He was born in Lubbock, Texas, to a musical family during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, and he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.
Holly's recording sessions at Decca were produced by Owen Bradley. Unhappy with Bradley's control in the studio and with the sound he achieved there, he went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of "That'll Be the Day", among other songs. Petty became the band's manager and sent the demo to Brunswick Records, which released it as a single credited to "The Crickets", which became the name of Holly's band. In September 1957, as the band toured, "That'll Be the Day" topped the US "Best Sellers in Stores" chart and the UK Singles Chart. Its success was followed in October by another major hit, "Peggy Sue".
The album Chirping Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after, toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern U.S. After a show in Clear Lake, Iowa, he chartered an airplane to travel to his next show, in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing him, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as "The Day the Music Died".
During his short career, Holly wrote, recorded, and produced his own material. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. He was a major influence on later popular music artists, including Bob Dylan, The Beatles, The Rolling Stones, Eric Clapton, Weezer, and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of "100 Greatest Artists".
Someone
Buddy Holly Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just won't get it 'cause you say we're through
I'm lookin' for someone to love
I'm lookin' for someone to love
Well if you're not here my baby I don't care
Because I'm lookin' for someone to love
Since I found out that I was wronged
Well I'm lookin' for someone to love
I'm lookin' for someone to love
Well if you're not here my baby I don't care
'Cause I'm lookin' for someone to love
Caught myself thinkin' of you
You can't love me and another one too
Well I'm lookin' for someone to love
Yeh I'm lookin' for someone to love
Well if you're not here my baby I don't care
'Cause I'm lookin' for someone to love
Drunk man, street car
Foot slipped, there you are
Well I'm lookin' for someone to love
I'm lookin' for someone to love
Well if you're not here my baby I don't care
'Cause I'm lookin' for someone to love
I'm lookin' for someone to love
I'm lookin' for someone to love
I'm lookin' for someone to love
I'm lookin' for someone to love
In this song, Buddy Holly sings about his search for someone new to love after a failed relationship. He's staying home, waiting for his ex-partner to return, but realizes that it's not going to happen because she's moved on. Holly decides to play the field during the day, trying to forget about her. He repeatedly states that he is looking for someone new to love, and that he doesn't care if his previous partner isn't there because he's searching for someone else.
The lyrics show the conflicting emotions of someone who has just been dumped. Holly is sad about the breakup but also doesn't want to be stuck in a relationship that isn't working. He's looking for someone who wants him and who can love him in the way that he needs. In the bridge, Holly sings of a chance encounter with his ex on the street. It's a lighthearted moment in the song, but it also shows the pain that comes with running into an ex-lover unexpectedly.
Line by Line Meaning
Stayin' at home waitin' for you
I am waiting at home for you but it's not helping because you have already broken up with me.
Just won't get it 'cause you say we're through
My waiting will not make things right because you have already ended our relationship.
I'm lookin' for someone to love
I am searching for a new person to love.
I'm lookin' for someone to love
Again, I am looking for someone who I can give my love to.
Well if you're not here my baby I don't care
If you are not willing to be with me, I will not bother myself trying to hold on to you.
Because I'm lookin' for someone to love
I feel the need to find someone that I can love and cherish.
Playin' the field all day long
Since you left me, I have been single and exploring my options.
Since I found out that I was wronged
After realizing that I was treated unfairly or deceived, I have stopped waiting for you to come back to me.
Caught myself thinkin' of you
I still have you on my mind despite trying to move on.
You can't love me and another one too
It is not possible for you to love both me and someone else at the same time.
Drunk man, street car
This line does not have a clear meaning or connection to the rest of the song.
Foot slipped, there you are
This line is also unclear in meaning and connection to the rest of the song.
I'm lookin' for someone to love
Reiterating the search for love.
Yeh I'm lookin' for someone to love
Same as the previous line.
I'm lookin' for someone to love
Same as the previous lines, emphasizing the theme of seeking love.
Lyrics © Peermusic Publishing
Written by: Buddy Holly, Norman Petty
Lyrics Licensed & Provided by LyricFind
@kosovojesrbja
The Buddy Holly riff, a transcendent symphony encapsulated within the strings of a Fender Stratocaster, emerges as an unparalleled magnum opus in the grand tapestry of musical history, weaving together threads of cultural significance, artistic innovation, and emotional resonance into an intricate narrative that spans generations. As one immerses oneself in the intricacies of this iconic riff, it becomes not merely a sequence of musical notes but a portal to an era, a sonic gateway that transcends time and space. Buddy Holly's mastery of the guitar, particularly evident in timeless compositions like "Peggy Sue" and "That'll Be the Day," goes beyond technical proficiency; it is a testament to his ability to channel the ethos of the 1950s, a time marked by societal upheaval, rebellion, and the birth of rock and roll as a cultural force.
