Live is an American alternative rock band that gained fame for their hit si… Read Full Bio ↴Live is an American alternative rock band that gained fame for their hit singles during the 90s, being perhaps best known for the international top 40 smashes "I Alone" and "Lightning Crashes". Characterized by an earnest approach to melodic songwriting and a spiritual zen lyrically, somewhat reminiscent of 'Joshua Tree'-era U2 and other arena-made artists, Live climbed from modest modern rock success to the mainstream spotlight worldwide on the strength of their 1994 breakthrough album. Titled 'Throwing Copper', the band has sold over six million copies of the release.
Hailing from York, Pennsylvania, the group is comprised of Ed Kowalczyk (lead vocals & guitar), Chad Taylor (lead guitar), Patrick Dahlheimer (bass) and Chad Gracey (drums). Since approximately 1999, Live has toured with Ed’s younger brother, Adam Kowalczyk as a rhythm guitarist, and, previously, British keyboardist Michael “Railo” Railton.
Kowalczyk, Taylor, Dahlheimer, and Gracey first came together for a middle-school talent show in the Pennsylvania blue-collar town of York. The group remained together throughout high school, going through a handful of band names and new-wave covers before settling on the moniker Public Affection and recording a self-released cassette of originals, The Death of a Dictionary, in 1989. Frequent trips into New York to play at CBGB helped net the band a deal with Radioactive Records in 1991. With the new name Live, the band entered the studio with former Talking Heads keyboardist Jerry Harrison that year and began recording the EP Four Songs. The single “Operation spirit (the tyranny of tradition)” went to #9 on the Modern Rock chart, and paved the way for the band’s Harrison-produced, full-length debut, 1991’s Mental Jewelry (#73). The album lyrics, penned by Kowalczyk, were heavily inspired by Indian guru Jiddu Krishnamurti.
Fueled by heavy touring (including billing at Woodstock ‘94 and Peter Gabriel’s WOMAD tour) and a string of hit singles (“I Alone”, “All Over You” and the #1 Modern Rock hits “Selling the drama” and “Lightning crashes”), their next album, Throwing Copper, went to #1 in 1994. It is their best-selling, and often most highly regarded by fans and critics, album to date. The band was even asked to perform on Saturday Night Live where they performed their hits “I Alone” and “Selling the Drama” and to this day, they are the only band to receive a standing ovation at the party after the broadcast.[citation needed]
The momentum continued long enough to help 1997’s Secret Samadhi (coproduced by the band and Jay Healey) debut at #1. Deriving its name from a state of Hindu meditation, the album spawned four Modern Rock hit singles, but failed to match its predecessor’s success, with sales topping off at 2 million. The band performed “lakini’s juice” and “Heropsychodreamer” from this album on NBC’s Saturday Night Live.
Harrison came back on board as coproducer for 1999’s The Distance to Here, which debuted at #4 and featured the minor US hit single “The Dolphin’s Cry.”
In September 2001, the more experimental V (originally scheduled to be titled “Ecstatic Fanatic”) was issued to mixed reviews, preceded by “Simple creed” as the first single. However, with the events of 9/11—which occurred a week before V ‘s release—the melancholic “Overcome” began receiving significant airplay, superseding “Simple Creed” and becoming V’s selling point. Unfortunately, Live’s commercial stock—compounded by their petering radio airplay—had fallen further since The Distance to Here, with V merely reaching #22 at home, failing to reach gold status.
Birds of Pray appeared in May 2003, bolstered by the unexpected success of “Heaven”, Live’s first US Hot 100-placing since “The Dolphin’s Cry.” Reaching #28, Birds of Pray ultimately outsold V, although it too received mixed reviews and failed to reach gold status.
In November 2004, Live released Awake: The Best of Live, a career-spanning compilation that included “We deal in dreams”, a previously unreleased song from the Throwing Copper sessions, and a cover of Johnny Cash’s “I Walk The Line”, as well as Birds of Pray’s “Run Away”, re-imagined with Shelby Lynne on co-lead vocals.
In 2005, Live signed with Sony BMG Music Entertainment’s Epic label, and released a new album entitled Songs From Black Mountain in June 2006, preceded by “The river” as lead single. Thus far, while the album has achieved international success, it has proven Live’s lowest-seller yet domestically, only reaching #52 in the US before quickly disappearing from the charts.
While Live remain only moderately popular in terms of record sales in the United States, much of their current sales come from places in Europe, South Africa, Australia and New Zealand. Ed Kowalczyk has said that “Holland is the center of the Live universe” [citation needed].
The group made news in January 2006 as three band members (Chad Taylor, Patrick Dahlheimer and touring rhythm guitar Adam Kowalczyk) and two members of the band’s road crew were on a United Airlines flight when smoke filled the cabin, requiring the pilot to make an emergency landing.
On season 5 of American Idol, finalist Chris Daughtry was accused of performing Live’s rendition of Johnny Cash’s “I Walk the Line” and calling it his own. This angered some Live fans, but one week later Daughtry acknowledged it was not his own rendition, even saying Live was one of his favorite bands. In May 2006, Live appeared on The Howard Stern Show and addressed this issue.
On May 24, 2006, the band and Chris Daughtry performed “Mystery” on the season finale of American Idol, and on June 7, a new version of “Mystery” was released on the Friends of Live website featuring Chris Daughtry on guest vocals.
The members of Live announced in June 2009 that the band would be taking a two-year hiatus as they work on other projects. On November 30, 2009, guitarist Chad Taylor confirmed that the hiatus of the band was most likely a permanent rift. See the Wikipedia page for more. During the first European tour of the new band of Taylor, Gracey and Dahlheimer (The Gracious Few), Taylor commented both on stage and in post-show discussions that he believes Live may still come back together, though he also stated that the chances of Kowalczyk joining them in this effort may be very small. In an exclusive blogpost[1] on website The Comet, Taylor confirmed that the remaining members of the band would be working on new material for Live in Nashville early July 2011.
The band returned from their nearly three-year hiatus on March 12, 2012, with Chris Shinn, formerly of Unified Theory, as their new lead singer. The new line-up performed before an invited audience at the Strand-Capitol Performing Arts Center in York. The band performed as a six-piece with The Gracious Few's Sean Hennesy on guitar and Alexander Lefever on keyboards
[1]: http://thecomet.com/posts/exclusive_blog_chad_taylor_talks_the_gracious_few_and_live
There's another band with the same name:
2. Live was a 70s-era Progressive Rock group from Germany. Formed in 1971, the outfit appeared to be a strangely named band indeed.
In October 1972 their guitarist Martin Knaden went to Curly Curve. Throughout their history only one member has remained, the multi-talented keyboards and flute player Norbert Aufmhof. Although in existence for a decade Live never got to record a proper studio album, or gain a contract, which surely they should have. Maybe the band name was a bit of a jinx?!
Their earlier history was originally just documented by a single. Only more recently did an LP surface collecting 1974 recordings. Quite obviously a collection of rehearsal session tapes, the LP reveals a band with promise albeit rather grottily recorded with often barely understandable muffled lyrics in English. Musically, there are nods to early Satin Whale and Jane, but with lots of classical touches, notably Grieg and Bach, and a penchant to meander rather nicely during the instrumentals.
Based on the ROCK OFFERS track "Sea Fever", they had blossomed and changed focus somewhat, as a much more sophisticated symphonic progressive of the Pancake and Jane type, typical of the mid/late-1970's.
In all, during their history, three different versions of Live existed, but eventually the band split in 1976. A full history of the band is included in the GEVELSBERG CD, which documents other oddments, sessions, and a live recording!
Hailing from York, Pennsylvania, the group is comprised of Ed Kowalczyk (lead vocals & guitar), Chad Taylor (lead guitar), Patrick Dahlheimer (bass) and Chad Gracey (drums). Since approximately 1999, Live has toured with Ed’s younger brother, Adam Kowalczyk as a rhythm guitarist, and, previously, British keyboardist Michael “Railo” Railton.
