Michael Stearns (born 1948) is a United States musician and composer of amb… Read Full Bio ↴Michael Stearns (born 1948) is a United States musician and composer of ambient music. He is also known as a film composer, sound designer and soundtrack producer for large format films, theatrical films, documentaries, commercials, and themed attractions.
Growing up in Tucson, Arizona, Michael Stearns started practicing guitar at 13. At 16, he played in a surf music band, sometimes backing artists such as The Lovin' Spoonful and Paul Revere & the Raiders. Evolving to acid rock, he began composing music on multiple instruments in 1968 and, while in university and in the Air Force, spent a few years studying electronic music synthesis, the physics of musical instruments, and accumulating equipment (musical instruments, tape recorders...) for his first studio.
The studio opened in Tucson, Arizona in 1972 where he produced jingles and commercials for local radio and television, and nationally released jingles for Schlitz Beer and Greyhound Bus Lines. Stearns's interest in experimental "space" music though left him unsatisfied, as he found no audience to play his musical ideas, which could be at this time only related to the drug experience. After three years, Michael Stearns underwent a spiritual crisis and thought about stopping music.
In 1975, Michael Stearns met Emily Conrad (other languages) and Gary "Da'oud" David (other languages). Emily Conrad ran meditation classes in a workshop named Continuum (other languages), with Gary David performing on a Minimoog and looped tapes during the classes. Michael Stearns and his girlfriend Susan Harper moved in Los Angeles, California, to join Emily Conrad, and Michael Stearns became a resident musician and composer until 1981. He developed then on synthesizers musical ideas that would feed his first solo albums.
By 1977, Michael Stearns had formed a small independent record label (Continuum Montage) with Susan Harper and a close friend and investor, David Breuer. The same year came the first releases on tape, Desert Moon Walk and Sustaining Cylinders, followed by Ancient Leaves, his first album released on LP, in 1978.
In the same years, Stearns started out playing with Fred Stofflet a percussionist, then with Don Preston, the former keyboardist for The Mothers of Invention. Both of them were playing for Emily David's classes. After that, Stearns, Stofflet and Craig Hundley, a friend of Gary David's, started a free jazz group called "Alivity". Kevin Braheny came to one of their concerts and became friends with Michael Stearns. He later joined Stearns to play live for Continuum, bringing his Serge synthesizer with him, on which Michael Stearns would record his album Morning Jewel in 1979 before building his own Serge synthesizer. In the same period, Stearns started working with Craig Huxley scoring movies and developed a friendship with Stephen Hill.
In 1981, Continuum moved to a new location and Michael Stearns began a solo career. He put together some ideas he performed live during the workshops on his Serge and came to his classic Planetary Unfolding. Ideas of the same kind were put together to form the album Light Play in 1983 and the track "Return" on the album Lyra.
Michael signed on the label Sonic Atmospheres in 1984, on which some of his earlier works would be re-released (Light Play became M'Ocean in 1984, Morning Jewel became Jewel in 1985, and Planetary Unfolding was given a new release in 1985). In 1984, Chronos was the first film music done entirely by Stearns after years of collaboration with Huxley or Maurice Jarre. In 1986, he provided "electronic images and textures" for Constance Demby's album Novus Magnificat. After two more releases for Sonic Atmospheres, Plunge (1986) and Floating Whispers (1987), Michael Stearns signed to Stephen Hill's new label Hearts of Space Records and released Encounter.
In the next years, Michael Stearns worked again with Ron Fricke, scoring Baraka, his best-known composition, and released several albums, working with Steve Roach, Kevin Braheny and/or Ron Sunsinger (1989 : Desert Solitaire, 1994 : Singing Stones and Kiva) or alone (1993 : Sacred Sites, 1995 : The Lost World).
In 2000 and 2001, Michael Stearns, now established in Santa Fe, New Mexico, released several albums on his own label Earth Turtle : Within, The Middle of Time, Spirits of the Voyage, The Storm, and Sorcerer. He is still scoring movies and documentaries today. Michael Stearns is involved in the music for the film Samsara which premiered in 2011.
