Hawkwind is an English rock band and one of the earliest space rock groups.… Read Full Bio ↴Hawkwind is an English rock band and one of the earliest space rock groups. The band was formed by ex-busker and blues man Dave Brock in Ladbroke Grove, London, who intended to marry simple three-chord rock with experimental electronic music. He cites his influences for the band at the time as The Moody Blues, Steve Miller Band and the krautrock scene of Kraftwerk, Neu! and particularly Can.
The band was formed in 1969 by visionary Dave Brock and although it has been subject to numerous line-up changes it is still led by him. The early line-up featured Dave Brock on vocals and rhythm guitar, Huw Lloyd-Langton on lead guitar, Terry Ollis on drums, Thomas Crimble on bass, Nik Turner on Saxophone and Dik Mik on synthesizer.
The band became established as a space-rock underground band with their renowned concert at the Glastonbury Rock Festival 1970 when they set up in an alternative field and played a free concert, pulling crowds away from the main event. Their debut album, the self titled ‘HAWKWIND’, was released by EMI and to this day still sells steadily. In 1970 they appeared at the Isle of Wight Festival where Jimi Hendrix was spotted in the audience. He was asked to get up and join the band and he replied ‘No I don’t want to spoil it!’ Huw Lloyd-Langton remained with them until late 1971. The band shot to fame in 1972 with their hit record ‘Silver Machine’ featuring Lemmy (now of Motörhead fame) on vocals. (This record featured in the soundtrack of a recent TV Mazda advert in the UK). In 1973 Simon House (Electric Violin) joined, and throughout the 70s, 80s and 90s, the renowned World famous Sci-fi author, Michael Moorcock often recorded and appeared with them.
Lemmy was sacked from the band in 1975 after a drugs bust in USA, and went on to form ‘MOTORHEAD’, named after the last track he wrote for the band, a slang term for speed freak. Huw Lloyd-Langton joined Leo Sayer in 1974 and then in 1975 went on to form supergroup ‘WIDOWMAKER’ WITH Steve Ellis (Love Affair), Luther Grosvenor (Mott The Hoople), Paul Nicholls (Lindisfarne) and Bob Daisley (Ozzy Osborne). In 1977, Simon House joined David Bowie. Dave Brock and poet Bob Calvert tour as ‘HAWKLORDS’, performing the stage show ‘METROPOLIS’. Throughout the 70's, Hawkwind released a series of classic albums; ‘IN SEARCH OF SPACE’, ‘DOREMI FASOL LATIDO’, ‘SPACE RITUAL’,
‘HALL OF THE MOUNTAIN GRILL’, ‘WARRIOR ON THE EDGE OF TIME’, ‘ASTOUNDING SOUNDS, AMAZING MUSIC’, ‘QUARK STRANGENESS & CHARM’ and ‘PXR 5’. In 1979, Dave formed another nucleus with Huw Lloyd-Langton on lead guitar, Simon King on drums, Harvey Bainbridge (from Hawklords) on bass and Tim Blake from ‘Gong’ on keyboards.
Their live album ‘LIVE 79’ went straight into the national top ten charts chart. In 1980 Ginger Baker replaced Simon King on drums and they recorded their classic album ‘LEVITATION’. Once again, the release went straight into national top ten album chart. Tim Blake and Ginger Baker remaied with the band until after the Christmas Tour 1980. From 1979 to 1985 the band’s singles and albums were never out of the national, independent and heavy metal charts, with albums such as ‘SONIC ATTACK, ‘CHURCH OF HAWKWIND', 'CHRONICLE OF THE BLACK SWORD, 'LIVE CHRONICLES' AND 'XENON CODEX'. Nik Turner who left the band in 1975 briefly rejoined the band 1982-1983 for the ‘CHOOSE YOUR MASQUES’ tour. In 1984 Alan Davey replaces Harvey Bainbridge on bass and Harvey moved over to keyboards and synths. In 1985 the band tour with the spectacular ‘CHRONICLES OF THE BLACK SWORD’, a stageshow portraying music and images based on Michael Moorcock’s epic saga, ‘ELRIC’. During this period the band reached a new audience with the emergence of ambient acts such as The Orb openly acknowledging Hawkwind’s influence.
