With no agenda, expectations, or even intention to release music, guitarists Marc Byrd and Andrew Thompson began getting together as a way of letting the sounds inside of them find their way out into the open. Byrd describes it this way: "There are times when the need to create a thing begins to interrupt your life. And if you don't give in to it, everything else starts to suffer."
After about a year of sporadic sessions, Byrd and Thompson began to gather up all of the recordings - which were strewn about on everything from cassette recorders to hard drives to two-inch tape - and were surprised to discover that they had around forty pieces of music. Out of this pool of songs came their 2005 debut Kenotic, which introduced audiences to their densely textured aesthetic and shimmering guitar-driven compositions. Theirs is a unique sound - it is “sleepier” than the often-brash crescendos of their post-rocker cousins, drawing from the ethereal minimalism of Stars of the Lid and reminiscent of 80's Brian Eno and Nick McCabe of the band The Verve. Byrd and Thompson describe it simply as "Southern Ambient", citing the wide-open spaces of the South's rural landscape as an all-pervading influence in their music (Byrd's nickname in Arkansas was "Marc Marc Marc" because of his delay-drenched guitar sounds).
Although hailed as a classic in the Shoegaze genre, Kenotic revealed a band inspired by many different musical styles, from Electronic, Ambient, Minimalism-Drone to Post-Rock. Byrd and Thompson expanded on their unique amalgam of these sounds on their next release, the July 2005 EP Stranded Under Endless Sky. What followed eight months later was somewhat of a stylistic turn for the band, the heavily conceptual longform drone-influenced album The Sleepover Series, Vol. 1 (Remastered). November 2006 saw the release of the band's proper sophomore LP, Raising Your Voice...Trying to Stop an Echo, an album frequently hailed for its canny fusion of melodic accessibility and intrepid experimentalism. The band was attracting consistent acclaim from influential media such as Pitchfork, BBC, The Wire, and NPR, but most meaningfully to Byrd and Thompson, also from artists they admired like Mark Eitzel (solo and AMC), Brian McBride and Adam Bryanbaum Wiltzie (Stars of the Lid), Steve Kilbey and Tim Powles (The Church), BT, The Antlers, and Jonsi and Alex.
In Fall 2007, Hammock was invited by Jonsi Birgisson (Sigur Ros, solo artist, Jonsi & Alex) and Alex Somers (Parachutes and Jonsi & Alex) to perform at the overseas debut of their art collaboration, Riceboy Sleeps. This created confluence of firsts for all four artists, as it was to be Hammock's first-ever live show. Byrd and Thompson wrote new music especially for the occasion, and these songs would ultimately become Maybe They Will Sing for Us Tomorrow, a "studio performance" album of the music they played at the Riceboy Sleeps premiere. Birgisson and Somers as Riceboy Sleeps created the artwork for the release.
Chasing After Shadows...Living With the Ghosts followed in May 2010, along with a freestanding four-song Outtakes EP. Darker, heavier, and more massive sonically than Hammock's previous releases, the album was mixed by Tim Powles of The Church and features the duo's first usage of a horn section, string quartet, and live drums. David Altobelli's influential video for “"Breathturn"” was released in late March 2010. Chasing... was praised by BBC as "one of the most beautiful albums of the year" and received accolades from Pitchfork and PRI-syndicated show "Echoes", where it was named #1 in its "Best Albums of the Year" list.
On December 14, the duo released the EP Longest Year, a beat-less and wordless "mini-album" held for release until the dead of winter and whose title referenced the band's difficult 2010 (which included the near-total destruction of Byrd's home by an epic flood the likes of which had not been seen in Nashville in over 100 years).
The aforementioned digital-only EP of outtakes from the May 2010 LP, Chasing After Shadows...Living With the Ghosts, contained four songs, two of which were tagged with "instrumental" in the titles even though no other versions existed. That changed on October 25, 2011 with the release of the EP Asleep in the Downlights, which features vocals and lyrics from Steve Kilbey and Tim Powles of The Church and two new songs from Hammock.
Departure Songs, the band's first double album and fifth LP, was announced with the release of "Tape Recorder", a video from David Altobelli, which premiered at PAPERMAG on July 9, 2012. Officially released on October 2, the album was mixed by Tim Powles (The Church), mastered by Taylor Deupree (solo artist, 12K label), and features contributions from Keith Kenniff (Helios, Goldmund). Not as fragile as previous efforts, Departure Songs shows Hammock going massive as they meditate on grand themes of death and loss, retaining their signature approach to music-making, but this time out, heralding their muse in all capital letters. The album was frequently mentioned in 2012 "best-of" lists and held the top slot at Sputnik Music (across all genres) and was named as the #1 album of the year by the PRI-syndicated show "Echoes", Hammock's second such honor in the last three years.
