Land Of A 1000 Dances
Chris Kenner Lyrics


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One, Two, Three!
One, Two, Three!
You gotta know how to pony like Bony Maronie
Mashed Potato, do the Alligator
Put your hands on your hips, let your back-bone slip
Do the Watusi, like my little Lucy
Na, na na na na, na na na na, na na na, na na na, na na na na.
Need somebody to help me say it one time
Na, na na na na, na na na na, na na na, na na na, na na na na.
You know I feel alright.
Feel pretty good y'all.
Na, na na na na, na na na na, na na na, na na na, na na na na.
Need somebody to help me say it one time
Na, na na na na, na na na na, na na na, na na na, na na na na.
Dance with me honey, like Long Tall Sally
Twistin' with Lucy, doin the Watusi
Gotta hold of your back, I like it like that




Do the Jerk, watch me work
Ah, do it!

Overall Meaning

The song Land of a 1000 Dances by Chris Kenner is a classic dance tune that encourages listeners to get out of their seats and dance along. The repetitive intro of "one, two, three" is a well-known call to action in many popular songs. The lyrics instruct the listeners on various dance moves, such as "pony like Bony Maronie," "mashed potato," "Alligator," and "Watusi." These dance moves are all popular dances from the 1950s and 1960s. When Kenner sings "need somebody to help me say it one time," he's looking for someone to join him in these dance moves.


The song's title "Land of a 1000 Dances" refers to a dance marathon that Kenner attended where the participants danced for a thousand hours. The song itself is based on a 1950s tune called "The Dog" by Rufus Thomas, with the same repeating one-two-three cadence. The song was covered by several artists such as Wilson Pickett, Iggy Pop, and The Blues Brothers, each with their unique spin on it. The song is known for its high-energy beat, which gets people moving even today, 60 years after its initial release.


Line by Line Meaning

One, Two, Three!
The song starts with a countdown followed by upbeat instructions for the listener to dance along.


You gotta know how to pony like Bony Maronie
The listener needs to know how to perform the 'pony,' a dance move popularized by the song 'Bony Maronie.'


Mashed Potato, do the Alligator
The listener is instructed to dance the 'Mashed Potato' and the 'Alligator,' two popular 1960s dances.


Put your hands on your hips, let your back-bone slip
The listener is instructed to put their hands on their hips and loosen up their body.


Do the Watusi, like my little Lucy
The listener is instructed to perform the 'Watusi,' another popular 1960s dance, while also referencing the performer's dance partner Lucy.


Na, na na na na, na na na na, na na na, na na na, na na na na.
The chorus is a repeated refrain of nonsense syllables, meant to get the listener dancing and participating in the song.


Need somebody to help me say it one time
The performer wants the audience to sing along and repeat the chorus with him.


You know I feel alright.
The performer expresses how good he feels while dancing and singing, and wants the audience to feel the same way.


Feel pretty good y'all.
The performer reiterates that he is feeling good, and hopes the audience feels the same way.


Dance with me honey, like Long Tall Sally
The performer invites a partner to dance with him, referencing the Little Richard song 'Long Tall Sally.'


Twistin' with Lucy, doin the Watusi
The performer continues to reference dancing with Lucy while performing the Watusi and the Twist, another popular dance of the time.


Gotta hold of your back, I like it like that
The performer is enjoying dancing with his partner and specifically likes holding onto their back while dancing.


Do the Jerk, watch me work
The listener is instructed to perform the 'Jerk,' another popular dance move, while the performer demonstrates how it's done.


Ah, do it!
The performer encourages the listener to dance more and enjoy the music.




Lyrics © Sony/ATV Music Publishing LLC, Peermusic Publishing
Written by: CHRIS KENNER

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

priscianusjr

Absolutely. And what makes it even more magical is that the whole thing is nothing but a short melodic fragment repeated over and over, over one chord. But with the most perfect groove and soulful singing ever put together. Never get tired of it.

Zona Libre R

Is "The New Orleans flavor" 😉, The birthplace of syncopated music from Jazz to Funk.

Fred Campbell

Great original raw version sung by Chris Kenner and produced by Isaac "Sax" Kari Toombs AKA Sax Kari. Currently reading "The Chitlin Circuit: And The Road To Rock N' Roll". A must read if you into the history of music.

Jeffrey McCutchen

One of my favorites as a kid this version only!

A Dog Named Handsome

Never heard this version before. Thanks for posting.

joseph costello

Very soulful the others were more poppy nothing wrong with that. But this is amazing

barbara brown

This artist singing this song bring back many childhood  memories love this song

Raymond Malcuit Jr.

Chris Kenner's Version Of This Song Went To Number 77 On The Billboard Hot 100 Chart In 1963.

Raymond Russell

The original, the best. Real feeling.

Benjamin Esparza

Story goes during rehearsals for the “Cannibal and the Headhunters” recording, the backing musicians’ groove was so funky and soulful that Cannibal was in awe and, on his vocal cue, just started singing gibberish which resulted in the now famous “Na nananana nananana nanana nanana nananana!” The producer and everyone else in the studio shouted “KEEP THAT” and rehearsed it for the recording session the following day. Source: “Land of a Thousand Dances - Chicano Rock in Southern California”.

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