The origins of the group's name remain obscure, but according to some it is a mispronunciation of an in-joke among the band members.
The group first started as a Tokyo-based folk trio in 1966 when leader Kiyoshiro Imawano was still in junior high school and playing in a Ventures copy band.
The group is hard to classify, but in early years their sound was mostly R&B fashioned music played acoustically. Imawano, however, has quite a distinctive high warbling voice that is not typical of soul singers, and which frankly some people find annoying.
More than a singer, he is known as a lyricist for his clever and timely lyrics.
RC Succession developed a reputation early on as a strong live band, but did not have a hit record until 1972, and then not again for a long time after that.
In the late 70s the group took on a more electric sound, as well as an odd glam influenced look, with Imawano in particular often appearing in loud clothing and heavy makeup.
The group became part of a hot late 70s scene which included Yellow Magic Orchestra, The Plastics, and Sandii & The Sunsetz, created when these groups began interacting with foreign bands and releasing internationally.
RC Succession did not catch on internationally as much as some of the others, but they did take part in a famous concert in 1982 called "The Day of R&B", which took place at a packed baseball stadium and included as headliners Chuck Berry and Sam Moore of Sam & Dave.
The event was filmed and released as a video. Another thing in 1982 that helped establish them as a major act was a collaboration with Ryucihi Sakamoto called "Ikenai Rouge Magic".
The single's jacket and promotional picture featured Imawano and Sakamoto kissing - quite a shocker at the time.
The song was also used in a popular TV commercial. Among the best-known RC Succession songs are "Ameagari No Yozora Ni" and "Toranjitsu Rajio".
RC Succession have often collaborated with other artists, and Imawano marks among the highlights of his career working with his heroes Booker T. & The MG's.
RC Succession are also unusual in that for a Japanese pop band they are fairly political and outspoken. They are one of the few Japanese bands that regularly play benefits, and Imawano has spoken out against war, nuclear power and in favor of Tibetan freedom.
In 1988 the group recorded an album of cover versions of famous songs re-worked with Japanese lyrics, called Covers.
Among them was a version of Eddie Cochran's "Summertime Blues" with anti-nuclear power lyrics. Their record label at the time, however, was Toshiba-EMI, and given that Toshiba had nuclear related business they refused to release the album, which eventually came out on Kitty Records.
Johnny Thunders of the New York Dolls also appeared on this album on a re-make of "Eve of Destruction".
Imawano also stirred up controversy when he formed the side project Timers (slang for marijuana), and did a rock version of the national anthem "Kimigayo".
Imawano seems to have many interests and hobbies. He has written children's books and is widely known as a big bicycling enthusiast.
He has also dabbled in acting, appearing in the movies Otakus in Love in 2004, and in Takashi Miike's film The Great Yokai War in 2005. He has been one of the most frequent performers in the history of the Fuji Rock Festival. Since the festival began in 1997 he has appeared in 1998, 1999, 2002, 2004, 2005, and is booked for 2006. He famously rides his bike to the festival's mountain setting.
自由
RCサクセション Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
誰の言うことも聞かねぇ
口やかましく言われても
俺の態度を変えることはできねえ
だって俺は自由、自由、自由
短いこの人生で
いちばん大事なもの
それは自由、自由、自由
義理も恩もへともも思わねえ
責任のがれをするぜ
俺を縛ることなどできねえ
だって俺は自由、自由、自由
汚ねえこの世界で
いちばんキレイなもの
それは自由、自由、自由
YEAH すべての奴らに 自由を
YEAH すべての奴らに 自由を
俺は疑り深いぜ
おまえの言葉を 信じねえ
金は腐るほどあるぜ
俺の贅沢は治らねえ
だって俺は自由、自由、自由
短いこの人生で
いちばん大事なもの
それは俺の自由、自由、自由
だって俺は自由、自由、自由
短いこの人生で
いちばん大事なもの
それは自由、自由、自由
YEAH、
自由、自由、自由、自由...