Kowalczyk, Taylor, Dahlheimer, and Gracey first came together for a middle-school talent show in the Pennsylvania blue-collar town of York. The group remained together throughout high school, going through a handful of band names and new-wave covers before settling on the moniker Public Affection and recording a self-released cassette of originals, The Death of a Dictionary, in 1989. Frequent trips into New York to play at CBGB helped net the band a deal with Radioactive Records in 1991. With the new name Live, the band entered the studio with former Talking Heads keyboardist Jerry Harrison that year and began recording the EP Four Songs. The single “Operation spirit (the tyranny of tradition)” went to #9 on the Modern Rock chart, and paved the way for the band’s Harrison-produced, full-length debut, 1991’s Mental Jewelry (#73). The album lyrics, penned by Kowalczyk, were heavily inspired by Indian guru Jiddu Krishnamurti.
Fueled by heavy touring (including billing at Woodstock ‘94 and Peter Gabriel’s WOMAD tour) and a string of hit singles (“I Alone”, “All Over You” and the #1 Modern Rock hits “Selling the drama” and “Lightning crashes”), their next album, Throwing Copper, went to #1 in 1994. It is their best-selling, and often most highly regarded by fans and critics, album to date. The band was even asked to perform on Saturday Night Live where they performed their hits “I Alone” and “Selling the Drama” and to this day, they are the only band to receive a standing ovation at the party after the broadcast.[citation needed]
The momentum continued long enough to help 1997’s Secret Samadhi (coproduced by the band and Jay Healey) debut at #1. Deriving its name from a state of Hindu meditation, the album spawned four Modern Rock hit singles, but failed to match its predecessor’s success, with sales topping off at 2 million. The band performed “lakini’s juice” and “Heropsychodreamer” from this album on NBC’s Saturday Night Live.
Harrison came back on board as coproducer for 1999’s The Distance to Here, which debuted at #4 and featured the minor US hit single “The Dolphin’s Cry.”
In September 2001, the more experimental V (originally scheduled to be titled “Ecstatic Fanatic”) was issued to mixed reviews, preceded by “Simple creed” as the first single. However, with the events of 9/11—which occurred a week before V ‘s release—the melancholic “Overcome” began receiving significant airplay, superseding “Simple Creed” and becoming V’s selling point. Unfortunately, Live’s commercial stock—compounded by their petering radio airplay—had fallen further since The Distance to Here, with V merely reaching #22 at home, failing to reach gold status.
Birds of Pray appeared in May 2003, bolstered by the unexpected success of “Heaven”, Live’s first US Hot 100-placing since “The Dolphin’s Cry.” Reaching #28, Birds of Pray ultimately outsold V, although it too received mixed reviews and failed to reach gold status.
In November 2004, Live released Awake: The Best of Live, a career-spanning compilation that included “We deal in dreams”, a previously unreleased song from the Throwing Copper sessions, and a cover of Johnny Cash’s “I Walk The Line”, as well as Birds of Pray’s “Run Away”, re-imagined with Shelby Lynne on co-lead vocals.
In 2005, Live signed with Sony BMG Music Entertainment’s Epic label, and released a new album entitled Songs From Black Mountain in June 2006, preceded by “The river” as lead single. Thus far, while the album has achieved international success, it has proven Live’s lowest-seller yet domestically, only reaching #52 in the US before quickly disappearing from the charts.
While Live remain only moderately popular in terms of record sales in the United States, much of their current sales come from places in Europe, South Africa, Australia and New Zealand. Ed Kowalczyk has said that “Holland is the center of the Live universe” [citation needed].
The group made news in January 2006 as three band members (Chad Taylor, Patrick Dahlheimer and touring rhythm guitar Adam Kowalczyk) and two members of the band’s road crew were on a United Airlines flight when smoke filled the cabin, requiring the pilot to make an emergency landing.
On season 5 of American Idol, finalist Chris Daughtry was accused of performing Live’s rendition of Johnny Cash’s “I Walk the Line” and calling it his own. This angered some Live fans, but one week later Daughtry acknowledged it was not his own rendition, even saying Live was one of his favorite bands. In May 2006, Live appeared on The Howard Stern Show and addressed this issue.