Huw Lloyd-Langton remained with the band throughout the end of the 80s, departing in 1989 followed
shortly after by Harvey Bainbridge. The band continued to perform live throughout the nineties, and had
some noteable album releases such as, 'SPACE BANDITS', 'PALACE SPRINGS', 'ELECTRIC TEPEE',
'IT IS THE BUSINESS OF THE FUTURE TO BE DANGEROUS', 'THE BUSINESS TRIP', 'ALIEN 4',
'LOVE IN SPACE' and 'DISTANT HORIZONS'. During their entire existence the band have performed numerous free concerts, notably STONEHENGE and have supported various charities, which include SHELTER, when in 1977 at the Blackheath Concert Halls they raised thousands of pounds for the homeless, and even released a charity single version of the Rolling Stones' "Gimme Shelter" with Samantha Fox guesting on vocals. N.A.S.A. in the USA have also used sound tracks from the ‘LOVE IN SPACE release. In 1997 they headlined the ‘1ST SPACEROCK FESTIVAL USA’. In 2000, the band staged the highly successful ‘HAWKESTRA’ event at the London Brixton Academy, which saw many past members reunited on stage with a nucleus of Dave Brock, Ron Tree, Jerry Richards, Hugh Lloyd-Langton, Simon House, Richard Chadwick, Alan Davey and Tim Blake. In 2001 they were voted the 8th top progressive band in the country on Channel 4 TV. The band have recently released a double live cd recording of their Xmas 2000 'Yule Ritual' show at the London Astoria, as well as the Arthur Brown helmed 'Out of the Shadows' in 2007.The concept of a Hawkestra, a reunion event featuring appearances from all past and present members, had originally been intended to coincide with the band's 30th anniversary and the release of the career spanning Epocheclipse – 30 Year Anthology set, but logistical problems delayed it until 21 October 2000. It took place at the Brixton Academy with about 20 members taking part in a 3+ hour set which was filmed and recorded. Guests included Samantha Fox who sang Master of the Universe. However, arguments and disputes over financial recompense and musical input resulted in the prospect of the event being restaged unlikely, and any album or DVD release being indefinitely shelved.The Hawkestra had set a template for Brock to assemble a core band of Tree, Brock, Richards, Davey, Chadwick and for the use of former members as guests on live shows and studio recordings. The 2000 Christmas Astoria show was recorded with contributions from House, Blake, Rizz, Moorcock, Jez Huggett and Keith Kniveton and released as Yule Ritual the following year.
In 2001, Davey agreed to rejoin the band permanently, but only afiter the departure of Tree and Richards.
Meanwhile, having rekindled relationships with old friends at the Hawkestra, Turner organised further Hawkestra gigs resulting in the formation of xhawkwind.com, a band consisting mainly of ex-Hawkwind members and playing old Hawkwind songs. An appearance at Guilfest in 2002 led to confusion as to whether this actually was Hawkwind, sufficiently irking Brock into taking legal action to prohibit Turner from trading under the name Hawkwind. Turner lost the case and the band now perform as Space Ritual.
An appearance at the Canterbury Sound Festival in August 2001, resulting in another live album Canterbury Fayre 2001, saw guest appearances from Lloyd-Langton, House, Kniveton with Arthur Brown on "Silver Machine". The band organised the first of their own weekend festivals, named Hawkfest, in Devon in the summer of 2002. Brown joined the band in 2002 for a Winter tour which featured some Kingdom Come songs and saw appearances from Blake and Lloyd-Langton, the Newcastle show being released on DVD as Out of the Shadows and the London show on CD as Spaced Out in London.
In 2005 the long anticipated new album Take Me to Your Leader was released. Recorded by the core band of Brock/Davey/Chadwick, contributors included new keyboardist Jason Stuart, Arthur Brown, tabloid writer and TV personality Matthew Wright, 1970s New Wave singer Lene Lovich, Simon House and Jez Huggett. This was followed in 2006 by the CD/DVD disc Take Me to Your Future.
The band were the subject of an hour-long television documentary entitled Hawkwind: Do Not Panic that aired on BBC Four as part of the Originals series. It was broadcast on 30 March 2007 and repeated on 10 August 2007. Although Brock participated in its making he did not appear in the programme, it is alleged that he requested all footage of himself be removed after he was denied any artistic control over the documentary.. In one of the documentary's opening narratives regarding Brock, it is stated that he declined to be interviewed for the programme because of Nik Turner's involvement, indicating that the two men have still not been reconciled over the xhawkwind.com incident.
