Nat "King" Cole (March 17th 1919–February 15th 1965) was a popular America… Read Full Bio ↴Nat "King" Cole (March 17th 1919–February 15th 1965) was a popular American singer and jazz musician.
As a piano player, he formed a jazz trio in 1938 that played Los Angeles nightclubs, one of the first jazz trios featuring guitar and piano. Prior to this he had played music since he was a child and had worked with bands since he was sixteen. He was raised in Chicago and exposed to the abundant jazz scene there. He was heavily influenced by pianist Earl "Fatha" Hines.
Later he became more popularly known as a singer and crooner and his work became more orchestrated.
His first mainstream vocal hit was in 1944 with Straighten Up and Fly Right, based on a black folk tale that his father had used as a theme for a sermon. Although hardly a rocker, the song's success proved that an audience for folk-based material existed. It is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as The Christmas Song (1946), Nature Boy (1948), Mona Lisa (1950), and his signature tune Unforgettable (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Nat King Cole Trio Recordings on Capitol, which contained 349 songs on twenty-seven LPs or eighteen CDs.
Throughout the 1950s Cole continued to rack up hit after hit, including Smile, Pretend, A Blossom Fell, and If I May. Most of his pop hits were collaborations with famed arranger/conductor Nelson Riddle. It was with Riddle that Cole released his first ten-inch long-play album in 1953 entitled Sings for Two in Love. Several more albums followed, including the Gordon Jenkins arranged Love Is the Thing, which reached number one on the album charts in April 1957.
Inspired by a trip to Havana, Cuba in 1958, Nat went back there that same year and recorded Cole Espanol, an album sung entirely in Spanish and Portuguese. The album was a hit not only in the U.S., but in Latin America as well. The album was so popular, that two others followed: A mis amigos in 1959, and More Cole Espanol in 1962.
Musical tastes were changing in the late 1950s, and despite a successful stab at rock n' roll with Send for Me, Cole's ballad singing had grown old to younger listeners. Like contemporaries Dean Martin, Frank Sinatra and Tony Bennett, Nat found that the pop singles chart had been almost entirely taken over by youth oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle, left Capitol Records for Frank Sinatra's newly formed Reprise Records label. The two parted ways with one final hit album Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Nat would later re-tool the concept album into an off-Broadway production called I'm With You.
As the 1960s progressed, Nat once again found success on the American singles chart, starting with the country/pop flavored hit Ramblin' Rose in August of 1962. Three more hit singles followed: Dear Lonely Hearts, Those Lazy, Hazy, Crazy Days of Summer, and That Sunday, That Summer. Nat's final album was entitled L.O.V.E, and was recorded in late 1964. It was released just prior to his death and reached number four on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 song When I Fall in Love was a chart topping hit for the U.K. in 1987.
Cole was the first African-American to have his own radio program. He repeated that success in the late-1950s with the first truly national television show starring an African-American. In both cases, the programs were ultimately canceled because sponsors shied away from a black artist. Cole fought racism all his life, refusing to perform in segregated venues. In 1956, he was attacked on stage in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Despite injuries, Cole completed the show but vowed never to perform in the South again.
On 23rd August 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after the 1956 on-stage attack.
In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in, to which Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."
He and his second wife, Maria Ellington, were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children, including twin girls. Daughter Carol Cole, and son Kelly Cole were adopted. Kelly Cole died in 1995. Nat's daughter, Natalie Cole, and his younger brother, Freddie Cole are also singers.
Natalie and her father had an unexpected hit in the summer of 1991. The younger Cole mixed a 1961 recording of her father's rendition of Unforgettable with her own voice, creating an electronic duet. Both the song and the album of the same name won several Grammy awards the following year.
Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues. He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia.
Nat King Cole was a heavy smoker of Kool menthol cigarettes, believing that smoking up to three packs a day gave his voice the rich sound it had (Cole would smoke several cigarettes in rapid succession before a recording for this very purpose). Cole died of lung cancer at St. John's Hospital in Santa Monica, California, on 15th February 1965. His funeral was held at St. Victor's Catholic Church in West Hollywood, and he was buried in Forest Lawn Memorial Park in Glendale, California. Cat Ballou, his final film, was released several months later.
As a piano player, he formed a jazz trio in 1938 that played Los Angeles nightclubs, one of the first jazz trios featuring guitar and piano. Prior to this he had played music since he was a child and had worked with bands since he was sixteen. He was raised in Chicago and exposed to the abundant jazz scene there. He was heavily influenced by pianist Earl "Fatha" Hines.
Later he became more popularly known as a singer and crooner and his work became more orchestrated.
