Luis Manuel Ferri Llopis (August 3, 1944—April 16, 1973), popularly known b… Read Full Bio ↴Luis Manuel Ferri Llopis (August 3, 1944—April 16, 1973), popularly known by the artistic name of Nino Bravo, was an international singing star from Spain.
Bravo was born near Valencia. The son of a salesman, he moved to Valencia at the age of three, along his father, who went to Valencia to look for better economic opportunities, and the rest of his family.
Nino Bravo was a shy child. He had a tendency to befriend older people, and, in 1958, he met bassist Vicente Lopez. Lopez later on helped Bravo become friends with other Valencia musicians, such as Paco Ramon, who later on also went on to become a Spaniard musical legend.
Bravo had no idea, before meeting Lopez, that his singing voice would be liked by anyone. He and Lopez discovered his singing voice during a short trip that Bravo, Lopez and Ramon, among others, went on. The trip was supposed to be just a hang-out trip between friends; Lopez was surprised as he awoke from a nap to Bravo's voice as Bravo sang Domenico Modugno's hit "Libero". So impressed was Lopez by Bravo's voice, that he predicted Bravo would become a superstar right after awakening.
Nino Bravo soon began working as a jeweler and supermarket assistant. The supermarket where he worked at was owned by his mother. When Bravo was sixteen, he became a fan of the famous Chilean singer Antonio Prieto, whose song, "La Novia" ("The Bride"), had become a number one hit in Spain. Bravo and his friends made an attempt at recording this song, forming a band and calling themselves "Los Hispanicos" (not to be confused with "Los Hispanos", a far more famous group). The attempt to have their own version of "La Novia" failed.
Bravo also was a Rock & Roll music fan. Soon after, he found a job singing at a hotel, where he would sing one of his favorite English songs, "Only You". Bravo was approached by a recording company agent who tried to convince him to sign with his label. He declined, because he felt unconfortable that only he, and not the rest of "Los Hispanicos", would be featured in the album.
In 1964, "Los Hispanicos" changed their name to "Los Superson", and, with this, their luck changed a little, as they won a local radio contest, then moved on to Benidorm, where they built a relatively large base of female fans. Bravo was called for military duty, however, and he went through a bout of depression. He almost decided to quit his singing career during this period of his life.
During Bravo's time away in the military, Lopez befriended a radio personality, who was impressed by "Los Superson"s sound and wanted them signed. "The Superson"s album debut would have been nothing but two songs included in another singer's LP. But, that time around, it was Lopez who declined being signed, based on the fact that he wanted his friend and band's leader to be in the album as well.
When Bravo returned from the service, Lopez was so enthusiastic, that the radio host asked him if he thought Bravo could sing like Tom Jones, Engelbert Humperdinck or John Rowles. Upon hearing Bravo's voice, however, the radio man was impressed too.
The radio host, Miguel Suiran, took Bravo to a singing festival. Although Bravo did not win the festival, Suiran became convinced that it was time for Bravo to become a star on his own, and, soon after, Suiran came up with the artistic name of Nino Bravo.
Bravo and Suiran tried for Bravo to be signed by the RCA label; although Bravo got some RCA executives interested in signing him, the label, ultimately led by a decision made by one executive, declined to sign Bravo. Bravo and Suiran then went to the Fonogram recording studio, where executives asked the pair to await a couple of weeks to see if they wanted to sign Bravo. Both RCA and Fonogram's studios were located in Madrid.
Back in Valencia, Suiran published a newspaper ad announcing "Nino Bravo y Los Superson". Soon after, Fonogram called, letting Bravo and Suiran know that they had decided to sign Bravo and "Los Superson" to an album deal.
In March of 1969, shortly after their album hit the market, Bravo sang in front of a live audience for the first time. In a show of fan support, a large number of admirers tore off Bravo's concert posters after his first concert was over.
Fonogram wanted Bravo to go solo, and by 1970, Suiran had been substituted by Jose Meri as Bravo's manager.
That year, Bravo participated at the prestigious Barcelona music festival, but, once again, he did not win. It would be two other festivals, however, what would lead Bravo to obtain international fame: after receiving favoring reviews from a festival audience in Athens, Greece, he went on to impress the public at another festival, the Rio de Janeiro festival.
After being exposed to international audiences in Europe and Latin America, he went through another change in management, as the famous singers' manager, Augusto Alguero, relieved Jose Meri from his duties. Bravo's first solo album was soon released, and his song, "Te Quiero, te quiero..", went on to become an international hit that is now considered to be a classic song by many Hispanic music critics. Bravo's first album was named "Tu Cambiaras" ("You Will Change"), and it sold in large numbers, particularly in Colombia, where Bravo became a very popular singer.
