Kishore Kumar (4 August 1929 – 13 October 1987) was a popular Indian film p… Read Full Bio ↴Kishore Kumar (4 August 1929 – 13 October 1987) was a popular Indian film playback singer, actor, lyricist, composer, producer, director, screenplay writer and scriptwriter. He sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam, Oriya, and Urdu. He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for winning the most Filmfare Awards in that category. Along with Mukesh and Mohammed Rafi, he was one of the three leading male Bollywood playback singers from the 1950s to the mid-1980s.

Abhas Kumar Ganguly was born in Khandwa, now in Madhya Pradesh, to Kunjilal Ganguly, a Brahmin lawyer by profession, and Gouri Devi, both of whom came from wealthy landowning families. Kishore was the youngest in the Ganguly family, preceded by Ashok, Sati, & Anoop. While Kishore was still a child, his brother Ashok became a Bollywood actor. Later, Anoop also ventured into cinema with Ashok's help. Post Ashok Kumar's stardom, the Ganguly family shifted base to Mumbai. This was also the time when Abhas Kumar Ganguly changed his name to Kishore Kumar. His first venture into the big cinema career was as a chorus singer in the film "Bombay Talkies". His first film as an actor was in the film called "Shikari" which was released in the year 1946, wherein Ashok Kumar was the lead hero. In 1948, Kishore Kumar got a chance to sing the song "Marne Ki Duayen Kyon Mangu" for the film "Ziddi". After this, he got many other assignments, but he was not very serious about a film career. Although his films flopped initially, he achieved success as a comic hero with movies like "New Delhi", "Half Ticket" and "Padosan". All the praise and honor for his acting skills was still not the platform for his successful throne. He achieved his varied and unrivalled fame only after he was recognized as an established singer. Spending time with his brothers, Kishore became interested in films and music. He became a fan of singer-actor K. L. Saigal—whom he considered his vocal guru—and tried to emulate his singing style.The popular music director Sachin Dev Burman, who was impressed by his singing skills, advised him not to copy Saigal but develop and condense his own style. Kishore kept this advice in mind and eventually developed his own style of singing, prominently featuring the yodelling that he had heard on some records bought by his brother Anoop. In the Bollywood music circles, yodelling became Kishore's trademark.

With time, music directors started recognizing the potential of Kishore Kumar and he became one of the leading singers in the Indian film industry. The 1960s was a lean patch in Kumar's career graph. Most of his films bombed at the box office. However, in 1969 the tables turned once again, as R. D. Burman took over the recording initiatives after S. D. Burman fell ill for the film "Aradhana". R. D. Burman deployed Kishore Kumar to sing the songs "Mere Sapno Ki Rani" and "Roop Tera Mastana", both of which gained instant recognition and success at the box-office. Kishore Kumar also won his first Filmfare award for the song "Roop Tera Mastana". During the 1970s and 1980s, he sang for Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra, Sanjeev Kumar, Dev Anand, Shashi Kapoor, Randhir Kapoor, Rishi Kapoor, Mithun Chakraborty, Sanjay Dutt, Sunny Deol, Anil Kapoor and Jackie Shroff.

With R. D. Burman, Kishore delivered great hits "O Maanjhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote", "Humein Tum Se Pyaar Kitna" from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke" (Amar Prem), "Jab Bhi Koi Kangana" from Shaukeen. Apart from the Burmans, Kishore Kumar worked with other music directors such as Laxmikant-Pyarelal, Rajesh Roshan, Sapan Chakravarty, and Bappi Lahiri.

His low-profile marriages to some of the most popular and attractive Bollywood actresses (Madhubala, Yogeeta Bali, Leena Chandavarkar) raised eyebrows, but added to his witty, eccentric persona although close friends and colleagues remember him as being reticent and sentimental.

During the Indian Emergency in 1975-77, Kishore refused to sing for Indira Gandhi's 'Emergency Propaganda'. In retaliation, she banned his songs on all national media. When Amitabh Bachchan refused to do a guest appearance in a film produced by him, Kishore stopped singing for the actor, which affected the latter's future film endeavours immensely. By the late 1980s, Kishore had grown tired of the type of songs he was singing and decided to retire from the industry. Later in the 1970s and early 1980s, Kishore Kumar produced and directed movies such as "Badhti Ka Naam Daadhi" (1978), "Zindagi" (1981) and "Door Wadiyon Mein Kahin" (1980). His last appearance as an actor was in "Door Wadiyon Mein Kahin". In the mid-1980s, Kishore Kumar sang for Anil Kapoor in Kapoor's debut film as a leading man, "Woh Saat Din" and also recorded "Mr. India". He sang a duet with Alka Yagnik, "Tumse Badhkar Duniya Mein Na Dekha" for "Kaamchor". He also recorded some songs for the film "Saagar" with R. D. Burman.

