Nana Mouskouri (Greek: Νάνα Μούσχουρη, born Ioanna Mouskouri at October 13,… Read Full Bio ↴Nana Mouskouri (Greek: Νάνα Μούσχουρη, born Ioanna Mouskouri at October 13, 1934, in Chania, Crete, Greece) is a Greek singer and politician. She was known as Nana to her friends and family as a child. She is the world's highest-selling female recording artist, having sold over 300 million albums in fifteen languages, including Greek, French, English, Spanish, Italian, German, Latin, and Portuguese, over 450 albums. She is France's number one selling artist. She is noted for her trademark black-rimmed eyeglasses and her songs of melancholy, longing, and sentimental musings upon love, for which the emotion of her voice is exceptionally suited. Mouskouri has recorded from the 1960s into the new millennium. She has tailored releases to specific international markets with tremendous success, having acquired more than 230 gold and platinum albums worldwide.
Mouskouri's family lived in Canée, Crete, where her father, Constantin, worked as a film projectionist in a local cinema. Her mother, Alice also worked in the same local cinema as an usherette. When Mouskouri was three, Constantin moved the family to Athens. Mouskouri's family worked extremely hard in order to send Nana and her elder sister, Jenny, to the prestigious Athens Conservatoire. Mouskouri had displayed exceptional musical talent from the age of 6. However her sister, Jenny, appeared to be more the more gifted of the two. In fact Mouskouri only had one 'working' vocal chord (rather than the normal two). This a rare condition gives her voice its particularly original timbre.
Mouskouri's childhood was colored by the Nazi occupation of Greece. Her father became part of the Nazi resistance movement in Athens. Mouskouri began singing lessons at age 12. Despite the flaw in her vocal cords, Mouskouri took singing lessons regularly. During the Nazi German occupation, her family no longer had the financial means to pay for her singing lessons. But her teacher saw that she had a certain talent and continued to give her lessons free of charge. As a child, she listened to radio broadcasts of American jazz singers such as Frank Sinatra, Ella Fitzgerald, and Billie Holiday as well as French chanson stars like Edith Piaf.
In 1950, she was accepted at the Conservatoire. She studied classical music with an emphasis on singing opera. The young Mouskouri committed herself into classical music studies with a passion, perfecting her vocals with extraordinary self-discipline as well as taking piano and harmony classes. After 8 years at the Conservatoire, Mouskouri was encouraged by her friends to experiment with jazz music. She soon began singing with her friends' jazz group at night and they even managed to get a radio slot. However, when Mouskouri's Conservatory professor found out about Mouskouri's involvement with a genre of music that he considered to be absolutely worthless, he flew into a fury and prevented her from sitting her end of year exams. Consequently, the Conservatoire expelled her. Mouskouri's dreams of becoming an opera singer were dashed.
Mouskouri left the Conservatoire and began performing at the Zaki club in Athens. She began singing jazz in nightclubs with a bias on Ella Fitzgerald repertory. It was at the Zaki in 1958 that Mouskouri met the famous Greek composer Manos Hadjidakis. Hadjidakis was immensely impressed by Nana’s original voice and immediately offered to write songs for her. He became her mentor. In 1959 Mouskouri performed Hadjidakis' Kapou Iparchi Agapi Mou (co-written with poet Nikos Gatsos) at the inaugural Greek Song Festival. The song won first prize, and Mouskouri began to be noticed. At the 1960 Greek Song Festival, she performed two more Hadjidakis compositions, Timoria and Kiparissaki. Both these songs tied for first prize. Mouskouri soon ventured further and participated at the Mediterranean Song Festival, held in Barcelona where she performed Kostas Yannidis' composition Xypna Agapi Mou. The song won first prize. Her wins attracted interest from several international record companies. Mouskouri wound up signed a recording contract with the Paris-based Philips-Fontana axis.