In his earlier albums, he often used the Serge Modular synthesizer, giving his music a twinkling and "cosmic" sound. In 1982, he built "The Beam", a 12-foot-long (3.7 m) acoustic instrument strung with 24 piano strings,[3] designed by Jonathan W. Lazell and built with the help of Paul Abell. He has since used it in many albums (solo or collaboration) as well as in concert and film scores. At the end of the eighties, his sound became deeper and closer to Steve Roach's style. Michael Stearns' music is always very ambient and woven with sounds of nature or human voices. But it can also be more melodic with great themes evoking wide spaces or great landscapes.
Growing up in Tucson, Arizona, Michael Stearns started practicing guitar at 13. At 16, he played in a surf music band, sometimes backing artists such as The Lovin' Spoonful and Paul Revere & the Raiders. Evolving to acid rock, he began composing music on multiple instruments in 1968 and, while in university and in the Air Force, spent a few years studying electronic music synthesis, the physics of musical instruments, and accumulating equipment (musical instruments, tape recorders...) for his first studio.
The studio opened in Tucson, Arizona in 1972 where he produced jingles and commercials for local radio and television, and nationally released jingles for Schlitz Beer and Greyhound Bus Lines. Stearns's interest in experimental "space" music though left him unsatisfied, as he found no audience to play his musical ideas, which could be at this time only related to the drug experience. After three years, Michael Stearns underwent a spiritual crisis and thought about stopping music.
In 1975, Michael Stearns met Emily Conrad (other languages) and Gary "Da'oud" David (other languages). Emily Conrad ran meditation classes in a workshop named Continuum (other languages), with Gary David performing on a Minimoog and looped tapes during the classes. Michael Stearns and his girlfriend Susan Harper moved in Los Angeles, California, to join Emily Conrad, and Michael Stearns became a resident musician and composer until 1981. He developed then on synthesizers musical ideas that would feed his first solo albums.
By 1977, Michael Stearns had formed a small independent record label (Continuum Montage) with Susan Harper and a close friend and investor, David Breuer. The same year came the first releases on tape, Desert Moon Walk and Sustaining Cylinders, followed by Ancient Leaves, his first album released on LP, in 1978.
In the same years, Stearns started out playing with Fred Stofflet a percussionist, then with Don Preston, the former keyboardist for The Mothers of Invention. Both of them were playing for Emily David's classes. After that, Stearns, Stofflet and Craig Hundley, a friend of Gary David's, started a free jazz group called "Alivity". Kevin Braheny came to one of their concerts and became friends with Michael Stearns. He later joined Stearns to play live for Continuum, bringing his Serge synthesizer with him, on which Michael Stearns would record his album Morning Jewel in 1979 before building his own Serge synthesizer. In the same period, Stearns started working with Craig Huxley scoring movies and developed a friendship with Stephen Hill.
In 1981, Continuum moved to a new location and Michael Stearns began a solo career. He put together some ideas he performed live during the workshops on his Serge and came to his classic Planetary Unfolding. Ideas of the same kind were put together to form the album Light Play in 1983 and the track "Return" on the album Lyra.
Michael signed on the label Sonic Atmospheres in 1984, on which some of his earlier works would be re-released (Light Play became M'Ocean in 1984, Morning Jewel became Jewel in 1985, and Planetary Unfolding was given a new release in 1985). In 1984, Chronos was the first film music done entirely by Stearns after years of collaboration with Huxley or Maurice Jarre. In 1986, he provided "electronic images and textures" for Constance Demby's album Novus Magnificat. After two more releases for Sonic Atmospheres, Plunge (1986) and Floating Whispers (1987), Michael Stearns signed to Stephen Hill's new label Hearts of Space Records and released Encounter.
In the next years, Michael Stearns worked again with Ron Fricke, scoring Baraka, his best-known composition, and released several albums, working with Steve Roach, Kevin Braheny and/or Ron Sunsinger (1989 : Desert Solitaire, 1994 : Singing Stones and Kiva) or alone (1993 : Sacred Sites, 1995 : The Lost World).
