After the Beatles stopped touring in 1966, George started writing more songs than could be fitted onto the albums so that by the time of the split he had built up a collection of songs, some used on his debut solo album, All Things Must Pass. The album, released in 1970, contains the two-time number one hit, "My Sweet Lord".
Harrison is also credited for creating music benefits, notably the 1971 Concert for Bangladesh. Harrison played beside Bob Dylan, Eric Clapton, Billy Preston, Ringo Starr, and Leon Russell to a crowd of 40,000 in Madison Square Garden, New York. The show raised over $240,000 benefiting the George Harrison Fund for Bangladesh relief.
Harrison went on to release several successful solo albums, and in the late 1980s collaborated with Bob Dylan, Jeff Lynne, Roy Orbison, and Tom Petty, in a group called Traveling Wilburys. The group released two albums. Later, Harrison reunited with the other two surviving Beatles, after John Lennon's murder in 1980, to produce two final Beatles records, "Free As a Bird" and "Real Love" featuring the voice of Lennon, taken from home demos provided by Lennon's widow, Yoko Ono. The three Beatles also co-wrote a massive autobiography and television special, both titled "The Beatles Anthology."
Before his death, Harrison conceived of a Cirque du Soleil show, "Love," featuring remixes of Beatles music which were overseen by Beatles producer George Martin.
Harrison died on November 29, 2001 after a battle with cancer, leaving behind a wife and son, Olivia and Dhani Harrison. His last album, Brainwashed, was released posthumously and featured the single "Any Road".
A benefit concert in Harrison's memory was played on 29 November 2002 at the Royal Albert Hall. The star-studded event (featuring Eric Clapton and Monty Python, as well as former band mates Paul McCartney and Ringo Starr) was released on the DVD double-album, Concert for George.
MO
George Harrison Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
His name was Mo, Mo, Mo.
They could've called Clive or so
They didn't call him Joe
They called him Mo, Mo, Mo.
We're gonna give you
Mo, love
Mo, good wishes
Mo, sweet kisses
Mo, hits
And none of them misses, no, no, no.
Not for our good Mo.
A smile that you give at comes back always to you know
We love you Mo, Mo, Mo.
Whatever that it takes, I know
You have it and it shows
We love you Mo, Mo, Mo.
We're gonna give you
Mo, love
Mo, good wishes
Mo, smiles
Mo, sweet kisses
Mo, hits
And none of them misses, no, no, no.
Not for our sweet Mo.
For where I sit or stand
I hear it on my radio
They're singing Mo, Mo, Mo.
Mo, Mo, Mo.
This day is truly yours forever
Reaping what you've sown
In bringing us Mo, Mo, Mo.
Mo, Mo, Mo.
We're gonna give you
Mo, love
Mo, good wishes
Mo, smiles
Mo, sweet kisses
Mo, hits
And none of them misses, no, no, no.
Not for our good Mo.
Mo, love
Mo, good wishes
Mo, smiles
Mo, sweet kisses
Mo, hits
And none of them misses, no, no, no.
Not for our good Mo.
Go get them Mo...
The song "Mo" by George Harrison tells the story of a little boy named Mo who was born fifty years ago. The singer describes how they could have named the boy Clive or Joe, but instead chose to name him Mo. The song is a dedication to this little boy, and the singer promises to give him love, good wishes, smiles, sweet kisses, and hits, all of which will never miss. The singer also assures Mo that his smile will always come back to him.
Throughout the song, the singer continues to express their love and admiration for Mo. They state that whatever it takes, Mo has it and shows it. They also remark that they hear Mo's name everywhere they go and that the day the song is being sung is truly his.
The lyrics of the song demonstrate the deep affection and care that the singer has for Mo. It also highlights the importance of showing love and appreciation to those dear to us. The repetition of "Mo, Mo, Mo" further emphasizes the significance of the little boy and his impact on those around him.
Line by Line Meaning
A little Boy was born nearby some fifty years ago
Mo was born fifty years ago in the nearby area
His name was Mo, Mo, Mo.
The boy was named Mo
They could've called Clive or so
They had other name options like Clive, but chose Mo
They didn't call him Joe
Joe was not considered as a name option
We're gonna give you
Mo, love
Mo, good wishes
Mo, smiles
Mo, sweet kisses
Mo, hits
And none of them misses, no, no, no.
Not for our good Mo.
Mo will receive lots of love, well wishes, smiles, kisses, and hits, none of which will miss the mark. All of this is for Mo's benefit.
A smile that you give at comes back always to you know
We love you Mo, Mo, Mo.
Smiling at others will always bring joy back to oneself. The singer and others love Mo.
Whatever that it takes, I know
You have it and it shows
We love you Mo, Mo, Mo.
The singer knows that Mo has whatever it takes to succeed and that it shows. They express their love for Mo.
For where I sit or stand
I hear it on my radio
They're singing Mo, Mo, Mo.
Mo, Mo, Mo.
The artist hears people singing Mo's name on the radio from wherever they're sitting or standing.
This day is truly yours forever
Reaping what you've sown
In bringing us Mo, Mo, Mo.
Mo, Mo, Mo.
This day belongs to Mo forever because he brought joy to others with his existence. He's reaping what he sowed. People are singing his name.
Go get them Mo...
The artist encourages Mo to go after whatever he wants.
Contributed by Noah G. Suggest a correction in the comments below.
@BailesSauce2
Great song. In regards to the description, it was written in 1977, but that was not during the Somewhere In England sessions (which happened in 1980 and some songs in early 1981). Mo's Song was instead written between Thirty Three & 1/3 and the self titled album. Thought I'd just clarify some things. :)
@joshsmusiclibrary
I realized shortly after that it was before the "Made In England" sessions but couldn't change it after as it gained attraction but thank you for the insight!
@Tom-el5cq
It does have the production style of his self-titled album, interesting. I wonder if Russ Titleman had a hand in it.
@linknowhereman
I think it was recorded for SIE tho
@BailesSauce2
@@linknowhereman It wasn't. SIE began recording around 1980, excluding "Flying Hour" which was recorded in 1978.
@normansimpson5637
Just my 2 cents. But the productions sound is dead center in between 33 1/3 and self titled. I’m sure he would have released a song like this(as he sang lots of songs that had obscure meanings like this) but the sound of it is very similar to crackerbox palace. Which is why I think he didn’t release it. Obviously it was written for the WB exec. But meaning unbeknownst to the public had never stopped him from releasing it to the public before. Again just my 2. I wish this would be officially released so I could add it to my George Harrison playlist on I tunes
@captaineasychord1
RIP Mo Ostin. This was written and recorded for Mo’s 50th birthday circa 1977, but remained unreleased until 1994, when it appeared on a promotional only release upon Mo’s retirement as CEO of Warner Brothers (parent label of George’s Dark Horse record label).
@samanthastephens7325
Wow! I can hear the resemblance to "crackerbox Palace" even some nuances, makes me wonder if this was a sort of demo or just inspired by the chord progression because of its endearing tone, Thank you for sharing!
@gregorallnight371
One of the great songwriters,musicians and human beings
to ever come along...gave to many worthy causes and was
also a help to many people in need...a very cool,smart,fine,
giving,humble,spiritual and humorous man with heart of gold
@rickyschultz5434
George Harrison’s contributions to mankind stand heads and shoulders above any other rock or pop artists IMHO. More than a Beatle and great solo artist, he introduced Transcendental Mediation to the West, opened the door to World Music and leveraged the power of rock for good creating the Benefit Concert as a major fundraising and consciousness-raising event. What a life!