Die Ärzte were formed in 1982 by Jan Vetter (alias Farin Urlaub), Dirk Felsenheimer (alias Bela B.) and bassist Hans Runge (alias Sahnie). Bela and Farin had previously played together in the punk band Soilent Grün; after that band broke up they decided to form a band playing fun songs, in contrast to the mostly political bands of the punk scene at that time. While deriving from that punk scene, their early music was heavily influenced by pop and rock and roll, especially The Beatles, whom Farin heard a lot as a child due to his mother playing their records.
In the first two years they mostly played in clubs of their hometown of Berlin. Their first release was a contribution to the sampler "20 schäumende Stimmungshits" (roughly, "20 exuberant mood hits"), which contained a strong alcohol theme. In 1983 they won a rock contest in Berlin; with the prize money they recorded their debut EP "Uns gehts Prima" ("We're doing great"). Finally Columbia Records signed them, and they released their first LP "Debil" in 1984 and the second one ("Im Schatten der Ärzte") a year later.
After the second record they parted ways with Sahnie due to internal problems. On the third record he was replaced by producer Miccey Meuser; later Hagen Liebig, better known as The Incredible Hagen, played bass for them during live performances until their breakup.
In 1987 the German Federal Centre for Media Harmful to Young Persons put the songs Geschwisterliebe ("Sibling Love", a song about incest, from Die Ärzte), Claudia hat 'nen Schäferhund ("Claudia has a German Shepherd", about zoophilia, from "Debil") and Schlaflied ("Lullaby", about a monster coming and eating you after falling asleep, also from "Debil") on the German List of Media Harmful to Young People. This prohibited the band from performing the songs live and, more importantly, promoting the two albums, and shops from openly displaying the records in their shelves. After several trials against shops that still openly sold the records a lot of shops removed Die Ärzte completely from their stock. The result was a drop in record sales and big financial problems for the band. In response they released the compilation "Ab 18" ("Adults Only") with all their songs on the index and some other old and new tasteless songs, and the greatest hits album "Ist das alles?"("Is this everything?" but also can be translated as "Is this the end?"). The album and the new singles were fairly successful, partly because of growing media interest due to the previous censorship.
The following album "Das ist nicht die ganze Wahrheit" ("That is not the whole truth") was even more successful, climbing into the top 10 in the German album charts. They decided to go out on a high note in 1988, breaking up after doing one last tour and recording a live double album that became their first number one in the album charts.
Neither Farin's new band King Køng nor Bela's Depp Jones were really successful, so in 1993 they decided to do a reunion. As bass player they invited Rodrigo Gonzales, who was guitarist in Depp Jones and a friend of Bela. Their comeback single was Schrei nach Liebe ("Cry for Love"), their first ever political song, that they published as a statement against what was perceived as growing racism and right wing extremist violence in Germany at that time.
The album was more diverse than ever, with ballads, punk, rock and traditional German sounds. Both album and single became big hits in Germany, Austria and Switzerland. The follow-up "Planet Punk" was also very successful.
In 1996 they wanted to make an EP just about hair, but they wrote too many songs for an EP and made the Album "Le Frisur" ("The Hairdo") instead. It was slightly less successful than its predecessors. Apart from their own tours they also supported Kiss in that year, a dream come true for Bela and Rod.
1998 was perhaps the most successful year of their career, the single "Männer sind Schweine" ("Men are Pigs") being their first Number 1 single in Germany, Austria and Switzerland, and the album 13 also being Number 1 in Germany and Switzerland. After a lot of promotion and touring in that year they decided to take a break, deciding also to never play again "Männer sind Schweine" at a concert due to the too great success this song had. They did not like the upcoming unwanted and rather unoriginal remakes by other bands as e.g. "Frauen sind Schweine" ("Women are pigs") and also did not like to see their song played at mass tourist beach parties at places like Mallorca/Spain.
In 2000 they came back with another very successful album, "Runter mit den Spendierhosen, Unsichtbarer!", and two top 10 singles. As the third single from the album they released the 30-second-song "Yoko Ono", which, according to the Guinness Book of Records, is the shortest single ever released - another example of their sense of humour. On their tour in 2001 they sold the limited Album "5, 6, 7, 8 Bullenstaat" consisting of short punk songs that were written and recorded while recording the full length album published a year before, and some cover songs published in 1994 on a tour only EP.
After that they again took a break: Bela did some acting, Farin recorded his first solo album (Endlich Urlaub!). In late 2002 they did an MTV Unplugged in a school auditorium together with the school band. After that they made a new double album Geräusch that was released in 2003. On the next tour a Live DVD was recorded and published one year later.
On 2 November 2007, Die Ärzte released their latest album, Jazz ist anders ("Jazz is nothing like this", literally "Jazz is different").
In August 2011 the band announced that they are working on a new album which is set to be released in 2012 with a tour called "Das Ende ist noch nicht vorbei" ("The end is not over yet") following in the summer 2012.
