In 2002 El Cangri.com became Ayala's first album with international success, receiving coverage in the markets of New York and Miami. Barrio Fino was released in 2004, and the album received numerous awards, including a Premio Lo Nuestro and a Latin Billboard, as well as receiving nominations for the Latin Grammy and MTV Video Music Awards. Barrio Fino performed well in the sales charts of the United States, Latin America, Europe, and Japan. On June 5, 2007, El Cartel Records released El Cartel: The Big Boss, which was ranked as the top-selling album in Latin music genres in 2007. He promoted the album with an international tour which began in the United States and continued through Latin America, breaking attendance records in Ecuador and Bolivia. His performances have appeared on more than 70 albums, including compilations such as Mas Flow 2 and Blin Blin Vol. 1. Outside of his work as a musician, Ayala has also worked as an actor and producer. Throughout his career, he has been generally reticent to discuss his personal life, but has publicly expressed the importance of his wife and children to him.
EL PONY
Daddy Yankee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Siquida-da-da
Sigui, Daddy Yankee, you
¡Wuh!
Ey
Ven y móntate en el pony (¡wuh!)
En el pony (ey)
Ven y móntate en el pony (¡wuh wuh!)
En el pony (ey)
A todo ese cinnabon yo le voy a pasar la honey (¿qué, qué?)
En la machina se monta, vuelve y se desmonta
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
Tú eres la jockey (jockey)
En la machina se monta, vuelve y se desmonta
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
Tú eres la jockey (jockey)
¿Qué tú eres under?, Lo quiero ver
Te pones suci, lo quiero ver
Tú dices que eso rebota, lo quiero ver
Diablos, qué abuso de poder, quiero tocar y no ver
¡Síguelo!
Vámonos pa la danger zone (¡wuh!)
Que los que la llevan sabes quiénes son
Conmigo ella es otra versión
Le gustan los Phillies como Iverson
Pa calentarte, yo tengo el don
Llegaste cruda y te vas well done
Si lo estás pensando vete con Nicky
Que yo no creo en El Perdón (wuh wuh wuh)
Conmigo no te asustes, yo no jalo (¡wuh!)
Pero voy a acribillarte sin usar un palo
El que tienes en tu casa me dicen que salió malo
Envíame el location que yo bajo y te lo instalo, ¡aló!
No te me vayas de foco, ni te me pierdas tampoco
Sé que te gusta el dulce y tengo los besitos de coco
Caíste poco a poco con el dueño del hipódromo (¡wuh!)
Olvídate de estos caballos locos (ey)
Ven y móntate en el pony (¡wuh!)
En el pony (Ey)
Pareces una stripper en el tubo haciendo money
Ven y móntate en el pony (¡wuh wuh!)
En el pony (ey)
A todo ese cinnabon yo le voy a pasar la honey (¿qué qué?)
En la machina se monta, vuelve y se desmonta
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
Tú eres la jockey (jockey)
En la machina se monta, vuelve y se desmonta
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
Tú eres la jockey (jockey)
¿Qué tú eres under?, Lo quiero ver
Te pones suci, lo quiero ver
Tú dices que eso rebota, lo quiero ver
Diablo, qué abuso de poder, quiero tocar y no ver
¡Síguelo!
Que le meta al flow, que la meta al swing
Yo voy con todo sin Robitussin
Que mueva el montón, que se marque el jean
Dura como dumbbell sin ir al gym
Tiene un nalgaje que le ronca
Pero no cualquiera viene y se le monta
Ready pa la bronca, me dicen "El Tonka"
Porque tengo más espuelas que Tim Duncan
Si la presionas, ella te pichea (pichea)
Si la llevas con calma, ella te presea (presea)
Esa movie de bichote no la capea (no, no)
Cúcala, pa que veas, te tira y te frontea, ¡uy! (Ah)
Tiene un nalgaje que le ronca (ey, ey, ey)
Pero no cualquiera viene y se le monta
Ready pa la bronca, me dicen "El Tonka"
Porque tengo más espuelas que Tim Duncan
Ya caché ese Pokemón, tu pelo es el jaquimón (¡wuh!)
Pa la jockey separé el sillón y- (ey, ey)
Ven y móntate en el pony (¡wuh!)
En el pony (ey)
Pareces una stripper en el tubo haciendo money
Ven y móntate en el pony (¡wuh wuh!)
En el pony (ey)
A todo ese cinnabon yo le voy a pasar la honey (¿qué, qué?)
En la machina se monta, vuelve y se desmonta
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
Tú eres la jockey (jockey)
En la machina se monta, vuelve y se desmonta
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
Tú eres la jockey (jockey)
Ey
The lyrics of Daddy Yankee's song "El Pony" revolve around the theme of sensuality and desire. In the song, Daddy Yankee invites a woman to "ride the pony," comparing her to a stripper in a club who is making money. He emphasizes her attractiveness and sexual appeal, suggesting that she is the one who takes control and dominates in a relationship. The lyrics also mention his own confidence and prowess, stating that he can please her and make her forget about other men. The song combines energetic and catchy beats with suggestive lyrics to create a seductive and playful atmosphere.