In 1961, Mouskouri performed the soundtrack of a German documentary about Greece. This resulted in the German-language single Weisse Rosen aus Athen ("The White Rose of Athens"). The song was originally adapted from a folk melody by Hadjidakis. It became an enormous hit, selling over a million copies in Germany. The song was later translated into several different languages and it went on to become one of Mouskouri's signature tunes. Mouskouri married Yorgos Petsilas in 1961. Mouskouri and Petsilas have two children, son, Nicolas born in February 1968 and daughter, Hélène born in 1970. In 1974, Mouskouri and Petsilas separated and she moved to Geneva, Switzerland. In 1975, Mouskouri and Petsilas were officially divorced.
In 1962, she met renowned American song producer Quincy Jones. Jones got her to go to New York to record an album of American jazz titled, The Girl From Greece Sings. Following that she scored another hit in the United Kingdom with My Colouring Book.
In 1963, she left Greece to live permanently in Paris, France. Mouskouri performed Luxembourg's entry in the Eurovision Song Contest that year, À Force de Prier. The song became an international hit, and helped win her the prestigious Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer Michel Legrand, who composed her two major French hits Les Parapluies de Cherbourg (1964) and L'Enfant au Tambour (1965).
In 1965, she recorded her second English-language album that was released in the United States entitled, Nana Sings. Jamaican-American Calypso musician Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. They teamed for a live duo album entitled, An Evening With Belafonte/Mouskouri. During this tour, Belafonte told Mouskouri to remove her signature black-rimmed glasses when on stage. She was so unhappy with the request that she wanted to quit the show after only two days. Finally, Belafonte relented and respected her wishes to perform with her glasses.
Mouskouri's 1967 French album Le Jour Où la Colombe ascended her to superstardom in France. This album featured many of her French songs, Au Coeur de Septembre, Adieu Angélina, Robe Bleue, Robe Blanche and the French pop classic Le Temps des Cerises. Her rendition of Guantanamera was very well received. Mouskouri made her first appearance at Paris' legendary Olympia concert theater in 1967, with a repertoire blending French pop, Greek folk, and Hadjidakis numbers.
In 1968, Mouskouri turned her attention to the British market and hosted a variety show called Nana and Guests. In 1969, she released her first full-length British LP, Over and Over. It became a smash hit that spent almost two years on the U.K. charts. Mouskouri spent much of the 1970s on the road which helped to broaden her worldwide popularity to levels. In France, she released a series of top-selling albums that included Comme un Soleil, Une Voix Qui Vient du Coeur, Vielles Chansons de France, and Quand Tu Chantes. She also recorded a successful version of Habanera, from Bizet's opera Carmen. She continued to release highly received albums in Europe, including her 1975 album Sieben Schwarze Rosen which was a significant success in Germany, and her English-language album Book of Songs that sold millions of copies worldwide.
In 1979, Mouskouri had another English-language album named Roses and Sunshine. This album was very well received in Canada. She scored a worldwide hit in 1981 with Je Chante Avec Toi, Liberté, which was translated into several languages after its widespread success in France. The momentum from this album also helped boost her following German album, Meine Lieder Sind Meine Liebe. In 1984, Mouskouri returned to Greece for her first live performance in her homeland since 1962.
In 1986, Mouskouri recorded Only Love, the theme song to a BBC TV series that went on to top the U.K. charts. The song was also a hit with its French version, L'Amour en Héritage. That same year, Mouskouri made a play for the Spanish-language market with the hit single Con Todo el Alma. The song was a major success in Spain, Argentina and Chile. She released five albums in different languages in 1987, and the following year returned to her classical conservatory roots with the double LP The Classical Nana (aka Nana Classique), which featured some of her favorite opera excerpts.
Mouskouri's 1991 English album, Only Love: The Best of Nana Mouskouri became her best-selling release in the United States. She spent much of the 1990s with her rigorous global touring schedule. Among her early 1990s albums were spiritual music, Gospel (1990), the Spanish-language Nuestras Canciones, the multilingual, Mediterranean-themed Côté Sud, Côté Coeur (1992), Dix Mille Ans Encore, Falling in Love Again: Great Songs From the Movies. Falling in Love reunited her with Harry Belafonte on two songs.
She recorded several more albums over 1996-1997, including the Spanish Nana Latina (which featured duets with Julio Iglesias and Mercedes Sosa), the English-language Return to Love, and the French pop classics, Hommages. In 1997, she staged a high-profile Concert for Peace at the Cathedral of St. John the Divine in New York. This concert was later released as an album, and aired as a TV special on PBS in the U.S.
