Chesney Henry "Chet" Baker, Jr. (December 23, 1929 – May 13, 1988) was an A… Read Full Bio ↴Chesney Henry "Chet" Baker, Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter, flugelhornist and vocalist.
Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian David Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame, Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.
Baker was born and raised in a musical household in Yale, Oklahoma; his father, Chesney Baker, Sr., was a professional guitar player, and his mother, Vera (née Moser) was a talented pianist who worked in a perfume factory. His maternal grandmother, Randi Moser, was Norwegian. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large.
Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the United States Army. He was posted to Berlin, where he joined the 298th Army band. After leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Baker once again obtained a discharge from the army to pursue a career as a professional musician.
Baker's earliest notable professional gigs were with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1952 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.
In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a Baker solo, was a hit, and became a tune with which Baker was intimately associated.
The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. Baker formed his own quartet with pianist and composer Russ Freeman in 1953, along with bassists Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The Chet Baker Quartet found success with their live sets, and they released a number of popular albums between 1953 and 1956. In 1953 and 1954, Baker won the Down Beat and Metronome magazines' Readers Jazz Polls, beating the era's two top trumpeters, Miles Davis and Clifford Brown. Down Beat readers also voted Baker as the top jazz vocalist in 1954. In 1956, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated traditional jazz fans; he would continue to sing throughout his career.
Due to Baker's chiseled features, he was approached by Hollywood studios, and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. In 1956 Chet Baker completed an eight month tour of Europe, where he recorded Chet Baker In Europe.
He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. Baker's 1956 recording, released for the first time in its entirety in 1989 as The Route, with Art Pepper, helped further the West Coast jazz sound and became a staple of cool jazz.
Baker began using heroin in the 1950s, resulting in an addiction that lasted the remainder of his life. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the United Kingdom for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California, where he played in San Jose and San Francisco between short jail terms served for prescription fraud.
In 1968, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in The Trident restaurant in Sausalito, California sustaining severe cuts on the lips and broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He entered a car and became surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street, where the chase by his attackers continued, and subsequently he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his horn. He took odd jobs, among them pumping gas. Meanwhile he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York City.
Between 1966 and 1974, Baker mostly played flugelhorn and recorded music that could mostly be classified as West Coast jazz.
After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career. He relocated to New York City and began performing and recording again, including with guitarist Jim Hall. Later in the 1970s, Baker returned to Europe, where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.
From 1978 until his death in 1988, Baker resided and played almost exclusively in Europe, returning to the USA roughly once a year for a few performances. This was Baker's most prolific era as a recording artist. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85).[citation needed] He also toured with saxophonist Stan Getz during this period.
In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding", from the album Punch the Clock. The song exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Has Gone") in his concert sets, and recorded the song for Let's Get Lost, a documentary film about his life.
The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was, but his trumpet playing was alert, lively and inspired. Baker recorded the live album Chet Baker in Tokyo with his quartet featuring pianist Harold Danko, bassist Hein van de Geyn and drummer John Engels less than a year before his death, and it was released posthumously. Silent Night, a recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.
Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".
At about 3:10 am on May 13, 1988, Baker was found dead on the Prins Hendrikkade, near the Zeedijk, the street below his second-story room of Hotel Prins Hendrik in Amsterdam, Netherlands, with serious wounds to his head. Heroin and cocaine were found in his hotel room, and an autopsy also found these drugs in his body. There was no evidence of a struggle, and the death was ruled an accident. A plaque outside the hotel memorializes him and the room he was staying in, No. 210, is named "The Chet Baker Room".
Baker is buried at the Inglewood Park Cemetery in Inglewood, California.
- Baker was photographed by William Claxton for his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.
- Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim. The musical play Chet Baker – Speedball explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.
- Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.
