He was also musical director for a large number of musicals and other plays, including ones by Noel Coward. After the war, he concentrated on recording, and eventually gave up live performance altogether. He worked with arranger and composer Ronnie Binge, who developed the "cascading strings" sound (also known as the "Mantovani sound").[citation needed] His records were regulars in stores selling hi-fi stereo equipment, as they were produced and arranged for stereo reproduction. In 1952 Binge ceased to arrange for Mantovani, but his distinctive sound remained.
He recorded for Decca until the mid-1950s, and then London Records. He recorded over 50 albums on that label, many of which were top-40 hits. These included Song from Moulin Rouge and Cara Mia, which reached No. 1 in Britain in 1953 and 1954, respectively. The latter was also Mantovani's first U.S. Top Ten hit.
In the United States, between 1955 and 1972, he released over 40 albums with 27 reaching the Top 40 and 11 the Top Ten. His biggest success was with the album Film Encores, which made it to No. 1 in 1957. Similarly, Mantovani Plays Music From 'Exodus' and Other Great Themes made it to No. 2 in 1961 and sold over one million albums.
In 1959, Mantovani starred in his own syndicated television series, Mantovani, which was produced in England and which aired in the United States. 39 episodes were filmed.[1]
Mantovani made his last recordings in 1975.[citation needed]
[edit] Music style and influences
The cascading strings technique developed by Binge became Mantovani's hallmark in such hits arranged by Binge as "Charmaine". Binge developed this technique to replicate the echo experienced in venues such as cathedrals by arrangement alone, in an echo-free surrounding.
Author Joseph Lanza describes Mantovani's string arrangements as the most "rich and mellifluous" of the emerging light music style during the early 1950s. He stated that Mantovani was a leader in the use of new studio technologies to "create sound tapestries with innumerable strings", and that "the sustained hum of Mantovani's reverberated violins produced a sonic vaporizer foreshadowing the synthesizer harmonics of space music."[2]
In 1958 Mantovani and his family bought a holiday home in Bournemouth in Durley Chine Road, then in 1961 acquired a new property in Burton Road (now part of Poole). He moved, finally, to a new home in Martello Road in Poole.
Since his death at a care home in Tunbridge Wells, Kent, in 1980, his music has enjoyed a minor revival,[citation needed] with much of his catalogue reappearing on CD and an orchestra bearing his name performing concert tours. The saleability of the Mantovani name is underscored by new recordings being made as the Mantovani Orchestra. Unfortunately[neutrality is disputed], a large number of CDs are also available of unauthorized recordings, billed as Mantovani or Mantovani Orchestra.[citation needed] There have also been CDs released under the Mantovani name of recordings made by others while Mantovani was still alive.[citation needed] Thus, consumers of this music are advised to familiarize themselves with the conductor's discography. Material with the London Records logo on it is apt to be genuine Mantovani, while other recordings are less likely to be actual Mantovani recordings.[citation needed]
The continued popularity of Mantovani's music is evident by the number of original albums which are being released, on labels such as Dutton-Vocalion, and by the many compilations available throughout the world. In 2008, as a result of successful, ongoing CD sales, amongst other contributing factors, the Mantovani Orchestra (performing from the original scores) was recreated for a tremendously successful historical tribute concert, sponsored by Bentley Motors, held at the Lighthouse, in Poole, England, on 27 January, conducted by Sam Newgarth, MBE. Much critical acclaim has led to the planning of a second concert, to take place in January 2009, at the same venue. There are four Mantovani websites in honour of the maestro, a written biography by Colin MacKenzie entitled Mantovani - A Lifetime In Music (ISBN 1-905226-19-5). For further information, please visit http://www.hallowquest.com/mantiindex.htm; http://members3.jcom.home.ne.jp/torumonty; http://www.lighthousepoole.co.uk (re. ticket sales for 31 January 2009). A ten CD set 'The Wonderful World of Mantovani' was released in November 2008 in Japan (a link to the website in Japan may be found by visiting www.hallowquest.com/mantiindex.htm), featuring many rare tracks which have never been released on CD before, in a superbly remastered format, and, following the success of the Mantovani Orchestra's 2008 concert, 'More MANTOVANI Magic' took place at Lighthouse in Poole, England, on 31 January 2009, again conducted by maestro Sam Newgarth MBE. The concert was sponsored by Poole Audi, and also with the generous support of Richard Cox.
Solitude
Mantovani Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You haunt me
With dreadful ease
Of days gone by
In my solitude
You taunt me
With memories
I sit in my chair
And filled with despair
There's no one could be so sad
With gloom everywhere
I sit and I stare
I know that I'll soon go mad
In my solitude
I'm afraid
Dear Lord above
Send back my love
I sit in my chair
Filled with despair
There's no one, no one
No onecould be so sad
With gloom everywhere
I sit and I stare
I know that I'll soon go mad
In my solitude
I'm afraid
Dear Lord above
Send back my love
The lyrics of Mantovani's song Solitude address the overwhelming experience of being alone with one's thoughts and memories. The song begins with the haunting plea of the singer towards the person who has left, acknowledging the inescapable thoughts and memories they bring along with them. The second verse gives a vivid picture of the singer's state of mind as they sit in their chair, filled with despair, and surrounded by gloom. They confess to feeling trapped in their solitude and acknowledge the looming threat of losing their sanity.
In the third and final verse, the singer looks up to a higher power, asking for the return of their love. The repetition of the line "dear Lord above, send back my love" expresses the intensity of their longing as they try to hold on to hope. The song ends with a repetition of the second verse, emphasizing the cyclical nature of the singer's experience of solitude and despair.
Overall, this song is a poignant representation of the human experience of intense sadness and despair that can accompany solitude. It expresses the overwhelming feeling of being trapped in one's own thoughts and memories and the desperation for relief from the pain of loss.
Line by Line Meaning
In my solitude
When I am alone
You haunt me
Your presence is felt everywhere
With dreadful ease
Almost effortlessly
Of days gone by
Of time that has passed
You taunt me
Memories of you torment me
With memories
Recollections of things we shared
That never die
That don't fade away
I sit in my chair
I remain seated, huddled in loneliness
And filled with despair
Overwhelmed by sadness and hopelessness
There's no one could be so sad
No one could be as miserable as I am
With gloom everywhere
Everywhere I look is dark and cheerless
I know that I'll soon go mad
I fear that I'll lose my sanity
I'm afraid
I'm scared
Dear Lord above
God, please
Send back my love
Bring my love back to me
Lyrics © Sony/ATV Music Publishing LLC, Peermusic Publishing
Written by: DUKE ELLINGTON, EDDIE DE LANGE, IRVING MILLS
Lyrics Licensed & Provided by LyricFind