Mouskouri was appointed a UNICEF Goodwill Ambassador in October 1993 [1]. She took over from the previous ambassador, American actress Audrey Hepburn. Mouskouri's first U.N. mission took her to Bosnia to draw attention to the plight of children affected by Bosnian war. She was deeply moved by her experience in Bosnia and went on to give a series of fund-raising concerts in Sweden and Belgium.
Mouskouri represented Greece in the European Parliament from 1994 until 1999 as a member of the largely conservative New Democracy party.
In 1993, Nana recorded a new album, Hollywood. It was produced by Michel Legrand. Hollywood was a collection of famous film songs. It served was not only a tribute to the world of cinema, but also as a personal reference to childhood memories of sitting with her father in his projection room in Crete.
Between December 11-14, 1997, Mouskouri gave four triumphant performances at the Olympia in Paris to celebrate the 40th anniversary of her singing career. Also in 1997, Mouskouri resigned from her position as a European MP. She explained that a fervent pacifist, she refused to back wars.
Mouskouri currently lives in Switzerland with her second husband, André Chapelle whom she married on January 13, 2003. She still performs about 100 concerts each year. In 2004, her French record company released an unprecedented 34-CD box set of more than 600 of Mouskouri's mostly French songs.
For 2005 and 2007, she plans a farewell concert tour of Europe, Australia, Asia, South America, the United States, and Canada. During an interview with The Australian newspaper, when asked why this would be her final concert series, Mouskouri said she wanted to retire on a high note. "I never thought that I would grow that old. It is better really to stop while you are standing well on your feet. I just want to be proud and in very good form and thank the audience for all this love," she said.
Mouskouri's family lived in Canée, Crete, where her father, Constantin, worked as a film projectionist in a local cinema. Her mother, Alice also worked in the same local cinema as an usherette. When Mouskouri was three, Constantin moved the family to Athens. Mouskouri's family worked extremely hard in order to send Nana and her elder sister, Jenny, to the prestigious Athens Conservatoire. Mouskouri had displayed exceptional musical talent from the age of 6. However her sister, Jenny, appeared to be more the more gifted of the two. In fact Mouskouri only had one 'working' vocal chord (rather than the normal two). This a rare condition gives her voice its particularly original timbre.
Mouskouri's childhood was colored by the Nazi occupation of Greece. Her father became part of the Nazi resistance movement in Athens. Mouskouri began singing lessons at age 12. Despite the flaw in her vocal cords, Mouskouri took singing lessons regularly. During the Nazi German occupation, her family no longer had the financial means to pay for her singing lessons. But her teacher saw that she had a certain talent and continued to give her lessons free of charge. As a child, she listened to radio broadcasts of American jazz singers such as Frank Sinatra, Ella Fitzgerald, and Billie Holiday as well as French chanson stars like Edith Piaf.
In 1950, she was accepted at the Conservatoire. She studied classical music with an emphasis on singing opera. The young Mouskouri committed herself into classical music studies with a passion, perfecting her vocals with extraordinary self-discipline as well as taking piano and harmony classes. After 8 years at the Conservatoire, Mouskouri was encouraged by her friends to experiment with jazz music. She soon began singing with her friends' jazz group at night and they even managed to get a radio slot. However, when Mouskouri's Conservatory professor found out about Mouskouri's involvement with a genre of music that he considered to be absolutely worthless, he flew into a fury and prevented her from sitting her end of year exams. Consequently, the Conservatoire expelled her. Mouskouri's dreams of becoming an opera singer were dashed.
Mouskouri left the Conservatoire and began performing at the Zaki club in Athens. She began singing jazz in nightclubs with a bias on Ella Fitzgerald repertory. It was at the Zaki in 1958 that Mouskouri met the famous Greek composer Manos Hadjidakis. Hadjidakis was immensely impressed by Nana’s original voice and immediately offered to write songs for her. He became her mentor. In 1959 Mouskouri performed Hadjidakis' Kapou Iparchi Agapi Mou (co-written with poet Nikos Gatsos) at the inaugural Greek Song Festival. The song won first prize, and Mouskouri began to be noticed. At the 1960 Greek Song Festival, she performed two more Hadjidakis compositions, Timoria and Kiparissaki. Both these songs tied for first prize. Mouskouri soon ventured further and participated at the Mediterranean Song Festival, held in Barcelona where she performed Kostas Yannidis' composition Xypna Agapi Mou. The song won first prize. Her wins attracted interest from several international record companies. Mouskouri wound up signed a recording contract with the Paris-based Philips-Fontana axis.
