Known as Juan Garcia Esquivel, Juan García Esquivel, Esquivel and Esquivel!… Read Full Bio ↴Known as Juan Garcia Esquivel, Juan García Esquivel, Esquivel and Esquivel!
Juan García Esquivel (January 20, 1918 – January 3, 2002) was a Mexican band leader, pianist, and composer for television and films. He is recognized today as one of the foremost exponents of a sophisticated style of largely instrumental music that combines elements of lounge music and jazz with Latin flavors. Esquivel is sometimes called "The King of Space Age Pop" and "The Busby Berkeley of Cocktail Music." Esquivel is considered one of the foremost exponents of a style of late 1950s-early 1960s quirky instrumental pop that became known (in retrospect) as "Space Age Bachelor Pad Music".
He was born in Tampico, Tamaulipas, and his family moved to Mexico City in 1928 where he studied at the UNAM.
Esquivel is considered the king of a style of late 1950s-early 1960s quirky instrumental pop known today as lounge music. Esquivel's musical style was highly idiosyncratic, and although elements sound like his contemporaries, many stylistic traits distinguished his music and made it instantly recognizable, including exotic percussion, wordless vocals, virtuoso piano runs, and exaggerated dynamic shifts. He used many jazz-like elements; however, other than his piano solos, there is no improvisation, and the works are tightly, meticulously arranged by Esquivel himself, who considered himself a perfectionist as a composer, performer, and recording artist.
His orchestration tended toward the very lush, employing novel instrumental combinations, such as Chinese bells, mariachi bands, whistling, and numerous percussion instruments, blended with orchestra, mixed chorus, and his own heavily-ornamented piano style. The chorus was often called upon to sing only nonsense syllables, most famously "zu-zu" and "pow!" A survey of Esquivel's recordings reveals a fondness for glissandi, sometimes on a half-valved trumpet, sometimes on a kettle drum, but most frequently on pitched percussion instruments and slide guitars.
Esquivel's use of stereo recording was legendary, occasionally featuring two bands recording simultaneously in separate studios, such as on his album Latin-Esque (1962). The song "Mucha Muchacha" makes particularly mind-bending use of the separation, with the chorus and brass rapidly alternating stereo sides.
He arranged many traditional Mexican songs like "Bésame Mucho", "La Bamba", "El Manisero" (Cuban/Mexican) and "La Bikina"; covered Brazilian songs like "Aquarela do Brasil" (also known simply as "Brazil") by Ary Barroso, "Surfboard" and "Agua de Beber" by Tom Jobim, and composed spicy lounge-like novelties such as "Mini Skirt", "Yeyo", "Latin-Esque", "Mucha Muchacha" and "Whatchamacallit". He was commissioned to compose the music of a Mexican children's TV show Odisea Burbujas.
His concerts also featured elaborate light shows years before effects like that became popular in live music. He performed in Las Vegas on several occasions, often as the opening act for Frank Sinatra.
Several compilations of Esquivel's music were issued starting with Space Age Bachelor Pad Music in 1994. The apparent success of these releases led to reissues of several of Esquivel's albums. The first reissues were compiled by Irwin Chusid, who also produced the first CD reissues of Raymond Scott and The Langley Schools Music Project.
The last recording on which Esquivel worked was Merry Christmas from the Space-Age Bachelor Pad in 1996, for which he did a voiceover on a track by the band Combustible Edison. This album also included several obscure tracks from his past sessions. The last CD released during his lifetime, See It In Sound, was actually recorded in 1960, but was not released at the time because the record company believed it would not be commercially successful. When finally released in 1998, it exhibited very unusual and introspective stylings absent from his other works, including a version of "Brazil", played as a musical soundscape of a man bar-hopping where the band plays different renditions of "Brazil" at each bar.
Esquivel also worked as a composer for Revue Productions/Universal Television; where he scored the TV western series "The Tall Man," and wrote the familiar Revue/Universal TV logo fanfare.
Tribute performances (current)
Jan 14, 2011 Boston - Mr. Ho's Orchestrotica - CD Release for "The Unforgettable Sounds of Esquivel"
Mar 18, 2011 New York City - Mr. Ho's Orchestrotica - CD Release for "The Unforgettable Sounds of Esquivel" (first-ever live performance of Esquivel's big band studio orchestra music in NYC)
Influences
Kronos Quartet recorded a string quartet arrangement of Esquivel's song "Mini Skirt" for their album Nuevo.
Juan García Esquivel (January 20, 1918 – January 3, 2002) was a Mexican band leader, pianist, and composer for television and films. He is recognized today as one of the foremost exponents of a sophisticated style of largely instrumental music that combines elements of lounge music and jazz with Latin flavors. Esquivel is sometimes called "The King of Space Age Pop" and "The Busby Berkeley of Cocktail Music." Esquivel is considered one of the foremost exponents of a style of late 1950s-early 1960s quirky instrumental pop that became known (in retrospect) as "Space Age Bachelor Pad Music".