Nino Bravo then spent ten weeks in a row singing in the Spaniard television show, "Pasaporte a Dublin" ("Passport to Dublin)". The winner of the show would represent Spain in 1971's Eurovision contest, and Bravo came in second place.
Bravo then went on another Latin American tour, visiting Colombia for the first time ever, and stopping in Brazil to participate in his second Rio de Janeiro festival. Tied for first place at the festival, he eventually lost during a recount to an American singer.
Also in 1971, Nino Bravo recorded his second album, which went untitled. The album would later on be posthumously released on CD format and named "Puerta de amor" ("Love's Door").
In 1972, Bravo launched his third album, "Libre" ("Free"). "Libre" proved to be both a huge success and a very controversial album for Bravo, as many Latin American dictators of the time banned the album's title song from being played in their countries, and, as a consequence, Bravo was also banned from singing them in certain countries. Bravo's success, however, was such that he was widely known in places like Argentina, Chile, Mexico, Puerto Rico Venezuela and among the Hispanic population of the United States.
In January of 1973, his daughter Amparo was born. A second daughter, Eva, would later arrive, but Nino never got to see her.
Some of the words that Nino Bravo said in 1973 proved to be tragically prophetic: talking about his last Latin American tour, he referred to a song named "Noelia" as "(his) last song". Another song that he released that same year, "Un Beso y una Flor" ("A Kiss and a Flower") became one of Bravo's largest international hits. Loosely translated into English, the song's chorus would say "A Kiss and a Flower during my good-bye". On March 14 of that year, he performed his last concert, in front of his Valencia fans.
Nino Bravo was on his way to Madrid driving his BMW 2800 with a singing duo on April 16 when he was involved in a car accident just outside of Spain's capital city. He died instantly as a consequence of the injuries suffered during the accident. Bravo had just signed a five year record deal with the European record company, Polydor.
Bravo was born near Valencia. The son of a salesman, he moved to Valencia at the age of three, along his father, who went to Valencia to look for better economic opportunities, and the rest of his family.
Nino Bravo was a shy child. He had a tendency to befriend older people, and, in 1958, he met bassist Vicente Lopez. Lopez later on helped Bravo become friends with other Valencia musicians, such as Paco Ramon, who later on also went on to become a Spaniard musical legend.
Bravo had no idea, before meeting Lopez, that his singing voice would be liked by anyone. He and Lopez discovered his singing voice during a short trip that Bravo, Lopez and Ramon, among others, went on. The trip was supposed to be just a hang-out trip between friends; Lopez was surprised as he awoke from a nap to Bravo's voice as Bravo sang Domenico Modugno's hit "Libero". So impressed was Lopez by Bravo's voice, that he predicted Bravo would become a superstar right after awakening.
Nino Bravo soon began working as a jeweler and supermarket assistant. The supermarket where he worked at was owned by his mother. When Bravo was sixteen, he became a fan of the famous Chilean singer Antonio Prieto, whose song, "La Novia" ("The Bride"), had become a number one hit in Spain. Bravo and his friends made an attempt at recording this song, forming a band and calling themselves "Los Hispanicos" (not to be confused with "Los Hispanos", a far more famous group). The attempt to have their own version of "La Novia" failed.
Bravo also was a Rock & Roll music fan. Soon after, he found a job singing at a hotel, where he would sing one of his favorite English songs, "Only You". Bravo was approached by a recording company agent who tried to convince him to sign with his label. He declined, because he felt unconfortable that only he, and not the rest of "Los Hispanicos", would be featured in the album.
In 1964, "Los Hispanicos" changed their name to "Los Superson", and, with this, their luck changed a little, as they won a local radio contest, then moved on to Benidorm, where they built a relatively large base of female fans. Bravo was called for military duty, however, and he went through a bout of depression. He almost decided to quit his singing career during this period of his life.
During Bravo's time away in the military, Lopez befriended a radio personality, who was impressed by "Los Superson"s sound and wanted them signed. "The Superson"s album debut would have been nothing but two songs included in another singer's LP. But, that time around, it was Lopez who declined being signed, based on the fact that he wanted his friend and band's leader to be in the album as well.
When Bravo returned from the service, Lopez was so enthusiastic, that the radio host asked him if he thought Bravo could sing like Tom Jones, Engelbert Humperdinck or John Rowles. Upon hearing Bravo's voice, however, the radio man was impressed too.
The radio host, Miguel Suiran, took Bravo to a singing festival. Although Bravo did not win the festival, Suiran became convinced that it was time for Bravo to become a star on his own, and, soon after, Suiran came up with the artistic name of Nino Bravo.