In 1961, Mouskouri performed the soundtrack of a German documentary about Greece. This resulted in the German-language single Weisse Rosen aus Athen ("The White Rose of Athens"). The song was originally adapted from a folk melody by Hadjidakis. It became an enormous hit, selling over a million copies in Germany. The song was later translated into several different languages and it went on to become one of Mouskouri's signature tunes. Mouskouri married Yorgos Petsilas in 1961. Mouskouri and Petsilas have two children, son, Nicolas born in February 1968 and daughter, Hélène born in 1970. In 1974, Mouskouri and Petsilas separated and she moved to Geneva, Switzerland. In 1975, Mouskouri and Petsilas were officially divorced.
In 1962, she met renowned American song producer Quincy Jones. Jones got her to go to New York to record an album of American jazz titled, The Girl From Greece Sings. Following that she scored another hit in the United Kingdom with My Colouring Book.
In 1963, she left Greece to live permanently in Paris, France. Mouskouri performed Luxembourg's entry in the Eurovision Song Contest that year, À Force de Prier. The song became an international hit, and helped win her the prestigious Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer Michel Legrand, who composed her two major French hits Les Parapluies de Cherbourg (1964) and L'Enfant au Tambour (1965).
In 1965, she recorded her second English-language album that was released in the United States entitled, Nana Sings. Jamaican-American Calypso musician Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. They teamed for a live duo album entitled, An Evening With Belafonte/Mouskouri. During this tour, Belafonte told Mouskouri to remove her signature black-rimmed glasses when on stage. She was so unhappy with the request that she wanted to quit the show after only two days. Finally, Belafonte relented and respected her wishes to perform with her glasses.
Mouskouri's 1967 French album Le Jour Où la Colombe ascended her to superstardom in France. This album featured many of her French songs, Au Coeur de Septembre, Adieu Angélina, Robe Bleue, Robe Blanche and the French pop classic Le Temps des Cerises. Her rendition of Guantanamera was very well received. Mouskouri made her first appearance at Paris' legendary Olympia concert theater in 1967, with a repertoire blending French pop, Greek folk, and Hadjidakis numbers.
In 1968, Mouskouri turned her attention to the British market and hosted a variety show called Nana and Guests. In 1969, she released her first full-length British LP, Over and Over. It became a smash hit that spent almost two years on the U.K. charts. Mouskouri spent much of the 1970s on the road which helped to broaden her worldwide popularity to levels. In France, she released a series of top-selling albums that included Comme un Soleil, Une Voix Qui Vient du Coeur, Vielles Chansons de France, and Quand Tu Chantes. She also recorded a successful version of Habanera, from Bizet's opera Carmen. She continued to release highly received albums in Europe, including her 1975 album Sieben Schwarze Rosen which was a significant success in Germany, and her English-language album Book of Songs that sold millions of copies worldwide.
In 1979, Mouskouri had another English-language album named Roses and Sunshine. This album was very well received in Canada. She scored a worldwide hit in 1981 with Je Chante Avec Toi, Liberté, which was translated into several languages after its widespread success in France. The momentum from this album also helped boost her following German album, Meine Lieder Sind Meine Liebe. In 1984, Mouskouri returned to Greece for her first live performance in her homeland since 1962.
In 1986, Mouskouri recorded Only Love, the theme song to a BBC TV series that went on to top the U.K. charts. The song was also a hit with its French version, L'Amour en Héritage. That same year, Mouskouri made a play for the Spanish-language market with the hit single Con Todo el Alma. The song was a major success in Spain, Argentina and Chile. She released five albums in different languages in 1987, and the following year returned to her classical conservatory roots with the double LP The Classical Nana (aka Nana Classique), which featured some of her favorite opera excerpts.
