The empathy with the musical instruments started with the guitar. It was with the guitar that she realised were the chords of her parent’s music come from. From The Beatles and from many others. And it was on an early age that she gave herself to the unique melodies that the jazz immortalized. The capacity of a melody to stand by itself, without the instruments. She embraced such artists as Billie Holiday, Ella Fitzerald, Chet Baker, and many others and with them in her heart she set off to the Berklee College of Music, in Boston, USA, to study music. In her 4 year stay in Boston she was nominated for the «Best Jazz Song» at the Malibu Music Awards (2008); «Best Jazz Artist» at the Hollywood Music Awards ; «International Songwriting Competition» (2007) and «The John Lennon Songwriting Competition» (2008).
More than being nominated or completing her studies, Luísa was also discovering herself every year that went by. Her musical identity would further develop in New York, where she moved after finish her degree in Boston (2009). In her bags a lot of what would eventually give shape to songs that where already wandering inside her head. Hers and her mother’s who confessed to her she had dreamed that her first album would be called «The Cherry on My Cake». Maternal magic that made a dream come true.
The learning of the jazz standards, the practice done by playing a Brazilian music in bars and the stamina of her creativity all filtered into songs that would either gain live in paper or in chords. One after another. Well thought melodies with images inside. «I Would Love To», «Don`t Let Me Down», «Why Should I», among other songs that came together in an EP («My Funny Clementine»). The emphasis on the starting theme was obvious: «Not There Yet». A triple time rhythm, like a jazz waltz, colorful, an imposing chorus and violins in heaven. The record composition wasn’t to become limited to the English language. Between trips to and from Portugal, Luisa performed at the Super Bock Super Rock festival in Stock 2009. At this gig she mentions how much she would like to have a song in Portuguese. Upon her return to the States Luisa sketches a poem and melody for “O Engraxador” (the shoe shine man). That is followed by “Xico and Dolores”. For the upcoming record the will for a Portuguese cover song was still very much present. Nobody would be better to fill this part than Rui Veloso, artist that Luisa’s father listens to insistently. Luisa registers Carlos Te’s lyric and tries a different version of “Saiu para a Rua”.
«The Cherry on my Cake» is the result of all of this: of the person who dreams to live in Paris - totally inspired by French cinema. Result of the hectic New York vibe, of the familiar affection for Lisbon. From Regina Spektor to Elis Regina. From Billie Holiday to Bjork. From the 50’s to ingenuousness. From sound to image. From voice and talent: “I have a good life” she concludes.
The Letter I Won't Send
Luísa Sobral Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But nights are still cold
My brother became a priest to save his soul
And I never got to tell
You what happened that day why I ran away
So I write you this letter
Hope you will get it someday
Lately, you moved to the city
And I came back here
The dreams I once had so clear
Were too big for me
And I never got to tell
You what happened that day why I ran away
So I write you this letter
Hope you will get it
There's not a single day
I don’t think of you but loving you was much
Too much to do
We were so young and I was so sad
So I ran from a love i should never have had
Lately, I had a girl she reminds me of you
She's playing out in the park
Like we once would do
And I never got to tell
You what happened that day why I ran away
So I write you this letter
But I know I won't send it today
The lyrics of Luísa Sobral's "The Letter I Won't Send" delve into themes of regret, lost opportunities, and unresolved emotions. The singer reflects on past events and relationships, particularly one with a significant person to whom she never fully expressed herself. The opening lines describe a contrast between beautiful days and cold nights, symbolizing the dichotomy of happiness and emotional struggle that the singer is experiencing. The mention of the brother becoming a priest to save his soul suggests a theme of seeking inner peace and redemption, which may resonate with the singer's own unspoken feelings.
The song touches on the struggle with communication and missed chances for closure. The singer laments not having the opportunity to explain why she ran away on a particular day, leaving a sense of unfinished business and unspoken words hanging between her and the recipient of the letter. The act of writing a letter implies a desire for catharsis and the hope that someday the recipient will understand her perspective, even if the letter remains unsent. This theme of unspoken truths and withheld feelings adds depth to the song's emotional landscape.
As the narrative unfolds, the singer reflects on changes in her life and the shifting dynamics of past relationships. The reference to moving to the city and returning to familiar surroundings signifies a journey of self-discovery and reevaluation of past aspirations. The singer acknowledges that the dreams she once had may have been too grand or unattainable, leading to a sense of disillusionment and the need to confront her own limitations and shortcomings. This introspective exploration of personal growth and acceptance adds layers to the song's introspective narrative.
The poignant chorus reveals the lingering impact of a past love that was overwhelming and ultimately unattainable. The singer confesses that loving the recipient was "much too much to do," suggesting that the intensity of their relationship was both a source of joy and pain. The decision to run away from a love that should never have been pursued highlights the complexity of emotions and the difficult choices that were made in the past. The lyrics convey a sense of longing, regret, and acceptance as the singer grapples with the consequences of her actions and the enduring memories of a love that shaped her past.
In the final verse, the singer introduces a new character - a girl who reminds her of the recipient of the letter. The mention of playing in the park evokes nostalgic memories of simpler times and shared experiences, highlighting the bittersweet nature of reminiscing about the past. The acknowledgment that the letter won't be sent today underscores the finality of certain decisions and the acceptance that some feelings may remain unexpressed. The song captures the raw emotions of regret, nostalgia, and the complexities of love and loss, inviting listeners to reflect on their own experiences of missed connections and the longing for closure that may never come.
Line by Line Meaning
Lately, the days have been pretty
Recently, things have been going well
But nights are still cold
But the nights are still lonely and cold
My brother became a priest to save his soul
My brother chose a religious path for his spiritual salvation
And I never got to tell
And I never had the chance to confide
You what happened that day why I ran away
about what happened that day and why I fled
So I write you this letter
So, I express my thoughts in this unsent letter
Hope you will get it someday
Hoping that you will read it eventually
Lately, you moved to the city
Recently, you relocated to the urban area
And I came back here
While I returned to this place
The dreams I once had so clear
The aspirations I used to have with such clarity
Were too big for me
Turned out to be too overwhelming for me
There's not a single day
Each and every day
I don’t think of you but loving you was much
I can't help but think of you, but the love I felt
Too much to do
Was too heavy a burden
We were so young and I was so sad
We were both so young and I was deeply unhappy
So I ran from a love I should never have had
So, I ran away from a love that never should have existed
Lately, I had a girl she reminds me of you
Recently, I met a girl who brings back memories of you
She's playing out in the park
She's out playing in the park
Like we once would do
Similar to what we used to do together
But I know I won't send it today
However, I am aware that I won't send it today
Lyrics © O/B/O APRA AMCOS
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