Line by Line Meaning
Siquida-da-da
A lively and energetic sound
Siquida-da-da
Continuation of the lively and energetic sound
Sigui, Daddy Yankee, you
Continue with the energetic sound, acknowledging Daddy Yankee's presence
¡Wuh!
An exclamation of excitement
Ey
A vocal expression of agreement or acknowledgement
Ven y móntate en el pony (¡wuh!)
Come and ride the pony, an invitation to join in the fun and excitement
En el pony (ey)
On the pony, emphasizing the focus of the activity
Pareces una stripper en el tubo haciendo money
You look like a stripper on a pole, earning money; a metaphor highlighting attractiveness and success
Ven y móntate en el pony (¡wuh wuh!)
Come and ride the pony, emphasizing the exhilarating experience
En el pony (ey)
On the pony, reinforcing the central theme
A todo ese cinnabon yo le voy a pasar la honey (¿qué, qué?)
I'm going to give all that sweetness to your cinnamon roll, a metaphor for pleasure and enjoyment
En la machina se monta, vuelve y se desmonta
In the car she rides, then she dismounts; a reference to engaging in intimate activities
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
If you're feeling sexy (-llaqui, what, what, what?), indicating a desire for intimacy
Tú eres la jockey (jockey)
You are the jockey, an empowered and in-control position in the act
En la machina se monta, vuelve y se desmonta
In the car she rides, then she dismounts; a continuation of the previous line
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
If you're feeling sexy (-llaqui, what, what, what?), continuing the exploration of desire
Tú eres la jockey (jockey)
You are the jockey, reaffirming the empowered role
¿Qué tú eres under?, Lo quiero ver
What? You're an underground person? I want to see it, challenging the listener's authenticity
Te pones suci, lo quiero ver
You get dirty, I want to see it, challenging the listener's willingness to push boundaries
Tú dices que eso rebota, lo quiero ver
You say that bounces, I want to see it, questioning the veracity of their claims
Diablos, qué abuso de poder, quiero tocar y no ver
Damn, such abuse of power, I want to touch and not just see, expressing a desire for physical contact
¡Síguelo!
Keep it going, continuing the momentum
Vámonos pa la danger zone (¡wuh!)
Let's go to the danger zone, an exhilarating and thrilling place
Que los que la llevan sabes quiénes son
Because those who carry it know who they are, acknowledging those who are confident and experienced
Conmigo ella es otra versión
With me, she becomes a different version, highlighting their connection and chemistry
Le gustan los Phillies como Iverson
She likes the Phillies like Iverson, referencing shared interests and compatibility
Pa calentarte, yo tengo el don
To make you hot, I have the gift, highlighting the ability to arouse and satisfy
Llegaste cruda y te vas well done
You came unprepared and you're leaving well done, suggesting a transformative and satisfying experience
Si lo estás pensando vete con Nicky
If you're thinking about it, go with Nicky, suggesting an alternative option
Que yo no creo en El Perdón (wuh wuh wuh)
Because I don't believe in forgiveness (wuh wuh wuh), expressing a lack of interest in reconciliation
Conmigo no te asustes, yo no jalo (¡wuh!)
Don't be scared with me, I don't pull (¡wuh!), assuring a drama-free encounter
Pero voy a acribillarte sin usar un palo
But I'm going to overwhelm you without using a stick, promising intense pleasure
El que tienes en tu casa me dicen que salió malo
They say the one you have at home is no good, suggesting a dissatisfaction with previous experiences
Envíame el location que yo bajo y te lo instalo, ¡aló!
Send me your location and I'll come over to install it, hello!, offering a convenient and immediate solution
No te me vayas de foco, ni te me pierdas tampoco
Don't lose focus on me, don't disappear either, asking for undivided attention
Sé que te gusta el dulce y tengo los besitos de coco
I know you like sweets and I have coconut kisses, suggesting a tempting and satisfying treat
Caíste poco a poco con el dueño del hipódromo (¡wuh!)