- In 1991, singer/songwriter David Wilcox recorded the song "Chet Baker's Unsung Swan Song" on his album Home Again, speculating on what might have been Baker's last thoughts before falling to his death. The song was later covered by k.d. lang as "My Old Addiction" on her 1997 album Drag.
- The song "Chet Baker", which appears on the 2007 CD Wally Page and Johnny Mulhern: Live at the Annesley House, by Irish folk singer-songwriter Wally Page, describes the end of Baker's life in Amsterdam.
- Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation.
Other biographies include James Gavin's Deep In A Dream—The Long Night of Chet Baker, and Matthew Ruddick's Funny Valentine. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.
- He is portrayed by Ethan Hawke in the 2015 film Born to Be Blue.
- The Australian electronica musician Nicholas James Murphy chose Chet Faker as his stage name, in order to pay homage to Chet Baker, who was a big influence for him.
Honors
In 1987 Chet Baker was inducted into the Big Band and Jazz Hall of Fame.
In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.
In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.
In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as "Chet Baker Day".
In 2007 Mayor of the City of Tulsa, Kathy Taylor, proclaimed December 23 as "Chet Baker Day".
On October 10, 2015 Yale, Oklahoma held the inaugural Chet Baker Jazz Festival in Baker's honor.
Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian David Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame, Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.
Baker was born and raised in a musical household in Yale, Oklahoma; his father, Chesney Baker, Sr., was a professional guitar player, and his mother, Vera (née Moser) was a talented pianist who worked in a perfume factory. His maternal grandmother, Randi Moser, was Norwegian. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large.
Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the United States Army. He was posted to Berlin, where he joined the 298th Army band. After leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Baker once again obtained a discharge from the army to pursue a career as a professional musician.
Baker's earliest notable professional gigs were with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1952 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.
In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a Baker solo, was a hit, and became a tune with which Baker was intimately associated.
The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. Baker formed his own quartet with pianist and composer Russ Freeman in 1953, along with bassists Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The Chet Baker Quartet found success with their live sets, and they released a number of popular albums between 1953 and 1956. In 1953 and 1954, Baker won the Down Beat and Metronome magazines' Readers Jazz Polls, beating the era's two top trumpeters, Miles Davis and Clifford Brown. Down Beat readers also voted Baker as the top jazz vocalist in 1954. In 1956, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated traditional jazz fans; he would continue to sing throughout his career.
Due to Baker's chiseled features, he was approached by Hollywood studios, and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. In 1956 Chet Baker completed an eight month tour of Europe, where he recorded Chet Baker In Europe.
He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. Baker's 1956 recording, released for the first time in its entirety in 1989 as The Route, with Art Pepper, helped further the West Coast jazz sound and became a staple of cool jazz.
Baker began using heroin in the 1950s, resulting in an addiction that lasted the remainder of his life. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the United Kingdom for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California, where he played in San Jose and San Francisco between short jail terms served for prescription fraud.
In 1968, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in The Trident restaurant in Sausalito, California sustaining severe cuts on the lips and broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He entered a car and became surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street, where the chase by his attackers continued, and subsequently he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his horn. He took odd jobs, among them pumping gas. Meanwhile he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York City.
Between 1966 and 1974, Baker mostly played flugelhorn and recorded music that could mostly be classified as West Coast jazz.
After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career. He relocated to New York City and began performing and recording again, including with guitarist Jim Hall. Later in the 1970s, Baker returned to Europe, where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.
From 1978 until his death in 1988, Baker resided and played almost exclusively in Europe, returning to the USA roughly once a year for a few performances. This was Baker's most prolific era as a recording artist. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85).[citation needed] He also toured with saxophonist Stan Getz during this period.
In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding", from the album Punch the Clock. The song exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Has Gone") in his concert sets, and recorded the song for Let's Get Lost, a documentary film about his life.
The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was, but his trumpet playing was alert, lively and inspired. Baker recorded the live album Chet Baker in Tokyo with his quartet featuring pianist Harold Danko, bassist Hein van de Geyn and drummer John Engels less than a year before his death, and it was released posthumously. Silent Night, a recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.
Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".
At about 3:10 am on May 13, 1988, Baker was found dead on the Prins Hendrikkade, near the Zeedijk, the street below his second-story room of Hotel Prins Hendrik in Amsterdam, Netherlands, with serious wounds to his head. Heroin and cocaine were found in his hotel room, and an autopsy also found these drugs in his body. There was no evidence of a struggle, and the death was ruled an accident. A plaque outside the hotel memorializes him and the room he was staying in, No. 210, is named "The Chet Baker Room".
Baker is buried at the Inglewood Park Cemetery in Inglewood, California.
- Baker was photographed by William Claxton for his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.
- Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim. The musical play Chet Baker – Speedball explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.
- Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.
- In 1991, singer/songwriter David Wilcox recorded the song "Chet Baker's Unsung Swan Song" on his album Home Again, speculating on what might have been Baker's last thoughts before falling to his death. The song was later covered by k.d. lang as "My Old Addiction" on her 1997 album Drag.
- The song "Chet Baker", which appears on the 2007 CD Wally Page and Johnny Mulhern: Live at the Annesley House, by Irish folk singer-songwriter Wally Page, describes the end of Baker's life in Amsterdam.
- Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation.
Other biographies include James Gavin's Deep In A Dream—The Long Night of Chet Baker, and Matthew Ruddick's Funny Valentine. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.
- He is portrayed by Ethan Hawke in the 2015 film Born to Be Blue.
- The Australian electronica musician Nicholas James Murphy chose Chet Faker as his stage name, in order to pay homage to Chet Baker, who was a big influence for him.
Honors
In 1987 Chet Baker was inducted into the Big Band and Jazz Hall of Fame.
In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.
In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.
In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as "Chet Baker Day".
In 2007 Mayor of the City of Tulsa, Kathy Taylor, proclaimed December 23 as "Chet Baker Day".
On October 10, 2015 Yale, Oklahoma held the inaugural Chet Baker Jazz Festival in Baker's honor.
I Wish I Knew
Chet Baker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I wish I knew someone like you could love me
I wish I knew you place no one above me
Did I mistake this for a real romance?
I wish I knew, but only you can answer.
If you don't care, why let me hop[e and pray so
Don't lead me on, if I'm a fool just say so,
Should I keep dreaming on, or just forget you?
What shall I do, I wish I knew
I wish I knew you place no one above me
Did I mistake this for a real romance?
I wish I knew, but only you can answer.
If you don't care, why let me hop[e and pray so
Don't lead me on, if I'm a fool just say so,
Should I keep dreaming on, or just forget you?
In Chet Baker's song "I Wish I Knew," the singer expresses their longing for someone to love them truly and put them first. The lyrics convey a sense of desperation and confusion, as the singer is unsure whether or not their feelings are reciprocated. They question whether or not they have mistaken a fleeting fling for a real romance, and plead with the object of their affection to be honest with them.
The singer's uncertainty is palpable, as they ask a series of questions that only the other person can answer. If they don't care, the singer begs them not to lead them on and give them false hope. They wonder if they should continue dreaming or forget the person altogether.
The theme of unrequited love is a common one in music, but Chet Baker's haunting vocals and sparse instrumentation add an extra layer of melancholy to the song. The lyrics speak to anyone who has ever longed for someone who doesn't feel the same way, and captures the pain and confusion of navigating one's emotions.
Line by Line Meaning
I wish I knew someone like you could love me
I desire to understand how someone as extraordinary as you could possibly have feelings for me.
I wish I knew you place no one above me
I long to comprehend whether you hold anyone in a higher regard than me.
Did I mistake this for a real romance?
Am I deluding myself into believing that what we have is a genuine romantic connection?
I wish I knew, but only you can answer.
I wish I possessed the ability to answer this question myself, however, solely you have the answer.