His first mainstream vocal hit was in 1944 with Straighten Up and Fly Right, based on a black folk tale that his father had used as a theme for a sermon. Although hardly a rocker, the song's success proved that an audience for folk-based material existed. It is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as The Christmas Song (1946), Nature Boy (1948), Mona Lisa (1950), and his signature tune Unforgettable (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Nat King Cole Trio Recordings on Capitol, which contained 349 songs on twenty-seven LPs or eighteen CDs.
Throughout the 1950s Cole continued to rack up hit after hit, including Smile, Pretend, A Blossom Fell, and If I May. Most of his pop hits were collaborations with famed arranger/conductor Nelson Riddle. It was with Riddle that Cole released his first ten-inch long-play album in 1953 entitled Sings for Two in Love. Several more albums followed, including the Gordon Jenkins arranged Love Is the Thing, which reached number one on the album charts in April 1957.
Inspired by a trip to Havana, Cuba in 1958, Nat went back there that same year and recorded Cole Espanol, an album sung entirely in Spanish and Portuguese. The album was a hit not only in the U.S., but in Latin America as well. The album was so popular, that two others followed: A mis amigos in 1959, and More Cole Espanol in 1962.
Musical tastes were changing in the late 1950s, and despite a successful stab at rock n' roll with Send for Me, Cole's ballad singing had grown old to younger listeners. Like contemporaries Dean Martin, Frank Sinatra and Tony Bennett, Nat found that the pop singles chart had been almost entirely taken over by youth oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle, left Capitol Records for Frank Sinatra's newly formed Reprise Records label. The two parted ways with one final hit album Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Nat would later re-tool the concept album into an off-Broadway production called I'm With You.
As the 1960s progressed, Nat once again found success on the American singles chart, starting with the country/pop flavored hit Ramblin' Rose in August of 1962. Three more hit singles followed: Dear Lonely Hearts, Those Lazy, Hazy, Crazy Days of Summer, and That Sunday, That Summer. Nat's final album was entitled L.O.V.E, and was recorded in late 1964. It was released just prior to his death and reached number four on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 song When I Fall in Love was a chart topping hit for the U.K. in 1987.
Cole was the first African-American to have his own radio program. He repeated that success in the late-1950s with the first truly national television show starring an African-American. In both cases, the programs were ultimately canceled because sponsors shied away from a black artist. Cole fought racism all his life, refusing to perform in segregated venues. In 1956, he was attacked on stage in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Despite injuries, Cole completed the show but vowed never to perform in the South again.
On 23rd August 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after the 1956 on-stage attack.
In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in, to which Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."
He and his second wife, Maria Ellington, were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children, including twin girls. Daughter Carol Cole, and son Kelly Cole were adopted. Kelly Cole died in 1995. Nat's daughter, Natalie Cole, and his younger brother, Freddie Cole are also singers.
Natalie and her father had an unexpected hit in the summer of 1991. The younger Cole mixed a 1961 recording of her father's rendition of Unforgettable with her own voice, creating an electronic duet. Both the song and the album of the same name won several Grammy awards the following year.
Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues. He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia.
Nat King Cole was a heavy smoker of Kool menthol cigarettes, believing that smoking up to three packs a day gave his voice the rich sound it had (Cole would smoke several cigarettes in rapid succession before a recording for this very purpose). Cole died of lung cancer at St. John's Hospital in Santa Monica, California, on 15th February 1965. His funeral was held at St. Victor's Catholic Church in West Hollywood, and he was buried in Forest Lawn Memorial Park in Glendale, California. Cat Ballou, his final film, was released several months later.
Ay Cosita Linda
Nat King Cole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Anoche, anoche soñé contigo
Soñé una cosa bonita
Que cosa maravillosa...
Ay cosita linda mamá
Soñaba, soñaba que me querías
Soñaba que me besabas
Y que en tus brazos dormía...
Ay cosita linda mamá
Chiquita que lindo tu cuerpecito
Bailando este meneito
Yo sé que tú me dirás...
(Ay merencumbe pa'bailar)
Soñé una cosa bonita
Que cosa maravillosa...
Ay cosita linda mamá
Soñaba, soñaba que me querías
Soñaba que me besabas
Y que en tus brazos dormía...
Ay cosita linda mamá
Chiquita que lindo tu cuerpecito
Bailando este meneito
Yo sé que tú me dirás...
(Ay merencumbe pa'bailar)
The opening lines of Nat King Cole's Ay Cosita Linda (Oh Lovely Little Thing) describe the power of dreams that can create a beautiful and wonderful reality that one might have wished for in their lives. The singer of the song fantasizes about being loved and kissed by someone special, who also provides them comfort and a sense of security by being in their arms. The use of the word "cosita linda" endears the person who is the subject of the song, who is referred to as "mama" (mommy) throughout the song.