On May 24, 2006, the band and Chris Daughtry performed “Mystery” on the season finale of American Idol, and on June 7, a new version of “Mystery” was released on the Friends of Live website featuring Chris Daughtry on guest vocals.
The members of Live announced in June 2009 that the band would be taking a two-year hiatus as they work on other projects. On November 30, 2009, guitarist Chad Taylor confirmed that the hiatus of the band was most likely a permanent rift. See the Wikipedia page for more. During the first European tour of the new band of Taylor, Gracey and Dahlheimer (The Gracious Few), Taylor commented both on stage and in post-show discussions that he believes Live may still come back together, though he also stated that the chances of Kowalczyk joining them in this effort may be very small. In an exclusive blogpost[1] on website The Comet, Taylor confirmed that the remaining members of the band would be working on new material for Live in Nashville early July 2011.
The band returned from their nearly three-year hiatus on March 12, 2012, with Chris Shinn, formerly of Unified Theory, as their new lead singer. The new line-up performed before an invited audience at the Strand-Capitol Performing Arts Center in York. The band performed as a six-piece with The Gracious Few's Sean Hennesy on guitar and Alexander Lefever on keyboards
[1]: http://thecomet.com/posts/exclusive_blog_chad_taylor_talks_the_gracious_few_and_live
There's another band with the same name:
2. Live was a 70s-era Progressive Rock group from Germany. Formed in 1971, the outfit appeared to be a strangely named band indeed.
In October 1972 their guitarist Martin Knaden went to Curly Curve. Throughout their history only one member has remained, the multi-talented keyboards and flute player Norbert Aufmhof. Although in existence for a decade Live never got to record a proper studio album, or gain a contract, which surely they should have. Maybe the band name was a bit of a jinx?!
Their earlier history was originally just documented by a single. Only more recently did an LP surface collecting 1974 recordings. Quite obviously a collection of rehearsal session tapes, the LP reveals a band with promise albeit rather grottily recorded with often barely understandable muffled lyrics in English. Musically, there are nods to early Satin Whale and Jane, but with lots of classical touches, notably Grieg and Bach, and a penchant to meander rather nicely during the instrumentals.
Based on the ROCK OFFERS track "Sea Fever", they had blossomed and changed focus somewhat, as a much more sophisticated symphonic progressive of the Pancake and Jane type, typical of the mid/late-1970's.
In all, during their history, three different versions of Live existed, but eventually the band split in 1976. A full history of the band is included in the GEVELSBERG CD, which documents other oddments, sessions, and a live recording!
Don't Wait
Live Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I had a feeling we were close from the beginning
No longer betting the chance is great
We can't be sorry for steps that we were taking
You found the Hook and you're always leaving
You thought the night was such a seminal connection
You should be nervous the mask is great
At hiding everyone, faceless but revealing
You found the Hook and you're always leaving,
Always leaving
Don't run to wait
Don't shy away
Now that you need it, it’s all right in your face
You know that you want it, so don't shy away
Beg tonight
‘Cause everything, all takes a manner to know your goodbyes
On your knees
Waiting, all your lies
Always leaving
Don't run to wait
Don't shy away
Now that you need it, it’s all right in your face
You know that you want it, so don't shy away
Don't run to wait
Don't shy away
Now that you need it, it’s all right in your face
You know that you want it, so
Don't run to wait
Don't shy away
Now that you need it, it’s all right in your face
You know that you want it, so don't shy away
No longer betting the chance is great
We can't be sorry for steps that we were taking
You found the Hook and you're always leaving
You thought the night was such a seminal connection
You should be nervous the mask is great
At hiding everyone, faceless but revealing
Always leaving
Don't run to wait
Don't shy away
Now that you need it, it’s all right in your face
You know that you want it, so don't shy away
Beg tonight
‘Cause everything, all takes a manner to know your goodbyes
On your knees
Waiting, all your lies
Always leaving
Don't run to wait
Don't shy away
Now that you need it, it’s all right in your face
You know that you want it, so don't shy away
Don't run to wait
Don't shy away
Now that you need it, it’s all right in your face
You know that you want it, so
Don't run to wait
Don't shy away
Now that you need it, it’s all right in your face
You know that you want it, so don't shy away
"Don't Run to Wait" by Live is a song about taking risks and seizing opportunities. The lyrics suggest that the singer and their partner have been through some uncertain times but it seems like they've found a connection that is genuine and they don't want to let it go. The singer tells their partner not to run from the relationship and not to be afraid of what lies ahead. They encourage them to take action and not to wait around.