The crystalline clarity of each guitar note is like a crystallization of the rebellious spirit that permeated the air during that transformative era. It serves as a sonic time machine, transporting listeners to an age of jukeboxes, leather jackets, and fervent dances, capturing the essence of a generation seeking its identity through the unbridled energy of rock music. The riff, with its deceptively simple structure, unfolds as a melodic journey, each note resonating with the heartbeat of an era, a heartbeat that echoed the sentiments of youth yearning for self-expression.
Yet, within this seemingly straightforward melody lies an intricate dance of innovation. The Buddy Holly riff is not just a series of notes; it is a musical dialect that Holly crafted with visionary insight. His innovative chord progressions and rhythmic patterns became the foundation upon which the future of rock music would be built. The riff's simplicity is its strength, concealing a depth that continues to reveal itself upon every listen. It invites exploration, an unraveling of its layers, uncovering the nuances that have inspired countless musicians across genres and generations.
What sets the Buddy Holly riff apart is not only its impact in its immediate context but its enduring influence that reverberates through the annals of musical history. Beyond being a mere sound, it acts as a cultural touchstone, a symbol of artistic ingenuity that transcends the boundaries of time. Countless artists, knowingly or unknowingly, pay homage to the rhythmic DNA embedded within this riff, showcasing its far-reaching influence on the evolution of popular music.
To fully appreciate the Buddy Holly riff is to embark on a profound musical pilgrimage. It is an exploration of sonic landscapes, a journey through the corridors of time, and an unraveling of the symbiotic relationship between artist and instrument. The riff becomes a living entity, an embodiment of the transformative power of music to shape culture, evoke emotion, and stand as a testament to the boundless possibilities inherent in the fusion of creativity and craftsmanship.
In the symphony of musical history, the Buddy Holly riff emerges as a crescendo, a harmonious chord that resonates with the collective consciousness of music enthusiasts worldwide. It is more than a sound; it is a cultural artifact, a timeless echo that continues to captivate, inspire, and affirm the profound impact that a few carefully crafted notes can have on the human experience. It stands as a beacon of artistic excellence, inviting us to delve into the depths of its sonic tapestry and discover, with each passing note, the enduring magic that defines the very essence of the best sound in existence.
@jonathanhinga4132
Lyrics:
What's with these homies, dissing my girl?
Why do they gotta front?
What did we ever do to these guys
That made them so violent?
Woo-hoo
But you know I'm yours
Woo-hoo
And I know you're mine
Woo-hoo
(And that's for all time)
Ooh-wee-hoo, I look just like Buddy Holly
Oh-oh, and you're Mary Tyler Moore
I don't care what they say about us anyway
I don't care about that
Don't you ever fear, I'm always near
I know that you need help
Your tongue is twisted, your eyes are slit
You need a guardian
Woo-hoo
And you know I'm yours
Woo-hoo
And I know you're mine
Woo-hoo
(And that's for all time)
Ooh-wee-hoo, I look just like Buddy Holly
Oh-oh, and you're Mary Tyler Moore
I don't care what they say about us anyway
I don't care about that
I don't care about that
Bang, bang, a knock on the door
Another big bang and you're down on the floor
Oh no! What do we do?
Don't look now, but I lost my shoe
I can't run, and I can't kick
What's the matter babe, are you feeling sick?
What's the matter, what's the matter, what's the matter you?
What's the matter babe, are you feeling blue?
Ooh-wee-hoo, I look just like Buddy Holly
Oh-oh, and you're Mary Tyler Moore
I don't care what they say about us anyway
I don't care about that
I don't care about that
I don't care about that
I don't care about that
@bloodymoron8819
Rivers then: gets bullied in school
River now: still getting bullied but by his fans
@madeleinep.828
He just can’t catch a break.
@dreamg1rlevil
what did you ever do to these guys 😭
@its_heeho
@mia x TO MAKE EM SO VIOLENT?
@nenodroid7425
MrMicrophone but you know i’m yours
@workingtitle7049
@nendoro woo ooh
@TwohundredSeventy
Wow, they're so talented that they can mimic guitar noises and sing without moving an inch.
@caitentensoldtheworld1993
purely astonishing
@yoyuityegh
what a true musical revalation
@darthdogeyt3260
i’m weezing rn