As a piano player, he formed a jazz trio in 1938 that played Los Angeles nightclubs, one of the first jazz trios featuring guitar and piano. Prior to this he had played music since he was a child and had worked with bands since he was sixteen. He was raised in Chicago and exposed to the abundant jazz scene there. He was heavily influenced by pianist Earl "Fatha" Hines.
Later he became more popularly known as a singer and crooner and his work became more orchestrated.
His first mainstream vocal hit was in 1944 with Straighten Up and Fly Right, based on a black folk tale that his father had used as a theme for a sermon. Although hardly a rocker, the song's success proved that an audience for folk-based material existed. It is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as The Christmas Song (1946), Nature Boy (1948), Mona Lisa (1950), and his signature tune Unforgettable (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Nat King Cole Trio Recordings on Capitol, which contained 349 songs on twenty-seven LPs or eighteen CDs.
Throughout the 1950s Cole continued to rack up hit after hit, including Smile, Pretend, A Blossom Fell, and If I May. Most of his pop hits were collaborations with famed arranger/conductor Nelson Riddle. It was with Riddle that Cole released his first ten-inch long-play album in 1953 entitled Sings for Two in Love. Several more albums followed, including the Gordon Jenkins arranged Love Is the Thing, which reached number one on the album charts in April 1957.
Inspired by a trip to Havana, Cuba in 1958, Nat went back there that same year and recorded Cole Espanol, an album sung entirely in Spanish and Portuguese. The album was a hit not only in the U.S., but in Latin America as well. The album was so popular, that two others followed: A mis amigos in 1959, and More Cole Espanol in 1962.
Musical tastes were changing in the late 1950s, and despite a successful stab at rock n' roll with Send for Me, Cole's ballad singing had grown old to younger listeners. Like contemporaries Dean Martin, Frank Sinatra and Tony Bennett, Nat found that the pop singles chart had been almost entirely taken over by youth oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle, left Capitol Records for Frank Sinatra's newly formed Reprise Records label. The two parted ways with one final hit album Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Nat would later re-tool the concept album into an off-Broadway production called I'm With You.
As the 1960s progressed, Nat once again found success on the American singles chart, starting with the country/pop flavored hit Ramblin' Rose in August of 1962. Three more hit singles followed: Dear Lonely Hearts, Those Lazy, Hazy, Crazy Days of Summer, and That Sunday, That Summer. Nat's final album was entitled L.O.V.E, and was recorded in late 1964. It was released just prior to his death and reached number four on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 song When I Fall in Love was a chart topping hit for the U.K. in 1987.
Cole was the first African-American to have his own radio program. He repeated that success in the late-1950s with the first truly national television show starring an African-American. In both cases, the programs were ultimately canceled because sponsors shied away from a black artist. Cole fought racism all his life, refusing to perform in segregated venues. In 1956, he was attacked on stage in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Despite injuries, Cole completed the show but vowed never to perform in the South again.
On 23rd August 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after the 1956 on-stage attack.
In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in, to which Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."
He and his second wife, Maria Ellington, were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children, including twin girls. Daughter Carol Cole, and son Kelly Cole were adopted. Kelly Cole died in 1995. Nat's daughter, Natalie Cole, and his younger brother, Freddie Cole are also singers.
Natalie and her father had an unexpected hit in the summer of 1991. The younger Cole mixed a 1961 recording of her father's rendition of Unforgettable with her own voice, creating an electronic duet. Both the song and the album of the same name won several Grammy awards the following year.
Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues. He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia.
Nat King Cole was a heavy smoker of Kool menthol cigarettes, believing that smoking up to three packs a day gave his voice the rich sound it had (Cole would smoke several cigarettes in rapid succession before a recording for this very purpose). Cole died of lung cancer at St. John's Hospital in Santa Monica, California, on 15th February 1965. His funeral was held at St. Victor's Catholic Church in West Hollywood, and he was buried in Forest Lawn Memorial Park in Glendale, California. Cat Ballou, his final film, was released several months later.
Make Her Mine
Nat King Cole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
the mountain high
the cornflower blue as the summer sky
and heaven above me
tell her to love me
make her mine
make the valley green
the warmth of the sun after raindrops fall
and heaven above me
tell her to love me
make her mine
Is it so wrong to long for
someone who's so supreme?
I'm not the one she strong for
but is a sin if I dream?
I sigh for her
and her caress
am I but a voice in the wilderness
oh heaven above me
tell her to love me
make her mine
Is it so wrong to long for
someone who's so supreme?
I'm not the one she strong for
but is a sin if I dream?
I sigh for her
and her caress
am I but a voice in the wilderness
oh heaven above me
tell her to love me
make her mine
The song "Make Her Mine" by Nat King Cole is a love song about a man who longs for the affections of a woman who is seemingly out of reach. He asks heaven above to intervene on his behalf and make her love him. The lyrics describe the lengths he is willing to go to make her love him, from making nature itself bend to his will, to pleading with higher powers to grant him his wish. The first verse asks for the river to be deep, the mountain to be high, and the cornflower blue as the summer sky as part of a romantic setting. In the second verse, he asks for the valley to be green, the pine tree tall, and the warmth of the sun after raindrops fall, setting the scene for an idyllic romance.
The chorus repeats the plea for heaven to make her love him and to make her his. In the bridge of the song, he questions whether it is wrong to long for someone who is so beautiful, elite, and out of his league. He acknowledges that he is not the one she fawns over, but wonders if it's a sin to dream about her. He sighs for her and her caress, admitting that he may be just a voice in the wilderness, unheard and unseen, but still pleading with heaven to bring him what he desires most.
Overall, the song "Make Her Mine" is a beautiful tribute to the power of love and the lengths we are willing to go to attain it. It speaks to the innermost desires we all have when we yearn for someone and the hope that love can conquer all.
Line by Line Meaning
Make the river deep
Let the love between us be strong like a deep river
the mountain high
Let our bond be unshakeable like a tall mountain
the cornflower blue as the summer sky
Let our love be as pure and beautiful as the blue color of a cornflower in the summer sky
and heaven above me
Oh God, please hear my plea for her love
tell her to love me
Make her aware and willing to love me
make her mine
Let her be mine forever
make the valley green
Make our love grow and blossom like the green valley
the pine tree tall
Let our love be grand and towering like a tall pine tree
the warmth of the sun after raindrops fall
Let our love bring warmth and comfort after the dark and difficult times
Is it so wrong to long for
Is it bad to yearn for her love?
someone who's so supreme?
Someone so perfect and superior?
I'm not the one she strong for
She may love someone else, not me
but is a sin if I dream?
But is it a crime to hope and dream for her love?
I sigh for her
I yearn and long for her
and her caress
I long for her loving touch
am I but a voice in the wilderness
Am I just an insignificant voice lost in the midst of everything?
oh heaven above me
Oh God, please hear my prayer
tell her to love me
Make her feel and express her love for me
make her mine
Let her belong to me forever
Lyrics © Warner Chappell Music, Inc.
Written by: CHESTER CONN, SAMMY GALLOP
Lyrics Licensed & Provided by LyricFind
ChapmanGriffith
What a beautiful voice. Thanks for sharing
Janet Solomo
Just beautiful!
MARSHALL
Lovely.
Alan Fox
in those days the UK music charts were sometimes a year behind charts hits so for example a song from 1953 would not make the UK music charts until 1954
Janet Solomo
Just beautiful!