Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.
His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.
The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of Jazz Fusion instrumentation and Rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He received uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa in New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.
Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of Synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway to Heaven becoming a word-of-mouth favourite.
Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.
In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.
His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.
Mother People
Frank Zappa Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Billy mundi (drums, vocals, yak)
Bunk gardner (woodwinds)
Roy estrada (electric bass, vocals)
Don preston (retired)
Jimmy carl black (drums, trumpet, vocals)
Ian underwood (piano, woodwinds)
Motorhead sherwood (soprano, baritone saxophone)
Dick barber (snorks)
Do it again!
Do it again!
We are the other people
We are the other people
You're the other people too
Found a way to get to you...
Do you think that I'm crazy?
Out of my mind?
Do you think that I creep in the night
And sleep in a phone booth?
Lemme take a minute & tell you my plan
Lemme take a minute & tell who I am
If it doesn't show
Think you better know
I'm another person
Do you think that my pants are too tight
Do you think that I'm creepy?
Lemme take a minute & tell you my plan
Lemme take a minute & tell who I am
If it doesn't show
Think you better know
I'm another person (the verse that really
Goes here has been censored out &
Recorded backwards in a special section
At the end of side one...)
We are the other people
We are the other people
You're the other people too
Found a way to get to you
We are the other people
We are the other people
You're the other people too
Found a way to get to you
Do you think that I love you...
Stupid & blind?
Do you think that I dream through the
Night
Of holding you near me?
Lemme take a minute & tell you my plan
Lemme take a minute & tell who I am
If it doesn't show
Think you better know
I'm another person
In Frank Zappa's song "Mother People," he portrays an image of the counter-culture, the group of people who do not conform to the mainstream. The repetition of the phrase, "We are the other people," emphasizes the sense of alienation that these people feel from the rest of society. They are aware that they are different, and they accept it. The lines "Do you think that I'm crazy? Out of my mind?" suggest that the society sees these people as insane because they do not fit into the mold of conformity. However, the song maintains the counter-culture's notions of individuality and free-thinking. It is also interesting to note that he equates himself with the "other people," taking the position of a like-minded individual and bringing a sense of unity to the song.
Zappa also uses irony in the last verse, with the lines "Do you think that I love you⦠Stupid & blind? / Do you think that I dream through the night / Of holding you near me?" Zappa mocks the romantic ideals of mainstream society that often disregard anything that is different. The song suggests that there's a vast otherness in the world that is misunderstood, underappreciated, and ostracized.
Line by Line Meaning
Do it again!
The singer is urging someone to repeat a previous action.
We are the other people
The singer and their group identify as outsiders and are addressing others who may also feel like outsiders.
You're the other people too
The singer is acknowledging that others may not fit into societal norms.
Found a way to get to you...
The artist has found a way to connect with this group of outsiders and make their message heard.
Do you think that I'm crazy?
Out of my mind?
The artist poses a question to challenge the audience's assumptions about them and their message.
Do you think that I creep in the night
And sleep in a phone booth?
The singer is addressing rumors or assumptions that they are strange or dangerous.
Lemme take a minute & tell you my plan
Lemme take a minute & tell who I am
If it doesn't show
Think you better know
I'm another person
The singer is taking a moment to explain themselves and their intentions clearly, to counteract any confusion or misconceptions.
Do you think that my pants are too tight
Do you think that I'm creepy?
The artist continues to challenge negative assumptions about them, but also acknowledges that their appearance may be unconventional.
We are the other people
We are the other people
You're the other people too
Found a way to get to you
The chorus is repeated to emphasize the sense of shared experience and community among outsiders.
Do you think that I love you...
Stupid & blind?
Do you think that I dream through the
Night
Of holding you near me?
The artist is challenging the assumptions that they are not capable of love or desire, or that their desires are deviant.
I'm another person (the verse that really
Goes here has been censored out
&
Recorded backwards in a special section
At the end of side one...)
The verse is censored, implying that the singer's message may be threatening or controversial, and the format of the recording itself is non-traditional and challenging to norms.
Lyrics Β© O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
johnny zell
We are the other people
We are the other people
We are the other people
You're the other people too
Found a way to get to you...
Do you think that I'm crazy?
Out of my mind?
Do you think that I creep in the night
And sleep in a phone booth?
Lemme take a minute & tell you my plan
Lemme take a minute & tell who I am
If it doesn't show,
Think you better know
I'm another person
Do you think that my pants are too tight?
Do you think that I'm creepy?
Lemme take a minute & tell you my plan
Lemme take a minute & tell who I am
If it doesn't show
Think you better know
I'm another person
Better look around before you say you don't care
Shut your fuckin' mouth about the length of my hair
How would you survive
If you were alive
Shitty little person?
We are the other people
We are the other people
We are the other people
You're the other people too
Found a way to get to you
We are the other people
We are the other people
We are the other people
You're the other people too
Found a way to get to you
Do you think that I love you...
Stupid & blind?
Do you think that I dream through the night
Of holding you near me?
Lemme take a minute & tell you my plan
Lemme take a minute & tell who I am
If it doesn't show
Think you better know
I'm another person
Greasy TacoMeat
Woke up this morning with this song in my head.
AOR & Metal Appreciator
This song always makes me giggle. I don't know if any others agree with this but I think this album is actually one of Zappa's "catchiest". But I'm also glad the Mothers didn't go on for his entire career and that we got all that other great stuff post-'70
TarantuLando CalCuLingus
Its my favorite.... i think!
Phil Mann
This song creeped me out after I first heard it as an adolescent when released. Yet it remains one of my favorites. (And I still get a creepy vibe, even now.) Zappa was a true musical genius.
ImLouToday
This is the link to the entire album with every original word in type, including all the background commentary of the many various voices uttering snippets inside the songs. A fantastic piece of work for the compilation and with it, plus Frank's insight, you'll instantly get a level of understanding that the most have never realized unless they grew up in the era.
https://www.youtube.com/watch?v=c9F85F7NAcw
Orpheus of Thrace
The vid's down
Stoned Meadow Of Doom
Best song on the album
Knastvogel
Hey, nice to see you here
tee bizz
one of my faves !!! best percussion.
John Delmos
So incredible β€