The empathy with the musical instruments started with the guitar. It was with the guitar that she realised were the chords of her parent’s music come from. From The Beatles and from many others. And it was on an early age that she gave herself to the unique melodies that the jazz immortalized. The capacity of a melody to stand by itself, without the instruments. She embraced such artists as Billie Holiday, Ella Fitzerald, Chet Baker, and many others and with them in her heart she set off to the Berklee College of Music, in Boston, USA, to study music. In her 4 year stay in Boston she was nominated for the «Best Jazz Song» at the Malibu Music Awards (2008); «Best Jazz Artist» at the Hollywood Music Awards ; «International Songwriting Competition» (2007) and «The John Lennon Songwriting Competition» (2008).
More than being nominated or completing her studies, Luísa was also discovering herself every year that went by. Her musical identity would further develop in New York, where she moved after finish her degree in Boston (2009). In her bags a lot of what would eventually give shape to songs that where already wandering inside her head. Hers and her mother’s who confessed to her she had dreamed that her first album would be called «The Cherry on My Cake». Maternal magic that made a dream come true.
The learning of the jazz standards, the practice done by playing a Brazilian music in bars and the stamina of her creativity all filtered into songs that would either gain live in paper or in chords. One after another. Well thought melodies with images inside. «I Would Love To», «Don`t Let Me Down», «Why Should I», among other songs that came together in an EP («My Funny Clementine»). The emphasis on the starting theme was obvious: «Not There Yet». A triple time rhythm, like a jazz waltz, colorful, an imposing chorus and violins in heaven. The record composition wasn’t to become limited to the English language. Between trips to and from Portugal, Luisa performed at the Super Bock Super Rock festival in Stock 2009. At this gig she mentions how much she would like to have a song in Portuguese. Upon her return to the States Luisa sketches a poem and melody for “O Engraxador” (the shoe shine man). That is followed by “Xico and Dolores”. For the upcoming record the will for a Portuguese cover song was still very much present. Nobody would be better to fill this part than Rui Veloso, artist that Luisa’s father listens to insistently. Luisa registers Carlos Te’s lyric and tries a different version of “Saiu para a Rua”.
«The Cherry on my Cake» is the result of all of this: of the person who dreams to live in Paris - totally inspired by French cinema. Result of the hectic New York vibe, of the familiar affection for Lisbon. From Regina Spektor to Elis Regina. From Billie Holiday to Bjork. From the 50’s to ingenuousness. From sound to image. From voice and talent: “I have a good life” she concludes.
The Last One
Luísa Sobral Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Like all the ones before the time is here
So play me a last one
Play me another song the time is here
So play me a last one
And all the demons can go to sleep
Well just listen to what it sound
Like if they mean music in the sky
Play me another song
So I don't feel all alone the time is here
So play me a last one
The time is here
Let this not be the last song
In the lyrics of Luísa Sobral's song "The Last One," the singer is expressing a desire for one final song to be played before a significant moment or transition. The repetition of the phrase "Play me another song, like all the ones before the time is here, so play me a last one" emphasizes the importance of music as a source of comfort and companionship during times of change. The singer seems to be reflecting on the passage of time and the inevitability of endings, seeking solace in music as a means of connection and emotional expression.
The recurring theme of time in the lyrics suggests a sense of urgency and finality, as the singer acknowledges the approaching moment when things will come to an end. The plea to "play me a last one" implies a longing for closure or resolution before facing what may lie ahead. The repetition of the phrase "the time is here" underscores the immediacy of the situation and the need to confront it with courage and acceptance.
The mention of demons in the lyrics adds a darker undertone to the song, hinting at inner struggles or fears that the singer is grappling with. The imagery of demons going to sleep and finding what they need suggests a desire to quiet inner turmoil and find peace amidst uncertainty. The reference to music as a comfort for these demons further highlights the healing power of art and creativity in providing solace and release from emotional turmoil.
Overall, "The Last One" by Luísa Sobral conveys a poignant message about facing endings and new beginnings, and the role that music can play in providing solace and connection during times of transition. The song captures a sense of vulnerability and longing for solace in the face of change, while also offering a sense of hope and resilience in the face of uncertainty. Through its evocative lyrics and emotive melody, the song invites listeners to reflect on their own experiences of loss and renewal, and the enduring power of music to illuminate and soothe the human soul.
Line by Line Meaning
Play me another song
Entertain me with more music
Like all the ones before the time is here
Similar to previous songs, the moment has come
So play me a last one
Therefore, perform one final song
And all the demons can go to sleep
All troubles can be put to rest
They can find all they need
They will discover what is necessary
Well just listen to what it sound
Just pay attention to the harmonious sound
Like if they mean music in the sky
As if the heavens are filled with music
So I don't feel all alone the time is here
To avoid feeling isolated now that the moment has arrived
Let this not be the last song
Let this not be the final piece of music
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind