Joshua Winslow Groban (born February 27, 1981 in Los Angeles, CA) is an Ame… Read Full Bio ↴Joshua Winslow Groban (born February 27, 1981 in Los Angeles, CA) is an American singer, songwriter, musician, actor, and record producer. His first four solo albums have been certified multi-platinum, and he was charted in 2007 as the number-one best selling artist in the United States, with over 22.3 million records. As of 2012, he had sold over 25 million records worldwide.
Groban originally studied acting, but moved to singing as his voice developed. Groban attended the Los Angeles County High School for the Arts, a free public school on the campus of California State University, Los Angeles, where students receive a conservatory-style education. David Foster called Groban to stand in for an ailing Andrea Bocelli to rehearse a duet, "The Prayer", with Celine Dion at the rehearsal for the 1998 Grammy Awards. Rosie O'Donnell immediately invited him to appear on her talk show. Foster asked him to sing at the California Governor's Gray Davis' 1999 inauguration. He was cast on Ally McBeal by the show's creator, David E. Kelley, performing "You're Still You" for the 2001 season four finale.
In 2016, he made his Broadway debut as Pierre Bezukhov in Natasha, Pierre & The Great Comet of 1812, to critical acclaim and nomination for a 2017 Tony Award for Best Actor in a Leading Role in a Musical. His performance at the 72nd Tony Awards earned him two Primetime Emmy nominations, one for Outstanding Live Variety Special and one for Original Music and Lyrics for the song "This One's for You". Groban co-starred as Tony Caruso Jr. in the Netflix original series, The Good Cop. Groban was also the host of Rising Star, he also appeared in the films, Coffee Town, Muppets Most Wanted, The Hollars and Crazy, Stupid, Love. He also appeared on TV such as Danny Chase in The Crazy Ones, as well as Walter Bernard Jr in The Office.
Career
1997–2001: Debut
In late 1997, the 16-year-old Groban was introduced by his vocal coach, Seth Riggs, to Grammy-winning producer and arranger David Foster and future manager Brian Avnet.[18][failed verification] At the time, Groban had no recording experience and was preparing for his studies at Carnegie Mellon.[18] Groban worked for David Foster as a rehearsal singer on a series of high-profile events, including the January 1999 California gubernatorial inauguration of Gray Davis and the 1999 Grammy Awards where—as a stand-in for Andrea Bocelli—he rehearsed Foster's "The Prayer" with Céline Dion. According to Avnet, Groban was very nervous about standing in for Bocelli and had to be talked into it; his performance prompted the show hostess, Rosie O'Donnell, to ask him to appear on her show the following week, which in turn led to an appearance on Ally McBeal.[18] Creator David E. Kelley wrote the character Malcolm Wyatt for Groban in the season finale, aired in May 2001. Groban as Malcolm Wyatt was so popular that the show received upwards of 8,000 emails from viewers;[19] thereafter, Groban was asked to return the next season to reprise his role as Wyatt and to perform "To Where You Are". Avnet claims this sequence of events effectively got Groban's career off the ground.[18]
Groban was offered a recording contract at Warner Bros. Records through Foster's 143 Records imprint. Avnet told HitQuarters that Warner Bros. initially proved resistant to the deal because "They were afraid they wouldn't be able to get a voice like that on radio."[18] Explaining his reasons for signing the artist, Foster said: "I love his natural ability in the pop and rock arena, but I love his sense of classics even more. He's a true musical force to be reckoned with."[19] Under Foster's influence, Groban's first album focused more on classics such as "Gira Con Me Questa Notte" and "Alla Luce Del Sole".
Groban performed "There For Me" with Sarah Brightman on her 2000–01 La Luna World Tour, and was featured on her "La Luna" concert DVD. He recorded "For Always" with Lara Fabian for the movie soundtrack of A.I. Artificial Intelligence (2001). Groban performed in many benefit shows, including "The Andre Agassi Grand Slam Event For Children," alongside Elton John, Stevie Wonder, Don Henley, and Robin Williams; "Muhammad Ali's Fight Night Foundation" which honored Michael J. Fox and others; "The Family Celebration" (2001), which was co-hosted by President Bill Clinton and Hillary Clinton, and David E. Kelley and Michelle Pfeiffer; and Michael Milken's CapCure event, which raised funds for cancer research.
His self-titled debut album Josh Groban was released on November 20, 2001. Over the next year it went from gold to double-platinum.[20]
2002–2005: Closer
Groban in concert at the Verizon Wireless Arena in Manchester, New Hampshire in 2007
On February 24, 2002, Groban performed "The Prayer" with Charlotte Church at the closing ceremonies of the Winter Olympics in Salt Lake City, and by November, he had his own PBS special titled "Josh Groban In Concert" (2002). In December 2002, he performed "To Where You Are" and sang "The Prayer" in a duet with Sissel Kyrkjebø at the Nobel Peace Prize Concert in Oslo, Norway. He joined The Corrs, Ronan Keating, Sting, Lionel Richie, and others for a Christmas performance at the Vatican. In 2003, Groban performed at the David Foster concert for World Children's Day, singing "The Prayer" with Celine Dion and the finale song, "Aren't They All Our Children?" with artists including Yolanda Adams, Nick Carter, Enrique Iglesias, and Celine Dion.
Groban's second album Closer, produced and written by Foster, was released on November 11, 2003. Groban said he believed that his second album was a better reflection of him, and that his audience would be able to get a better idea of his personality from listening to it.
What most people know about me, they know through my music. This time, I've tried to open that door as wide as possible. These songs are a giant step closer to who I really am and what my music is all about. Hence the title.[19]
Two months after Closer was released, it rose on the Billboard charts from number 11 to number one.[21] Groban's cover of "You Raise Me Up" became his third most popular song on the adult contemporary charts as of March 2004. Later that year, he also performed the song "Remember" (with Tanja Tzarovska) on the Troy soundtrack, "Believe" on the soundtrack to the 2004 animated film The Polar Express and a cover of Linkin Park's "My December".
In the summer of 2004, Groban returned to Interlochen, performing and discussing his earlier experiences with local residents and campers. On November 30, 2004, his second live DVD, Live At The Greek, was released; it was also shown as a Great Performances special on PBS. That same year, Groban performed "Remember When It Rained", backed by a full orchestra, at the American Music Awards, where he was nominated for Favorite Male Artist in the pop category; he was also nominated for a People's Choice Award. His recording of "Believe" secured an Academy Award nomination in 2005 for the songwriters Glen Ballard and Alan Silvestri,[22] and earned them a Grammy in the category Best Song Written for a Motion Picture, Television or Other Visual Media at the ceremony held in February 2006.[23]
2005–2010: Awake
Groban earned his first Grammy nomination in 2005 for his single "You Raise Me Up" in the Best Male Pop Vocal Performance category. During the first week of September 2006, Groban's single entitled "You Are Loved (Don't Give Up)" was released exclusively on AOL's First Listen. His third studio album Awake was officially released on November 7, 2006. Groban performed "You Are Loved (Don't Give Up)" as well as two other tracks from Awake at his recording session for Live from Abbey Road at Abbey Road Studios on 26 October 2006. On that album, Groban also collaborated on the single "Now or Never" with British musician and songwriter Imogen Heap. He performed two tracks with the South African group Ladysmith Black Mambazo, "Lullaby" and "Weeping". Groban's "Awake" world tour visited 71 cities between February and August 2007, and toured Australia and the Philippines with Lani Misalucha as his special guest in October 2007. He performed a duet with Barbra Streisand ("All I Know of Love") and with Mireille Mathieu ("Over the Rainbow"). As to his future, Groban was open to a plethora of possibilities. He said, "I am fortunate enough to have had many really big moments in my career. I think the mistake a lot of people in my position make is to always search for the next big thing. I am looking forward to playing some small theaters. I'm looking forward to writing more. I want to delve further into my acting career and explore some of the film and TV opportunities that I haven't had time for. My outlook is to expect the unexpected. And when the next step comes, I'm prepared to take it."[9]
2010–2015: Illuminations; All That Echoes