June 2007 saw the departure of Alan Davey, who left to perform and record with two new bands: Gunslinger and Thunor. He was replaced by "Mr Dibs", a long-standing member of the road crew and bassist for the bands Spacehead and Krel (who had supported Hawkwind during 1992). The band performed at their annual Hawkfest festival and headlined the US festival NEARfest and played gigs in PA and NY. At the end of 2007, Tim Blake once again joined the band filling the lead role playing keyboards and theremin. The band played 5 Christmas dates, the London show being released as an audio CD and video DVD under the title Knights of Space.
The band's official Website is to be found at www.hawkwind.com
HAWKWIND and solo projects: Dave Brock, Nik Turner, Inner City Unit, Lemmy, Motorhead, Huw Lloyd Langton Group, Robert Calvert, Alan Davey, Bedouin, Michael Moorcock Deep Fix, Harvey Bainbridge, Agents Of Chaos ,Space Ritual, Spiral Realms,ect.A truly prolific act !
The band was formed in 1969 by visionary Dave Brock and although it has been subject to numerous line-up changes it is still led by him. The early line-up featured Dave Brock on vocals and rhythm guitar, Huw Lloyd-Langton on lead guitar, Terry Ollis on drums, Thomas Crimble on bass, Nik Turner on Saxophone and Dik Mik on synthesizer.
The band became established as a space-rock underground band with their renowned concert at the Glastonbury Rock Festival 1970 when they set up in an alternative field and played a free concert, pulling crowds away from the main event. Their debut album, the self titled ‘HAWKWIND’, was released by EMI and to this day still sells steadily. In 1970 they appeared at the Isle of Wight Festival where Jimi Hendrix was spotted in the audience. He was asked to get up and join the band and he replied ‘No I don’t want to spoil it!’ Huw Lloyd-Langton remained with them until late 1971. The band shot to fame in 1972 with their hit record ‘Silver Machine’ featuring Lemmy (now of Motörhead fame) on vocals. (This record featured in the soundtrack of a recent TV Mazda advert in the UK). In 1973 Simon House (Electric Violin) joined, and throughout the 70s, 80s and 90s, the renowned World famous Sci-fi author, Michael Moorcock often recorded and appeared with them.
Lemmy was sacked from the band in 1975 after a drugs bust in USA, and went on to form ‘MOTORHEAD’, named after the last track he wrote for the band, a slang term for speed freak. Huw Lloyd-Langton joined Leo Sayer in 1974 and then in 1975 went on to form supergroup ‘WIDOWMAKER’ WITH Steve Ellis (Love Affair), Luther Grosvenor (Mott The Hoople), Paul Nicholls (Lindisfarne) and Bob Daisley (Ozzy Osborne). In 1977, Simon House joined David Bowie. Dave Brock and poet Bob Calvert tour as ‘HAWKLORDS’, performing the stage show ‘METROPOLIS’. Throughout the 70's, Hawkwind released a series of classic albums; ‘IN SEARCH OF SPACE’, ‘DOREMI FASOL LATIDO’, ‘SPACE RITUAL’,
‘HALL OF THE MOUNTAIN GRILL’, ‘WARRIOR ON THE EDGE OF TIME’, ‘ASTOUNDING SOUNDS, AMAZING MUSIC’, ‘QUARK STRANGENESS & CHARM’ and ‘PXR 5’. In 1979, Dave formed another nucleus with Huw Lloyd-Langton on lead guitar, Simon King on drums, Harvey Bainbridge (from Hawklords) on bass and Tim Blake from ‘Gong’ on keyboards.