In 2000 and 2001, Michael Stearns, now established in Santa Fe, New Mexico, released several albums on his own label Earth Turtle : Within, The Middle of Time, Spirits of the Voyage, The Storm, and Sorcerer. He is still scoring movies and documentaries today. Michael Stearns is involved in the music for the film Samsara which premiered in 2011.
In his earlier albums, he often used the Serge Modular synthesizer, giving his music a twinkling and "cosmic" sound. In 1982, he built "The Beam", a 12-foot-long (3.7 m) acoustic instrument strung with 24 piano strings,[3] designed by Jonathan W. Lazell and built with the help of Paul Abell. He has since used it in many albums (solo or collaboration) as well as in concert and film scores. At the end of the eighties, his sound became deeper and closer to Steve Roach's style. Michael Stearns' music is always very ambient and woven with sounds of nature or human voices. But it can also be more melodic with great themes evoking wide spaces or great landscapes.
Katrina
Michael Stearns Lyrics
We have lyrics for 'Katrina' by these artists:
10000 Maniacs Bent double like old beggars in sacks Knock kneed and…
Anton Myburgh Sê vir my Katrina Is jy nog lief vir my? Met al…
Ashley's Kryptonite Akala ko ikaw na nga ang aking hinahanap Mali pala iba…
Black Fortune Maxx, you should quit producing All of these niggas is fraud…
Black Lips Oh, Katrina, why you gotta be mean? You stole my heart…
Bombastic Dream Pussy Maybe it's not enough sleep You say I need to…
Champs There's a blue one right by the door American built for…
David Tao katrina i can't stop looking in your eyes but my words…
David Tao 陶喆 katrina i cant stop looking in your eyes. but my words…
Hans Theessink Katrina blew like nothing before - li'l Liza Jane Her might…
Joker Out Iščejo Roke pot do njenega sveta A ne razumejo Da tam ni pro…
Jordan Frye I keep wanting to talk you and then I'm like "Oh…
Karaś/Rogucki Z głowy wycieka mi chmura Kształtuje się wyż atlantycki Nie …
KATRINA - SEX MACHINE Ka-tri-na Muito prazer, eu sou katrina Vem de loucura e segu…
Kidnap Katrina Kala kita masih bersama Dunia pun terasa indah Waktu kita ha…
Kidsnot$aints. You′ve been stuck in my head Could you say the same? Could…
Laurika Rauch Katrina van die Bo-kaap het voor haar deur gestaan ‘n Boot…
Les Anticipateurs J'suis plus fort que l'argent J'suis plus fort que l'argent …
Marvelous 3 I was the kind of kid back in school Who wore…
Morgenshtern Па-Па-Падаю на нее это skyfall Со мной ща Катрина она тайфун…
Noah Polk Through the storm and the rain Promise I'll remain the same …
North Mississippi Allstars Anders Osborne First time I met you You blew me away And even though…
Pagode da SSL Cade você, meu amor? 'To te esperando Samba, que samba, que …
Rafal Brzozowski feat. Liber Tylko z nią Tańczyły żywioły Wdzierały się wody na ląd Tylko…
Skrizzly Adams Katrina, believe her There's a song on the stage about peopl…
The Irish Rovers In a little Dutch kindergarten on the banks of the…
Warren Wolf สหย หสบ ไข วหบกห ากน ากา ื นไจ งหบ าหน รหรา บไข…
Wayne T. Katrina, Katrina, Katrina Why you wanna be so bad You blow i…
Wynand Sê vir my Katrina Is jy nog lief vir my? Met al…
Wynand Strydom Sê vir my Katrina, is jy nog lief vir my? Met…
Yves Tumor Trip, throw it down Come take this feeling I'm the best ghos…
Zak Van Niekerk My hartlam van Namakwaland is my tollie toemeloem Sy dra haa…
陳奕迅 KATRINA 若想哭 可借膊頭你 如何放心得了你 明天我再回來 等你 KATRINA 明天他 終會發現…
陶喆 katrina i can't stop looking in your eyes but my words…
陶喆(David Tao) katrina i cant stop looking in your eyes. but my words…
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