Dylan started his musical odyssey in 1959 when he began playing in Dinkytown, Minneapolis while attending the University of Minnesota. Shortly after starting to play he changed his stage name to Bob Dylan, after being influenced by the poetry of Dylan Thomas before legally changing his name in 1962.
Much of his best known work is from the 1960s, when he became an informal documentarian and reluctant figurehead of American unrest, promoted by Joan Baez. Some of his songs, such as "Blowin' in the Wind" and "The Times They Are A-Changin'", became anthems of the anti-war and civil rights movements, with Joan Baez and Dylan singing together at the March on Washington in 1963. However he later became disenchanted with the civil liberty protest scene, feeling that he had been used by them.
His album Bringing It All Back Home marked a move away from the folk scene and a move towards rock and roll and Dylan began to consciously distance himself from his early association with civil rights. He also started to become irritated when being interviewed, often given facetious or irreverent answers to questions. Bringing It All Back Home was a controversial album as it the first on which he played electric guitar. This was seen by some of his fans as a betrayal of this folk roots, with some saying that it obscured his meaningful and poetic lyrics.
The second half of the 1960s was marked by a string of well received releases, with his song "Like a Rolling Stone", released in July of 1965, later being named "The Greatest Song of All Time" by Rolling Stone magazine in 2004, placing #1 in a list of 500 titles. It also marked the formation of Dylan's backing band The Hawks (who would later call themselves simply The Band). Dylan embarked on a world tour of Australia and Europe in 1966, during which he seemed to be under a lot of strain and pressure by both his fans, the music press and his own promoters. Dylan himself admitted that he began taking drugs seriously whilst on this tour, and found it immensely hard work. On returning to New York he crashed his motorbike, sustaining serious injuries in the process, and went into a period of withdrawal while he recuperated. During the late 1960s, Dylan again changed stylistic tradition, moving away from the psychedelic culture of the time. It was then that he recorded All Along the Watchtower, perhaps more famously recorded by Jimi Hendrix.
The 1970s were a period during which Dylan was more sporadic in his output, releasing some poorly received LPs. He rarely appeared in person until 1974, when he began touring again with his backing band The Band. He also wrote one of his most extensively covered songs, Knockin' On Heaven's Door, as well as what is now recognised as one of his best albums Blood On The Tracks. Towards the end of the 1970s, Dylan discovered Christ, and released some albums of gospel music. He started to talk to the crowd about his faith during his performances, and wouldn't play any of his early work, which alienated some of his previous fans.
Dylan today still remains an influential and popular artist; despite a period of little note between 1980-2000, his 2006 album Modern Times reached the US chart at #1, as did his 2009 album Together Through Life, in the US, Britain, France and several other countries. His 2012 album Tempest was also critically acclaimed. Since 1988, Dylan has been on the so-called Never Ending Tour, during which his performances have provoked controversy, with some critics claiming that his lyrics have become incomprehensible, an experience which is not helped by his tendency to change his set-list and vocals almost every performance.
Bob Dylan's strong influence over the past few years is becoming even more prominent amongst a growing group of younger emerging artists such as George Ellias and Devendra Banhart. Dylan's early lyrics incorporated politics, social commentary, philosophy and literary influences, defying existing pop music conventions and appealing widely to the counterculture of the time. While expanding and personalizing musical styles, Dylan has shown steadfast devotion to traditions of American song, from folk and country/blues to rock and roll and rockabilly, to Gaelic balladry, even jazz, swing and Broadway.
Dylan performs with the guitar, keyboard and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s. He has also recently performed alongside other iconic artists, such as Paul Simon, Joni Mitchell, Tom Petty and Eric Clapton. Although his contributions as a performer and recording artist have been central to his career, his songwriting is generally held as his highest accomplishment.