Their live album ‘LIVE 79’ went straight into the national top ten charts chart. In 1980 Ginger Baker replaced Simon King on drums and they recorded their classic album ‘LEVITATION’. Once again, the release went straight into national top ten album chart. Tim Blake and Ginger Baker remaied with the band until after the Christmas Tour 1980. From 1979 to 1985 the band’s singles and albums were never out of the national, independent and heavy metal charts, with albums such as ‘SONIC ATTACK, ‘CHURCH OF HAWKWIND', 'CHRONICLE OF THE BLACK SWORD, 'LIVE CHRONICLES' AND 'XENON CODEX'. Nik Turner who left the band in 1975 briefly rejoined the band 1982-1983 for the ‘CHOOSE YOUR MASQUES’ tour. In 1984 Alan Davey replaces Harvey Bainbridge on bass and Harvey moved over to keyboards and synths. In 1985 the band tour with the spectacular ‘CHRONICLES OF THE BLACK SWORD’, a stageshow portraying music and images based on Michael Moorcock’s epic saga, ‘ELRIC’. During this period the band reached a new audience with the emergence of ambient acts such as The Orb openly acknowledging Hawkwind’s influence.
Huw Lloyd-Langton remained with the band throughout the end of the 80s, departing in 1989 followed
shortly after by Harvey Bainbridge. The band continued to perform live throughout the nineties, and had
some noteable album releases such as, 'SPACE BANDITS', 'PALACE SPRINGS', 'ELECTRIC TEPEE',
'IT IS THE BUSINESS OF THE FUTURE TO BE DANGEROUS', 'THE BUSINESS TRIP', 'ALIEN 4',
'LOVE IN SPACE' and 'DISTANT HORIZONS'. During their entire existence the band have performed numerous free concerts, notably STONEHENGE and have supported various charities, which include SHELTER, when in 1977 at the Blackheath Concert Halls they raised thousands of pounds for the homeless, and even released a charity single version of the Rolling Stones' "Gimme Shelter" with Samantha Fox guesting on vocals. N.A.S.A. in the USA have also used sound tracks from the ‘LOVE IN SPACE release. In 1997 they headlined the ‘1ST SPACEROCK FESTIVAL USA’. In 2000, the band staged the highly successful ‘HAWKESTRA’ event at the London Brixton Academy, which saw many past members reunited on stage with a nucleus of Dave Brock, Ron Tree, Jerry Richards, Hugh Lloyd-Langton, Simon House, Richard Chadwick, Alan Davey and Tim Blake. In 2001 they were voted the 8th top progressive band in the country on Channel 4 TV. The band have recently released a double live cd recording of their Xmas 2000 'Yule Ritual' show at the London Astoria, as well as the Arthur Brown helmed 'Out of the Shadows' in 2007.The concept of a Hawkestra, a reunion event featuring appearances from all past and present members, had originally been intended to coincide with the band's 30th anniversary and the release of the career spanning Epocheclipse – 30 Year Anthology set, but logistical problems delayed it until 21 October 2000. It took place at the Brixton Academy with about 20 members taking part in a 3+ hour set which was filmed and recorded. Guests included Samantha Fox who sang Master of the Universe. However, arguments and disputes over financial recompense and musical input resulted in the prospect of the event being restaged unlikely, and any album or DVD release being indefinitely shelved.The Hawkestra had set a template for Brock to assemble a core band of Tree, Brock, Richards, Davey, Chadwick and for the use of former members as guests on live shows and studio recordings. The 2000 Christmas Astoria show was recorded with contributions from House, Blake, Rizz, Moorcock, Jez Huggett and Keith Kniveton and released as Yule Ritual the following year.
In 2001, Davey agreed to rejoin the band permanently, but only afiter the departure of Tree and Richards.
Meanwhile, having rekindled relationships with old friends at the Hawkestra, Turner organised further Hawkestra gigs resulting in the formation of xhawkwind.com, a band consisting mainly of ex-Hawkwind members and playing old Hawkwind songs. An appearance at Guilfest in 2002 led to confusion as to whether this actually was Hawkwind, sufficiently irking Brock into taking legal action to prohibit Turner from trading under the name Hawkwind. Turner lost the case and the band now perform as Space Ritual.
An appearance at the Canterbury Sound Festival in August 2001, resulting in another live album Canterbury Fayre 2001, saw guest appearances from Lloyd-Langton, House, Kniveton with Arthur Brown on "Silver Machine". The band organised the first of their own weekend festivals, named Hawkfest, in Devon in the summer of 2002. Brown joined the band in 2002 for a Winter tour which featured some Kingdom Come songs and saw appearances from Blake and Lloyd-Langton, the Newcastle show being released on DVD as Out of the Shadows and the London show on CD as Spaced Out in London.