Bravo and Suiran tried for Bravo to be signed by the RCA label; although Bravo got some RCA executives interested in signing him, the label, ultimately led by a decision made by one executive, declined to sign Bravo. Bravo and Suiran then went to the Fonogram recording studio, where executives asked the pair to await a couple of weeks to see if they wanted to sign Bravo. Both RCA and Fonogram's studios were located in Madrid.
Back in Valencia, Suiran published a newspaper ad announcing "Nino Bravo y Los Superson". Soon after, Fonogram called, letting Bravo and Suiran know that they had decided to sign Bravo and "Los Superson" to an album deal.
In March of 1969, shortly after their album hit the market, Bravo sang in front of a live audience for the first time. In a show of fan support, a large number of admirers tore off Bravo's concert posters after his first concert was over.
Fonogram wanted Bravo to go solo, and by 1970, Suiran had been substituted by Jose Meri as Bravo's manager.
That year, Bravo participated at the prestigious Barcelona music festival, but, once again, he did not win. It would be two other festivals, however, what would lead Bravo to obtain international fame: after receiving favoring reviews from a festival audience in Athens, Greece, he went on to impress the public at another festival, the Rio de Janeiro festival.
After being exposed to international audiences in Europe and Latin America, he went through another change in management, as the famous singers' manager, Augusto Alguero, relieved Jose Meri from his duties. Bravo's first solo album was soon released, and his song, "Te Quiero, te quiero..", went on to become an international hit that is now considered to be a classic song by many Hispanic music critics. Bravo's first album was named "Tu Cambiaras" ("You Will Change"), and it sold in large numbers, particularly in Colombia, where Bravo became a very popular singer.
Nino Bravo then spent ten weeks in a row singing in the Spaniard television show, "Pasaporte a Dublin" ("Passport to Dublin)". The winner of the show would represent Spain in 1971's Eurovision contest, and Bravo came in second place.
Bravo then went on another Latin American tour, visiting Colombia for the first time ever, and stopping in Brazil to participate in his second Rio de Janeiro festival. Tied for first place at the festival, he eventually lost during a recount to an American singer.
Also in 1971, Nino Bravo recorded his second album, which went untitled. The album would later on be posthumously released on CD format and named "Puerta de amor" ("Love's Door").
In 1972, Bravo launched his third album, "Libre" ("Free"). "Libre" proved to be both a huge success and a very controversial album for Bravo, as many Latin American dictators of the time banned the album's title song from being played in their countries, and, as a consequence, Bravo was also banned from singing them in certain countries. Bravo's success, however, was such that he was widely known in places like Argentina, Chile, Mexico, Puerto Rico Venezuela and among the Hispanic population of the United States.
In January of 1973, his daughter Amparo was born. A second daughter, Eva, would later arrive, but Nino never got to see her.
Some of the words that Nino Bravo said in 1973 proved to be tragically prophetic: talking about his last Latin American tour, he referred to a song named "Noelia" as "(his) last song". Another song that he released that same year, "Un Beso y una Flor" ("A Kiss and a Flower") became one of Bravo's largest international hits. Loosely translated into English, the song's chorus would say "A Kiss and a Flower during my good-bye". On March 14 of that year, he performed his last concert, in front of his Valencia fans.
Nino Bravo was on his way to Madrid driving his BMW 2800 with a singing duo on April 16 when he was involved in a car accident just outside of Spain's capital city. He died instantly as a consequence of the injuries suffered during the accident. Bravo had just signed a five year record deal with the European record company, Polydor.
America America
Nino Bravo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Donde brilla el tibio sol
Con un nuevo fulgor dorando las arenas
Donde el aire es limpio aún
Bajo la suave luz de las estrellas
Donde el fuego se hace amor
El río es hablador y el monte es selva
Hoy encontré un lugar
Para los dos en esta nueva tierra
América (América, América)
Es América (América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
Cada nuevo atardecer
El cielo empieza a arder y escucha el viento
Que me trae con su canción
Una queja de amor como un lamento
El perfume de una flor
El ritmo de un tambor en las praderas
Danzas de guerra y paz
De un pueblo que aún no ha roto sus cadenas
América (América, América)
Es América (América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
América (América, América)
Es América (América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
América (América, América)
Es América (América, América)
Con un nuevo fulgor dorando las arenas
Donde el aire es limpio aún
Bajo la suave luz de las estrellas
Donde el fuego se hace amor
El río es hablador y el monte es selva
Hoy encontré un lugar
América (América, América)
Es América (América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
Cada nuevo atardecer
El cielo empieza a arder y escucha el viento
Que me trae con su canción
Una queja de amor como un lamento
El perfume de una flor
El ritmo de un tambor en las praderas
Danzas de guerra y paz
De un pueblo que aún no ha roto sus cadenas
América (América, América)
Es América (América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
América (América, América)
Es América (América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
América (América, América)
Es América (América, América)
In Nino Bravo's song "America America," the singer sings about the beauty and wonder of the Americas. The first stanza, in particular, describes a place where the sun shines warmly, the air is clean, and the river and mountains are alive with nature. The singer has found a place in this new land for himself and his lover.