On October 13th 1987, co-incidentally also the birthday of his elder brother Ashok Kumar, Kishore suffered a heart attack and breathed his last. His untimely and unexpected death shocked the entire nation. He left behind a rich vocal and visual legacy and millions of fans who still prefer his rich-coffee baritones over present-day playback singers.

Koi Hamdam Na Raha
Kishore Kumar Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Hey Hey Hey Hey Hey Hey Hey Heyyyyyy
Koi Humdum Na Raha Koi Sahara Na Raha
Ham Kisi Ke Na Rahe Koi Hamara Na Raha
Koi Humdum Na Raha Koi Sahara Na Raha

Shaam Tanhaayi Ki Hai Aayegi Manzil Kaise (2)
Jo Mujeh Raah Deekhaye Woh Taara Na Raha
Koi Humdum Na Raha Koi Sahara Na Raha

Aye Nazaaron Na Hasso Mil Na Sakunga Tumse (2)
Woh Mere Ho Na Sake Main Bhi Tumhara Na Raha
Koi Humdum Na Raha Koi Sahara Na Raha

Kya Bataaon Main Kahan Yunhi Chala Jaata Hoon (2)

Jo Mujeh Phir Se Bulah Le Woh Ishaara Na Raha
Koi Humdum Na Raha Koi Sahara Na Raha

Overall Meaning

The song "Koi Humdum Na Raha" sung by Kishore Kumar is a melancholic and introspective song that talks about loneliness and despair. The lyrics describe a situation where the singer has no companion or support, and feels lost and directionless. The repeated line "Koi Humdum Na Raha Koi Sahara Na Raha" is a cry of helplessness and hopelessness, as the singer is completely alone and abandoned by the world.

The first stanza of the song talks about how the singer is all alone, with no support or help from anyone. The line "Ham Kisi Ke Na Rahe Koi Hamara Na Raha" is particularly poignant, as it shows how the singer is completely disconnected from the rest of the world. The second stanza talks about how the singer is lost and doesn't know where to go. The line "Shaam Tanhaayi Ki Hai Aayegi Manzil Kaise" is a reflection of the singer's state of mind - he feels trapped and doesn't see a way out.

The third stanza talks about how the singer is unable to connect with anyone, even though he wants to. The line "Woh Mere Ho Na Sake Main Bhi Tumhara Na Raha" shows how the singer has given up on the idea of finding a companion. The last stanza talks about the singer's desire to be called back by someone, to be taken out of his isolation. The line "Jo Mujeh Phir Se Bulah Le Woh Ishaara Na Raha" is a plea for help, a request to be rescued from his loneliness.

Overall, the song is a powerful portrayal of loneliness and the human need for companionship. It highlights the emotional toll that isolation can take on a person, and the importance of reaching out to those who are struggling with feelings of loneliness and despair.

Line by Line Meaning

Koi Humdum Na Raha Koi Sahara Na Raha
There is nobody to accompany me, nobody to provide support. I don't belong to anyone, and no one belongs to me.

Ham Kisi Ke Na Rahe Koi Hamara Na Raha
I'm not anyone's and no one is mine.

Shaam Tanhaayi Ki Hai Aayegi Manzil Kaise (2)
The lonely evening has arrived, how will I reach my destination?

Jo Mujeh Raah Deekhaye Woh Taara Na Raha
The star that guides me is no more.

Aye Nazaaron Na Hasso Mil Na Sakunga Tumse (2)
Oh eyes! Don't laugh, I won't be able to meet you.

Woh Mere Ho Na Sake Main Bhi Tumhara Na Raha
He couldn't become mine and I, too, couldn't become yours.

Kya Bataaon Main Kahan Yunhi Chala Jaata Hoon (2)
What can I say - I just wander aimlessly.

Jo Mujeh Phir Se Bulah Le Woh Ishaara Na Raha
The sign that calls me again is no more.

Contributed by Audrey K. Suggest a correction in the comments below.

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