Groban finished his fifth studio album, entitled Illuminations, and the album was released on November 15, 2010.[24] Most of the songs on the album are about "specific situations that I've had where love has existed and ultimately failed," Groban told The New York Times, adding: "And other songs are about the quest, and it just not working out." Groban wrote 11 of the 13 songs on the album.[25] The first single from the album, "Hidden Away", was made available for free download via Facebook on September 8.[26] "For me to sit in a room with a piano in one take with some of Johnny Cash's musicians—that was totally new for me." Josh added. "and I think that excitement is on the record."[25] On October 12, a second single from the upcoming album, "Você Existe Em Mim", was made available on iTunes.[27] This song is sung in Portuguese and was written by Brazilian artist Carlinhos Brown. The Washington Post said: "Illuminations" is not a revelation, but it offers a perfectly fine, and often quite lovely, glimpse at a pop-classical crossover artist in the middle of crossing over."[28] Groban plans on making one more record with Rick Rubin.[29] Beginning May 12, 2011 and continuing through December of that year, Groban undertook the 81-city Straight to You Tour to promote Illuminations, encompassing appearances in North America, Europe, and South Africa.[30]
Groban's sixth studio album, All That Echoes, was released on February 5, 2013, debuting at number one by selling 141,000 copies.[31][32] Groban promoted the album with the All That Echoes World Tour in 2013. A year later, he embarked on his Summer Symphony Tour.[33]
2015–2017: Stages and Broadway debut
In early March 2015, Josh Groban's Facebook page announced the release of the album Stages, consisting of covers of songs from Broadway musicals. The album was released on April 28, 2015.[34]
Starting October 18, 2016, Groban performed on Broadway as Pierre Bezukhov in Natasha, Pierre & The Great Comet of 1812, an electropop opera by composer Dave Malloy based on War and Peace.[35] For his performance as Pierre, Groban was nominated for the 2017 Tony Award for Best Actor in a Leading Role in a Musical. His final performance as Pierre was on July 2, 2017.[36] Groban also performed the song "Evermore" during the end credits of the 2017 Disney film Beauty and the Beast.[37]
2018: Bridges
On March 12, 2018, tour dates were announced for Groban's Bridges Tour with special guest Idina Menzel. The US leg of the tour began on October 18, 2018, in Duluth, Georgia and concluded at Madison Square Garden in New York City on November 18. The European leg of the tour began on December 12 at the O2 Arena in London and concluded on December 18 in Poland.[38]
On June 26, 2018, Groban announced via social media that his album Bridges would be released on September 21 and would contain a cover of Céline Dion's song "S'il suffisait d'aimer" along with new tracks.[39] The album debuted at number two in the US[40] and in the top 10 in the UK[41] and Scotland.[42]
2020: Harmony
On August 17, 2020, Groban's album Harmony was announced to release in November 2020. Groban will also offer a virtual livestreamed concert series in the fall and winter of 2020.[43] On October 2, the album was announced to be released on November 20, 2020. The album is now available in all the platforms from the regular to deluxe edition.
Voice
Various music critics have described Groban's voice in different ways, with some referring to him as a tenor[62] and others as a baritone.[63][64] In performance, Groban's music goes as low as G2 (as in the songs "To Where You Are", "Higher Window", and "The World We Knew (Over and Over)") and extends up to at least B4 (as heard in "The Duel" from Natasha, Pierre & The Great Comet of 1812[65]). This places his voice lower than the usual tenor range on the low end (although still within the vocal fry register of a tenor), and just short of tenor C, and therefore above the baritone range, on the high end.[66][67]
Groban originally studied acting, but moved to singing as his voice developed. Groban attended the Los Angeles County High School for the Arts, a free public school on the campus of California State University, Los Angeles, where students receive a conservatory-style education. David Foster called Groban to stand in for an ailing Andrea Bocelli to rehearse a duet, "The Prayer", with Celine Dion at the rehearsal for the 1998 Grammy Awards. Rosie O'Donnell immediately invited him to appear on her talk show. Foster asked him to sing at the California Governor's Gray Davis' 1999 inauguration. He was cast on Ally McBeal by the show's creator, David E. Kelley, performing "You're Still You" for the 2001 season four finale.
In 2016, he made his Broadway debut as Pierre Bezukhov in Natasha, Pierre & The Great Comet of 1812, to critical acclaim and nomination for a 2017 Tony Award for Best Actor in a Leading Role in a Musical. His performance at the 72nd Tony Awards earned him two Primetime Emmy nominations, one for Outstanding Live Variety Special and one for Original Music and Lyrics for the song "This One's for You". Groban co-starred as Tony Caruso Jr. in the Netflix original series, The Good Cop. Groban was also the host of Rising Star, he also appeared in the films, Coffee Town, Muppets Most Wanted, The Hollars and Crazy, Stupid, Love. He also appeared on TV such as Danny Chase in The Crazy Ones, as well as Walter Bernard Jr in The Office.
