With a contract to Mercury Records (1975), McEntire began her professional career singing heavily pop-influenced ballads, a far cry from the neotraditionalist movement she would help lead a few years later.
"I Don't Want To Be A One Night Stand" became her first charting single in 1976. Her first Top 10 hit "(You Lift Me) Up to Heaven" followed four years later, and in 1982 she scored her first #1 hit with "Can't Even Get The Blues."
Frustrated at her limited commercial success, McEntire left Mercury and signed with MCA Records in 1984. 1984's "Just A Little Love" wasn't much different form her Mercury material and was only moderately successful. However, another album followed later that same year, titled "My Kind of Country." This was a return-to-roots record, complete with fiddles and steel. It was comprised largely of covers of classic country songs, as well as original songs such as "How Blue" and the Harlan Howard-penned "Somebody Should Leave", both of which reached #1 on the Billboard country singles chart.
In the early 1990s McEntire expanded her audience by adopting a softer, more pop-oriented sound. She became one of the best-selling country artists of all time, releasing three volumes of greatest hits collections.
Since that first #1 hit in 1982, she's forked out 21 more chartbusters, which are all recapped on "Reba #1s" released on November 22nd, 2005. The 2-disc compilation features all 22 number one singles (according to Billboard magazine) in chronological order, including two new tracks "You're Gonna Be" and "Love Needs A Holiday." "Reba #1s" also contains 11 singles that reached the #1 spot in publications other than Billboard.
She won the Female Vocalist of the Year award from the Country Music Association four times in a row (a record she holds with Martina McBride), and had dozens of Top Ten hits during the 80s. For her contribution to the recording industry, Reba McEntire has a star on the Hollywood Walk of Fame at 7000 Hollywood Blvd. In 1995, she was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.
She is one of only six solo women (others include Shania Twain, Barbara Mandrell, Dolly Parton, Loretta Lynn, and Taylor Swift), to win the Country Music Association's highest honor, "Entertainer Of The Year". McEntire continued to hit the charts through the 2000s, as well as appearing in television and film, most notably Tremors, a cult horror movie series, Forever Love, and One Night at McCool's. She also starred as Annie Oakley in Annie Get Your Gun on Broadway, receiving critical acclaim.
From 2001 to 2007, Reba starred in the hit WB television show, Reba (with Texan actor Christopher Rich as her philandering ex-husband), even getting a visit from fellow country star Dolly Parton who played Reba's character's supervisor at a real estate firm.
Let The Music Lift You Up
Reba McEntire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
California is your home
Hey I'm a country girl over Oklahoma way
Oh there are miles and miles between us
But that don't mean a thing
When those guitars start to play
Oh, sweet sounds of freedom
Sending out a message to us all
We don't have a curtain
Made of iron or stone
We are not divided by a wall
So come on tell me
Hey, hey, hey
From L.A. to Broadway
Hey, hey, hey
Let the music lift you up
Hey, hey, hey
Whoa, everybody's singin'
Hey, hey, hey
Let the music lift you up
When you're feelin' low
Hit that radio
Let the music lift you
Let the music lift you
Up, way up, way up
There are books that tell us
What makes this whole world turn
And how Heaven holds the star wars
But there's no explanation
Lord it's still a mystery
How a song can touch your heart
So come on, tell me
Hey, hey, hey
From L.A. to Broadway
Hey, hey, hey
Let the music lift you up
Hey, hey, hey
Whoa, everybody's singin'
Hey, hey, hey
Let the music lift you up
Let the music lift you
Let the music lift you
Up, way up, way up
In this song, Reba McEntire is celebrating how music brings people together regardless of their differences. The opening verse sets up a contrast between the singer's rural Oklahoma background and the addressee's urban California roots, but McEntire emphasizes that this doesn't matter when they join together to listen to music. The chorus reinforces this message, urging listeners to let music lift them up and unite them. The second verse delves into the mystical power of music, noting that even though humans can explain many things about the world, they can't fully understand how music can touch people's hearts. McEntire's vocals and the instrumentation of the song reflect the uplifting mood she's trying to impart.
Line by Line Meaning
Well you say you're from the city
The singer acknowledges that their conversation partner is a city dweller
California is your home
The conversation partner identifies California as their place of residence
Hey I'm a country girl over Oklahoma way
The singer identifies themselves as a rural resident of Oklahoma
Oh there are miles and miles between us
The artist recognizes that there is a geographic divide between them and their conversation partner
But that don't mean a thing
The artist asserts that the distance between them is no obstacle
When those guitars start to play
The singer asserts that music has the power to connect people across divides
Oh, sweet sounds of freedom
The singer characterizes music as liberating and empowering
Ringing through the air
The artist imagines the power of music as an audible quality
Sending out a message to us all
The artist sees the unifying force of music as a broad and universal concept
We don't have a curtain
The artist asserts that there are no physical or ideological barriers to shared appreciation of music
Made of iron or stone
The singer uses a metaphor to emphasize the idea that music is a force that can break down walls
We are not divided by a wall
The artist repeats the idea that music is a unifying force
So come on tell me
The singer urges their conversation partner to communicate openly
Hey, hey, hey
The singer uses a cheerful and friendly tone to encourage engagement
From L.A. to Broadway
The singer references two iconic locations in the entertainment world to underscore the universal pull of music
Let the music lift you up
The artist offers music as a positive and uplifting influence
Whoa, everybody's singin'
The artist expands the idea of music's unifying force to include everyone
When you're feelin' low
The singer identifies music as a tool to lift one's mood
Hit that radio
The singer suggests turning on the broadcast medium of music
Let the music lift you
The artist repeats the idea of music as an uplifting force
Up, way up, way up
The artist emphasizes the degree to which music can elevate one's spirits
There are books that tell us
The artist references other sources of knowledge to contrast music's intangible effects
What makes this whole world turn
The singer references a fundamental question about the nature of existence
And how Heaven holds the star wars
The artist references biblical concepts to emphasize the ineffable nature of music's power
But there's no explanation
The singer asserts that despite other sources of knowledge, music's power resists explanation
Lord it's still a mystery
The singer invokes a higher power to emphasize the mysterious quality of music's influence
Lyrics © Warner Chappell Music, Inc.
Written by: EDDIE F. SETSER, TROY HAROLD SEALS
Lyrics Licensed & Provided by LyricFind