Jorge Bolet (November 15, 1914–October 16, 1990) was a Cuban pianist, condu… Read Full Bio ↴Jorge Bolet (November 15, 1914–October 16, 1990) was a Cuban pianist, conductor and teacher.
Bolet was born in Havana, Cuba and studied at the Curtis Institute of Music in Philadelphia, where he himself taught from 1939 to 1942. His teachers included Leopold Godowsky, Josef Hofmann, David Saperton, Moriz Rosenthal and Fritz Reiner.[1]
In 1942 Bolet joined the US Army and was sent to Japan. While there, he conducted the Japanese premiere of The Mikado.[1] He made his first recordings for Remington. He provided the piano soundtrack for the 1960 film about Liszt, "Song without End". His playing, though, was condemned by American critics for decades as too focused on virtuosity.[attribution needed] Hence he only made a few recordings for smaller labels in the 1960s.
He came to prominence in 1974 with a stupendous recital at Carnegie Hall, which set a seal on his reputation. Bolet, "stung by years of neglect" (as one critic put it),[attribution needed] showed exactly what he could do and his phenomenal playing can be heard on CDs issued most recently by PHILIPS in their Great Pianists Series. He later became Head of Piano at the Curtis Institute, succeeding Rudolf Serkin, but retired from this to concentrate once again on his career. A measure of Bolet's stature can be given by the fact that the dean of American music critics, Harold Schonberg, considered him "a kind of latter-day Josef Lhévinne".[2]
In 1984, the A&E Network broadcast a series of three programs entitled Bolet Meets Rachmaninoff, in which the pianist was shown giving masterclasses on Piano Concerto No. 3 (Rachmaninoff), or, as it is popularly known, "The Rach Third". This is followed on the series by a complete performance of Bolet playing the concerto.
The DECCA/London recording company contracted him in 1978, so that Bolet got his first major record contract at the age of 63. They made recordings of key sections of his repertoire from 1978 up to his death, but there are also tapes of many live concerts which can be found in archives, principally the International Piano Archive at Maryland. These include a speciality of his, which he studied with the composer himself: the J. Strauss/L.Godowsky Fledermaus paraphrase.
Bolet's health began to decline in 1988, and in 1989 he underwent a brain operation from which he never fully recovered. He died from heart failure in October 1990, at his home in Mountain View, California
Bolet was born in Havana, Cuba and studied at the Curtis Institute of Music in Philadelphia, where he himself taught from 1939 to 1942. His teachers included Leopold Godowsky, Josef Hofmann, David Saperton, Moriz Rosenthal and Fritz Reiner.[1]
In 1942 Bolet joined the US Army and was sent to Japan. While there, he conducted the Japanese premiere of The Mikado.[1] He made his first recordings for Remington. He provided the piano soundtrack for the 1960 film about Liszt, "Song without End". His playing, though, was condemned by American critics for decades as too focused on virtuosity.[attribution needed] Hence he only made a few recordings for smaller labels in the 1960s.
He came to prominence in 1974 with a stupendous recital at Carnegie Hall, which set a seal on his reputation. Bolet, "stung by years of neglect" (as one critic put it),[attribution needed] showed exactly what he could do and his phenomenal playing can be heard on CDs issued most recently by PHILIPS in their Great Pianists Series. He later became Head of Piano at the Curtis Institute, succeeding Rudolf Serkin, but retired from this to concentrate once again on his career. A measure of Bolet's stature can be given by the fact that the dean of American music critics, Harold Schonberg, considered him "a kind of latter-day Josef Lhévinne".[2]
In 1984, the A&E Network broadcast a series of three programs entitled Bolet Meets Rachmaninoff, in which the pianist was shown giving masterclasses on Piano Concerto No. 3 (Rachmaninoff), or, as it is popularly known, "The Rach Third". This is followed on the series by a complete performance of Bolet playing the concerto.
The DECCA/London recording company contracted him in 1978, so that Bolet got his first major record contract at the age of 63. They made recordings of key sections of his repertoire from 1978 up to his death, but there are also tapes of many live concerts which can be found in archives, principally the International Piano Archive at Maryland. These include a speciality of his, which he studied with the composer himself: the J. Strauss/L.Godowsky Fledermaus paraphrase.
Bolet's health began to decline in 1988, and in 1989 he underwent a brain operation from which he never fully recovered. He died from heart failure in October 1990, at his home in Mountain View, California
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Mendelssohn: Rondo capriccioso op.14
Jorge Bolet Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Hyramess
THE most beautiful Introduction I think I've ever heard, but the Rondo, itself, while electrifying, seemed more like a spectacular pianistic STUNT than a work of musical art. "Just because one can, doesn't mean one SHOULD" -- necessarily.
bsmusicd
Amazing playing!
Alexander Arsov
Well, the Rondo sounds pretty much like a work of musical art to me. Not as fine as Bolet's late recording for the Encores album (1985), but still very fine.
Just because one can comment doesn't mean that one shoud. :D