He was born in Tampico, Tamaulipas, and his family moved to Mexico City in 1928 where he studied at the UNAM.
Esquivel is considered the king of a style of late 1950s-early 1960s quirky instrumental pop known today as lounge music. Esquivel's musical style was highly idiosyncratic, and although elements sound like his contemporaries, many stylistic traits distinguished his music and made it instantly recognizable, including exotic percussion, wordless vocals, virtuoso piano runs, and exaggerated dynamic shifts. He used many jazz-like elements; however, other than his piano solos, there is no improvisation, and the works are tightly, meticulously arranged by Esquivel himself, who considered himself a perfectionist as a composer, performer, and recording artist.
His orchestration tended toward the very lush, employing novel instrumental combinations, such as Chinese bells, mariachi bands, whistling, and numerous percussion instruments, blended with orchestra, mixed chorus, and his own heavily-ornamented piano style. The chorus was often called upon to sing only nonsense syllables, most famously "zu-zu" and "pow!" A survey of Esquivel's recordings reveals a fondness for glissandi, sometimes on a half-valved trumpet, sometimes on a kettle drum, but most frequently on pitched percussion instruments and slide guitars.
Esquivel's use of stereo recording was legendary, occasionally featuring two bands recording simultaneously in separate studios, such as on his album Latin-Esque (1962). The song "Mucha Muchacha" makes particularly mind-bending use of the separation, with the chorus and brass rapidly alternating stereo sides.
He arranged many traditional Mexican songs like "Bésame Mucho", "La Bamba", "El Manisero" (Cuban/Mexican) and "La Bikina"; covered Brazilian songs like "Aquarela do Brasil" (also known simply as "Brazil") by Ary Barroso, "Surfboard" and "Agua de Beber" by Tom Jobim, and composed spicy lounge-like novelties such as "Mini Skirt", "Yeyo", "Latin-Esque", "Mucha Muchacha" and "Whatchamacallit". He was commissioned to compose the music of a Mexican children's TV show Odisea Burbujas.
His concerts also featured elaborate light shows years before effects like that became popular in live music. He performed in Las Vegas on several occasions, often as the opening act for Frank Sinatra.
Several compilations of Esquivel's music were issued starting with Space Age Bachelor Pad Music in 1994. The apparent success of these releases led to reissues of several of Esquivel's albums. The first reissues were compiled by Irwin Chusid, who also produced the first CD reissues of Raymond Scott and The Langley Schools Music Project.
The last recording on which Esquivel worked was Merry Christmas from the Space-Age Bachelor Pad in 1996, for which he did a voiceover on a track by the band Combustible Edison. This album also included several obscure tracks from his past sessions. The last CD released during his lifetime, See It In Sound, was actually recorded in 1960, but was not released at the time because the record company believed it would not be commercially successful. When finally released in 1998, it exhibited very unusual and introspective stylings absent from his other works, including a version of "Brazil", played as a musical soundscape of a man bar-hopping where the band plays different renditions of "Brazil" at each bar.
Esquivel also worked as a composer for Revue Productions/Universal Television; where he scored the TV western series "The Tall Man," and wrote the familiar Revue/Universal TV logo fanfare.
Tribute performances (current)
Jan 14, 2011 Boston - Mr. Ho's Orchestrotica - CD Release for "The Unforgettable Sounds of Esquivel"
Mar 18, 2011 New York City - Mr. Ho's Orchestrotica - CD Release for "The Unforgettable Sounds of Esquivel" (first-ever live performance of Esquivel's big band studio orchestra music in NYC)
Influences
Kronos Quartet recorded a string quartet arrangement of Esquivel's song "Mini Skirt" for their album Nuevo.
