing for freedom and uninhibited exploration. The song captures the allure of forbidden desire and the rush of living in the moment, without concern for the consequences.


Line by Line Meaning

We're already in bed, you may as well lie
We're already in this situation, so you might as well go along with it


Do you wanna sleep here or leave?
Do you want to continue with this or walk away?


We can tell them you got two hands tied
We can use an excuse to explain our actions


If you wanna call this a secret
If you want to label this as something hidden


I'll keep it locked up
I'll keep it secret and not reveal to anyone


I know how to swim far and you
I know how to navigate through difficult situations, and so do you


Like it deep, so we may as well jump
We enjoy delving into intense experiences, so we should embrace them


Caught up in no good, so good
Engrossed in actions that are morally questionable but pleasurable


Like when we do something real bad
Like when we engage in activities that are considered wrong


Sweet that it's so bitter
It's both enjoyable and painful at the same time


If you want to beat the sunlight
If you want to outrun the consequences


I'ma leave my inhibitions at the door
I'm going to let go of my fears and reservations


Like a meteorite
With explosive impact and intensity


Let's go to space, then to the floor
Let's escape reality and indulge in physical pleasure


I like the way you talk, and the way
I enjoy your manner of speaking and the way


You're licking your lips, I know you don't bite
You're teasing and showing desire, but I know you won't harm me


Or maybe you do, I can do it too
Perhaps you do have a dark side, and I can explore mine as well


Maybe we can make a move
Perhaps we can take a step forward


Baby, we can make a move, ahh
Darling, we have the opportunity to act on our desires


Tell me there'll be no harm, we'll do it just once
Assure me that there will be no negative consequences, and we'll only do it once


Maybe you and me make a deal
Perhaps we can negotiate an arrangement between us


We'll meet up when we're lonely or drunk
We'll come together when we're feeling isolated or under the influence


I'll give you two tries
I'll give you two chances to impress or satisfy me


Maybe we can mix up our sugar and heat
Perhaps we can combine our passionate desires and intense emotions


And we can caramelize
And we can transform our connection into something sweet and rich


Eh-eh, eh-eh, eh-eh, eh-eh
Vocalization with no particular meaning


Eh-eh, eh-eh, eh-eh, ahh
Vocalization with no particular meaning




Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: Henry Laufer, Jasmin Tadjiky, Jillian Banks, Orlando Higginbottom

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@thefranciscoflores

She really doesn’t have a single bad song

@gilvoi878

She doesn't have a bad song

@IceMakerSama

Literally she doesn't miss

@kendonewsome8769

Straight up

@caterinadelgalles8783

Quite a few stonkers on the new album.....but this one is epic.

@caterinadelgalles8783

Warm Water is dreadful.

2 More Replies...

@jajp8291

Daaaaannngg the lyricism in this one is so enthralling to me!! Caught me off guard in the best way!! So unique!

1. "We’re already in bed you may as well lie"
2. "I know how to swim far and you like it deep so we may as well jump"
3. "If you want to beat the sunlight Ima leave my inhibitions at the door"
4. "Maybe we can mix up our sugar and heat and we can caramelize"

Those just hit 🔥🐍💚

@cameront2379

Yes!!!!! Those are all the standout lines at the right parts of the song. Sheeeesh! 🔥🔥🔥

@jasonmucciolo973

thats gotta be the best opening line ever....

@truantkid

Her mind is a masterpiece

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