Career
1997–2001: Debut
In late 1997, the 16-year-old Groban was introduced by his vocal coach, Seth Riggs, to Grammy-winning producer and arranger David Foster and future manager Brian Avnet.[18][failed verification] At the time, Groban had no recording experience and was preparing for his studies at Carnegie Mellon.[18] Groban worked for David Foster as a rehearsal singer on a series of high-profile events, including the January 1999 California gubernatorial inauguration of Gray Davis and the 1999 Grammy Awards where—as a stand-in for Andrea Bocelli—he rehearsed Foster's "The Prayer" with Céline Dion. According to Avnet, Groban was very nervous about standing in for Bocelli and had to be talked into it; his performance prompted the show hostess, Rosie O'Donnell, to ask him to appear on her show the following week, which in turn led to an appearance on Ally McBeal.[18] Creator David E. Kelley wrote the character Malcolm Wyatt for Groban in the season finale, aired in May 2001. Groban as Malcolm Wyatt was so popular that the show received upwards of 8,000 emails from viewers;[19] thereafter, Groban was asked to return the next season to reprise his role as Wyatt and to perform "To Where You Are". Avnet claims this sequence of events effectively got Groban's career off the ground.[18]
Groban was offered a recording contract at Warner Bros. Records through Foster's 143 Records imprint. Avnet told HitQuarters that Warner Bros. initially proved resistant to the deal because "They were afraid they wouldn't be able to get a voice like that on radio."[18] Explaining his reasons for signing the artist, Foster said: "I love his natural ability in the pop and rock arena, but I love his sense of classics even more. He's a true musical force to be reckoned with."[19] Under Foster's influence, Groban's first album focused more on classics such as "Gira Con Me Questa Notte" and "Alla Luce Del Sole".
Groban performed "There For Me" with Sarah Brightman on her 2000–01 La Luna World Tour, and was featured on her "La Luna" concert DVD. He recorded "For Always" with Lara Fabian for the movie soundtrack of A.I. Artificial Intelligence (2001). Groban performed in many benefit shows, including "The Andre Agassi Grand Slam Event For Children," alongside Elton John, Stevie Wonder, Don Henley, and Robin Williams; "Muhammad Ali's Fight Night Foundation" which honored Michael J. Fox and others; "The Family Celebration" (2001), which was co-hosted by President Bill Clinton and Hillary Clinton, and David E. Kelley and Michelle Pfeiffer; and Michael Milken's CapCure event, which raised funds for cancer research.
His self-titled debut album Josh Groban was released on November 20, 2001. Over the next year it went from gold to double-platinum.[20]
2002–2005: Closer
Groban in concert at the Verizon Wireless Arena in Manchester, New Hampshire in 2007
On February 24, 2002, Groban performed "The Prayer" with Charlotte Church at the closing ceremonies of the Winter Olympics in Salt Lake City, and by November, he had his own PBS special titled "Josh Groban In Concert" (2002). In December 2002, he performed "To Where You Are" and sang "The Prayer" in a duet with Sissel Kyrkjebø at the Nobel Peace Prize Concert in Oslo, Norway. He joined The Corrs, Ronan Keating, Sting, Lionel Richie, and others for a Christmas performance at the Vatican. In 2003, Groban performed at the David Foster concert for World Children's Day, singing "The Prayer" with Celine Dion and the finale song, "Aren't They All Our Children?" with artists including Yolanda Adams, Nick Carter, Enrique Iglesias, and Celine Dion.
Groban's second album Closer, produced and written by Foster, was released on November 11, 2003. Groban said he believed that his second album was a better reflection of him, and that his audience would be able to get a better idea of his personality from listening to it.
What most people know about me, they know through my music. This time, I've tried to open that door as wide as possible. These songs are a giant step closer to who I really am and what my music is all about. Hence the title.[19]
Two months after Closer was released, it rose on the Billboard charts from number 11 to number one.[21] Groban's cover of "You Raise Me Up" became his third most popular song on the adult contemporary charts as of March 2004. Later that year, he also performed the song "Remember" (with Tanja Tzarovska) on the Troy soundtrack, "Believe" on the soundtrack to the 2004 animated film The Polar Express and a cover of Linkin Park's "My December".