Mouskouri's 1991 English album, Only Love: The Best of Nana Mouskouri became her best-selling release in the United States. She spent much of the 1990s with her rigorous global touring schedule. Among her early 1990s albums were spiritual music, Gospel (1990), the Spanish-language Nuestras Canciones, the multilingual, Mediterranean-themed Côté Sud, Côté Coeur (1992), Dix Mille Ans Encore, Falling in Love Again: Great Songs From the Movies. Falling in Love reunited her with Harry Belafonte on two songs.
She recorded several more albums over 1996-1997, including the Spanish Nana Latina (which featured duets with Julio Iglesias and Mercedes Sosa), the English-language Return to Love, and the French pop classics, Hommages. In 1997, she staged a high-profile Concert for Peace at the Cathedral of St. John the Divine in New York. This concert was later released as an album, and aired as a TV special on PBS in the U.S.
Mouskouri was appointed a UNICEF Goodwill Ambassador in October 1993 [1]. She took over from the previous ambassador, American actress Audrey Hepburn. Mouskouri's first U.N. mission took her to Bosnia to draw attention to the plight of children affected by Bosnian war. She was deeply moved by her experience in Bosnia and went on to give a series of fund-raising concerts in Sweden and Belgium.
Mouskouri represented Greece in the European Parliament from 1994 until 1999 as a member of the largely conservative New Democracy party.
In 1993, Nana recorded a new album, Hollywood. It was produced by Michel Legrand. Hollywood was a collection of famous film songs. It served was not only a tribute to the world of cinema, but also as a personal reference to childhood memories of sitting with her father in his projection room in Crete.
Between December 11-14, 1997, Mouskouri gave four triumphant performances at the Olympia in Paris to celebrate the 40th anniversary of her singing career. Also in 1997, Mouskouri resigned from her position as a European MP. She explained that a fervent pacifist, she refused to back wars.
Mouskouri currently lives in Switzerland with her second husband, André Chapelle whom she married on January 13, 2003. She still performs about 100 concerts each year. In 2004, her French record company released an unprecedented 34-CD box set of more than 600 of Mouskouri's mostly French songs.
For 2005 and 2007, she plans a farewell concert tour of Europe, Australia, Asia, South America, the United States, and Canada. During an interview with The Australian newspaper, when asked why this would be her final concert series, Mouskouri said she wanted to retire on a high note. "I never thought that I would grow that old. It is better really to stop while you are standing well on your feet. I just want to be proud and in very good form and thank the audience for all this love," she said.
Je Finirai Par L'Oublier
Nana Mouskouri Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Bien trop de choses, me parlent de lui
Tous les objets qui sont ici
Ou la chanson que j'entends
Mais qu'il ne chante plus
Des riens qui font que souvent
Je me sens perdue
Je finirai par l'oublier par sourire
Vous mes amis
Vous essayerez de lui mentir
En le voyant dites-lui bien
Que je suis gaie, que tout va bien
Et que je n'ai besoin de rien
En le voyant dites-lui bien
Que très souvent dans le jardin
Vous m'entendez rire de loin
Toutes les graines, qu'il avait semées
Sont devenues un champs de blé
Demain, sans lui je ferai des gerbes si jolies
Que je pourrai moissoner un peu de sa vie
Je finirai par l'oublier par sourire
Vous mes amis, vous essayerez de lui mentir
Vous lui direz plus tard aussi
Que notre enfant qui a grandi
Ne parle plus jamais de lui
Ne dites pas la vérité
Ne dites pas qu'il nous faudrait
Plus d'une vie pour l'oublier
Tous les objets qui sont ici
Ou la chanson que j'entends
Mais qu'il ne chante plus
Des riens qui font que souvent
Je me sens perdue
Je finirai par l'oublier par sourire
Vous mes amis
En le voyant dites-lui bien
Que je suis gaie, que tout va bien
Et que je n'ai besoin de rien
En le voyant dites-lui bien
Que très souvent dans le jardin
Vous m'entendez rire de loin
Toutes les graines, qu'il avait semées
Sont devenues un champs de blé
Demain, sans lui je ferai des gerbes si jolies
Que je pourrai moissoner un peu de sa vie
Je finirai par l'oublier par sourire
Vous mes amis, vous essayerez de lui mentir
Vous lui direz plus tard aussi
Que notre enfant qui a grandi
Ne parle plus jamais de lui
Ne dites pas la vérité
Ne dites pas qu'il nous faudrait
Plus d'une vie pour l'oublier
The lyrics to Nana Mouskouri's song Je Finirai Par L'Oublier are an emotional exploration of the aftermath of a relationship that has ended. The singer is constantly reminded of her former lover, through objects that surround her and even the songs she hears. However, she is determined to move on and forget him, even if it is with a smile on her face. She asks her friends to lie to him and tell him she is doing well and has no need for him. She even imagines a future without him where she will make beautiful hay stacks with the seeds he had sown, as a way of honoring his memory.