If you don't care, why let me hope and pray so
If you do not possess any regard for me, why allow me to continue hoping and praying for a different outcome?
Don't lead me on, if I'm a fool just say so
Please do not give me false hopes or deceive me; inform me straightforwardly if I am foolish for having any expectations.
Should I keep dreaming on, or just forget you?
I contemplate whether it is more prudent to continue holding onto hope or if it is preferable to let go and forget about you altogether.
What shall I do, I wish I knew
I am very perplexed and unsure of what avenue I should pursue, and I desperately desire to possess the wisdom to know what is best.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave, Peermusic Publishing, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Harry Warren, Mack Gordon
Lyrics Licensed & Provided by LyricFind
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@ronniekahn6941
The first time I met Chet Baker, he was playing at a little neighborhood club called Strykers on 97th & Columbus Avenue on Manhattan's Upper West Side. He was coming back after years of an extended period of absence, having diligently devoted himself to re-learning to play trumpet with dentures, which everybody told him could not be done. But he persevered and prevailed, and this was one of his first comeback gigs. Awesome! I never heard any trumpet sound like that! I don't think it could ever be captured on a recording: So intimate tender innovative & personal...sometimes just whispering & breathing infinite silence space&timelessness into his trumpet...He just loved music & making music so deeeeeeeeeply & innately: just making the purest finest most beautiful sounds and blissful ethereal effects. Chet Baker was truly a great Maestro of the highest degree, a natural-born precocious musical genius like Mozart!
During the break I came up to Chet to thank & enthusiastically congratulate him. In my over-enthusiasm I started telling Chet how much I also dug & admired & had been imitating his singing for years, and automatically went into my little imitation of him singing “I Wish I Knew” till I caught myself & felt embarrassed & silly & said,“Oh no! Here I am doing my Chet Baker imitation for Chet Baker!” He just smiled & said “You don't look old enough to remember that record.” (1955 LP called “Chet Baker Sings& Plays")
He looked gaunt & emaciated, almost like a derelict. But his voice and manner were very pleasant polite mellow kind & refined, sensitive gentle very personable sweet good-natured & very likable, casual cultured & well-bred. I asked him if he would sing during his second-set after the break. He thanked me for asking but apologized & explained why he really couldn't because he was working with just a bassist & drummer & no piano...
He excused himself when his band-mates summoned him to prepare for their second set. There were just a few other people at that very small dimly-lit cellar club that night. My date was a nice girl who had the same last name as me though we were otherwise unrelated, I barely remember her, but we were both blown-away by Chet!
When Chet came back from the break, he opened his set singing “Just Friends” Bless his heart! Still feels good that he honored my request & was singing just for me! His singing always kinda reminds me of Alfalfa from “Our Gang”
I still listen to Chet's music almost every day now, often listening to him continually all day long, and when I try listening to something else for a change, I find myself missing his familiar soothing sound which is so much an integral part of me, I find myself unable to listen to anything else & hafta sink right back into that sweet fine&mellow transcendent celestial atmosphere he creates so effortlessly & endlessly...
PS: I had given Chet my business card that night, and to my surprise & amazement—first thing in the morning--he called me! But that's another story for another time now...
@ronniekahn6941
The first time I met Chet Baker, he was playing at a little neighborhood club called Strykers on 97th & Columbus Avenue on Manhattan's Upper West Side. He was coming back after years of an extended period of absence, having diligently devoted himself to re-learning to play trumpet with dentures, which everybody told him could not be done. But he persevered and prevailed, and this was one of his first comeback gigs. Awesome! I never heard any trumpet sound like that! I don't think it could ever be captured on a recording: So intimate tender innovative & personal...sometimes just whispering & breathing infinite silence space&timelessness into his trumpet...He just loved music & making music so deeeeeeeeeply & innately: just making the purest finest most beautiful sounds and blissful ethereal effects. Chet Baker was truly a great Maestro of the highest degree, a natural-born precocious musical genius like Mozart!