In the summer of 2004, Groban returned to Interlochen, performing and discussing his earlier experiences with local residents and campers. On November 30, 2004, his second live DVD, Live At The Greek, was released; it was also shown as a Great Performances special on PBS. That same year, Groban performed "Remember When It Rained", backed by a full orchestra, at the American Music Awards, where he was nominated for Favorite Male Artist in the pop category; he was also nominated for a People's Choice Award. His recording of "Believe" secured an Academy Award nomination in 2005 for the songwriters Glen Ballard and Alan Silvestri,[22] and earned them a Grammy in the category Best Song Written for a Motion Picture, Television or Other Visual Media at the ceremony held in February 2006.[23]
2005–2010: Awake
Groban earned his first Grammy nomination in 2005 for his single "You Raise Me Up" in the Best Male Pop Vocal Performance category. During the first week of September 2006, Groban's single entitled "You Are Loved (Don't Give Up)" was released exclusively on AOL's First Listen. His third studio album Awake was officially released on November 7, 2006. Groban performed "You Are Loved (Don't Give Up)" as well as two other tracks from Awake at his recording session for Live from Abbey Road at Abbey Road Studios on 26 October 2006. On that album, Groban also collaborated on the single "Now or Never" with British musician and songwriter Imogen Heap. He performed two tracks with the South African group Ladysmith Black Mambazo, "Lullaby" and "Weeping". Groban's "Awake" world tour visited 71 cities between February and August 2007, and toured Australia and the Philippines with Lani Misalucha as his special guest in October 2007. He performed a duet with Barbra Streisand ("All I Know of Love") and with Mireille Mathieu ("Over the Rainbow"). As to his future, Groban was open to a plethora of possibilities. He said, "I am fortunate enough to have had many really big moments in my career. I think the mistake a lot of people in my position make is to always search for the next big thing. I am looking forward to playing some small theaters. I'm looking forward to writing more. I want to delve further into my acting career and explore some of the film and TV opportunities that I haven't had time for. My outlook is to expect the unexpected. And when the next step comes, I'm prepared to take it."[9]
2010–2015: Illuminations; All That Echoes
Groban finished his fifth studio album, entitled Illuminations, and the album was released on November 15, 2010.[24] Most of the songs on the album are about "specific situations that I've had where love has existed and ultimately failed," Groban told The New York Times, adding: "And other songs are about the quest, and it just not working out." Groban wrote 11 of the 13 songs on the album.[25] The first single from the album, "Hidden Away", was made available for free download via Facebook on September 8.[26] "For me to sit in a room with a piano in one take with some of Johnny Cash's musicians—that was totally new for me." Josh added. "and I think that excitement is on the record."[25] On October 12, a second single from the upcoming album, "Você Existe Em Mim", was made available on iTunes.[27] This song is sung in Portuguese and was written by Brazilian artist Carlinhos Brown. The Washington Post said: "Illuminations" is not a revelation, but it offers a perfectly fine, and often quite lovely, glimpse at a pop-classical crossover artist in the middle of crossing over."[28] Groban plans on making one more record with Rick Rubin.[29] Beginning May 12, 2011 and continuing through December of that year, Groban undertook the 81-city Straight to You Tour to promote Illuminations, encompassing appearances in North America, Europe, and South Africa.[30]
Groban's sixth studio album, All That Echoes, was released on February 5, 2013, debuting at number one by selling 141,000 copies.[31][32] Groban promoted the album with the All That Echoes World Tour in 2013. A year later, he embarked on his Summer Symphony Tour.[33]
2015–2017: Stages and Broadway debut
In early March 2015, Josh Groban's Facebook page announced the release of the album Stages, consisting of covers of songs from Broadway musicals. The album was released on April 28, 2015.[34]
Starting October 18, 2016, Groban performed on Broadway as Pierre Bezukhov in Natasha, Pierre & The Great Comet of 1812, an electropop opera by composer Dave Malloy based on War and Peace.[35] For his performance as Pierre, Groban was nominated for the 2017 Tony Award for Best Actor in a Leading Role in a Musical. His final performance as Pierre was on July 2, 2017.[36] Groban also performed the song "Evermore" during the end credits of the 2017 Disney film Beauty and the Beast.[37]
2018: Bridges
On March 12, 2018, tour dates were announced for Groban's Bridges Tour with special guest Idina Menzel. The US leg of the tour began on October 18, 2018, in Duluth, Georgia and concluded at Madison Square Garden in New York City on November 18. The European leg of the tour began on December 12 at the O2 Arena in London and concluded on December 18 in Poland.[38]
On June 26, 2018, Groban announced via social media that his album Bridges would be released on September 21 and would contain a cover of Céline Dion's song "S'il suffisait d'aimer" along with new tracks.[39] The album debuted at number two in the US[40] and in the top 10 in the UK[41] and Scotland.[42]
2020: Harmony
On August 17, 2020, Groban's album Harmony was announced to release in November 2020. Groban will also offer a virtual livestreamed concert series in the fall and winter of 2020.[43] On October 2, the album was announced to be released on November 20, 2020. The album is now available in all the platforms from the regular to deluxe edition.