The lyrics also suggest that the singer's partner has a pattern of leaving in relationships, hence the phrase "You found the Hook and you're always leaving" which implies that they are always looking for the next best thing instead of sticking around. However, the singer seems to be confident that their partner won't leave this time around because they know they have something special.
Overall, the song is about taking risks and being open to love, rather than running away from it. It's about facing challenges and uncertainties head-on, rather than waiting for something to happen.
Line by Line Meaning
I had a feeling we were close from the beginning
I knew from the start that we had a special connection
No longer betting the chance is great
I'm confident that our relationship is worth pursuing
We can't be sorry for steps that we were taking
We shouldn't regret the choices we made to get here
You found the Hook and you're always leaving
You discovered a way to escape whenever things get difficult
You thought the night was such a seminal connection
You believed our encounter was significant and life-changing
You should be nervous the mask is great
You should be cautious because people can hide their true intentions
At hiding everyone, faceless but revealing
Even though people can appear anonymous, they can still reveal important information
Don't run to wait
Don't delay taking action
Don't shy away
Don't be hesitant or afraid
Now that you need it, it’s all right in your face
The thing you desire is now available and obvious
You know that you want it, so don't shy away
You're aware of what you desire, so don't hesitate
Beg tonight
Express your desperation and plead your case
‘Cause everything, all takes a manner to know your goodbyes
All relationships eventually come to an end, so it's important to handle things properly
On your knees
Being humble and vulnerable
Waiting, all your lies
Holding back the truth and hiding your feelings
Always leaving
Running away instead of facing problems
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
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@lavandergirl0209
PELO MEU CACHORRO
PELO CARRAPATO DO MEU CACHORRO
PELA MINHA AMIGA JUZHSCREITAN
PELO PIOLHO DA MINHA AMIGA JUZHSCREITAN
PELO MEU POVO
PELO MEU CRUSH GODOFREDO (BRINKS)
PELO MEU PAIS
PELA MINHA FAMILIA
PELO FATO DE QUE O ZAYN SAIU DO 1D A 1 ANO
PELA MAPEI
EU DIGO QUE......
NOS COMENTARIOS DESSA MUSICA SO TEM BR POR CAUSA DA NOVELA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
E SIM, ISSO FOI PRA ZUAR O IMPACHMENT DA DIIIIILMA.
BRRRRRRRRRRRAAAAAAAAAAAAAASSSSSSSSSSSSSSSSIIIIIIIIIIIIIIIIIIIIIIIIIILLLLLLLLLLLLL SSSSSSIIIIIIIIILLLLLLL SSSIIIIIIIIIIILLLLL
@laurarodrigues5661
2015 eu cantava essa música pra minha irmã que estava na barriga da minha mãe quando ela estava grávida, hoje em 2020 eu canto pro meu bebê que está na minha barriga, música boa.
@drielyneves6196
Q lindo 🥰
@BrendaBueno.
Deus abençoe sua gestação 💛 muita luz!!!!
@kamillyvitoriasouzadasilva3419
Parabéns, que lindo💖💖
@jocieltondeandrade7717
Que linda estória👏
@jessicarosero517
Poxa que lindo!
@yrossin
2024 e a dissonância dessa canção continua me impressionando! Obra prima!
@victorcordeiro1047
Quase 2023 e essa segue sendo minha música favorita. Um hino insuperável!🖤
@michelle_gata2262
Concordo
@lorenpolianavalente4492
Chegamos em 2023 e eu continuo amando essa música