During the break I came up to Chet to thank & enthusiastically congratulate him. In my over-enthusiasm I started telling Chet how much I also dug & admired & had been imitating his singing for years, and automatically went into my little imitation of him singing “I Wish I Knew” till I caught myself & felt embarrassed & silly & said,“Oh no! Here I am doing my Chet Baker imitation for Chet Baker!” He just smiled & said “You don't look old enough to remember that record.” (1955 LP called “Chet Baker Sings& Plays")
He looked gaunt & emaciated, almost like a derelict. But his voice and manner were very pleasant polite mellow kind & refined, sensitive gentle very personable sweet good-natured & very likable, casual cultured & well-bred. I asked him if he would sing during his second-set after the break. He thanked me for asking but apologized & explained why he really couldn't because he was working with just a bassist & drummer & no piano...
He excused himself when his band-mates summoned him to prepare for their second set. There were just a few other people at that very small dimly-lit cellar club that night. My date was a nice girl who had the same last name as me though we were otherwise unrelated, I barely remember her, but we were both blown-away by Chet!
When Chet came back from the break, he opened his set singing “Just Friends” Bless his heart! Still feels good that he honored my request & was singing just for me! His singing always kinda reminds me of Alfalfa from “Our Gang”
I still listen to Chet's music almost every day now, often listening to him continually all day long, and when I try listening to something else for a change, I find myself missing his familiar soothing sound which is so much an integral part of me, I find myself unable to listen to anything else & hafta sink right back into that sweet fine&mellow transcendent celestial atmosphere he creates so effortlessly & endlessly...
PS: I had given Chet my business card that night, and to my surprise & amazement—first thing in the morning--he called me! But that's another story for another time now...
@PolitischTourette
Really great story you should write a Book. I was really hooked on your little anectode!!
@garybaker1359
I can hear every bit of the personality you describe in his voice and horn. Thank you for sharing the memory.
@toastwrld1365
Hahaha thats fucking cool i wish i couldve met chet
@mmscuf
That’s a good story! Mine, is less intimate, but here goes: I did not actually meet Chet Baker personally, but I did see a gig of his all by accident in London’s Ronnie Scott’s club in the spring of 1986. It was not by design, but by accident. A friend of mine and I were walking around Soho that particular night and invariably saw the billboard outside of the club advertising Chet Baker as that evening’s (and that week’s) attraction. I was vaguely familiar with Chet’s name but not much more than that. Did not even know he played the trumpet. Not having anything better to do that evening, we decided to pay the entrance fee and see him. Wow!! He was clearly a drugged-up wreck playing the amazing music (no singing) that we all associate with him. He played seated the entire two sets and when the break came, my friend and I thought he would not live through the break and that would be the end of the show... But he did survive the break and did come back to reward us with another 45 minutes of fabulous music. It was that night I actually discovered Chet Baker and started educating myself about his life and his music. All by coincidence, just by passing outside the club he was playing and out of curiosity about the music of someone I had vaguely heard off. A few years later, when he died in Amsterdam, I was impressed he had lasted that long. Because I was already impressed that in 1986 he had managed to survive the break between the two shows... God rest his soul, he had a troubled life during which he generously rewarded us with fabulous music.
@ippolitolamedica5562
You, lucky man...
@michaelbartlett9954
Such density and depth. Chet moves me like few ever could.
@nealluczkiewicz6846
Intense emotional pain transformed into great beauty.
Thank you Chet and may God bless you.
This song has carried me through some tough moments.
@aurahanako6655
I wish i knew him, i met him and thanked him for living once in the world.
I wish i was born in golden time, and once in my life time i could see him breathing and making his great songs.
Poor me, i was born in the wrong time.
@musicfanBRA
Yes, sir, it's Chet Baker the trumpet man with his beautiful voice.