Voice
Various music critics have described Groban's voice in different ways, with some referring to him as a tenor[62] and others as a baritone.[63][64] In performance, Groban's music goes as low as G2 (as in the songs "To Where You Are", "Higher Window", and "The World We Knew (Over and Over)") and extends up to at least B4 (as heard in "The Duel" from Natasha, Pierre & The Great Comet of 1812[65]). This places his voice lower than the usual tenor range on the low end (although still within the vocal fry register of a tenor), and just short of tenor C, and therefore above the baritone range, on the high end.[66][67]
Caruso )
Josh Groban Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Qui dove il mare luccia e tira forte il vento
Su una vecchia terrazza
Davanti al golfo di Surriento
Un uomo abbraccia una ragazza dopo che aveva pianto
Poi si schiarisce la voce e ricomincia il canto
Te voglio bene assaie ma tanto tanto bene sai
Vidi le luci in mezzo al mare pensó alle nottie lá in America
Ma erano solo le lampare e la bianca scia di un'elica
Sentí il dolore nella musica si alzó dal pianoforte
Ma quando vide la luna uscire da una nuvola
Gli sembró piú dolce anche la morte
Guardó negli occhi la ragazza quegli occhi verdi come il mare
Poi all'improvviso uscí una lacrima e lui credette di affogare
Te voglio bene assaie ma tanto tanto bene sai
É una catena ormai che scioglie il sangue dint'e vene sai
Potenza della lirica dove ogni dramma é un falso
Che con un pó di trucco e con la mimica puoi diventare un altro
Ma due occhi che ti guardano cosí vicini e veri
Ti fan scordare le parole confondono i pensieri
Cosí diventa tutto piccolo anche le notti lá in America
Ti volti e vedi la tua vita come lá scia di un'elica
Ma si é la vita che finisce ma lui non ci pensó poi tanto
Anzi si sentiva giá felice e ricominció il suo canto
Te voglio bene assaie ma tanto tanto bene sai
É una catena ormai che scioglie il sangue dint'e vene sai
Te voglio bene assaie ma tanto tanto bene sai
É una catena ormai che scioglie il sangue dint'e vene sai
Su una vecchia terrazza
Davanti al golfo di Surriento
Un uomo abbraccia una ragazza dopo che aveva pianto
Poi si schiarisce la voce e ricomincia il canto
Te voglio bene assaie ma tanto tanto bene sai
Vidi le luci in mezzo al mare pensó alle nottie lá in America
Sentí il dolore nella musica si alzó dal pianoforte
Ma quando vide la luna uscire da una nuvola
Gli sembró piú dolce anche la morte
Guardó negli occhi la ragazza quegli occhi verdi come il mare
Poi all'improvviso uscí una lacrima e lui credette di affogare
Te voglio bene assaie ma tanto tanto bene sai
É una catena ormai che scioglie il sangue dint'e vene sai
Potenza della lirica dove ogni dramma é un falso
Che con un pó di trucco e con la mimica puoi diventare un altro
Ma due occhi che ti guardano cosí vicini e veri
Ti fan scordare le parole confondono i pensieri
Cosí diventa tutto piccolo anche le notti lá in America
Ti volti e vedi la tua vita come lá scia di un'elica
Ma si é la vita che finisce ma lui non ci pensó poi tanto
Anzi si sentiva giá felice e ricominció il suo canto
Te voglio bene assaie ma tanto tanto bene sai
É una catena ormai che scioglie il sangue dint'e vene sai
Te voglio bene assaie ma tanto tanto bene sai
É una catena ormai che scioglie il sangue dint'e vene sai
The lyrics of Josh Groban's song Caruso tell a story of a man who is singing about a moment in his past. The setting is on an old terrace overlooking the Gulf of Sorrento, where a man embraces a woman that had been crying. The man clears his throat and begins to sing, telling the woman that he loves her dearly. He then looks out over the sea and thinks of the lights he saw in the middle of the ocean when he was in America, only to realize they were just lamps and the trail of a ship's propellers. As the man continues to play music on the piano, he looks up and sees the moon emerging from behind a cloud, and it brings him a sense of peace. He then looks into the woman's eyes, and they seem like the sea itself.