すべての奴らに
自由、自由、自由、自由...
The lyrics to RCサクセション's song "自由" ("Freedom") express a rebellious and individualistic sentiment where the singer declares his unwillingness to obey anyone's orders or be bound by any rules. He asserts his right to live life on his own terms as a free man, doing as he pleases, breaking the law if necessary, and avoiding any responsibilities or obligations that might constrain him. The chorus repeats the word "自由" ("Freedom") three times, emphasizing its importance as the most valuable thing in his short life. The singer challenges the listener to embrace freedom too by declaring "YEAH, すべての奴らに自由を" ("YEAH, Everyone deserves freedom").
The lyrics reflect the sentiment of the late 70s and early 80s in Japan, in which an increasing number of young people rejected traditional values and authority, seeking a more individualistic and self-determined lifestyle. The song became an anthem of the era and a symbol of the youth subculture's resistance to social norms and constraints.
Line by Line Meaning
俺はつきあいにくいぜ
I'm not easy to get along with.
誰の言うことも聞かねぇ
I don't listen to anyone.
口やかましく言われても
Even if I'm scolded harshly,
俺の態度を変えることはできねえ
I can't change my attitude.
だって俺は自由、自由、自由
Because I'm free, free, free.
短いこの人生で
In this short life,
いちばん大事なもの
The most important thing
それは自由、自由、自由
Is freedom, freedom, freedom.
俺は法律を破るぜ
I break the law.
義理も恩もへともも思わねえ
I don't care about duty or gratitude.
責任のがれをするぜ
I evade responsibility.
俺を縛ることなどできねえ
No one can restrain me.
汚ねえこの世界で
In this dirty world,
いちばんキレイなもの
The most beautiful thing
それは自由、自由、自由
Is freedom, freedom, freedom.
YEAH すべての奴らに 自由を
Yeah, freedom to everyone.
YEAH すべての奴らに 自由を
Yeah, freedom to everyone.
俺は疑り深いぜ
I'm deeply suspicious.
おまえの言葉を 信じねえ
I don't believe your words.
金は腐るほどあるぜ
I have enough money to rot.
俺の贅沢は治らねえ
My luxury cannot be cured.
短いこの人生で
In this short life,
いちばん大事なもの
The most important thing
それは俺の自由、自由、自由
Is my freedom, freedom, freedom.
だって俺は自由、自由、自由
Because I'm free, free, free.
短いこの人生で
In this short life,
いちばん大事なもの
The most important thing
それは自由、自由、自由
Is freedom, freedom, freedom.
YEAH、
Yeah,
自由、自由、自由、自由...
Freedom, freedom, freedom, freedom...
すべての奴らに
To everyone
自由、自由、自由、自由...
Freedom, freedom, freedom, freedom...
Lyrics © O/B/O APRA AMCOS
Written by: 清志郎 忌野
Lyrics Licensed & Provided by LyricFind
大澤知以
この曲最高ですね
sea205cow
これリアルで見てました、懐かしい。。この頃はRC聞いているだけでハインテションになりましたね。
noz T
なんでこんなに音良いですかね。
素晴らしい。
RAB TONIKS
高校生のときにTVで見ました。私の中で歌詞が一番かっこいい曲です。
うー
自由✨自由✨自由✨すべてのやつらに🍀愛に溢れた世界🌈こんなに素晴らしい時があったのですね💖ありがとう💖こうして見られて幸せです🥰
nobka13
いいね〜
川口ヒカル
Really! We went there on the bus, not Magical nor Mistery neither
Just high school excursion thing
永井純
この大きなノリは何なんでしょう?
せせこましいバブル前夜のこの時代ででこの大らかでシニカルで
カッコよくて。。みんながみんな肩パットが入った逆三角形のD.Cブランド
のジャケットを着ていた時代にタイトなコンポらスーツがどれだけカッコ良かった
ことか。。
ごろうねこ
85年つくばエキスポの会場ですけど観客はまばらでした。
ISUKE
チャボの音がスカスカ