In 2005 the long anticipated new album Take Me to Your Leader was released. Recorded by the core band of Brock/Davey/Chadwick, contributors included new keyboardist Jason Stuart, Arthur Brown, tabloid writer and TV personality Matthew Wright, 1970s New Wave singer Lene Lovich, Simon House and Jez Huggett. This was followed in 2006 by the CD/DVD disc Take Me to Your Future.
The band were the subject of an hour-long television documentary entitled Hawkwind: Do Not Panic that aired on BBC Four as part of the Originals series. It was broadcast on 30 March 2007 and repeated on 10 August 2007. Although Brock participated in its making he did not appear in the programme, it is alleged that he requested all footage of himself be removed after he was denied any artistic control over the documentary.. In one of the documentary's opening narratives regarding Brock, it is stated that he declined to be interviewed for the programme because of Nik Turner's involvement, indicating that the two men have still not been reconciled over the xhawkwind.com incident.
June 2007 saw the departure of Alan Davey, who left to perform and record with two new bands: Gunslinger and Thunor. He was replaced by "Mr Dibs", a long-standing member of the road crew and bassist for the bands Spacehead and Krel (who had supported Hawkwind during 1992). The band performed at their annual Hawkfest festival and headlined the US festival NEARfest and played gigs in PA and NY. At the end of 2007, Tim Blake once again joined the band filling the lead role playing keyboards and theremin. The band played 5 Christmas dates, the London show being released as an audio CD and video DVD under the title Knights of Space.
The band's official Website is to be found at www.hawkwind.com
HAWKWIND and solo projects: Dave Brock, Nik Turner, Inner City Unit, Lemmy, Motorhead, Huw Lloyd Langton Group, Robert Calvert, Alan Davey, Bedouin, Michael Moorcock Deep Fix, Harvey Bainbridge, Agents Of Chaos ,Space Ritual, Spiral Realms,ect.A truly prolific act !
Hassan-I Sabbah
Hawkwind Lyrics
Jump to: Overall Meaning ↴
Notorious B.I.G. F/ K-Ci & JoJo, Nas
Miscellaneous
I Really Want to Show You
[Notorious B.I.G.]
Wooo! There's gonna be a lot of punchin in this motherfucker
Y'all better be swift with that punch button Jack
Biggie. Biggie.
[Notorious B.I.G.]
I know how it feel to wake up fucked up
Pockets broke as hell, another rock to sell
People look at you like youse the user
Selling drugs to all the losers, mad buddha abuser
But they don't know about your stress-filled day
Baby on the way mad bills to pay
That's why you drink Tanqueray; so you can reminisce
and wish, you wasn't livin so devilish, ssshit
I remember I was just like you
Smokin blunts with my crew, flippin over 62's
Cause G-E-D, wasn't B-I-G
I had to get P-A-D, that's why my moms hate me
She was forced to kick me out, no doubt
Then I figured out licks went for twenty down South
Packed up my tools for my raw power move
Glock nineteen for casket and flower moves
for chumps tryin to stop my flow
And what they don't know will show on the autopsy
Went to see Papi, to cop me a brick
Asked for some consignment, he wasn't tryin to hear it
Smoking mad Newports cause I'm due in court
for an assault, that I caught, in Bridgeport, New York
Catch me if you can like the Gingerbread Man
You better have your gat in hand, cause man
Chorus: K-Ci & JoJo
Come and run with me . I really wanna show you
How I run the streets . I really wanna show you
How I'm clockin G's . I really wanna show you
Come and run with me . I really wanna show you
[Notorious B.I.G.]
I had the master plan
I'm in the caravan on my way to Maryland
with my man Two-Tecs to take over this projects
They call him Two-Tecs, he tote two tecs
And when he start to bust he like to ask, "Who's next?"
I got my honey on the Amtrak
with the crack in the crack of her ass
Two pounds of hash in the stash
I wait for hon to make some quick cash
I told her she could be Lieutenant, bitch got gassed
At last, I'm literally loungin black
Sittin back, countin double digit thousand stacks
Had to re-up; see what's up with my peeps
Toyota Deal-a-Thon had it cheap on the Jeeps
See who got smoked, what rumors was spread
Last I heard I was dead with six to the head
Then I got the phone call, it couldn't hit me harder
We got infiltrated, like Nino at the Carter
Heard Tec got murdered in a town I never heard of
by some bitch named Alberta over nickel-plated burners
And my bitch swear to God she won't snitch
I told her when she hit the bricks I'll make the hooker rich
Conspiracy, she'll be home in three
Until then I looks out for the whole family
A true G, that's me, blowing like a bubble;
in the everyday struggle
Chorus
[Notorious B.I.G.]