The singer's emotional state is delicately balanced between sadness and determination. She's hurt and confused by the reminders of her past relationship, but also resolute in her desire to move on. The imagery used in the song is beautiful, creating a sense of renewal and growth in the midst of heartbreak. The final lines of the song emphasize the difficulty of forgetting, but also the necessity of it, suggesting that it will take more than one lifetime to fully move beyond the memories of lost love.
Overall, Je Finirai Par L'Oublier is a beautiful exploration of the complexities of emotional healing, and the difficulty of letting go of past loves.
Line by Line Meaning
Bien trop de choses, me parlent de lui
There are too many things around me that remind me of him.
Tous les objets qui sont ici
All the objects here remind me of him.
Ou la chanson que j'entends
Even the songs I hear remind me of him.
Mais qu'il ne chante plus
But he doesn't sing them anymore.
Des riens qui font que souvent
These little things make me feel lost and confused.
Je me sens perdue
I feel lost.
Je finirai par l'oublier par sourire
I will eventually forget him with a smile on my face.
Vous mes amis
My friends,
Vous essayerez de lui mentir
You will try to lie to him,
En le voyant dites-lui bien
When you see him, tell him,
Que je suis gaie, que tout va bien
That I am happy and everything is fine.
Et que je n'ai besoin de rien
And that I don't need anything.
Que très souvent dans le jardin
That very often in the garden,
Vous m'entendez rire de loin
You hear me laughing from far away.
Toutes les graines, qu'il avait semées
All the seeds he had sown,
Sont devenues un champs de blé
Have become a field of wheat.
Demain, sans lui je ferai des gerbes si jolies
Tomorrow, without him I will make beautiful sheaves,
Que je pourrai moissoner un peu de sa vie
So that I can harvest a little bit of his life.
Vous lui direz plus tard aussi
You will also tell him later,
Que notre enfant qui a grandi
That our child who has grown up,
Ne parle plus jamais de lui
Never talks about him anymore.
Ne dites pas la vérité
Don't tell the truth,
Ne dites pas qu'il nous faudrait
Don't say that we would need,
Plus d'une vie pour l'oublier
More than one lifetime to forget him.
Contributed by Madison Y. Suggest a correction in the comments below.
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élise
Voilà les paroles de cette triste mais, OOOH si MERVEILLEUSE, MÉLODIE ! Témoignage de l'essence vivifiante qui émane de l'AMOUR IDÉAL, pour en assurer l'intensité, la pérennité, l'éternité, l'infinité ! Et bien sûr, pour le recyclage perpétuel du bonheur de l'humanité; de la matrice à la tombe !