The following lines further emphasize the physical appeal of the person, particularly their small and lovely body movement. The "meneito" mentioned in the chorus refers to a dance that is often associated with the Afro-Cuban music originating from the 1940s in Cuba. The singer adds that they know that they will be praised for their dancing skills by the person they are describing.
Overall, the song conveys a dreamlike state in which the singer feels loved, desired, and appreciated by the person they are describing. Through the use of soft timbre and a lively rhythm, Nat King Cole successfully captures the romanticism and sensuality of Latin music.
Line by Line Meaning
Anoche, anoche soñé contigo
Last night, I dreamt of you
Soñé una cosa bonita
I dreamt of a beautiful thing
Que cosa maravillosa...
What a wonderful thing it was...
Ay cosita linda mamá
Oh beautiful little thing, mama
Soñaba, soñaba que me querías
I dreamt, I dreamt that you loved me
Soñaba que me besabas
I dreamt that you kissed me
Y que en tus brazos dormía...
And I slept in your arms...
Ay cosita linda mamá
Oh beautiful little thing, mama
Chiquita que lindo tu cuerpecito
Little one, how beautiful your body is
Bailando este meneito
Dancing this little dance
Yo sé que tú me dirás...
I know you will tell me...
(Ay merencumbe pa'bailar)
(Oh, let’s dance the Merencumbe)
Contributed by Avery B. Suggest a correction in the comments below.
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@hughjackman6513
Este cantante estadounidense tenía alma y corazón latinos.
@andresavila8752
Que vaina tan "vacana " que semejante artista y para la epoca,que esta gran figura de la musica, grabara una cancion colombiana
@galin117611
No jodaaaaaaaaa. Mi Colombia. Francisco pacho galán y el gran nat. Que locura hermosa es la música!
@margaritamariaevangelistan716
Único que hace vivir las canciones de recuerdos de los abuelos y de nuestras Grandes Tías Perú ,🇵🇪🇵🇪😀
@joaoandrade6368
ETERNO KING COLE. QUE MÚSICA!! COSITA LINDA 👏
@osmisi9335
Excelente versión del merecumbé del maestro colombiano, nacido en Soledad, departamento del Atlántico, Francisco "pacho"Galán. Buen homenaje.
@leonvillegas8035
El ritmo merecumbé fué una creación del maestro Pacho Galán mezclando el merengue colombiano y la cumbia.
@leonvillegas8035
Pacho Galán el eslabón escondido que el mundo no sabía como era que las orquestas Venezolanas tocaban y que interpretaban tan bién la música colombiana. La razón era que Pacho Galán le hacía los arreglos musicales a las orquestas y cantantes más grandes de Venezuela y reorganizaron sus instrumentos para darles un sonido más refinado a sus grupos orquestales. Las orquestas que usaron a Pacho Galán para sus composiciones y arreglos fueron la Billos Caracas Boys, Los Melódicos y otras, como también los cantantes, Nelson Henriquez, Pastor Lopez y otros. Realmente esa era la conexión de la música Colombiana y Venezolana, el maestro Pacho Galán. Y unos venezolanos decían por ahí que ellos eran los papás de nuestra música. Se lo tenían muy escondidito. Marrrulleros. Descubiertos, que alegría. Yo creo que Colombia por el sínnumero de talento en su música y ritmos creados traspasa la era de la música clásica europea, que son varios países, cuando Colombia sola, da fruto a esa música bella que alegra el espíritu. De Colombia se han copiado muchos países queriendo apropiarse de nuestra cultura y nuestra música así que no saben ni lo que están tocando. Cuantos se han querido copiar de la música clásica. Si, la música clásica se oye bella, te puede afectar tus emociones y cambiar tu estado de ánimo, pero no te eleva, no te transporta al cielo flotando en una nube alta de alegrías que te embarga en alegres emociones, como lo hace la música colombiana. La alegría que sientes y te da la música colombiana donde abundan y se fecundan abundantes alegrías y emociones, es sin duda, EXUBERANTE. Las alegrías que te da la música clásica son moderadas, más las alegrías que te da la música colombiana son DESMEDIDAS. Difícil esa comparación, pero la puedes hacer y sentir. Compáralas. Un vals no te hace parar a bailarlo, más una cumbia, uy!!! Pero no a dar vueltas como trompo de marioneta. Tantos ritmos para bailarlos igual, dando vueltas. Esos son los que bailan algo que no es de ellos. 🙄😂😂😂
@irisassuncao2745
Nat King Cole sempre eterno!
O meu preferido entre todos os
cantores. !!!!
@carlosrodriguez9428
Eterno Nat King Cole, suas músicas ficaram para sempre em nossas memórias.