Michael Nyman (born March 23, 1944) is a British minimalist composer, piani… Read Full Bio ↴Michael Nyman (born March 23, 1944) is a British minimalist composer, pianist, librettist and musicologist, perhaps best known for the many scores he wrote during his lengthy collaboration with the British filmmaker Peter Greenaway.
Nyman, who had studied with the noted Baroque music scholar Thurston Dart at King's College London, drew frequently on early music sources in his scores for Greenaway's films: Henry Purcell in The Draughtsman's Contract and The Cook, The Thief, His Wife & Her Lover, Heinrich Ignaz Franz von Biber in A Zed and Two Noughts, Mozart in Drowning by Numbers, and John Dowland in Prospero's Books.
Nyman's popularity increased significantly after he wrote the score to Jane Campion's award-winning 1993 film The Piano. The album ("The Piano") became a classical music best-seller. Although Nyman's score was central to the movie he did not receive an Academy Award nomination despite being nominated for both a British Academy Award and a Golden Globe. He has scored numerous other films, the vast majority of them art films from Europe. His few forays into Hollywood composing have been Gattaca ("Gattaca"), Ravenous (with musician Damon Albarn), and The End of the Affair ("The End of the Affair").
Among Nyman's better known non-film works are Noises, Sounds & Sweet Airs (1987), for soprano, alto, tenor and instrumental ensemble (based on Nyman's score for La Princesse de Milan); Ariel Songs (1990) for soprano and band; MGV (Musique à Grande Vitesse) (1993) for band; concertos for piano (based on The Piano score), harpsichord, trombone and saxophone; the opera The Man Who Mistook His Wife for a Hat (1986), based on a case-study by Oliver Sacks; and several string quartets.
On children's television shows, Michael has created the music for Katie and Orbie and Titch.
Many of Nyman's works are written for his own ensemble, the Michael Nyman Band, a group formed for a 1976 production of Carlo Goldonip's Il Campiello. Originally made up of old instruments such as rebecs and shawms alongside more modern instruments like the saxophone in order to produce as loud a sound as possible without amplification, it later switched to a fully amplified lineup of string quartet, three saxophones, bass trombone, bass guitar and piano. This line up has been variously altered and augmented for some works.
Nyman also wrote an influential book in 1974 on experimental music called Experimental Music: Cage and Beyond, which explored the influence of John Cage on classical composers. He is generally acknowledged to have been the first to apply the term "minimalism" to music, in a 1968 article in The Spectator magazine about the English composer Cornelius Cardew.
In the 1970s, Nyman was a member of the infamous Portsmouth Sinfonia, the self-described World's Worst Orchestra - playing on their recordings and in their concerts.
He has also recorded pop music, with the Flying Lizards
Nyman, who had studied with the noted Baroque music scholar Thurston Dart at King's College London, drew frequently on early music sources in his scores for Greenaway's films: Henry Purcell in The Draughtsman's Contract and The Cook, The Thief, His Wife & Her Lover, Heinrich Ignaz Franz von Biber in A Zed and Two Noughts, Mozart in Drowning by Numbers, and John Dowland in Prospero's Books.
Nyman's popularity increased significantly after he wrote the score to Jane Campion's award-winning 1993 film The Piano. The album ("The Piano") became a classical music best-seller. Although Nyman's score was central to the movie he did not receive an Academy Award nomination despite being nominated for both a British Academy Award and a Golden Globe. He has scored numerous other films, the vast majority of them art films from Europe. His few forays into Hollywood composing have been Gattaca ("Gattaca"), Ravenous (with musician Damon Albarn), and The End of the Affair ("The End of the Affair").
Among Nyman's better known non-film works are Noises, Sounds & Sweet Airs (1987), for soprano, alto, tenor and instrumental ensemble (based on Nyman's score for La Princesse de Milan); Ariel Songs (1990) for soprano and band; MGV (Musique à Grande Vitesse) (1993) for band; concertos for piano (based on The Piano score), harpsichord, trombone and saxophone; the opera The Man Who Mistook His Wife for a Hat (1986), based on a case-study by Oliver Sacks; and several string quartets.
On children's television shows, Michael has created the music for Katie and Orbie and Titch.
Many of Nyman's works are written for his own ensemble, the Michael Nyman Band, a group formed for a 1976 production of Carlo Goldonip's Il Campiello. Originally made up of old instruments such as rebecs and shawms alongside more modern instruments like the saxophone in order to produce as loud a sound as possible without amplification, it later switched to a fully amplified lineup of string quartet, three saxophones, bass trombone, bass guitar and piano. This line up has been variously altered and augmented for some works.
Nyman also wrote an influential book in 1974 on experimental music called Experimental Music: Cage and Beyond, which explored the influence of John Cage on classical composers. He is generally acknowledged to have been the first to apply the term "minimalism" to music, in a 1968 article in The Spectator magazine about the English composer Cornelius Cardew.
In the 1970s, Nyman was a member of the infamous Portsmouth Sinfonia, the self-described World's Worst Orchestra - playing on their recordings and in their concerts.
He has also recorded pop music, with the Flying Lizards
The Heart Asks Pleasure First/The Promise
Michael Nyman Lyrics
Instrumental
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@moleyPRO
This was the song that we played at my mum's funeral. She would play it all the time at home when we were little, and as soon as it got to 00:40, she would always mess it up and exclaim with a whispered "shit". So at the funeral, when that part was played, we all exclaimed "shit" with my brothers and sisters. It was a brief moment when we all had a smile on our face.
Love you mumma xxx
@juliegray5940
Oh - oh gosh - that is so, so beautiful.
@jbro8934
I love that story. What a nice memory to have. May she rest in peace.
@eastender_
That’s nice 😊
Mourning your loss but also celebrating her life 💖
@deanzamboni7286
I'm sorry for your loss. I lost my mother early this year to parkinson's disease at age 64, it was very very hard watching her die in palliative care and seeing her dead, after the disease was through with her. I was searching for this song because she liked it, it was a sample song for windows XP, where I first heard it. Mothers are the most wonderful, special and greatest people in this world, and are irreplaceable. We'll see our angel mothers again, they're just around the bend. Peace be with you.
@adambarker1626
She's not the only one who didn't learn that part of the song..! I've been playing the main melody (with the intro in the middle) twice and calling it a day for years. Sorry for your loss.
@coughcandy448
The day that I finally learned to play this I had tears in my eyes:}}
@bachirawayda1088
Do you have the notes in letters?
@sozk9928
@@bachirawayda1088 bruh
@sozk9928
@@ryanomalley7710 just search It Up on Google