~~~***~~~***~~~***~~~
JE FINIRAI par L' OUBLIER
~* 1*~
Bien trop de choses me parlent de lui
Tous les objets qui sont ici
Ou la chanson que j'entends
Mais qu'il ne chante plus
Des riens qui font que souvent
Je me sens perdue
~* Refrain *~
Je finirai par l'oublier par sourire
Vous mes amis, vous essayerez de lui mentir
En le voyant dites-lui bien
Que je suis gaie, que tout va bien
Et que je n'ai besoin de rien
En le voyant dites-lui bien
Que très souvent dans le jardin
Vous m'entendez rire de loin
~*~ 2 ~*~
Toutes les graines qu'il avait semées
Sont devenues un champs de blé
Demain, sans lui je ferai des gerbes si jolies
Que je pourrai moissonner un peu de sa vie
~*~* Refrain *~*~
Je finirai par l'oublier par sourire
Vous, mes amis
Vous essayerez de lui mentir
Vous lui direz plus tard aussi
Que notre enfant qui a grandi
Ne parle plus jamais de lui
Ne dites pas la vérité
Ne dites pas qu'il nous faudrait
Plus d'une vie pour l'oublier
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: élise ( 9/24/2020 // 11:11PM ) :
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SOURCE DES PAROLES :
: https://genius.com/Nana-mouskouri-je-finirai-par-loublier :
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élise
@bienvenu Magnon :
OH, OUI ! Si touchante !!! Le vertige me bascule au sofa ; pourtant je continue de l' écouter en boucle ! {8<::)
Évidemment Nana a hérité une de ces voix sublimes, flottant d'une de ces sources intarissables d'inspiration profonde, vivifiante, stimulante, apaisante, régénératrice.... qui sont de plus en plus inaccessibles dans ce monde ! Elle a su choisir des artistes surdoués dans les champs de musique populaire, semi-ou-pure classique traditionnelle, pour l'aider à actualiser ses rêves de chanteuse, de "cantatrice" sur les scènes de son choix.
Si ma mémoire m'est fidèle, sa préparation initiale était dans le genre Opéra. D' où la perfection fluide de sa voix. N'étant pas acceptée à l'institution bien reconnue dans ce domaine, elle était naturellement déçue. Mais elle continua d'honorer ses muses en perfectionnant et partageant ses talents avec l'humanité au delà des frontières de son monde.
J'ai été la voir au Symphony Hall de Boston, dans l'état de Massachusetts (en Nouvelle Angleterre). C'etait lors d'une de ses tournées en Amérique dans les années 80. Son polyglottisme apparemment aidant, la diaspora de partout semblait jouir de la plenitude de l'extase ambiante !
La rêveuse en moi imagine et espère un recyclage perpétuel, et une compilation globale des oeuvres authentiques de tels talentueux artistes ! Possible ? Oui ! Mais seulement si plus de mélomanes avertis décident, et continuent d'exposer leurs progénitures à ce genre musical si sublime et passionnant ! Elles l'apprécieront et se voudront sans doute échos volontaires de la voix de Nana, et autres artistes de sa classe; de son ère; de partout !
Bonne semaine à vous et à tous ! En dépit de la pandémie qui perdure !
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; élise ( 9/29/2020 // 1 : 28 ) ;
: (Édité: 11/22/20 // 23 : 05 ) :
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Daniel DJOUMBI
Quelle douce voix de caresse et de tendresse. J'adore ma Nana
Danie Viola
Quelle douceur dans la voix de Nana Mouskouri !
Danie Viola
Pas si facile que ça de l'oublier😪
NDAKAZA Jean Napoleon
Quelle voix magnifique!!!
Jean-Jacques Simon
Une des meilleures chansons d'été de Nana qui fut un hit au début des années 70, parallèlement à Milisse mou (version française) sur le même 45t. Étrangement, elle ne l'a jamais chantée sur scène.
Maria Aparecida Batista de Mattos
Nana mouskouri muito elegante, a música é maravilhosa 🇧🇷
Jean Devauchelle
Merveilleuse Nana, qui me touche au plus au plus profond de mon cœur. Jean Devauchelle
Bernadette Mandat Mawab
Trop mélancolique ! Me rappelle mon père qui m'a appris Nana Mouskouri et donc, mon enfance ! Adieu Papa mais toujours dans mon cœur 💓.
C'est le vrai cimetière des morts. Voilage !
Isabelle Pinarel
Une si belle voix, dont je ne me lasserai jamais. Et avec Mike Brant en Hébreu, quel bonheur cette chanson même sans. Comprendre les paroles, c'est une merveille. Merci, a Nana Mouskouri et Mike Brant. 🗽🌞🙏🍀👍😘
Isabelle Pinarel
Pourquoi ne pas nous faire écouter la chanson en hébreux de Mike Brant et Nana Mouskouri.? 😍🙏😴👸