I'm seeing body after body and our mayor Guiliani
ain't tryin to see no black man turn to John Gotti
[Nas]
Guns and diamonds
Bitches put they tongues where the sun ain't shinin
Take ki's til they spot us, snakes flee with consignment
This kid he got his krib rated, police found grams
They locked up, his whole fam; moms sister his old man
Nigga bailed his moms out, then he told on his man
Now they home, actin like nuttin wrong, hustlin again
He tried to be the next Frank White, and Escobar
Pickin up coke a fiend holds it in a seperate car
Cooks it up til it's bright white, cut it tight right
Then he slings it to the fiends, lookin like Fright Night
Coppin the motorbikes, the scooters, countin dough on computers
High technology dealers, to the users and losers
Half-leg DiDi, try to swap drug for TV's
Stores run out of baking soda from BK to QB
My niggaz die for the cause, .45 on the drawer
City laws made by Big Nas and Biggie Smalls
Bitches, holdin my weight in they titties and drawers
My bitches out of state get bust while they pushin my cars
Callin me up, callin me baller, call for they cut
Pretty hoes bring me my cash, swallow all of this nut
Seats on the Bent' stay nasty, push the dash
for the stash box is where the cash be; watchin for task force
Cause I know they comin but I'm reachin my goal
Fuck bummin, I'm makin sure I leave this whole game wit somethin
Crib in West Palms for my dime, crib for my moms
Ridiculous, you lookin at the next Nicholas Barnes, baby
Chorus (repeat to fade)
Miscellaneous
I Really Want to Show You
[Notorious B.I.G.]
Wooo! There's gonna be a lot of punchin in this motherfucker
Y'all better be swift with that punch button Jack
Biggie. Biggie.
I know how it feel to wake up fucked up
Pockets broke as hell, another rock to sell
People look at you like youse the user
Selling drugs to all the losers, mad buddha abuser
But they don't know about your stress-filled day
Baby on the way mad bills to pay
That's why you drink Tanqueray; so you can reminisce
and wish, you wasn't livin so devilish, ssshit
I remember I was just like you
Smokin blunts with my crew, flippin over 62's
Cause G-E-D, wasn't B-I-G
I had to get P-A-D, that's why my moms hate me
She was forced to kick me out, no doubt
Then I figured out licks went for twenty down South
Packed up my tools for my raw power move
Glock nineteen for casket and flower moves
for chumps tryin to stop my flow
And what they don't know will show on the autopsy
Went to see Papi, to cop me a brick
Asked for some consignment, he wasn't tryin to hear it
Smoking mad Newports cause I'm due in court
for an assault, that I caught, in Bridgeport, New York
Catch me if you can like the Gingerbread Man
You better have your gat in hand, cause man
Chorus: K-Ci & JoJo
Come and run with me . I really wanna show you
How I run the streets . I really wanna show you
How I'm clockin G's . I really wanna show you
Come and run with me . I really wanna show you
[Notorious B.I.G.]
I had the master plan
I'm in the caravan on my way to Maryland
with my man Two-Tecs to take over this projects
They call him Two-Tecs, he tote two tecs
And when he start to bust he like to ask, "Who's next?"
I got my honey on the Amtrak
with the crack in the crack of her ass
Two pounds of hash in the stash
I wait for hon to make some quick cash
I told her she could be Lieutenant, bitch got gassed
At last, I'm literally loungin black
Sittin back, countin double digit thousand stacks
Had to re-up; see what's up with my peeps
Toyota Deal-a-Thon had it cheap on the Jeeps
See who got smoked, what rumors was spread
Last I heard I was dead with six to the head
Then I got the phone call, it couldn't hit me harder
We got infiltrated, like Nino at the Carter
Heard Tec got murdered in a town I never heard of
by some bitch named Alberta over nickel-plated burners
And my bitch swear to God she won't snitch
I told her when she hit the bricks I'll make the hooker rich
Conspiracy, she'll be home in three
Until then I looks out for the whole family
A true G, that's me, blowing like a bubble;
in the everyday struggle
Chorus
[Notorious B.I.G.]