The official homepage for Die Ärzte is www.bademeister.com
Helmut K.
Die Ärzte Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Denn Helmut Kohl schlägt seine Frau
(Aaaah)
(Aaaah)
Selbst Rita Süssmuth weiß es schon (au, au, au, au)
Hannelores Tag ist grau
Denn Helmut Kohl schlägt seine Frau
(Aaaah)
Neulich ließ die Hannelore mal etwas auf dem Teller (au, au, au, au)
Zur Strafe lud sie Helmut ein in seinen Folterkeller (au, au, au, au)
Er ist ein Mann wie ich und du
Und Helmut Kohl schlägt wieder zu
Hannelore ist allein
Sie wollte doch nur glücklich sein
(Hannelore) Niemand hat davon gewusst
Er beißt ihr in die rechte Brust
Er ist ein Mann genau wie wir
Tief in ihm, da steckt ein Tier
Und nachts hinter verschlossenen Türen
Kriegt seine Frau den Wolf zu spüren
Er ist ein Mann wie ich und du
Und Helmut Kohl schlägt wieder zu
Hannelore, Hannelore, Hannelore Kohl
Hannelore, Hannelore, Hannelore Kohl
Hannelore
Er ist ein Mann wie ich und du
Und Helmut Kohl schlägt wieder zu
The song "Helmut K." by Die Ärzte is a graphic depiction of domestic violence in the marriage of former German Chancellor Helmut Kohl and his wife Hannelore. The lyrics paint a picture of a woman living in fear and suffering in silence. "Hannelores Tag ist grau" ("Hannelore's day is grey") conveys her sadness and despair, as she endures physical abuse at the hands of her husband. The chorus repeats, "Und Helmut Kohl schlägt wieder zu," meaning "And Helmut Kohl strikes again" - a stark reminder that domestic violence is a cycle that repeats itself.
The second verse describes Hannelore's attempt to offer resistance by not finishing her meal, as a way to rebel against the situation she is in. However, Kohl responds with more violence, dragging her to his torture chamber as punishment. The third verse emphasizes the severity of the situation, portraying Hannelore as isolated and helpless, unable to reach out for help because nobody knows of her suffering. The song concludes with the repetition of the chorus, underscoring the cycle of violence that is occurring.
The subject matter of the song caused controversy and criticism among some people who felt that it was inappropriate to joke about such a serious topic. Others praised the song for shining a light on the issue of domestic violence and confronting German politicians about their inaction on the subject. The song was first released in 1994 and became a hit for the band, cementing their reputation as political agitators.
Line by Line Meaning
Hannelores Tag ist grau
Hannelore's day is bleak
Denn Helmut Kohl schlägt seine Frau
Because Helmut Kohl beats his wife
(Aaaah)
(Aaaah)
Es macht die Runde in der (au, au, au, au) Koalition
It's making the rounds in the (ow, ow, ow, ow) coalition
Selbst Rita Süssmuth weiß es schon (au, au, au, au)
Even Rita Süssmuth already knows (ow, ow, ow, ow)
Hannelores Tag ist grau
Hannelore's day is bleak
Denn Helmut Kohl schlägt seine Frau
Because Helmut Kohl beats his wife
(Aaaah)
Neulich ließ die Hannelore mal etwas auf dem Teller (au, au, au, au)
Recently, Hannelore left something on the plate (ow, ow, ow, ow)
Zur Strafe lud sie Helmut ein in seinen Folterkeller (au, au, au, au)
As punishment, she invited Helmut to his torture chamber (ow, ow, ow, ow)
Er ist ein Mann wie ich und du
He is a man just like you and me
Und Helmut Kohl schlägt wieder zu
And Helmut Kohl strikes again
Hannelore ist allein
Hannelore is alone
Sie wollte doch nur glücklich sein
She just wanted to be happy
(Hannelore) Niemand hat davon gewusst
(Hannelore) No one knew about it
Er beißt ihr in die rechte Brust
He bites her on the right breast
Er ist ein Mann genau wie wir
He is a man just like us
Tief in ihm, da steckt ein Tier
Deep inside him, there's an animal
Und nachts hinter verschlossenen Türen
And at night behind closed doors
Kriegt seine Frau den Wolf zu spüren
His wife feels the wrath of the wolf
Er ist ein Mann wie ich und du
He is a man just like you and me
Und Helmut Kohl schlägt wieder zu
And Helmut Kohl strikes again
Hannelore, Hannelore, Hannelore Kohl
Hannelore, Hannelore, Hannelore Kohl
Hannelore, Hannelore, Hannelore Kohl
Hannelore, Hannelore, Hannelore Kohl
Hannelore
Hannelore
Er ist ein Mann wie ich und du
He is a man just like you and me
Und Helmut Kohl schlägt wieder zu
And Helmut Kohl strikes again
Lyrics © Universal Music Publishing Group
Written by: Dirk Felsenheimer, Hagen Liebing, Jan Vetter
Lyrics Licensed & Provided by LyricFind