The second verse continues to marvel at the beauty of the Americas. The singer compares the continent to an immense garden, and suggests that when God created the Garden of Eden, He must have had America in mind. Every sunset is a new spectacle in the sky, and the wind carries with it songs of love and passion from the people and the land.
The refrain, "America, America, es America," repeats the name of the continent over and over, emphasizing the singer's joy and pride in this new discovery. The song celebrates the natural beauty of the Americas, and the freedom and potential that it represents.
Line by Line Meaning
Donde brilla el tibio sol
Where the warm sun shines with a new golden glow upon the sand
Con un nuevo fulgor dorando las arenas
With a new radiance gilding the sand
Donde el aire es limpio aún
Where the air is still clean
Bajo la suave luz de las estrellas
Under the soft light of the stars
Donde el fuego se hace amor
Where fire becomes love
El río es hablador y el monte es selva
The river speaks and the mountain is a jungle
Hoy encontré un lugar
Today I found a place
Para los dos en esta nueva tierra
For the both of us in this new land
América (América, América)
America (America, America)
Todo un inmenso jardín
A huge garden
Eso es América
That is America
Cuando Dios hizo el Edén
When God made Eden
Pensó en América
He thought of America
Cada nuevo atardecer
Every new sunset
El cielo empieza a arder y escucha el viento
The sky starts to burn and the wind listens
Que me trae con su canción
That brings me with its song
Una queja de amor como un lamento
A complaint of love like a lament
El perfume de una flor
The scent of a flower
El ritmo de un tambor en las praderas
The beat of a drum in the meadows
Danzas de guerra y paz
Dances of war and peace
De un pueblo que aún no ha roto sus cadenas
Of a people who have not yet broken their chains
Lyrics © Universal Music Publishing Group
Written by: Jose Luis Armenteros Sanchez, Ibarz Pablo Herrero
Lyrics Licensed & Provided by LyricFind
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Dan M.
Donde brilla el tibio sol
Con un nuevo fulgor dorando las arenas
Donde el aire es limpio aún
Bajo la suave luz de las estrellas
Donde el fuego se hace amor
El río es hablador y el monte es selva
Hoy encontré un lugar para los dos
En esta nueva tierra
América
(América, América)
Es América
(América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
Cada nuevo atardecer
El cielo empieza a arder y escucha el viento
Que me trae con su canción
Una queja de amor como un lamento
El perfume de una flor
El ritmo de un tambor en las praderas
Danzas de guerra y paz
De un pueblo que aún no ha roto sus cadenas
América
(América, América)
Es América
(América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
América
(América, América)
Es América
(América, América)
Todo un inmenso jardín
Eso es América
Cuando Dios hizo el Edén
Pensó en América
América
Araceli Barrera
Tengo una voz terrible, pero escuchar a este Señor ruiseñor, me motiva a cantar a todo pulmón: ¡Américaaaaaa Américaaaaa!
Glennys Delossantos
Hoy , 16 de abril de 2022, recordamos a este gorrión, ayúdame a cantar !!!!!!! Americaaaaaaaa !!!!!!!!!!!
chuffa Rojas
Ídem!!
Maria Alicia Cannelle
NUNCA DEJES DE CANTAR!
Génia Osorio
No creo que tengas una voz terrible, debe ser voces externas de una sociedad que buscan la manera de tratar de pisotear.
No lo PERMITAS !
Anayansi Quiroz
Araceli cante y cante eso es lo que importa 👏👏👏👏🖒🖒🖒olvídese y piense que canta lindo.😁😁😁
Maria Te 831
En 2020 época de Coronavirus, está hermosa canción es esperanzadora. Que gran cantante, su música sigue más vigente que nunca. América entera, resiste
Jesús Manuel martinez lobaina
Bueno)
Jesús Manuel martinez lobaina
Ustedes no tienen más can ciones de Nino Bravo Escuchamo por favor gracias
Francisco Perez Mellado
@Sandra Jaime Alvaradoamerica linda