I'm seeing body after body and our mayor Guiliani
ain't tryin to see no black man turn to John Gotti
[Nas]
Guns and diamonds
Bitches put they tongues where the sun ain't shinin
Take ki's til they spot us, snakes flee with consignment
This kid he got his krib rated, police found grams
They locked up, his whole fam; moms sister his old man
Nigga bailed his moms out, then he told on his man
Now they home, actin like nuttin wrong, hustlin again
He tried to be the next Frank White, and Escobar
Pickin up coke a fiend holds it in a seperate car
Cooks it up til it's bright white, cut it tight right
Then he slings it to the fiends, lookin like Fright Night
Coppin the motorbikes, the scooters, countin dough on computers
High technology dealers, to the users and losers
Half-leg DiDi, try to swap drug for TV's
Stores run out of baking soda from BK to QB
My niggaz die for the cause, .45 on the drawer
City laws made by Big Nas and Biggie Smalls
Bitches, holdin my weight in they titties and drawers
My bitches out of state get bust while they pushin my cars
Callin me up, callin me baller, call for they cut
Pretty hoes bring me my cash, swallow all of this nut
Seats on the Bent' stay nasty, push the dash
for the stash box is where the cash be; watchin for task force
Cause I know they comin but I'm reachin my goal
Fuck bummin, I'm makin sure I leave this whole game wit somethin
Crib in West Palms for my dime, crib for my moms
Ridiculous, you lookin at the next Nicholas Barnes, baby
Chorus (repeat to fade)
It is difficult to interpret the lyrics of a rap song like Notorious B.I.G.'s "I Really Want to Show You" without the context of the other songs on the album. However, the song touches upon various themes that are common in rap music such as drug dealing, street violence, poverty, and hustling. The first verse talks about how difficult it is to make ends meet when you have bills to pay and mouths to feed. Notorious B.I.G. compares his own struggles to those of his drug-dealing customers, who are often viewed as the "losers" in society. The second verse talks about how Notorious B.I.G. was able to climb the ranks of the drug trade and become a successful drug dealer, but at a great cost to himself and his family. The chorus sung by K-Ci & JoJo seems to be an invitation to his listeners to join him in his life on the streets and experience firsthand what it is like to be a hustler.
Overall, the song seems to reflect the harsh realities of life for many young Black Americans growing up in urban areas during the late 20th century. The lyrics are autobiographical in nature and provide a glimpse into the life of Notorious B.I.G. before he became a famous rapper. They also touch on issues related to structural inequality and institutional racism, which continue to be relevant today.
Writer(s): Calvert, Rudolph
Contributed by Nicholas A. Suggest a correction in the comments below.
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@lovethewoods3836
Back in the day, in England, someone said "Go to the Hawkwind concert, it's a bit of a light show". LOL, Best concert ever. I said to my sister if I die tomorrow this is the best concert ever. I still at 66 years old feel like they are the BEST. Trip on!
@dinorockwell3196
Great story!!! Thanx4 posting brother. Btw, I’m 62 and still flying.
@lovethewoods3836
I'm a girl, lol!
@dinorockwell3196
@@lovethewoods3836 Oops! Obviously you are. My bad. apologizes sister.
@hopebgood
@@lovethewoods3836 The first time I ever saw Hawkwind I took a half day off work and had a sleep during the afternoon before the gig. My boss phoned me up and asked me where some file or whatever the fuck he was looking for was and sleepily I mixed up my reply. I meant to say "Oh to be honest I can't remember" OR "To tell the truth I can't remember" but what I actually said was "To tell the truth I can't be honest." To this day I can still hear him laughing down the phone at me. 😉
@alex-E7WHU
To see them was a thing of great beauty, especially at Stonehenge free festival 😊
@gabe8390
Good old Memorys of my youth in the early 80s in a disco in northern Germany. This was a Special Vibe. I love it to this day. Thank you to England, so much inspiration.
@RussianBot-kp8wn
I wish a hawkwind song could be used in a big movie to show younger people what real music sounds like.
@vagzant84
Greetings from Greece. A masterpiece!
@dinorockwell3196
Riviera Theatre, Chicago 1978. This song. The subsonic system made the structure rumble! Got the ticket stub still ... somehow.