More recently, its principal conductors have included Pierre Monteux (1961β64), Istvan Kertesz (1965β68), AndrΓ© Previn (1968β79) and Claudio Abbado (1979β88). From 1988-1995, the American Michael Tilson-Thomas took over, and in 1995, became principal guest conductor. Sir Colin Davis served as the LSO's Principal Conductor from 1995-2006, and in 2007 took the post of President of the orchestra. On 1 January 2007, Valery Gergiev became the LSO's Principal Conductor. Previn holds the title of Conductor Laureate. In 2006, Daniel Harding became the co-principal guest conductor alongside Tilson Thomas. Richard Hickox is the Associate Guest Conductor of the LSO.
The LSO became the first British orchestra to play overseas when it went to Paris in 1906. The LSO was due to sail on the RMS Titanic for a concert in New York in April 1912 but fortunately had to change the booking at the last minute. It was also the first to play in the United States, in 1912, and in 1973 it was the first to be invited to take part in the Salzburg Festival. It continues to make tours around the world.
In 1966 the London Symphony Chorus (LSC) was formed to complement the work of the LSO. with more that two hundred amateur singers, the LSC maintains a close association with the LSO; however it has developed an independent life, which allows it to partner other leading orchestras.
The LSO has long been considered the most extraverted of the London orchestras. For most of its life it refused to allow women to become members, ostensibly on the grounds that women would affect the sound of the orchestra (there has been a similar controversy at the Vienna Philharmonic Orchestra). There is an air of youthful high spirits to much of its music-making that is shown off in performances of such composers as Berlioz and Prokofiev. The LSO has often had internationally-known players as wind soloists, including such artists as James Galway (flute), Gervase de Peyer (clarinet), Roger Lord (oboe), Osian Ellis (harp), John Georgiadis (violin) and Barry Tuckwell (horn). Like most ensembles, the orchestra has a great ability to vary its sound, producing very different tone colours under such diverse conductors as Stokowski (with whom it made a series of memorable recordings), Adrian Boult, Jascha Horenstein, Georg Solti, AndrΓ© Previn, George Szell, Claudio Abbado, Leonard Bernstein, John Barbirolli, and Karl BΓΆhm, who developed a close relationship with the orchestra late in his life. BΓΆhm and Bernstein each held the title of LSO President in their later years.
Clive Gillinson, a former cellist with the orchestra, served as the LSO's Managing Director from 1984 to 2005, and is widely credited with bringing great stability to the LSO's organization after severe fiscal troubles.[1] Since 2005, Kathryn McDowell is the Managing Director of the LSO.[2]
Symphony No. 5
London Symphony Orchestra Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Lands were shaken, grounds awaken
The core wrenched tight
Birthed monolithic sight
Tectonic interplay
Carving the coronae
Lands affray
Complicated past
Land serrated
Torn and dismantled and
Shattered and shaken
These lands fate forsaken
Primordial times that played out
Nature's cruel crimes
Skies bleeding rocks like rain
Miranda!
Chaos ruled this domain
Torn, thrown apart but
Then merged an epic cliff site
Bathed in blue light
And grew to skies to claw with
Staggering height
Shone in pale blue light
And rose a monolithic sight
The giant blue force ruling fate
Years locked in its prison gate
Burnt, beaten
Thrashed and scolded
Crushed, crumbled
Lands remoulded
The deadly shadows of ancient last
Scars deep from violent past
Stories remain untold
Mystery shrouds lands of old
These lyrics tell a story of the tumultuous and violent past of a once-landlocked area. In the beginning, the lands were shaken and awakened, with the core wrenched tight, giving birth to a monolithic sight. This suggests a period of intense geological activity, with tectonic plates interacting and carving the landscape into intricate formations known as coronae. The lands were in disarray, with a complicated and serrated history.
The lyrics then describe a primordial time when nature's cruel crimes played out, with skies bleeding rocks like rain and chaos reigning over the domain. The lands were torn apart and shattered, seemingly forsaken by fate. However, amidst the destruction, an epic cliff site emerged, bathed in blue light. It grew in staggering height, becoming a monolithic sight that ruled over the fate of the surrounding lands.
Despite being burnt, beaten, thrashed, and scolded, the lands persevered and remolded themselves. They bear the deep scars of an ancient and violent past, with untold stories and mystery shrouding the lands of old.
Line by Line Meaning
In the last, tortured past
Referring to a tumultuous and painful history
Lands were shaken, grounds awaken
The Earth quaked and awakened
The core wrenched tight
The internal essence tightly twisted
Birthed monolithic sight
Resulted in the creation of colossal formations
Tectonic interplay
The shifting and colliding forces of tectonic plates
Carving the coronae
Etching distinctive features
Lands affray
Lands filled with turmoil and conflict
Complicated past
A history filled with complexity
Land serrated
Land marked by sharp ridges and edges
Torn and dismantled and
Ripped apart and disassembled
Shattered and shaken
Broken and disturbed
These lands fate forsaken
These lands abandoned by destiny
Primordial times that played out
Ancient periods of evolution and transformation
Nature's cruel crimes
Harsh actions of the natural world
Skies bleeding rocks like rain
The heavens pouring stones as if raindrops
Miranda!
An exclamation of astonishment or distress
Chaos ruled this domain
Disorder and confusion reigned in this realm
Torn, thrown apart but
Ripped and forcefully separated yet
Then merged an epic cliff site
Eventually combined to form a majestic cliff location
Bathed in blue light
Illuminated by a gentle, serene blue glow
And grew to skies to claw with
Expanding towards the heavens, reaching with great force
Staggering height
Impressively towering above
Shone in pale blue light
Emitting a soft, delicate blue radiance
And rose a monolithic sight
A monumental and imposing spectacle emerged
The giant blue force ruling fate
The immense power of the blue force dictating destiny
Years locked in its prison gate
Countless years confined within its formidable walls
Burnt, beaten
Subjected to scorching heat and intense battering
Thrashed and scolded
Violently whipped and chastised
Crushed, crumbled
Completely flattened and fragmented
Lands remoulded
The lands reshaped and reformed
The deadly shadows of ancient last
The ominous remnants of a long-gone era
Scars deep from violent past
Significant wounds left behind by a turbulent history
Stories remain untold
Narratives that have yet to be revealed
Mystery shrouds lands of old
Uncertainty envelops the ancient lands
Lyrics Β© O/B/O APRA AMCOS
Written by: Amanda Lee Falkenberg
Lyrics Licensed & Provided by LyricFind
@elmienthom9825
Thank you for this most uplifting music in difficult times!
@iggyp4390
Magnificent! Thank you for uploading!
@daeunc.841
thanks for sharing this amazing concert
@classicalricky
Edward is really getting into it
@nataliajuezhernandez3579
Bravo!! πππ
@richardwilliams473
Social distancing by the members of the orchestra. BRAVO
@JonatasMonte
Would it kill to show the brass section? Just asking.
Great video regardless. It is one of my favorite movements and I am so happy to see it! Put a smile in my face.
@maryvandermolen8345
Wonderful! Thank you.
@onbeatstudio
So inspirational!
@bozenaradaj3562
Perfectly πππ