The song then explores the power of lyrics and the way in which music can be used to portray emotions. The man in the song seems to believe that music can heal the pain he has experienced in his life. He goes on to say that while any tragedy can be acted out through music, it is only through real emotions that true impact can be made. The song concludes with the man reiterating his love for the woman, and how it is now a part of him, intertwined into his very being.
Line by Line Meaning
Qui dove il mare luccia e tira forte il vento
Here where the sea shines and the wind is strong
Su una vecchia terrazza
On an old terrace
Davanti al golfo di Surriento
In front of the Gulf of Sorrento
Un uomo abbraccia una ragazza dopo che aveva pianto
A man embraces a girl after she had cried
Poi si schiarisce la voce e ricomincia il canto
Then he clears his voice and begins to sing again
Te voglio bene assaie ma tanto tanto bene sai
I love you very much, but you already know that
Vidi le luci in mezzo al mare pensó alle nottie lá in America
I saw the lights in the middle of the sea and thought of the nights in America
Ma erano solo le lampare e la bianca scia di un'elica
But they were only the lamps and the white wake of a propeller
Sentí il dolore nella musica si alzó dal pianoforte
I felt the pain in the music, he rose from the piano
Ma quando vide la luna uscire da una nuvola
But when he saw the moon emerge from a cloud
Gli sembró piú dolce anche la morte
Even death seemed sweeter to him
Guardó negli occhi la ragazza quegli occhi verdi come il mare
He looked into the girl's eyes, those green eyes like the sea
Poi all'improvviso uscí una lacrima e lui credette di affogare
Then suddenly a tear came out and he believed he was drowning
É una catena ormai che scioglie il sangue dint'e vene sai
It's now a chain that melts the blood in the veins, you know
Potenza della lirica dove ogni dramma é un falso
The power of the lyrics where every drama is false
Che con un pó di trucco e con la mimica puoi diventare un altro
Where with a little makeup and some mimicry you can become someone else
Ma due occhi che ti guardano cosí vicini e veri
But two eyes that look at you so close and true
Ti fan scordare le parole confondono i pensieri
Make you forget the words and confuse your thoughts
Cosí diventa tutto piccolo anche le notti lá in America
So everything becomes small, even the nights in America
Ti volti e vedi la tua vita come lá scia di un'elica
You turn around and see your life like the wake of a propeller
Ma si é la vita che finisce ma lui non ci pensó poi tanto
But it's life that ends, but he didn't think about it that much
Anzi si sentiva giá felice e ricominció il suo canto
In fact, he already felt happy and began to sing again
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Written by: LUCIO DALLA
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Tima IA
Qui dove il mare luccica
E tira forte il vento
Su una vecchia terrazza
Davanti al golfo di Surriento
Un uomo abbraccia una ragazza
Dopo che aveva pianto
Poi si schiarisce la voce
E ricomincia il canto
Te voglio bene assaje
Ma tanto tanto bene sai
È una catena ormai
Che scioglie il sangue dint' 'e 'vvene sai
Vide le luci in mezzo al mare
Pensò alle notti là in America
Ma erano solo le lampare
Nella bianca scia di un'elica
Sentì il dolore della musica
Si alzò dal pianoforte
Ma quando vide la luna uscire da una nuvola
Gli sembrò più dolce anche la morte
Guardò negli occhi la ragazza
Quegli occhi verdi come il mare
Poi d'improvviso uscì una lacrima