You fell little by little for the owner of the racetrack (¡wuh!), emphasizing the seductive power
Olvídate de estos caballos locos (ey)
Forget about these crazy horses (ey), suggesting the superiority of the current romantic interest
Que le meta al flow, que la meta al swing
Let it flow, let it swing, encouraging them to let loose and enjoy
Yo voy con todo sin Robitussin
I'm going all in without Robitussin, implying a natural and intense passion
Que mueva el montón, que se marque el jean
Let her move the crowd, let her show off her jeans, admiring her ability to captivate attention
Dura como dumbbell sin ir al gym
Strong like a dumbbell without going to the gym, praising her physical fitness without effort
Tiene un nalgaje que le ronca
She has an impressive booty, highlighting her attractive features
Pero no cualquiera viene y se le monta
But not everyone can come and ride it, indicating exclusivity and high standards
Ready pa la bronca, me dicen 'El Tonka'
Ready for a fight, they call me 'El Tonka', asserting dominance and assertiveness
Porque tengo más espuelas que Tim Duncan
Because I have more spurs than Tim Duncan, boasting about his prowess and skill
Si la presionas, ella te pichea (pichea)
If you pressure her, she'll reject you, emphasizing her independence and selectiveness
Si la llevas con calma, ella te presea (presea)
If you take it slow with her, she'll bless you, highlighting her appreciation for respect and patience
Esa movie de bichote no la capea (no, no)
That gangster movie doesn't fool her (no, no), rejecting superficiality
Cúcala, pa que veas, te tira y te frontea, ¡uy! (Ah)
Watch out, so you can see, she'll play hard to get, throwing you off, expressing a playful tease
Tiene un nalgaje que le ronca (ey, ey, ey)
She has an impressive booty (ey, ey, ey), reiterating her attractive features
Pero no cualquiera viene y se le monta
But not everyone can come and ride it, repeating the exclusivity and high standards
Ready pa la bronca, me dicen 'El Tonka'
Ready for a fight, they call me 'El Tonka', reaffirming dominance and assertiveness
Porque tengo más espuelas que Tim Duncan
Because I have more spurs than Tim Duncan, reinforcing his prowess and skill
Ya caché ese Pokemón, tu pelo es el jaquimón (¡wuh!)
I already caught that Pokemon, your hair is the jackpot (¡wuh!), celebrating the achievement
Pa la jockey separé el sillón y- (ey, ey)
For the jockey, I reserved a seat and- (ey, ey), implying physical intimacy
Ven y móntate en el pony (¡wuh!)
Come and ride the pony (¡wuh!), inviting the listener again
En el pony (ey)
On the pony (ey), emphasizing the recurring theme
Pareces una stripper en el tubo haciendo money
You look like a stripper on a pole, earning money (ey, ey), repeating the metaphor of attractiveness and success
Ven y móntate en el pony (¡wuh wuh!)
Come and ride the pony (¡wuh wuh!), emphasizing the exhilarating experience
En el pony (ey)
On the pony (ey), reinforcing the central theme
A todo ese cinnabon yo le voy a pasar la honey (¿qué, qué?)
I'm going to give all that sweetness to your cinnamon roll, continuing the metaphor for pleasure and enjoyment
En la machina se monta, vuelve y se desmonta
In the car she rides, then she dismounts, repeating the act of engaging in intimate activities
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
If you're feeling sexy (-llaqui, what, what, what?), repeating the exploration of desire
Tú eres la jockey (jockey)
You are the jockey (jockey), reaffirming the empowered role
En la machina se monta, vuelve y se desmonta
In the car she rides, then she dismounts, continuing the previous line
Si estás bellaqui (-llaqui, ¿qué, qué, qué?)
If you're feeling sexy (-llaqui, what, what, what?), repeating the exploration of desire
Tú eres la jockey (jockey)
You are the jockey (jockey), reaffirming the empowered role
¿Qué tú eres under?, Lo quiero ver
What? You're an underground person? I want to see it, challenging the listener's authenticity
Te pones suci, lo quiero ver
You get dirty, I want to see it, challenging the listener's willingness to push boundaries
Tú dices que eso rebota, lo quiero ver
You say that bounces, I want to see it, questioning the veracity of their claims
Diablo, qué abuso de poder, quiero tocar y no ver
Damn, such abuse of power, I want to touch and not just see, expressing a desire for physical contact
¡Síguelo!
Keep it going, continuing the momentum
Lyrics © Warner Chappell Music, Inc.
Written by: Ramon Ayala, Carlos Ortiz, Hector Birriel Carabello
Lyrics Licensed & Provided by LyricFind
Daddy Yankee
Tamo’ activos en el video de LA HORA Y EL DÍA💧https://youtu.be/y6h-xTVDb0M los leo por allá
- DY ❤🔥
Руслан Илюшкин
Как всегда на высоте
BROADNG
este temazo en la habitación uff como se disfrutaa... ufff uwu temita papa
Valentino Vizcardo Rodriguez
💥💥💥💥
betleche
🎉
Gregoria del Carmen Leon Gonzalez
Feliz cumpleaños LILA y media de la noche y la virgen de la mañana y hay que pagarle a de estar con el 🤪Gracias por la noche y media de esta semana 🙂😮
Np Jey
Los que estamos antes del millón 😍🍿🎬 Disfrutando de este éxito 🙌 😎
lefdie 12
Yo
VeniGato
Mas feo el tema olor a osoo
Mr_Joseph
29k 😎