Poinciana
Esquivel Lyrics
We have lyrics for 'Poinciana' by these artists:
Ahmad Jamal Ahmad jamal piano; Israel Crosby basse; Vernell Fournier bat…
Bing Crosby Poinciana, your branches speak to me of love, Pale moon is…
Bing Crosby Feat. John Scott Trotter's Orchestra Poinciana, your branches speak to me of love, Pale moon is…
Bobby Lyle Poinciana, your branches speak to me of love Pale moon is…
Bobby Lyle Trio Poinciana, your branches speak to me of love Pale moon is…
Caterina Valente Blow... tropic wind... Sing a song... through the trees. …
David Sanborn Poinciana, your branches speak to me of love Pale moon is…
Elizabeth Shepherd Poinciana, your branches speak to me of love Pale moon is…
Glenn Miller Poinciana, your branches speak to me of love Pale moon is…
King and Moore Blow...tropic wind... Sing a song...through the trees. Tree…
Leroy Holmes Poinciana Your Branches Speak To Me Of Love Pale Moon Is…
Lyle Bobby Poinciana, your branches speak to me of love Pale moon is…
Manhattan Transfer Poinciana, your branches speak to me of love Pale moon is…
Nat King Cole Blow...tropic wind... Sing a song...through the trees. Tree…
Robert Goulet Blow Tropic wind, sing a song to the trees Trees sigh…
The Army Air Force Band & Glenn Miller Poinciana, your branches speak to me of love Pale moon is…
The Four Freshmen Blow Tropic wind, sing a song to the trees Trees sigh…
The Manhattan Transfer Poinciana, your branches speak to me of love Pale moon is…
Viktoria Tolstoy Poinciana Your Branches Speak To Me Of Love Pale Moon Is…
We have lyrics for these tracks by Esquivel:
05 Who's Sorry Now Who's Sorry Now? Who's Sorry Now? Who's heart is aching for …
05 Who's Sorry Now? Who's Sorry Now? Who's Sorry Now? Who's heart is aching fo…
09 MAGIC IS THE MOONLIGHT Magic is the moonlight On this lover's dream night As I se…
All Of Me What would I do without your smart mouth Drawing me in,…
Amor Amemos cada segundo juntos Nunca sabemos cuando parar Un te …
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
Begin the Beguine When they begin the beguine It brings back the sound of…
Bye Bye Blues I got a big surprise when I saw you smile I…
Canadian Sunset Once I was alone So lonely and then You came, out of…
Carioca geudongan eotteoke jinaenni mureobojin motaetji geujeo eosae…
Dancing in the Dark Dancing in the dark Dancing in the dark Dancing in the dark…
I Get a Kick out of You I get no kick from champagne, Mere alcohol, Doesn't thrill…
It Had to Be You It had to be you, it had to be you. I…
Johnson Rag Johnson Flood Mississippi Mud Black Bottom I got 'em Lindy …
Lullaby of Birdland Lullaby of Birdland, that's what I Always hear when you…
Magic Is the Moonlight Magic is the moonlight On this lover's dream night As I see…
Misirlou Desert shadows creep across purple sands. Natives kneel in p…
Mucha Muchacha mucha muchacha hello muchacha oh, hello muchacha no no, me…
My Reverie Our love is a dream, but in my reverie I can…
Rhapsody In Blue (Story about a girl) (Story about the world) Suddenly …
Santa Claus Is Comin' To Town I just came back from a lovely trip along the…
Speak Low Speak low when you speak, love, Our summer day withers away …
Street of Dreams Midnight, you heavy laden, it's midnight Come on and trade i…
That Old Black Magic Old black magic has me in its spell Old black magic…
The 3rd Man Theme When a zither starts to play You'll remember yesterday In it…
The Christmas Song Chestnuts roasting on an open fire Jack Frost nipping at you…
The Third Man Theme When a zither starts to play You'll remember yesterday In it…
Time on My Hands When the day fades away into twilight The moon is my…
Whatchamacallit Do, do-do Do, do-do Do, do-do Do, do-do Do, do-do Do, do-do …
Who's Sorry Now Who's Sorry Now? Who's Sorry Now? Who's heart is aching for …
Who's Sorry Now? Who's Sorry Now? Who's Sorry Now? Who's heart is aching fo…
Who's Sorry Now Who's Sorry Now? Who's Sorry Now? Who's heart is aching for …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Dejael Long
Love it! Space Age Bachelor Pad Latin Jazzy doesn't get any better than this, in sonic high fidelity Stereo!
Alvaro Rojas
Gracias por prodegarnos semejante monumento al arte y MEXICANO. Soy colombiano y siempre los he admirado.
Ed Macomber
Such a humble person who, frankly, started the interest in such Latin bands as Prez Prado and Xavier Cugat, as well as the clear influence he surely had on Stan Kenton. "Other Worlds Other Sounds" is what "lounge" music was to become. He loved his fans to the very last breath1
Attovishnu
To the people that gave thumbs down on this music, you're never going to make it in show business if you don't like this music!
David Garcia Ortega
siempre que hay calidad en un musico como esquivel se lo llevan al extrangero. fue un gran pianista.
Audel Montes de Oca
Gracias por tanta buena musica Esquivel!!!
José de Ribamar Araújo Peres
Those were the days... The sixties! I love this song!
MusicBlinded51
Hola Miguel Angel, once more one of my favorites and once more played as I never heard it before. That are always my first impressiones, if I hear your new uploads. Thank you so much, William.
GeoCoppens
@MusicBlinded51 The greatest version of this song is played by Gerry Mulligan and his quartet with Chet Baker from 1952 or '53. Fabulous!
alvarockdavii
Juan Chingón