E lui credette di affogare
Te voglio bene assaje
Ma tanto tanto bene sai
È una catena ormai
Che scioglie il sangue rint' 'e 'vvene sai
Potenza della lirica
Dove ogni dramma è un falso
Con un po' di trucco e con la mimica
Puoi diventare un altro
Ma due occhi che ti guardano
Così vicini e veri
Ti fan scordare le parole
Confondono i pensieri
Così diventa tutto piccolo
Anche le notti là in America
Ti volti e vedi la tua vita
Come la scia di un'elica
Ma sì, è la vita che finisce
Ma lui non ci pensò poi tanto
Anzi si sentiva già felice
E ricominciò il suo canto
Te voglio bene assaje
Ma tanto tanto bene sai
È una catena ormai
Che scioglie il sangue dint' 'e 'vvene sai
Te voglio bene assaje
Ma tanto tanto bene sai
È una catena ormai
Che scioglie il sangue dint' 'e 'vvene, dint' 'e 'vvene
Tima IA
К'уи дове иль маре луччика
Э тира форте иль венто
Сула веккия террацца
даванти аль гольфо ди Суррйенто
Ун уомо браччиа уна рагацца
Допо к'явева пьянто
Пои си скьярише ла войче
Э рекоминчиа иль канто
Те вогль'о бене асай
Ма танто танто бене асай
Э уна катена ормай
Ке шолье иль сангуе дИнте
Вене сай
Виде ле лучи ин меццо аль маре
Пенсо лле нотти ла ин Америка
ма эрано соло ле лампаре
э ла бьянка шиа ди ун'элика
Сэнты иль долоре нелла музыка
Э си альцо даль пьянофортэ
Ма куандо виде ушире ла луна да уна увола
Г'льи сембро пью дольче анке ла морте
Гуардо негл'и окки де рагацца
Куегль'и окки верди коме иль маре
Пои алль'импровизо ушИ уна лакрима
Э л'у кредетте ди афогаре
Те вогль'о бене асай
Ма танто танто бене асай
Э уна катена ормай
Ке шолье иль сангуе дИнте
Вене сай
Потэнца дэлла лирика
довэ оньи драммэ э ун фальсо
ке кон ун по ди трукко э кон ла мимика
пуой дивентарэ ун альтро
ма дуэ окки ке ти гуардано
кози вичини э вэри
ти фан скордарэ ла паролэ
конфондоно и пенсиери
Кози дивента тутто пикколо
анке ле нотти а ин Амэрика
ти вольти э веди ла туа вита
диетро ла шиа ди ун элика
ма си ла вита кэ финише
э нон чи пенсо пой танто
анци си сентива джа феличе
э рикоминчьо иль суо канто.
Michelle P.
Such a beautiful and special version of Caruso. When Pavarotti sung this it was so so powerful and his voice bellowed in true Italian opera style - but Josh Groban has so much vocal range I personally find the softness in this rendition to be perfection.
M A
Umm yes he did??
Michelle P.
@LuckyMegadogg Pavarotti was vociferous and full throated; he bellowed. Not sure what definition of bellow you understand!
LuckyMegadogg
Such an insult to Pavarotti. He never ever bellowed. Never. Ever.
Elia Biolc
@Раиля Валеева j
Раиля Валеева
@anonim приблезительно поняла... если напишите по русски то будет точнее
PickBit
Thank God every now and then there's somebody who understands this beautiful song. This is not a piece for a technique showoff or to flat blow away the socks from your audience. This is a moment to remember all the emotion and the pain you felt in your life and sing your heart out with it, it's a gentle melancholic lament like the waves crashing on the gulf at dusk; I'm not saying you cannot put volume in it, just that it cannot be for the sake of it, there has to be a deep purpose behind it. This man understands and gives a beautiful rendition, very different from the original vocally, but close in spirit. Bravo Josh!
Asaly ROM
Excelente interpretación Josh Groban!
Georgy Chkareuli
Ashly Romero ❣️🙌🏻
Lee Vollmer
This is my favorite Caruso performance, and I've listened to them all. Yet this is the voice that made me drop what I was doing to run to the tv. Josh was on Oprah singing To Where You Are, and I was dumbfounded.