On November 26, Hammock released Oblivion Hymns, their most ambitious recording to date. Hammock reaches as far as they ever have, adding a string quartet, children’s choir, accordion, French horn, glockenspiel, and more to their growing arsenal of instrumentation. Coupled with their familiar bank of guitars and effects, the end result is a special kind of magic waiting to be experienced, not simply listened to. Oblivion Hymns redefines what listeners have come to expect from a Hammock record, leaving all traces of traditional rock or pop far behind and introducing the band’s unique take on neoclassical music. Bathed in intricate layers of sweeping strings, strident horns, and delicately pressed keys, Oblivion Hymns rides a cascade of sound to the farthest-reaching corners of your heart and delivers a deep emotional connection, capable of ferreting out the most precious of memories. Oblivion Hymns is best described as an expedition across sight and sound. You won’t know where you’re headed, and you’re bound to feel drained by the end, but wherever you arrive, the journey will have been unforgettable.
Dissonance
Hammock Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just to settle down
We keep sinking
Into the dark of the hollow
The light breaks overhead
But we won't follow
I keep drinking
Under endless clouds
I′ve been thinking
Just to sort it out
We keep dreaming
In the wake of the shadows
The sin has come undone
But I won't let go
I keep drinking
Under endless clouds
There's nothing wrong with me
There′s something wrong with you
There′s nothing wrong with me
We're all alone
There′s something wrong with me
There's nothing wrong with you
There′s something wrong with me
We're not alone
There′s nothing wrong with me
There's something wrong with you
There's nothing wrong with me
We′re all alone
There′s something wrong with me
There's nothing wrong with you
There′s something wrong with me
We're not alone
The lyrics of Hammock's song Dissonance convey a sense of emotional struggle and introspection. The singer seems to be looking for a way to escape something, perhaps the darkness and emptiness of his or her own thoughts. Drinking and thinking become coping mechanisms, but they don't offer lasting relief. The line, "we won't follow," suggests a resignation to the darkness rather than a hopeful escape.
The chorus repeats the phrase "there's something wrong with me, there's nothing wrong with you" three times, followed by a twist on the final line: "we're all alone" becomes "we're not alone." This repetition and variation create a sense of ambiguity and confusion. The singer seems to be grappling with feelings of inadequacy or guilt, but also acknowledging that these feelings might not be fully justified. Whether there truly is something wrong with the singer or not is unclear, but the sense of isolation and uncertainty is palpable.
Overall, Dissonance is a haunting track that reflects the complexity and nuance of the human psyche. It portrays an internal struggle that many listeners may relate to, while also evoking a sense of longing for connection and meaning.
Line by Line Meaning
I've been drinking
I've been consuming alcohol
Just to settle down
To calm myself down
We keep sinking
Our situation keeps getting worse
Into the dark of the hollow
We are getting deeper into darkness
The light breaks overhead
There is light but we are not following it
But we won't follow
We refuse to follow the light
I keep drinking
I continue to consume alcohol
Under endless clouds
In a state of perpetual sadness
I've been thinking
I've been contemplating
Just to sort it out
To find clarity
We keep dreaming
We keep hoping for something better
In the wake of the shadows
Despite being surrounded by darkness
The sin has come undone
We have made progress in overcoming our wrongdoings
But I won't let go
I refuse to give up on our hope for improvement
I keep drinking
I continue to consume alcohol
Under endless clouds
In a state of perpetual sadness
There's nothing wrong with me
I am not the problem
There's something wrong with you
You are the problem
We're all alone
We feel isolated
There's something wrong with me
I am aware of my flaws
There's nothing wrong with you
You are not to blame
There's something wrong with me
I am aware of my flaws
We're not alone
We are not completely isolated
Writer(s): Andrew Payne Thompson, Marc Byrd
Contributed by Samuel S. Suggest a correction in the comments below.
Love Tube
BELOVED HAMMOCK,
WE ARE NEVER FAR APART, CAUSE WHEN WE LISTEN TO YOUR AMAZING HEALING MUSIC
YOU ARE RIGHT HERE IN OUR HEARTS...
SO MUCH THANKS, AND IMMENSE LOVE & BLESSINGS FOR YOU WONDERFUL GUYS !!!
YOU ARE TRULY A TREASURE FOR THIS WORLD AND THESE TIMES WE LIVE IN........
deathisnear2424
I really wish more people knew about Hammock. Their music is some of the most transcendent music ever.
U. Kw1
So glad I found them by accident
Wayne Thomson
+deathisnear2424 Start sharing some of their videos on FB and maybe Twitter too, just your fav songs of course or make it random, get more people to listen to them. It might just be the best discovery they ever made.
Definition of Chill.
NOW THIS is the unmistakable sound of Hammock. Stunningly beautiful as always.
natosnatos natos
NOW THIS is the unmistakable sound of Cocteau Twins
Kreuhn Kohrman
...unmistakable HammocK ? It sounds like good old Cocteau Twins with male vocals...
Ciaran Richardson
Amazing music.
moe almaraghi
So true dude!
Mystique Offer
agreed x
ClaimhSolais
Every time there's a new Hammock release, I know well that's a new great music available for the universe.
Thank you Hammock.