Nobel Prize for Literature (2016) - On October 13, 2016, Dylan was awarded the Nobel Prize for Literature for “for having created new poetic expressions within the great American song tradition”. The prestigious award has been given annually since 1901 and previous Nobel Laureates for Literature include Harold Pinter and Samuel Beckett. Here is the speech written by Dylan, although unable to attend:
http://www.nytimes.com/2016/12/10/arts/bob-dylan-nobel-prize-acceptance-speech.html?_r=0
Somebody Touched Me
Bob Dylan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Would you please welcome Columbia recording artist Bob Dylan.
Glory, glory, glory, somebody touched me,
Glory, glory, glory, somebody touched me,
Glory, glory, glory, somebody touched me,
Must have been the hand of the lord.
While I was praying, somebody touched me,
While I was praying, somebody touched me,
Must have been the hand of the lord.
Glory, glory, glory, somebody touched me,
Glory, glory, glory, somebody touched me,
Glory, glory, glory, somebody touched me,
Must have been the hand of the lord.
Well, it was on a Sunday, somebody touched me,
It was on a Sunday, somebody touched me,
It was on a Sunday, somebody touched me,
Must have been the hand of the lord.
Glory, glory, glory, somebody touched me,
Glory, glory, glory, somebody touched me,
Glory, glory, glory, somebody touched me,
Must have been the hand of the lord.
The lyrics to Bob Dylan's "Somebody Touched Me" are strongly rooted in gospel music, embodying the idea of experiencing a divine touch during prayer. Through repeated use of the refrain "Glory, glory, glory, somebody touched me," Dylan places emphasis on the transformative nature of this spiritual experience, ultimately attributing it to the "hand of the lord." The simple yet powerful structure of this song, with its steady beat, repetitive lyrics, and call-and-response format, evokes the energy and excitement of worship music.
In addition to celebrating the power of prayer, "Somebody Touched Me" can also be interpreted as a reflection on the role of faith in overcoming adversity. The repetition of "somebody touched me" suggests a sense of relief or comfort, perhaps even healing, amidst life's struggles. The specific emphasis on the touch occurring on a Sunday further cements the religious context of the song, as well as the idea that communal worship can bring about this type of transformative experience.
Line by Line Meaning
Good evening, ladies and gentlemen!
Bob Dylan greets his audience.
Would you please welcome Columbia recording artist Bob Dylan.
Bob Dylan introduces himself.
Glory, glory, glory, somebody touched me,
Bob Dylan is overwhelmed with joy and awe.
Must have been the hand of the lord.
Bob Dylan believes that a divine presence has touched him.
While I was praying, somebody touched me,
Bob Dylan feels as though someone has intervened in his prayer.
Well, it was on a Sunday, somebody touched me,
Bob Dylan recalls a specific moment when he felt this touch.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: HAROLD DONNY, BILL MONROE
Lyrics Licensed & Provided by LyricFind
@jblo76
This “Southern country dandy” Dylan of the late 90’s/early 00’s were some of the best shows I’ve seen and heard! Love the band’s harmonies on these gospel and country classics. Thanks for uploading...brings back memories.
@AndyTN3
Bob made The Stanley Brothers proud. I heard him do this in 1999 in Saint Louis
@raulesparza7147
Muy bueno!!!🎉
@marakaretsos5204
J’ Adore cette Chanson
🎼🎼🎶🎶🎸❤️
@mvl6827
Dylan did a number of gospel bluegrass versions, often starting concerts with Halleluja (i'm ready to go). Another one 'Dixie'. All smashingly good songs. My favorite 'somebody touched me' would be by the Dillards, the very fast banjo playing band. long ago..
@nates.249
I love hearing Dylan sing gospel, and the Dillards were such an amazing group too. They also covered "Walkin' Down The Line," which Dylan originally wrote as well.
@samueldistefano6824
I never liked gospel music but I converted when I heard this in Morgantown fall 2001
@Psergiorivera
This was AWESOME
@jamienuckols-fd2rk
Awesome 🙏
@marakaretsos5204
La Vie en Rose 🌹 🎼